COMICS & GRAPHIC NOVELS
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MAGAZINES
AUG141957 COMIC SHOP NEWS #1426 PI
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AUG141953 JUXTAPOZ #166 NOV 2014 $5.99
JUL141735 SF&F MODELLER PRESENTS HORROR & MONSTER MODELLER VOL 06 $33.00
BOOKS
AUG141911 ADVENTURE TIME ART OF OOO HC $35.00
AUG141879 ANDREW LOOMIS ID LOVE TO DRAW HC $39.95
AUG141702 ART OF 5TH CELL SC $39.99
APR141535 ART OF PIN UP HC (MR) $200.00
JUL141663 DOCTOR WHO MAD LIBS $3.99
AUG141920 POTA EVOLUTION OF LEGEND CELEBRATION MOVIES TV & MERCH HC $39.95
JUL141291 UNCANNY X-MEN 100 PROJECT TP $12.99
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JUL141656 WALT BEFORE MICKEY DISNEY EARLY YEARS SC $25.00
JUL142583 WARHAMMER DOOM OF DRAGONBACK SC $14.00
APR141545 WINGS OF ANGELS TRIBUTE ART OF WW II PINUP HC VOL 01 (MR) $39.99
APR141546 WINGS OF ANGELS TRIBUTE ART OF WW II PINUP HC VOL 02 (MR) $39.99
Tuesday, October 14, 2014
Monday, October 13, 2014
Food Wars: The Ice Queen and the Spring Storm
I read Food Wars!, Vol. 2: Shokugeki no Soma
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
Sunday, October 12, 2014
I Reads You Review: THE MULTIVERSITY #1
DC COMICS – @DCComics
WRITER: Grant Morrison
PENCILS: Ivan Reis
INKS: Joe Prado
COLORS: Nei Ruffino
LETTERS: Todd Klein
COVER: Ivan Reis and Joe Prado with Nei Ruffino
VARIANT COVERS: Chris Burnham with Nathan Fairbairn (after Joe Shuster); Bryan Hitch with Alex Sinclair; Grant Morrison
48pp, Color, $4.99 U.S. (October 2014)
Rated “T” for “Teen”
“House of Heroes”
The Multiversity is the latest comic book event series from DC Comics. It is also a long-awaited event series, as this project was first announced several years ago. The Multiversity is a limited series consisting of interrelated one-shot comic books set in the “DC Multiverse.” Specifically, this is the Multiverse as it exists after The New 52, the re-launch of the DC Comics Universe that occurred in 2011.
If I understand correctly, the series will be comprised of eight comics. Grant Morrison will write all eight, but each comic book will be drawn by a different artist. The first issue, The Multiversity #1, is written by Morrison, drawn by Ivan Reis and Joe Prado, colored by Nei Ruffino, and lettered by the great Todd Klein.
The Multiversity #1 (“Hall of Heroes”) opens in a college dorm room, where a young African-American man is trying to understand what may be a haunted comic book. The story moves to Earth-7, where Nix Uotan, the Superjudge and last of the Multiversal Monitors, saves a superhero, Thunderer, from certain doom at the hands of five demonic invaders: Dame Merciless, Hellmachine, Lord Broken, Demogorounn, and Intellectron.
Meanwhile, Superman of Earth-23 finds himself spirited away to the Monitor Watchstation, also known as Valla-hal the “House of Heroes.” Here, the greatest heroes of Fifty-Two worlds have been summoned to protect the Multiverse. None of them have any idea of what they face.
If I had to guess (and I have to since I'm trying to communicate with you, dear readers, through this review), I would guess that The Multiversity is influenced by DC Comics' now-legendary comic book crossover event, Crisis on Infinite Earths. I think the JLA/JSA crossover events that occurred in the original Justice League of America comic book series, every year from 1963 to 1985, also inspires The Multiversity. In fact, I have read a few of those annual crossover stories, and The Multiversity #1, in terms of storytelling and in Ivan Reis' art, reminds me of them.
Basically, The Multiversity #1 is old-school DC Comics (pre-Crisis on Infinite Earths) mixed with Grant Morrison's penchant for weirdness and mythology, and his... taste... for Alan Moore and Michael Moorcock. It's a fun read. I don't know if this event is meant to be world(s)-shattering, but it sure doesn't seem like it. It's more goofy fun than anything else.
I won't lie to you. This is far from a great comic book, but it is, for the most part, good. You know, there are enough Black and African-American superheroes in The Multiversity #1 to make a Tarzan movie or at least, a Milestone Media comic book, so I can't help but like it. I am going to follow this series in its entirety because of this first issue, although I had planned on not reading past the first issue.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Saturday, October 11, 2014
Review: MY LOVE STORY!! Volume 2
VIZ MEDIA – @VIZMedia
STORY: Kazune Kawahara
ART: Aruko
TRANSLATION: JN Productions
ENGLISH ADAPTATION: Ysabet Reinhardt MacFarlane
LETTERS: Mark McMurray
ISBN: 978-1-4215-7145-4; paperback (October 2014); Rated “T” for “Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
Kazune Kawahara is a manga creator best known for her romantic comedy shojo manga, High School Debut. She also writes the high school, romantic comedy manga, Ore Monogatari, which is drawn by Aruko. VIZ Media recently began publishing Ore Monogatari in North America as My Love Story!!
The series focuses on high school student, Takeo Goda. He is a gentle giant, but he isn't the most attractive fellow. He also has a giant heart, but girls won't have anything to do with him. Then he meets Rinko Yamato, after saving her from a harasser on the train. Yamato falls in love with Takeo and his life changes.
As My Love Story!!, Vol. 2 (Chapters 4 to 7) opens, Takeo is enjoying life with a girlfriend. Now, that Takeo has a girlfriend, his friends also want to meet girls, so Yamato plans a mixer. Everything is going well when some of the friends decide to start saying bad things. Also, Takeo agrees to help out the Shuei High judo team, but that means time away from Yamato. Will this relationship, which is still in its “honeymoon stage,” survive gossipy friends and sports tournaments?
[This volume contains an interview with series creators, Kazune Kawahara and Aruko.]
The My Love Story!! manga is a sweet high school shojo love story. Reading it tickles my imagination; it's dessert for my brain. That's all I can say about it for now. I have to admit that I cannot help but love a volume of manga that includes four recipes for Japanese treats, sweet and savory. Manga plus foodie culture – that's nice.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Friday, October 10, 2014
Review: TONOHARU: Part One
PLIANT PRESS/TOP SHELF PRODUCTIONS – @topshelfcomix
CARTOONIST: Lars Martinson – @larsmartinson
ISBN: 978-0-9801023-6-9; paperback (October 7, 2014)
128pp, 2-color, $14.95 U.S.
On and off since 2003, cartoonist Lars Martinson has been living and working in Japan. Those experiences inspired his comic book project, Tonoharu.
Tonoharu: Part One is an original graphic novel written and drawn by Martinson and originally published in 2008 by Pliant Press (and distributed by Top Shelf Productions) as a hardcover book. Although Tonoharu is a planned four-volume series, only Tonoharu: Part Two (2010) has been released since the first volume. A softcover edition of Tonoharu: Part One was just recently published.
Tonoharu is the story of Daniel “Dan” Wells, a young American working in rural Japan. The story focuses on Well's daily life and routine, which is largely dull and unimaginative, because Wells has not embraced his new home, nor has he even mastered the Japanese language.
A recent college graduate, Dan moves to rural Japan to work as an assistant English teacher. There are other “foreigners” in the village of Tōnoharu, where Dan lives and works at the local school, but he has a difficult time connecting with them. He eventually meets Constance, a young American woman he likes very much, but she teaches in another town and seems to already have a boyfriend.
The visual structure that Martinson creates merges style, rhythm, form, and design. It is both visually appealing and revealing of plot, setting, and mood. This allows Martinson to portray the story of Dan as one of a young man boxed in or perhaps boxing himself in after he moves to an alien environment.
Tonoharu is a tale of a stranger in a strange land, and Martinson lets the reader into that new world. That is how we understand Dan’s dilemma. He is lost and alone, imprisoned and isolated, mostly of his own doing. Martinson presents a very open narrative which allows the reader to share Dan’s experience, which, in turn, allows me to interpret Dan's story in my own way.
Allowing the readers to grapple with Dan Wells on their own terms is what makes Tonoharu: Part One both interesting and appealing. I hope this series continues. This paperback release of Tonoharu: Part One includes an “Afterword,” written by Martinson in Spring 2014, in which he says that he is still a “couple of years” from finishing Tonoharu.
A-
larsmartinson.com
topshelfcomix.com
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Thursday, October 9, 2014
Review: HONEY BLOOD Volume 1
VIZ MEDIA – @VIZMedia
CARTOONIST: Miko Mitsuki
TRANSLATION: pinkie-chan
ENGLISH ADAPTATION: Ysabet Reinhardt MacFarlane
LETTERS: Joanna Estep
ISBN: 978-1-4215-7337-3; paperback (October 2014); Rated “T” for “Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
There is a new vampire shojo manga from VIZ Media. Entitled Honey Blood, it is created by Miko Mitsuki. The series follows a high school girl and the mysterious writer of vampire romance novels who might also have a taste for blood.
Honey Blood, Vol. 1 (Chapters 1 to 5) opens as a female high school student becomes the latest victim in a string of attacks. In fact, all the victims are young women, and all have suffered massive blood loss, although none of the attacks, as of yet, have been fatal. The victim is from the same school as Hinata Sorazono, and everyone is on edge.
Everyone seems to think that the attacker is a vampire, but Hinata refuses to believe that vampires exist. She even refuses to read the popular vampire romance novel, Until the Ends of the Earth, that is so popular with her best friend and with fellow students. However, she discovers that her new neighbor is the novel's author, Junya Tokinaga. She reluctantly becomes interested in this author with an old-world air about him, but as the attacks on young women continue, Hinata begins to wonder if Junya is somehow involved.
The Honey Blood manga is no Vampire Knight. Honey Blood has some novel ideas about vampires, but it is as much about innuendo and heavy panting and sighing as it is about vampires – if not more. Vampire Knight is edgy, dark, brutal, and tragic. Honey Blood is about a high school girl getting mixed up with an older man, who is conflicted about being chivalrous.
This is not supernatural puppy love, but Honey Blood is closer to Twilight than to any other vampire manga recently released in North America (such as the dark, morbid, and weird Black Rose Alice). Right now, I am not really impressed with it, but I suspect that once adversarial characters are introduced (such as a rival vampire and a rival love interest), Honey Blood will be like hotter blood.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Wednesday, October 8, 2014
Book Review: AFTER I'M GONE
HARPCOLLINS/William Morrow – @HarperCollins; @WmMorrowBks
AUTHOR: Laura Lippman
ISBN: 978-0-06-208341-8; paperback (August 12, 2014)
352pp, B&W, $14.99 U.S.
After I'm Gone is a 2014 crime novel from Laura Lippman, The New York Times bestselling author of What the Dead Know. A paperback original, After I'm Gone is the story of how one man’s disappearance echoes through the lives of the five women he left behind: his wife, his three daughters, and his mistress.
Felix Brewer saw Bernadette “Bambi” Gottschalk at a Valentine’s Dance in 1959, and it was love at first sight. Felix charmed Bambi with wild promises, and because of his lucrative, but largely illegal business ventures, he was able to keep some of those promises. Felix, Bambi and their three little girls: Linda, Rachel, and Michelle lived in luxury. However, Felix eventually ended up convicted and facing prison time. On July 4, 1976, Felix mysteriously vanished.
Felix also had a mistress, Julie Saxony a.k.a. Juliet Romeo. Everyone, including Bambi, thought Julie knew where Felix or his money was. However, on July 4 1986, Julie disappears. Her remains are eventually found on or about September 23, 2001.
On March 2, 2012, twenty-six years after Julie first went missing, Roberto “Sandy” Sanchez, a retired Baltimore detective who works as a consultant for extra cash, opens a cold case, investigating Julie's murder. Sandy is about to enter a tangled web that connects five intriguing women, with Felix Brewer at the center. Sandy is determined to find the truth, but can he unravel about five decades of history and three decades of intrigue?
The mystery of Felix Brewer's whereabouts is really not especially important to After I'm Gone. The murder of Julie Saxony makes this book crime fiction and a murder mystery, but the whodunit is not as important as the women of Felix Brewer. Yes, it's the women of the missing man who are crucial to this novel.
The truth is that After I'm Gone is an exceptional work of fiction and a superb read, beyond being a good murder mystery and semi-police procedural. I have read and listened to critics who have described things as “delicious.” I didn't every think that I would describe something as delicious in a review, but... The women of After I'm Gone are delicious characters. My imagination dined on them for 300-plus pages and could have gobbled another 300 pages.
There is nothing about this book title or about its cover and graphic design that suggests the surprising tragedy and shocking plots twists that Lippman offers in this hugely engrossing novel. If this year's Pulitzer Prize for Fiction winner is a better read than After I'm Gone, it will have to have been conceived by a divine mind.
A+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
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