WATSON AND HOLMES No. 6
NEW PARADIGM STUDIOS – @npstudios
WRITER: Brandon Easton
ARTIST: N. Steve Harris
COLORS: Jay David Ramos
LETTERS: Wilson Ramos, Jr.
COVER: N. Steven Harris with Jay David Ramos
VARIANT COVER: Rick Leonardi with Jay David Ramos
28pp, Color, $3.99 U.S.
Rated T+
Watson & Holmes created by Brandon Perlow and Paul J. Mendoza, inspired by Arthur Conan Doyle’s “Sherlock Holmes”
I first came across Watson & Holmes when the 2014 Glyph Comics Award nominations were announced. After Watson & Holmes #6 won four of those awards, I decided try the series, especially #6. By chance, I was visiting a regional comic book store, when I spied a box of comics with a sign on the front that said “.25¢ each.” I looked through the box and was surprised to find a number of interesting comic books. That included Watson & Holmes #6, which is produced by writer Brandon Easton, artist N. Steve Harris, colorist Jay David Ramos, and letterer Wilson Ramos, Jr.
New Paradigm Studios' comic book series, Watson & Holmes, is a modern take on the tales of “Sherlock Holmes” by Sir Arthur Conan Doyle. The series envisions Sherlock Holmes and Dr. John Watson as Black men in an urban setting, specifically New York City’s famous Harlem district. By placing them in a modern, American urban landscape, Doyle's legendary detective fiction characters can travel in story directions likely never imagined by Doyle.
In Watson & Holmes, Holmes is no longer the sole central character and shares the spotlight equally with Watson. Dr. John Watson is now the African-America Dr. Jon Watson, a former para-jumper for the U.S. Air Force and an Afghanistan war veteran. He currently works in an inner-city clinic helping the less fortunate, while dealing with the financial hardships brought on by a difficult divorce. The African-American Sherlock Holmes is currently a private investigator and a consultant to the New York Police Department (NYPD). Obsessive compulsive, Holmes had worked as a programmer for an Internet start-up that failed, which ruined his career. That led to him becoming a PI.
Watson & Holmes #6 opens at night near the George Washington Bridge in New York City. The next morning, the bridge is a crime scene when the body of Hazel Wainwright is found. The NYPD brings Holmes into the investigation because this murder requires a great deal of discretion. Hazel was the wife of prominent New York City councilman, Dexter “Dex” Wainwright.
Holmes strongly suspects that Dex murdered his wife, but Watson hopes against that, as Wainwright has led the revival of Harlem. Holmes' research has uncovered the name of Dominique Jiminez, a woman who is somehow connected to both Wainwrights. Watson and Holmes aren't the only ones looking for Jiminez, a woman who is also connected to a dark underworld.
I don't often come across self-contained, single-issue detective comic books; I rarely come across them as good as Watson & Holmes #6. Not only is the story good, but it is also riddled with consequence. Brandon Easton offers a story that is both real in a heartbreaking way and also really relevant. Easton makes the Wainwrights and Jiminez matter because I cared about their dilemmas and conflicts, and especially their situations in life.
Artist N. Steven Harris has huge upside. Although his compositions and technique are still developing, his storytelling has a strong sense of drama and makes Watson and Holmes' union and method of working together seem genuine. Harris' drawings are stylish, defined by a sense of dynamism that permeates each panel. The colors by Jay David Ramos strike the right tone, suggesting this story's quick pace, without loosing its crime fiction edginess.
I would like to see Brandon Easton and N. Steve Harris work together again, on Watson & Holmes especially. But I'll take something else... like maybe an creator-owned title.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
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Sunday, November 30, 2014
I Reads You Review: WATSON & HOLMES #6
Labels:
Black Comics,
Brandon Easton,
Glyph Award winner,
N. Steven Harris,
Neo-Harlem,
Review,
small press
Saturday, November 29, 2014
Spell of Desire: Enter the Black Witch Coven
I read Spell of Desire, Vol. 2
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter or at Grumble.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter or at Grumble.
Labels:
Comic Book Bin,
JN Productions,
josei,
shojo,
Shojo Beat,
Tomu Ohmi,
VIZ Media,
Ysabeth Reinhardt MacFarlane
Read Grumble Chapter One, Page 5 Ahead of Page 6
Friday, November 28, 2014
I Reads You Review: FANTASTIC FOUR #262
FANTASTIC FOUR #262
MARVEL COMICS – @Marvel
WRITER/ARTIST: John Byrne
MARVEL COMICS – @Marvel
WRITER/ARTIST: John Byrne
COLORS: Glynis Wein
LETTERS: Jim Novak
32pp, Color, .60¢
U.S., .75¢
CAN, .25p UK (January 1984)
Rated
“T+”
“The
Trial of Reed Richards”
A high-ranking Marvel Comics person
once said that most comic books published before 1992 were bad,
although Marvel is thriving largely due to pre-1992 publications and
creations. I know for a fact that one comic book series that was
no-ways-bad was Marvel Comics' Fantastic Four comic book series with
John Byrne as both writer and artist. After Byrne left the series in
1986, the Fantastic Four (sometimes referred to as “FF”) was
never the same. There have only been a few brief runs since then in
which the series has approached the quality of Byrne's work on this
seminal Stan Lee-Jack Kirby creation.
For some reason, I recently remembered
something called “Assistant Editors' Month.” Marvel Comics
Editor-in-Chief Jim Shooter and Marvel's primary editorial staff had
taken a month-long trip in the late summer of 1983, supposedly. This
meant that the assistant editors were the acting-editors of Marvel's
regular titles for at least one month. The result of this was that
Marvel's superhero titles with the publication date of January 1984
would drift from the status quo, at least, a little bit. [I think
the Avengers met David Letterman in their title.]
Because I have many issues of Byrne's
run on Fantastic Four, I also happen to have the Assistant Editors
Month issue, Fantastic Four #262. The conceit of that issue is that
Marvel Comics exists in the same universe as the Fantastic Four.
John Byrne, as current writer-artist of the Fantastic Four, often
uses the adventures of the real Fantastic Four as the basis for his
Fantastic Four comics.
As Fantastic Four #262 (“The Trial
of Reed Richards”) begins, Byrne is having a telephone conversation
with Michael Higgins, the assistant editor of the Fantastic Four
comic book and the person currently in charge of getting the book
finished while the regular editor is away. Higgins is pressing Byrne
to deliver some pages, but Byrne is pressed against a deadline
because he cannot get in contact with the Fantastic Four.
Lucky him, The Watcher appears and
takes Byrne far into the cosmos. The Watcher says that Byrne, as the
“chronicler” of the Fantastic Four's adventures, must bear
witness to the trial of Reed Richards. Why is Reed, a.k.a. Mr.
Fantastic, on trial? He saved the life of the planet-devouring
Galactus, and now, victims of Galactus – old, new, and ancient want
to punish the man who kept Galactus living.
I had not read “The Trial of Reed
Richards” in ages. I first heard of it from comic book fans who
swore to me that it was a classic. It may be, but taken as part of
the entirety of Byrne's run on the series, it is one good comic book
among many.
Byrne has previously stated that some
comic book writers, artists, editor, and publishers “don't get it,”
meaning that they do not understand what made certain classic comic
book creations work – what made them “classic.” In the case of
the Fantastic Four, not only in the comic books, but also in the
movies and in television appearances, the writers, artists, and
creative types don't get it.
Many people focus in on the Fantastic
Four as a team that is also a family, and Stan Lee has bolstered that
every time he talks about creating the FF. They're right; the team
is a family. Whatever pulpy roots and TV family examples inspired
him, Lee did create a familiarity amongst the lead characters that
was, at that time, new to comic books.
However, comic books are a
graphics-based and visual storytelling medium, and in the hands of
and by the pencil of Jack Kirby, Fantastic Four had a second
distinctive and crucial feature or trait. This comic book was grand
and big in its scope. The monsters were not just big like those that
appeared in Marvel/Timely's monster comics; there was also something
bigger behind FF's monsters and creatures. It might be tragedy, or a
warning, or even a message. When the Mole Man appeared in Fantastic
Four #1, he was not just a monster wrangler or boss of monsters; he
was a leader and a protector. His mission wasn't mere destruction of
the human world, but the grand notions of the survival and the
prosperity of the creatures that lived below the human world.
Byrne's trial of Reed Richards isn't
just a trippy trip through the cosmos. It is a simple story about
existence, reality, and the natural order, but it was a story spun on
a grand, cosmic scale. Like Lee and Kirby's Fantastic Four, Byrne's
is not hard science fiction, but it embraces the sense of wonder
about the great big unknown beyond the planet, beyond the stars, and
beyond myriad dimensions.
Supposedly, sales of the Fantastic Four
comic book has been floundering for years, and the series is
reportedly headed for cancellation. Whatever the politics behind
that cancellation, the Fantastic Four has been a shadow of its former
glory for decades, for the most part. No one has done the Fantastic
Four like Byrne did it since he did it. I am glad I thought of
reading Fantastic Four #262 because it was part of the “Assistant
Editors' Month” gimmick. Thank goodness for back issues, trades
paperbacks, and Artist Editions that we can still read the new
classic that was John Byrne's Fantastic Four, after the original
classic FF of Stan Lee and Jack Kirby.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy
Douresseaux. All Rights Reserved. Contact this blog for syndication
rights and fees.
Labels:
Jack Kirby,
John Byrne,
Marvel,
Review,
Stan Lee
Thursday, November 27, 2014
Black Rose Alice: Four Vampires and a Funeral for Your Old Life
I read Black Rose Alice, Vol. 2
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter and at Grumble.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter and at Grumble.
Labels:
Comic Book Bin,
John Werry,
manga,
Setona Mizushiro,
shojo,
Shojo Beat,
vampires
Wednesday, November 26, 2014
Review: WAYWARD #4
WAYWARD #4
IMAGE COMICS – @ImageComics
STORY: Jim Zub – @jimzub
ART: Steve Cummings – @stekichikun
COLORS: Josh Perez and Tamra Bonvillain – @dyemooch and @TBonvillain
LETTERS: Marshall Dillon – @MarshallDillon
COVER: Steve Cummings and Ross A. Campbell
VARIANT COVER: Philip Tan
28pp, Color, $3.50 U.S.
Arriving in comic book stores today, Wednesday, November 26, 2014, is the fourth issue of Wayward. This is the fascinating new fantasy comic book series from writer Jim Zub (Skullkickers) and penciller Steve Cummings and published by Image Comics. Wayward focuses on Rori Lane, a half-Irish/half-Japanese teen girl. Rori is trying to start a new life in Japan with her mother, Sanae, only to find herself connected to the magic and ancient creatures that lurk in the shadows of Tokyo.
As Wayward #4 (“Chapter Four”) opens, Rori is trying to keep doing the mundane things in life (like attending school), even after experiencing so much of the supernatural. She gathers her “gang” of fellow supernatural types: Ayane, Shirai, and Nikaido for a supernatural pow-wow. Their meeting is centered around answering the question, “What does each of us know about the supernatural?” In the decommissioned subway tunnels beneath Ueno Park, Rori finds the kind of answers that are really just more questions.
The ComicBookBin received the advanced review PDF copy of Wayward #4 that writer Jim Zub sent to reviewers. It's much appreciated, but do I feel obligated to give Wayward a good review because Zub gives me a chance to read one of my favorite comic books a little early? Actually, I feel obligated to break into Zub's house or into the Image Comics offices, whichever one allows me to read future issues of Wayward now.
Seriously, I like Wayward... a lot. Instead of comparing it to Buffy the Vampire Slayer, I compare it to Harry Potter in the following way. Potter was essentially a series of mystery novels, in which the hero and his allies traveled to unknown, but fantastic places; they dealt with a growing cast of characters, each character having shifting alliances and secretive motivations. The endgame was not just to discover a villain, but to also unravel a far-reaching conspiracy that was born in the past and could determine the future, as well as the fate of countless people.
Wayward offers a mystery that is as unknown as it is alluring. Like Rori following the glowing threads that guide (or lead) her, we don't know where this mystery will take us, but let's follow! Rori is not so much Buffy fighting monsters as she is like Harry Potter guiding us into a fantastic labyrinth of conspiracies and old secrets. Let's keep going Wayward.
A
[Wayward #4 contains the engrossing essay, “Tokyo Underground,” by Zack Davisson (@ZackDavisson), with art by Steve Cummings.]
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
IMAGE COMICS – @ImageComics
STORY: Jim Zub – @jimzub
ART: Steve Cummings – @stekichikun
COLORS: Josh Perez and Tamra Bonvillain – @dyemooch and @TBonvillain
LETTERS: Marshall Dillon – @MarshallDillon
COVER: Steve Cummings and Ross A. Campbell
VARIANT COVER: Philip Tan
28pp, Color, $3.50 U.S.
Arriving in comic book stores today, Wednesday, November 26, 2014, is the fourth issue of Wayward. This is the fascinating new fantasy comic book series from writer Jim Zub (Skullkickers) and penciller Steve Cummings and published by Image Comics. Wayward focuses on Rori Lane, a half-Irish/half-Japanese teen girl. Rori is trying to start a new life in Japan with her mother, Sanae, only to find herself connected to the magic and ancient creatures that lurk in the shadows of Tokyo.
As Wayward #4 (“Chapter Four”) opens, Rori is trying to keep doing the mundane things in life (like attending school), even after experiencing so much of the supernatural. She gathers her “gang” of fellow supernatural types: Ayane, Shirai, and Nikaido for a supernatural pow-wow. Their meeting is centered around answering the question, “What does each of us know about the supernatural?” In the decommissioned subway tunnels beneath Ueno Park, Rori finds the kind of answers that are really just more questions.
The ComicBookBin received the advanced review PDF copy of Wayward #4 that writer Jim Zub sent to reviewers. It's much appreciated, but do I feel obligated to give Wayward a good review because Zub gives me a chance to read one of my favorite comic books a little early? Actually, I feel obligated to break into Zub's house or into the Image Comics offices, whichever one allows me to read future issues of Wayward now.
Seriously, I like Wayward... a lot. Instead of comparing it to Buffy the Vampire Slayer, I compare it to Harry Potter in the following way. Potter was essentially a series of mystery novels, in which the hero and his allies traveled to unknown, but fantastic places; they dealt with a growing cast of characters, each character having shifting alliances and secretive motivations. The endgame was not just to discover a villain, but to also unravel a far-reaching conspiracy that was born in the past and could determine the future, as well as the fate of countless people.
Wayward offers a mystery that is as unknown as it is alluring. Like Rori following the glowing threads that guide (or lead) her, we don't know where this mystery will take us, but let's follow! Rori is not so much Buffy fighting monsters as she is like Harry Potter guiding us into a fantastic labyrinth of conspiracies and old secrets. Let's keep going Wayward.
A
[Wayward #4 contains the engrossing essay, “Tokyo Underground,” by Zack Davisson (@ZackDavisson), with art by Steve Cummings.]
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Image Comics,
Jim Zub,
Philip Tan,
Review,
Ross A. Campbell,
Steven Cummings,
Tamra Bonvillain
Tuesday, November 25, 2014
DC Comics from Diamond Distributors for November 26, 2014
DC COMICS
APR140278 ABSOLUTE BATMAN HAUNTED KNIGHT HC $99.99
AUG140356 AMERICAN VAMPIRE TP VOL 06 (MR) $14.99
SEP140201 AQUAMAN #36 $2.99
SEP140262 ARKHAM MANOR #2 $2.99
AUG140330 BATMAN & ROBIN TP VOL 04 REQUIEM FOR DAMON (N52) $16.99
SEP140292 BATMAN 66 #17 $2.99
SEP140293 BATMAN BEYOND UNIVERSE #16 $3.99
SEP140246 BATMAN ETERNAL #34 $2.99
SEP140302 BATMAN ETERNAL TP VOL 01 (N52) $39.99
AUG140335 BATWOMAN TP VOL 05 WEBS (N52) $19.99
SEP140342 BODIES #5 (MR) $3.99
SEP140266 CATWOMAN #36 $2.99
AUG140332 CATWOMAN TP VOL 05 RACE OF THIEVES (N52) $17.99
SEP140344 DEAD BOY DETECTIVES #11 $2.99
SEP140195 DEATHSTROKE #2 $2.99
SEP140206 EARTH 2 WORLDS END #8 $2.99
SEP140198 FLASH #36 $2.99
SEP140178 GOTHAM BY MIDNIGHT #1 $2.99
SEP140300 HE MAN AND THE MASTERS OF THE UNIVERSE #19 $2.99
AUG140369 HINTERKIND TP VOL 02 (MR) $14.99
SEP140209 INFINITY MAN AND THE FOREVER PEOPLE #5 $2.99
JUL140254 JSA OMNIBUS HC VOL 02 $150.00
SEP140193 JUSTICE LEAGUE DARK #36 $3.99
AUG140331 JUSTICE LEAGUE TRINITY WAR TP $19.99
SEP140220 NEW 52 FUTURES END #30 (WEEKLY) $2.99
JUN140309 PUNK ROCK JESUS DELUXE EDITION HC (MR) $39.99
SEP140279 RED LANTERNS #36 (GODHEAD) $2.99
SEP140216 SECRET ORIGINS #7 $4.99
SEP140221 STAR SPANGLED WAR STORIES GI ZOMBIE #4 $2.99
SEP140226 SUPERMAN #36 $3.99
SEP140230 SUPERMAN #36 COMBO PACK $4.99
JUL140246 TRINITY OF SIN PANDORA TP VOL 02 (N52) $16.99
SEP140349 UNWRITTEN VOL 2 APOCALYPSE #11 (MR) $3.99
DC COMICS/DC COLLECTIBLES
JUN140316 BATMAN ANIMATED BAS CATWOMAN AF $24.95
JUN140323 BATMAN ARKHAM ASYLUM POISON IVY STATUE $124.95
JUL140300 DARK KNIGHT RETURNS CALL TO ARMS STATUE YEAR OT HORSE ED $399.95
JUN140321 DC COMICS NEW 52 STARGIRL AF $24.95
MAY140432 DC COMICS SUPER HEROES FLASH BUST $49.95
JUN140325 JUSTICE LEAGUE WAR CYBORG AF $19.95
APR140278 ABSOLUTE BATMAN HAUNTED KNIGHT HC $99.99
AUG140356 AMERICAN VAMPIRE TP VOL 06 (MR) $14.99
SEP140201 AQUAMAN #36 $2.99
SEP140262 ARKHAM MANOR #2 $2.99
AUG140330 BATMAN & ROBIN TP VOL 04 REQUIEM FOR DAMON (N52) $16.99
SEP140292 BATMAN 66 #17 $2.99
SEP140293 BATMAN BEYOND UNIVERSE #16 $3.99
SEP140246 BATMAN ETERNAL #34 $2.99
SEP140302 BATMAN ETERNAL TP VOL 01 (N52) $39.99
AUG140335 BATWOMAN TP VOL 05 WEBS (N52) $19.99
SEP140342 BODIES #5 (MR) $3.99
SEP140266 CATWOMAN #36 $2.99
AUG140332 CATWOMAN TP VOL 05 RACE OF THIEVES (N52) $17.99
SEP140344 DEAD BOY DETECTIVES #11 $2.99
SEP140195 DEATHSTROKE #2 $2.99
SEP140206 EARTH 2 WORLDS END #8 $2.99
SEP140198 FLASH #36 $2.99
SEP140178 GOTHAM BY MIDNIGHT #1 $2.99
SEP140300 HE MAN AND THE MASTERS OF THE UNIVERSE #19 $2.99
AUG140369 HINTERKIND TP VOL 02 (MR) $14.99
SEP140209 INFINITY MAN AND THE FOREVER PEOPLE #5 $2.99
JUL140254 JSA OMNIBUS HC VOL 02 $150.00
SEP140193 JUSTICE LEAGUE DARK #36 $3.99
AUG140331 JUSTICE LEAGUE TRINITY WAR TP $19.99
SEP140220 NEW 52 FUTURES END #30 (WEEKLY) $2.99
JUN140309 PUNK ROCK JESUS DELUXE EDITION HC (MR) $39.99
SEP140279 RED LANTERNS #36 (GODHEAD) $2.99
SEP140216 SECRET ORIGINS #7 $4.99
SEP140221 STAR SPANGLED WAR STORIES GI ZOMBIE #4 $2.99
SEP140226 SUPERMAN #36 $3.99
SEP140230 SUPERMAN #36 COMBO PACK $4.99
JUL140246 TRINITY OF SIN PANDORA TP VOL 02 (N52) $16.99
SEP140349 UNWRITTEN VOL 2 APOCALYPSE #11 (MR) $3.99
DC COMICS/DC COLLECTIBLES
JUN140316 BATMAN ANIMATED BAS CATWOMAN AF $24.95
JUN140323 BATMAN ARKHAM ASYLUM POISON IVY STATUE $124.95
JUL140300 DARK KNIGHT RETURNS CALL TO ARMS STATUE YEAR OT HORSE ED $399.95
JUN140321 DC COMICS NEW 52 STARGIRL AF $24.95
MAY140432 DC COMICS SUPER HEROES FLASH BUST $49.95
JUN140325 JUSTICE LEAGUE WAR CYBORG AF $19.95
Labels:
Batman,
comics news,
DC Comics News,
DC Direct,
Diamond Distributors,
Flash,
Green Lantern,
Justice League,
Ray Fawkes,
Superman,
Toy News,
Vertigo
Marvel Comics from Diamond Distributors for November 26, 2014
MARVEL COMICS
SEP140873 ALL NEW GHOST RIDER #9 $3.99
SEP140882 ALL NEW INVADERS #12 $3.99
SEP140930 ALL NEW INVADERS TP VOL 02 ORIGINAL SIN $16.99
SEP140927 AMAZING SPIDER-MAN TP 01.1 LEARNING TO CRAWL $17.99
SEP140908 AMAZING X-MEN #13 $3.99
SEP140796 CAPTAIN AMERICA AND MIGHTY AVENGERS #2 AXIS $3.99
SEP140924 CAPTAIN AMERICA EPIC COLLECTION TP CAPTAIN LIVES AGAIN $34.99
SEP140905 CYCLOPS #7 $3.99
SEP140932 DEADPOOL TP VOL 06 ORIGINAL SIN $17.99
SEP148139 DEATH OF WOLVERINE #4 2ND PTG MCNIVEN VAR $4.99
SEP140846 DEATH OF WOLVERINE LOGAN LEGACY #5 $3.99
SEP140862 DEATHLOK #2 $3.99
SEP148182 EDGE OF SPIDER-VERSE #2 3RD PTG RODRIGUEZ VAR $3.99
SEP148140 EDGE OF SPIDER-VERSE #5 2ND PTG WYATT VAR $3.99
SEP140926 INHUMAN TP VOL 01 GENESIS $17.99
SEP140910 MARVEL UNIVERSE ULT SPIDER-MAN WEB WARRIORS #1 $3.99
SEP140922 MMW GOLDEN AGE ALL WINNERS TP VOL 02 $29.99
SEP140820 NEW AVENGERS #27 TRO $3.99
SEP140888 NEW WARRIORS #12 $3.99
SEP140785 NOVA #24 AXIS $3.99
SEP140941 OZ TP ROAD TO OZ $17.99
SEP140914 PAINKILLER JANE 22 BRIDES TP (MR) $17.99
SEP148141 ROCKET RACCOON #2 3RD PTG YOUNG VAR $3.99
AUG140898 SAVAGE WOLVERINE PREM HC VOL 04 BEST THERE IS $24.99
SEP140842 SCARLET SPIDERS #1 SV $3.99
SEP140874 SECRET AVENGERS #10 $3.99
SEP140839 SPIDER-MAN 2099 #6 SV $3.99
SEP140844 SUPERIOR FOES OF SPIDER-MAN #17 $3.99
SEP140806 SUPERIOR IRON MAN #2 AXIS $3.99
SEP140783 WOLVERINE AND X-MEN #12 AXIS $3.99
SEP140937 WOLVERINE BY AARON COMPLETE COLLECTION TP VOL 04 $34.99
SEP140873 ALL NEW GHOST RIDER #9 $3.99
SEP140882 ALL NEW INVADERS #12 $3.99
SEP140930 ALL NEW INVADERS TP VOL 02 ORIGINAL SIN $16.99
SEP140927 AMAZING SPIDER-MAN TP 01.1 LEARNING TO CRAWL $17.99
SEP140908 AMAZING X-MEN #13 $3.99
SEP140796 CAPTAIN AMERICA AND MIGHTY AVENGERS #2 AXIS $3.99
SEP140924 CAPTAIN AMERICA EPIC COLLECTION TP CAPTAIN LIVES AGAIN $34.99
SEP140905 CYCLOPS #7 $3.99
SEP140932 DEADPOOL TP VOL 06 ORIGINAL SIN $17.99
SEP148139 DEATH OF WOLVERINE #4 2ND PTG MCNIVEN VAR $4.99
SEP140846 DEATH OF WOLVERINE LOGAN LEGACY #5 $3.99
SEP140862 DEATHLOK #2 $3.99
SEP148182 EDGE OF SPIDER-VERSE #2 3RD PTG RODRIGUEZ VAR $3.99
SEP148140 EDGE OF SPIDER-VERSE #5 2ND PTG WYATT VAR $3.99
SEP140926 INHUMAN TP VOL 01 GENESIS $17.99
SEP140910 MARVEL UNIVERSE ULT SPIDER-MAN WEB WARRIORS #1 $3.99
SEP140922 MMW GOLDEN AGE ALL WINNERS TP VOL 02 $29.99
SEP140820 NEW AVENGERS #27 TRO $3.99
SEP140888 NEW WARRIORS #12 $3.99
SEP140785 NOVA #24 AXIS $3.99
SEP140941 OZ TP ROAD TO OZ $17.99
SEP140914 PAINKILLER JANE 22 BRIDES TP (MR) $17.99
SEP148141 ROCKET RACCOON #2 3RD PTG YOUNG VAR $3.99
AUG140898 SAVAGE WOLVERINE PREM HC VOL 04 BEST THERE IS $24.99
SEP140842 SCARLET SPIDERS #1 SV $3.99
SEP140874 SECRET AVENGERS #10 $3.99
SEP140839 SPIDER-MAN 2099 #6 SV $3.99
SEP140844 SUPERIOR FOES OF SPIDER-MAN #17 $3.99
SEP140806 SUPERIOR IRON MAN #2 AXIS $3.99
SEP140783 WOLVERINE AND X-MEN #12 AXIS $3.99
SEP140937 WOLVERINE BY AARON COMPLETE COLLECTION TP VOL 04 $34.99
Labels:
Avengers,
Captain America,
comics news,
Diamond Distributors,
Iron Man,
Jason Aaron,
Marvel,
Spider-Man,
Ultimate,
Wolverine,
X-Men
IDW Publishing from Diamond Distributors for November 26, 2014
IDW PUBLISHING
SEP140395 ANGRY BIRDS TRANSFORMERS #1 $3.99
SEP140426 EDWARD SCISSORHANDS #2 $3.99
SEP140460 GI JOE (2014) #3 $3.99
SEP140480 GODZILLA RULERS OF THE EARTH #18 $3.99
SEP140467 JUDGE DREDD #25 $3.99
AUG140513 NELVANA NORTHERN LIGHTS HC $39.99
SEP140400 SAMURAI JACK #14 $3.99
SEP140431 SHADOW SHOW #1 $3.99
SEP140416 SKYLANDERS #2 $3.99
SEP140418 TMNT GHOSTBUSTERS #2 $3.99
SEP140421 TMNT ONGOING #40 $3.99
SEP140392 TRANSFORMERS DRIFT EMPIRE OF STONE #1 $3.99
SEP140393 TRANSFORMERS DRIFT EMPIRE OF STONE #1 BLANK SUBSCRIPT $3.99
SEP140382 TRANSFORMERS MORE THAN MEETS EYE #35 DAYS OF DECEPTION $3.99
AUG140454 TRANSFORMERS VS GI JOE #4 $3.99
SEP140455 X-FILES YEAR ZERO #5 $3.99
SEP140395 ANGRY BIRDS TRANSFORMERS #1 $3.99
SEP140426 EDWARD SCISSORHANDS #2 $3.99
SEP140460 GI JOE (2014) #3 $3.99
SEP140480 GODZILLA RULERS OF THE EARTH #18 $3.99
SEP140467 JUDGE DREDD #25 $3.99
AUG140513 NELVANA NORTHERN LIGHTS HC $39.99
SEP140400 SAMURAI JACK #14 $3.99
SEP140431 SHADOW SHOW #1 $3.99
SEP140416 SKYLANDERS #2 $3.99
SEP140418 TMNT GHOSTBUSTERS #2 $3.99
SEP140421 TMNT ONGOING #40 $3.99
SEP140392 TRANSFORMERS DRIFT EMPIRE OF STONE #1 $3.99
SEP140393 TRANSFORMERS DRIFT EMPIRE OF STONE #1 BLANK SUBSCRIPT $3.99
SEP140382 TRANSFORMERS MORE THAN MEETS EYE #35 DAYS OF DECEPTION $3.99
AUG140454 TRANSFORMERS VS GI JOE #4 $3.99
SEP140455 X-FILES YEAR ZERO #5 $3.99
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Dark Horse Comics from Diamond Distributors for November 26, 2014
DARK HORSE COMICS
SEP140063 ALIENS FIRE AND STONE #3 $3.50
JUN140039 ARKWRIGHT INTEGRAL HC $59.99
JUL140111 AXE COP TP VOL 06 AMERICAN CHOPPERS $12.99
JUL140086 BAD BLOOD TP $17.99
SEP140096 BALTIMORE WOLF AND THE APOSTLE #2 $3.50
SEP140043 CAPTAIN MIDNIGHT #17 $2.99
JUL140080 CHRONICLES OF CONAN TP VOL 28 BLOOD & ICE $19.99
SEP140099 COLDER BAD SEED #2 $3.99
SEP140082 CONAN THE AVENGER #8 $3.50
SEP140080 ELFQUEST FINAL QUEST #6 $3.50
SEP140028 FATHERS DAY #2 $3.99
JUL140129 GRINDHOUSE MIDNIGHT TP VOL 02 BRIDE BLOOD FLESH DOLL $17.99
SEP140061 HALO ESCALATION #12 $3.99
JUL140121 HELLBOY WEIRD TALES HC $24.99
JUL140133 MANARA BORGIAS HC (MR) $59.99
SEP140029 MASSIVE #29 $3.50
SEP140030 MIND MGMT #28 $3.99
SEP140031 POP #4 $3.99
JUL140142 SATOSHI KON OPUS TP $19.99
SEP140032 SUNDOWNERS #4 $3.50
JUL140132 TALES OF IMPERFECT FUTURE HC $17.99
JUL140063 TERMINATOR SALVATION FINAL BATTLE TP VOL 01 $19.99
SEP140062 TOMB RAIDER #10 $3.50
OCT140090 USAGI YOJIMBO SENSO #5 $3.99
JUL140065 VANDROID TP $17.99
JUL140102 WHITE SUITS TP $17.99
SEP140063 ALIENS FIRE AND STONE #3 $3.50
JUN140039 ARKWRIGHT INTEGRAL HC $59.99
JUL140111 AXE COP TP VOL 06 AMERICAN CHOPPERS $12.99
JUL140086 BAD BLOOD TP $17.99
SEP140096 BALTIMORE WOLF AND THE APOSTLE #2 $3.50
SEP140043 CAPTAIN MIDNIGHT #17 $2.99
JUL140080 CHRONICLES OF CONAN TP VOL 28 BLOOD & ICE $19.99
SEP140099 COLDER BAD SEED #2 $3.99
SEP140082 CONAN THE AVENGER #8 $3.50
SEP140080 ELFQUEST FINAL QUEST #6 $3.50
SEP140028 FATHERS DAY #2 $3.99
JUL140129 GRINDHOUSE MIDNIGHT TP VOL 02 BRIDE BLOOD FLESH DOLL $17.99
SEP140061 HALO ESCALATION #12 $3.99
JUL140121 HELLBOY WEIRD TALES HC $24.99
JUL140133 MANARA BORGIAS HC (MR) $59.99
SEP140029 MASSIVE #29 $3.50
SEP140030 MIND MGMT #28 $3.99
SEP140031 POP #4 $3.99
JUL140142 SATOSHI KON OPUS TP $19.99
SEP140032 SUNDOWNERS #4 $3.50
JUL140132 TALES OF IMPERFECT FUTURE HC $17.99
JUL140063 TERMINATOR SALVATION FINAL BATTLE TP VOL 01 $19.99
SEP140062 TOMB RAIDER #10 $3.50
OCT140090 USAGI YOJIMBO SENSO #5 $3.99
JUL140065 VANDROID TP $17.99
JUL140102 WHITE SUITS TP $17.99
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Image Comics from Diamond Distributors for November 26, 2014
IMAGE COMICS
SEP140570 AMERICAN LEGENDS #4 $3.99
SEP140571 AMERICAN LEGENDS #5 $3.99
SEP140575 COWL #6 (MR) $3.50
AUG140640 DARK ENGINE #4 (MR) $3.50
SEP140729 LAZARUS #13 (MR) $3.50
SEP140576 MADMAN IN YOUR FACE 3D SPECIAL $9.99
AUG140660 MANHATTAN PROJECTS #25 $3.50
SEP140737 ODDLY NORMAL #3 CVR A FRAMPTON $2.99
SEP140738 ODDLY NORMAL #3 CVR B COOK $2.99
SEP140533 ODYC #1 (MR) $3.99
APR140584 PROPHET STRIKEFILE #2 $3.99
SEP140744 RASPUTIN #2 (MR) $3.50
SEP140747 ROCHE LIMIT #3 (MR) $3.50
SEP140749 SEX #18 (MR) $2.99
AUG140678 SHELTERED #13 (MR) $2.99
JUN140575 SIDEKICK #9 (MR) $2.99
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SEP140764 WAYWARD #4 CVR A CUMMING & CAMPBELL (MR) $3.50
SEP140765 WAYWARD #4 CVR B TAN (MR) $3.50
JUL140593 WILDFIRE #1-4 SIGNED SET ED $24.99
IMAGE COMICS/MCFARLANE TOYS
JUL142166 TMP MLB DEREK JETER COMMEMORATIVE AF 2PK CS PI
SEP140570 AMERICAN LEGENDS #4 $3.99
SEP140571 AMERICAN LEGENDS #5 $3.99
SEP140575 COWL #6 (MR) $3.50
AUG140640 DARK ENGINE #4 (MR) $3.50
SEP140729 LAZARUS #13 (MR) $3.50
SEP140576 MADMAN IN YOUR FACE 3D SPECIAL $9.99
AUG140660 MANHATTAN PROJECTS #25 $3.50
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AUG140678 SHELTERED #13 (MR) $2.99
JUN140575 SIDEKICK #9 (MR) $2.99
SEP140758 TREES #7 (MR) $2.99
SEP140759 UMBRAL #11 (MR) $3.50
AUG140628 WALKING DEAD WALKER FACES T/S LG MEN $25.00
SEP140764 WAYWARD #4 CVR A CUMMING & CAMPBELL (MR) $3.50
SEP140765 WAYWARD #4 CVR B TAN (MR) $3.50
JUL140593 WILDFIRE #1-4 SIGNED SET ED $24.99
IMAGE COMICS/MCFARLANE TOYS
JUL142166 TMP MLB DEREK JETER COMMEMORATIVE AF 2PK CS PI
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Comics, Magazines and Books from Diamond Distributors for November 26, 2014
PREVIEWS PUBLICATIONS
OCT142765 GAME TRADE MAGAZINE #178 $3.99
OCT140002 MARVEL PREVIEWS DECEMBER 2014 EXTRAS $1.25
OCT140004 PREVIEWS #315 DEC 2014 CUSTOMER ORDER FORM EXTRAS PI
OCT140007 PREVIEWS #315 DEC 2014 FAX ORDER FORM (LIMIT 1) PI
OCT140006 PREVIEWS #315 DEC 2014 RETAILER ORDER FORM EXTRAS PI
OCT140001 PREVIEWS #315 DECEMBER 2014 $4.50
COMICS & GRAPHIC NOVELS
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AUG141201 AMAZING WORLD OF GUMBALL #5 MAIN CVRS $3.99
SEP141700 ARCHER & ARMSTRONG ONE PERCENT #1 CVR B BEAR MASK $3.99
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AUG141005 ARCHIE COMIC SUPER SPECIAL #6 $9.99
SEP141008 ARCHIE GIANT COMICS FESTIVAL TP $7.99
SEP141479 ATTACK ON TITAN JUNIOR HIGH GN VOL 02 $16.99
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AUG141214 BEE AND PUPPYCAT #6 MAIN CVRS $3.99
APR140856 BETTY & VERONICA SHOPPING SPREE TP $9.99
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AUG141393 DAWN VAMPIRELLA #2 RARE LINSNER VIRGIN ED $50.00
AUG141166 DEAD LETTERS #6 $3.99
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AUG140952 EHMM THEORY EVERYTHING IN SMALL DOSES #2 (MR) $3.99
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JUL141449 INCREDIBLE CHANGE BOTS TWO POINT SOMETHING GN $19.95
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OCT141546 LITTLE NEMO DREAM ANOTHER DREAM HC PI
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MAGAZINES
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BOOKS
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OCT140002 MARVEL PREVIEWS DECEMBER 2014 EXTRAS $1.25
OCT140004 PREVIEWS #315 DEC 2014 CUSTOMER ORDER FORM EXTRAS PI
OCT140007 PREVIEWS #315 DEC 2014 FAX ORDER FORM (LIMIT 1) PI
OCT140006 PREVIEWS #315 DEC 2014 RETAILER ORDER FORM EXTRAS PI
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SEP141658 ICE CRITICAL MASS #1 $1.99
JUL141449 INCREDIBLE CHANGE BOTS TWO POINT SOMETHING GN $19.95
OCT141724 IS GN VOL 02 $7.99
OCT141725 IS GN VOL 03 $7.99
OCT141726 IS GN VOL 04 $7.99
OCT141727 IS GN VOL 05 $7.99
OCT141356 JIM BUTCHERS DRESDEN FILES WAR CRY HC SGN ED $39.99
SEP141324 JUSTICE INC #4 CVR A ROSS MAIN $3.99
OCT140968 LABYRINTHECTOMY LUNCHEONETTE ONE SHOT (MR) $4.99
APR140838 LAST ZOMBIE ZOMNIBUS SGN ED HC $69.99
SEP141519 LETTER 44 #12 $3.99
OCT141546 LITTLE NEMO DREAM ANOTHER DREAM HC PI
SEP141128 MEMETIC #2 $4.99
JUN140760 MIDNIGHT TIGER #2 $3.99
AUG141602 MIGHTY MORPHIN POWER RANGERS GN VOL 02 GOING GREEN $7.99
AUG141603 MIGHTY MORPHIN POWER RANGERS HC VOL 02 GOING GREEN $12.99
OCT141717 MONSTER TP VOL 01 PERFECT ED URASAWA $19.99
JUL141223 NANCY COMPLETE DAILIES GN VOL 03 LOVES SLUGGO 1949-1951 $39.99
AUG141790 NIGHT ANGEL TRILOGY GN VOL 01 WAY OF SHADOWS $30.00
AUG141582 ORPHAN BLADE GN $19.99
SEP141647 PENGUINS OF MADAGASCAR #1 $3.99
AUG141131 PIROUETTE #2 (MR) $2.99
AUG140943 PLANET GIGANTIC #1 $3.99
SEP141294 PURGATORI #3 CVR A RUFFINO MAIN $3.99
OCT141750 RASETSU GN VOL 02 $8.99
OCT141751 RASETSU GN VOL 03 $9.99
OCT141752 RASETSU GN VOL 04 $9.99
OCT141753 RASETSU GN VOL 05 $9.99
SEP141340 RED SONJA BLACK TOWER #3 $3.99
SEP141605 ROBBIE BURNS WITCH HUNTER HC GN $19.99
OCT141736 RUROUNI KENSHIN GN VOL 04 $7.95
OCT141737 RUROUNI KENSHIN GN VOL 05 $7.95
AUG141681 SALLY O/T WASTELAND #5 $3.99
AUG140953 SCUM O/T EARTH #3 (MR) $3.99
SEP141530 SEPARATORS #1 $3.99
AUG140944 SHINOBI NINJA PRINCESS #3 $3.99
SEP141275 SOLAR MAN OF THE ATOM TP VOL 01 NUCLEAR FAMILY $16.99
AUG140954 SOUTHERN DOG #3 (MR) $3.99
SEP141345 STEAMPUNK BSG 1880 #4 $3.99
SEP141171 STEVEN UNIVERSE #4 MAIN CVRS $3.99
SEP141515 STUMPTOWN V3 #3 $3.99
SEP141114 TAROT WITCH OF THE BLACK ROSE #89 (MR) $2.95
SEP141103 TOE TAG RIOT #1 (MR) $3.50
SEP141491 TOWER CHRONICLES DREADSTALKER #4 $3.99
SEP141280 TUROK DINOSAUR HUNTER #10 CVR A SEARS MAIN $3.99
SEP141350 TWILIGHT ZONE TP VOL 02 WAY IN $15.99
SEP141711 UNITY TP VOL 03 ARMOR HUNTERS $14.99
OCT141755 VAMPIRE KNIGHT OFFICIAL FANBOOK TP $14.99
SEP141378 VAMPIRELLA FEARY TALES #2 ANACLETO VIRGIN $50.00
SEP141379 VAMPIRELLA FEARY TALES #2 RARE ADAMS VIRGIN $50.00
SEP141649 WESTWARD #9 $3.99
AUG141610 WWE SUPERSTARS ONGOING #10 $3.99
SEP141488 XXXHOLIC REI GN VOL 02 $10.99
OCT141741 YU YU HAKUSHO GN VOL 04 $9.99
OCT141744 YURARA GN VOL 01 $8.99
OCT141746 YURARA GN VOL 03 $8.99
OCT141747 YURARA GN VOL 04 $8.99
OCT141748 YURARA GN VOL 05 $8.99
MAGAZINES
AUG141132 BLEEDING COOL MAGAZINE #13 (MR) $4.99
SEP141938 COMIC SHOP NEWS #1432 PI
SEP141939 COMIC SHOP NEWS CHRISTMAS 2014 SPECIAL PI
OCT141902 GIRLS AND CORPSES MAGAZINE WINTER 2014 (MR) $8.95
SEP141954 LOCUS #646 $7.50
JUN141707 MEGAMI SEP 2014 $16.60
JUN141708 NEWTYPE SEP 2014 $16.00
SEP141933 NON SPORT UPDATE VOL 25 #6 $5.99
OCT141896 SCREEM #29 NEWSSTAND ED $8.95
OCT141897 SCREEM #29 PX ED $8.95
SEP141955 STAR TREK MAGAZINE 2015 SPECIAL $14.99
BOOKS
OCT141855 100 GREATEST CONSOLE VIDEO GAMES 1977-1987 HC $34.99
AUG141848 ART OF RICHARD THOMPSON HC $35.00
SEP141875 ART OF THE SIMON AND KIRBY STUDIO $60.00
AUG141933 ASSASSINS CREED UNITY ABSTERGO ENT NEW EMPLOYEE HANDBOOK $45.00
OCT141834 COLLECTING STAR WARS TOYS 1977 -1997 2ND ED SC $29.95
AUG141888 DRAWING BEAUTIFUL WOMEN FRANK CHO METHOD SC (MR) $19.95
OCT141835 FURTHER ADV IN SIMPSONS COLLECTIBLES UNAUTH SC $29.95
OCT141836 GI JOE & OTHER BACKYARD HEROES 1970-1979 SC $29.95
OCT141839 KIRBY KING OF THE COMICS HC NEW PTG (NOTE PRICE) $45.00
OCT141830 NIGHT SONG SC (MR) $19.95
SEP141457 OVERSTREET GUIDE SC VOL 03 GRADING COMICS $24.95
AUG141934 PUSH START ART OF VIDEO GAMES HC $59.95
AUG141891 SKETCHING FROM IMAGINATION FANTASY SC $29.99
OCT141852 THANKS FOR ALL THE NICENESS FAN ART AROUND WORLD HC $75.00
OCT141837 UNAUTH GUIDE SIMPSONS COLLECTIBLES PRICE GUIDE SC $29.95
Labels:
Archie Comics,
Art Book,
Book News,
BOOM Studios,
comics news,
Diamond Distributors,
Dynamite Entertainment,
Frank Cho,
Jack Kirby,
manga news,
Star Trek,
Star Wars,
Valiant Comics,
VIZ Media
Monday, November 24, 2014
Tegami Bachi: Late Hire Chico
I read Tegami Bachi, Vol. 17
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter or at Grumble.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter or at Grumble.
Labels:
Comic Book Bin,
JN Productions,
manga,
shonen,
Shonen Jump,
VIZ Media
Sunday, November 23, 2014
I Reads You Review: SILVER #3
SILVER #3 – CURSE OF THE SILVER DRAGON
DARK PLANET COMICS
CARTOONIST/CREATOR: Stephan Franck – @stephan_franck
COVER: Stephan Franck with Alan Bodner
32pp, B&W, $4.50 U.S. (2014)
Silver is a 12-issue miniseries created by Stephan Franck (a filmmaker in the American animation industry) and published by Dark Planet Comics. Silver extends the fictional world of writer Bram Stoker, the author of the novel, Dracula (1897), into the 1930s. The series stars con man James Finnigan, a thief extraordinaire who plans to steal silver from the living-dead.
Act 1 of Silver focuses on Finnigan's mission to assemble a crew that can help him pull off the biggest heist of the last ten centuries. The series opens in New York City, 1931 at the Harker Foundation, a creation of the recently deceased Jonathan Harker and his late wife, Wilhelmina “Mina” (Murray) Harker. That is where Finnigan crashes an auction of rare silver pieces from the Harkers’ private collection and accidentally stumbles into a crypt where he finds an ancient bar of silver. He loses something during the heist-gone-bad, displeasing his partners, Ed Mullins and Brantley, but he sells them on a bigger heist, the Harker silver. He recruits a new member of his heist team, Rosalynd Van Helsing a.k.a Rosalynd Sledge.
In Silver #3 (entitled “Curse of the Silver Dragon”), Finnigan continues to assemble his heist team. He adds Mister Moineaux a.k.a. Maitre Moineaux the “French Touch,” and Hamilton “Ham” Morley, a washed-out actor who has become an “In n' Out” guy. Now, Finnigan tells them the part of the story of Dracula that is not well known. It is the story of “The Dragon,” a work of art that is a pyramid made of silver bars. Not all of his team is buying this story.
I loved Silver after only reading the first issue. I am always looking for comic books that remind me of the reasons why I love comic books so much: the sense of adventure, of new worlds to discover, of strange new places to visit, and of peculiar new people to meet. Of course, the most important reason is that they are fun to read. When I find a comic book like that, I want to convince other readers, as both a comic book fan and reviewer, to try it, hoping that they will like it – even if they don’t like it as much as I do. Silver is the kind of book I want to convince others to read.
In Silver, Stephan Franck recalls both the work and storytelling of such legendary comic book creators as Jack Kirby, Steve Ditko, Will Eisner, and Harvey Kurtzman. As the second issue did, Silver #3 has striking page layouts and imaginative storytelling. Silver is a gripping narrative and a comic book series worth repeated readings.
A+
[Silver #3 contains a behind scenes look at Franck's artistic process for this issue and also an interview/preview with sculptor Troy Saliba.]
http://dark-planet-comics.com/
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
---------------------------------------------
DARK PLANET COMICS
CARTOONIST/CREATOR: Stephan Franck – @stephan_franck
COVER: Stephan Franck with Alan Bodner
32pp, B&W, $4.50 U.S. (2014)
Silver is a 12-issue miniseries created by Stephan Franck (a filmmaker in the American animation industry) and published by Dark Planet Comics. Silver extends the fictional world of writer Bram Stoker, the author of the novel, Dracula (1897), into the 1930s. The series stars con man James Finnigan, a thief extraordinaire who plans to steal silver from the living-dead.
Act 1 of Silver focuses on Finnigan's mission to assemble a crew that can help him pull off the biggest heist of the last ten centuries. The series opens in New York City, 1931 at the Harker Foundation, a creation of the recently deceased Jonathan Harker and his late wife, Wilhelmina “Mina” (Murray) Harker. That is where Finnigan crashes an auction of rare silver pieces from the Harkers’ private collection and accidentally stumbles into a crypt where he finds an ancient bar of silver. He loses something during the heist-gone-bad, displeasing his partners, Ed Mullins and Brantley, but he sells them on a bigger heist, the Harker silver. He recruits a new member of his heist team, Rosalynd Van Helsing a.k.a Rosalynd Sledge.
In Silver #3 (entitled “Curse of the Silver Dragon”), Finnigan continues to assemble his heist team. He adds Mister Moineaux a.k.a. Maitre Moineaux the “French Touch,” and Hamilton “Ham” Morley, a washed-out actor who has become an “In n' Out” guy. Now, Finnigan tells them the part of the story of Dracula that is not well known. It is the story of “The Dragon,” a work of art that is a pyramid made of silver bars. Not all of his team is buying this story.
I loved Silver after only reading the first issue. I am always looking for comic books that remind me of the reasons why I love comic books so much: the sense of adventure, of new worlds to discover, of strange new places to visit, and of peculiar new people to meet. Of course, the most important reason is that they are fun to read. When I find a comic book like that, I want to convince other readers, as both a comic book fan and reviewer, to try it, hoping that they will like it – even if they don’t like it as much as I do. Silver is the kind of book I want to convince others to read.
In Silver, Stephan Franck recalls both the work and storytelling of such legendary comic book creators as Jack Kirby, Steve Ditko, Will Eisner, and Harvey Kurtzman. As the second issue did, Silver #3 has striking page layouts and imaginative storytelling. Silver is a gripping narrative and a comic book series worth repeated readings.
A+
[Silver #3 contains a behind scenes look at Franck's artistic process for this issue and also an interview/preview with sculptor Troy Saliba.]
http://dark-planet-comics.com/
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
---------------------------------------------
Labels:
Dark Planet Comics,
Review,
small press,
Stephan Franck,
vampires
Saturday, November 22, 2014
Review: RESIDENT EVIL: The Marhawa Desire Volume 1
RESIDENT EVIL: THE MARHAWA DESIRE, VOL. 1
VIZ MEDIA – @VIZMedia
CARTOONIST: Naoki Serizawa
CONCEPT: Capcom
TRANSLATION: Joe Yamazaki
ENGLISH ADAPTATION: Stan!
LETTERERS: John Clark
ISBN: 978-1-4215-7372-4; paperback (November 2014); Rated “M” for “Mature”
176pp, B&W, $12.99 U.S., $14.99 CAN, £8.99 UK
Resident Evil: The Marhawa Desire is a manga that serves as a prequel to the storyline of CAPCOM’s bestselling Resident Evil® 6 video game. This manga was originally published in Japan in 2012 by Akita Publishing Co., Inc.; now, VIZ Media is publishing the manga in North America as a 5-volume graphic novel series.
Resident Evil 6 introduces the highly virulent C-virus, but where did this new outbreak begin? Resident Evil: The Marhawa Desire, Vol. 1 (Chapters 1 to 6) opens at Bennett University in Singapore. There, Doug Wright is a professor in the Department of Sciences and Engineering, and he specializes in bacteriology. He receives a letter from Marhawa Academy, Asia's largest and most prestigious school. The letter is written by Marhawa's Headmaster, Mother Gracia.
The fact that she had some kind of relationship with Wright in the past is probably the reason that Wright rushes to the school, which is located deep in the jungle, a giant, self-contained and self-sufficient complex. Wright takes his nephew, 20-year-old Ricky Tozawa, with him because he is failing at Bennett and could use some extra credit work. Prof. Wright and Ricky find themselves caught in a deadly and growing tragedy and perhaps, epidemic. Meanwhile, Chris Redfield and his B.S.A.A. ( Bioterrorism Security Assessment Alliance) is looking for Prof. Wright.
First, I have never played any Resident Evil video games. I did not read the Resident Evil comics produced by Marvel and Wildstorm a long time ago. I am a big fan of the Resident Evil live-action film franchise that began back in 2002. When I received a press release announcing the Resident Evil: The Marhawa Desire manga, I was excited by that news. When my VIZ Media rep sent me a copy of Resident Evil: The Marhawa Desire Volume 1 for review, I was thrilled.
I like this manga. Naoki Serizawa, the writer and artist behind Resident Evil: The Marhawa Desire, offers one of those horror stories that starts as a mystery about a conspiracy that a group of people are protecting. Of course, this eventually leads to a horror bigger and worse than anyone realized. I tore through this manga in one sitting.
I think Professor Doug Wright and his nephew Ricky Tozawa are good characters. The reason is because they are two-things necessary in mystery and even horror fiction – open to the mystery, adventurous, and fearless enough/foolish enough to run into the belly of the beast that will eat them or turn them into zombies. I am surprised that this story can be contained in five volumes. Once again, I will admit my love of the Resident Evil movies, as I heartily recommend the VIZ Signature title, Resident Evil: The Marhawa Desire, to you, dear readers.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
VIZ MEDIA – @VIZMedia
CARTOONIST: Naoki Serizawa
CONCEPT: Capcom
TRANSLATION: Joe Yamazaki
ENGLISH ADAPTATION: Stan!
LETTERERS: John Clark
ISBN: 978-1-4215-7372-4; paperback (November 2014); Rated “M” for “Mature”
176pp, B&W, $12.99 U.S., $14.99 CAN, £8.99 UK
Resident Evil: The Marhawa Desire is a manga that serves as a prequel to the storyline of CAPCOM’s bestselling Resident Evil® 6 video game. This manga was originally published in Japan in 2012 by Akita Publishing Co., Inc.; now, VIZ Media is publishing the manga in North America as a 5-volume graphic novel series.
Resident Evil 6 introduces the highly virulent C-virus, but where did this new outbreak begin? Resident Evil: The Marhawa Desire, Vol. 1 (Chapters 1 to 6) opens at Bennett University in Singapore. There, Doug Wright is a professor in the Department of Sciences and Engineering, and he specializes in bacteriology. He receives a letter from Marhawa Academy, Asia's largest and most prestigious school. The letter is written by Marhawa's Headmaster, Mother Gracia.
The fact that she had some kind of relationship with Wright in the past is probably the reason that Wright rushes to the school, which is located deep in the jungle, a giant, self-contained and self-sufficient complex. Wright takes his nephew, 20-year-old Ricky Tozawa, with him because he is failing at Bennett and could use some extra credit work. Prof. Wright and Ricky find themselves caught in a deadly and growing tragedy and perhaps, epidemic. Meanwhile, Chris Redfield and his B.S.A.A. ( Bioterrorism Security Assessment Alliance) is looking for Prof. Wright.
First, I have never played any Resident Evil video games. I did not read the Resident Evil comics produced by Marvel and Wildstorm a long time ago. I am a big fan of the Resident Evil live-action film franchise that began back in 2002. When I received a press release announcing the Resident Evil: The Marhawa Desire manga, I was excited by that news. When my VIZ Media rep sent me a copy of Resident Evil: The Marhawa Desire Volume 1 for review, I was thrilled.
I like this manga. Naoki Serizawa, the writer and artist behind Resident Evil: The Marhawa Desire, offers one of those horror stories that starts as a mystery about a conspiracy that a group of people are protecting. Of course, this eventually leads to a horror bigger and worse than anyone realized. I tore through this manga in one sitting.
I think Professor Doug Wright and his nephew Ricky Tozawa are good characters. The reason is because they are two-things necessary in mystery and even horror fiction – open to the mystery, adventurous, and fearless enough/foolish enough to run into the belly of the beast that will eat them or turn them into zombies. I am surprised that this story can be contained in five volumes. Once again, I will admit my love of the Resident Evil movies, as I heartily recommend the VIZ Signature title, Resident Evil: The Marhawa Desire, to you, dear readers.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Joe Yamazaki,
manga,
Naoki Serizawa,
Review,
Seinen,
Stan,
videogame adaptations,
VIZ Media,
VIZ Signature
Friday, November 21, 2014
I Reads You Review: DJANGO/ZORRO #1
DJANGO/ZORRO #1
DYNAMITE ENTERTAINMENT/Vertigo (DC Comics) – @dynamitecomics
WRITERS: Quentin Tarantino and Matt Wagner
ART: Esteve Polls
COLORS: Brennan Wagner
LETTERS: Simon Bowland
EXECUTIVE EDITOR: Reginald Hudlin
COVER: Jae Lee with June Chung
VARIANT COVERS: Francesco Francavilla (Cover B); Matt Wagner with Brennan Wagner (Cover C)
32pp, Color, $3.99 U.S.
Rated T+
Dynamite Entertainment, in association with DC Comics' Vertigo imprint, present an exciting new comic book miniseries based on licensed properties, Django/Zorro. Django Freeman, the hero of Quentin Tarantino's Oscar-winning film, Django Unchained, joins forces with Don Diego de la Vega, better known as Zorro, the legendary fictional character created in 1919 by New York–based pulp writer Johnston McCulley.
For almost a century, Zorro (the Spanish word for “fox”) has appeared in countless movies, television series, comic books, and stories. Django/Zorro is the first new story starring Django Freeman since his film debut almost two years ago. [Vertigo did publish a comic book adaptation of Django Unchained as a miniseries, beginning in 2013, so this isn't Django's first comic book appearance.] Django/Zorro is written by Quentin Tarantino and Matt Wagner, drawn by Esteve Polls, colored by Brennan Wagner, and lettered by Simon Bowland.
Django/Zorro #1 opens several years after the events depicted in Django Unchained. According to the back story to this series (provided by Dynamite), Django is still a bounty hunter. He has settled his wife, Broomhilda, near Chicago, and is working in the western states to avoid the bounty on his head back east. As the story begins, Django encounters the aged and sophisticated Don Diego de la Vega and his man-servant, Bernardo. Django, of course, does not know that Don Diego is also Zorro.
After Django shows his shooting skills with a pistol, Don Diego hires him as a bodyguard. Django is fascinated by this unusual older man, who reminds him of a deceased old friend (King Schultz). Don Diego is also the first White man who seems unconcerned with Django's skin color. Now, Django will follow his new boss on an adventure in which he will discover that slavery in these United States isn't just for Black folks.
First, I have to say that Esteve Polls is one of those comic book artists perfect for drawing comic book Westerns. The Spanish artist's style and storytelling recall the late, great artist of Western comic books, John Severin. In this first issue, Matt Wagner's script merely teases what his and Tarantino's story will offer in later issues, but still, it is a very good tease. As first issues go, this is the kind that entices you to keep reading.
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
DYNAMITE ENTERTAINMENT/Vertigo (DC Comics) – @dynamitecomics
WRITERS: Quentin Tarantino and Matt Wagner
ART: Esteve Polls
COLORS: Brennan Wagner
LETTERS: Simon Bowland
EXECUTIVE EDITOR: Reginald Hudlin
COVER: Jae Lee with June Chung
VARIANT COVERS: Francesco Francavilla (Cover B); Matt Wagner with Brennan Wagner (Cover C)
32pp, Color, $3.99 U.S.
Rated T+
Dynamite Entertainment, in association with DC Comics' Vertigo imprint, present an exciting new comic book miniseries based on licensed properties, Django/Zorro. Django Freeman, the hero of Quentin Tarantino's Oscar-winning film, Django Unchained, joins forces with Don Diego de la Vega, better known as Zorro, the legendary fictional character created in 1919 by New York–based pulp writer Johnston McCulley.
For almost a century, Zorro (the Spanish word for “fox”) has appeared in countless movies, television series, comic books, and stories. Django/Zorro is the first new story starring Django Freeman since his film debut almost two years ago. [Vertigo did publish a comic book adaptation of Django Unchained as a miniseries, beginning in 2013, so this isn't Django's first comic book appearance.] Django/Zorro is written by Quentin Tarantino and Matt Wagner, drawn by Esteve Polls, colored by Brennan Wagner, and lettered by Simon Bowland.
Django/Zorro #1 opens several years after the events depicted in Django Unchained. According to the back story to this series (provided by Dynamite), Django is still a bounty hunter. He has settled his wife, Broomhilda, near Chicago, and is working in the western states to avoid the bounty on his head back east. As the story begins, Django encounters the aged and sophisticated Don Diego de la Vega and his man-servant, Bernardo. Django, of course, does not know that Don Diego is also Zorro.
After Django shows his shooting skills with a pistol, Don Diego hires him as a bodyguard. Django is fascinated by this unusual older man, who reminds him of a deceased old friend (King Schultz). Don Diego is also the first White man who seems unconcerned with Django's skin color. Now, Django will follow his new boss on an adventure in which he will discover that slavery in these United States isn't just for Black folks.
First, I have to say that Esteve Polls is one of those comic book artists perfect for drawing comic book Westerns. The Spanish artist's style and storytelling recall the late, great artist of Western comic books, John Severin. In this first issue, Matt Wagner's script merely teases what his and Tarantino's story will offer in later issues, but still, it is a very good tease. As first issues go, this is the kind that entices you to keep reading.
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Brennan Wagner,
Dynamite Entertainment,
Francesco Francavilla,
Jae Lee,
Matt Wagner,
Quentin Tarantino,
Reginald Hudlin,
Review,
Vertigo
Thursday, November 20, 2014
Voice Over: TrappedintheCloset with Senri Kudo
I read Voice Over!: Seiyu Academy, Vol. 7
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter or on Grumble.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter or on Grumble.
Labels:
Comic Book Bin,
John Werry,
Maki Minami,
manga,
shojo,
Shojo Beat,
VIZ Media
Wednesday, November 19, 2014
Review: PUNKS: The Comic #2
PUNKS: THE COMIC #2
IMAGE COMICS – @ImageComics
CREATORS: Joshua Hale Fialkov and Kody Chamberlain – @JoshFialkov @KodyChamberlain
COVER: Kody Chamberlain
VARIANT COVER: Jeff Lemire
28pp, Color, $3.99 U.S. (November 2014)
Rated T+ / Teen Plus
I have added a new comic book to my must-read list. It's Punks: The Comic, and the second issue recently arrived. This new series is actually a revival of writer Joshua Hale Fialkov (The Ultimates) and artist Kody Chamberlain's (Sweets) 2007 small press comic book, Punks. Chamberlain produces Punks' “original art” by cutting up various photographic images and compiling them to create the characters, settings, and storytelling. Punks may be part of what Wired Magazine called “cut-and-past” culture. Punks: The Comic stars the screwy quartet of Dog, Skull, Fist, and Abe Lincoln.
As Punks: The Comic #2 opens, Skull and Abe witness the arrival of “Superdog,” who drops from the sky like a falling star. This new-fangled canine looks almost identical to Dog. Perhaps, he will be a better roommate than plain-ol' Dog; at least, Fist agrees. When Superdog's true colors are revealed in a yellow stream, the out-with-the-old Dog will have to stop the in-with-the-new Superdog.
[Punks: The Comic #2 includes some story pages from the original Punks comix.]
The cut-and-paste, do-it-yourself aesthetic of Punks: The Comics seems a little strange at first, but this is a comic book that gets better with each issue. “Irreverent” does not seem to be a strong enough word to describe the kind of humor produced by Fialkov and Chamberlain. And “witty” sure as hell doesn't hack it.
For me, the animations that Terry Gilliam created for Monty Python's Flying Circus and Monty Python, in general, come to mind when I read this comic book. Punks is pungent and potent like British satire and as beguiling as the best of it. Indeed, it is as if Fialkov and Chamberlain have formed their own surreal comedy troupe. Punks certainly seems like the beast that will devour the staid yuck-yuck pamphlets that pass for humor in American comic books.
Readers looking for something truly different and truly good in comic books will want Punks: The Comic.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
IMAGE COMICS – @ImageComics
CREATORS: Joshua Hale Fialkov and Kody Chamberlain – @JoshFialkov @KodyChamberlain
COVER: Kody Chamberlain
VARIANT COVER: Jeff Lemire
28pp, Color, $3.99 U.S. (November 2014)
Rated T+ / Teen Plus
I have added a new comic book to my must-read list. It's Punks: The Comic, and the second issue recently arrived. This new series is actually a revival of writer Joshua Hale Fialkov (The Ultimates) and artist Kody Chamberlain's (Sweets) 2007 small press comic book, Punks. Chamberlain produces Punks' “original art” by cutting up various photographic images and compiling them to create the characters, settings, and storytelling. Punks may be part of what Wired Magazine called “cut-and-past” culture. Punks: The Comic stars the screwy quartet of Dog, Skull, Fist, and Abe Lincoln.
As Punks: The Comic #2 opens, Skull and Abe witness the arrival of “Superdog,” who drops from the sky like a falling star. This new-fangled canine looks almost identical to Dog. Perhaps, he will be a better roommate than plain-ol' Dog; at least, Fist agrees. When Superdog's true colors are revealed in a yellow stream, the out-with-the-old Dog will have to stop the in-with-the-new Superdog.
[Punks: The Comic #2 includes some story pages from the original Punks comix.]
The cut-and-paste, do-it-yourself aesthetic of Punks: The Comics seems a little strange at first, but this is a comic book that gets better with each issue. “Irreverent” does not seem to be a strong enough word to describe the kind of humor produced by Fialkov and Chamberlain. And “witty” sure as hell doesn't hack it.
For me, the animations that Terry Gilliam created for Monty Python's Flying Circus and Monty Python, in general, come to mind when I read this comic book. Punks is pungent and potent like British satire and as beguiling as the best of it. Indeed, it is as if Fialkov and Chamberlain have formed their own surreal comedy troupe. Punks certainly seems like the beast that will devour the staid yuck-yuck pamphlets that pass for humor in American comic books.
Readers looking for something truly different and truly good in comic books will want Punks: The Comic.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
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Monday, November 17, 2014
I Reads You Review: DEATHLOK #1
DEATHLOK (2014) #1
MARVEL COMICS – @Marvel
WRITER: Nathan Edmondson
ART: Mike Perkins
COLORS: Andy Troy
LETTERS: VC's Joe Sabino
COVER: Mike Perkins with Andy Troy
VARIANT COVERS: Clayton Crain: Skottie Young
28pp, Color, $3.99 U.S. (December 2014)
Rated “T+”
“The Enemy of My Enemy”
Deathlok is a Marvel Comics cyborg character that first appeared in Astonishing Tales #25 (cover date: August 1974). Also known as “Deathlok the Demolisher,” he was created by artist Rich Buckler and writer Doug Moench. There have been several different versions of the character, but the recurring theme for all these characters was that a dead human was reanimated with cybernetic technology and became Deathlok.
Now, there is a new Deathlok, and he appeared in the eight-issue event miniseries, Original Sin. This Deathlok is Henry Hayes (an African-American), who works for Medics Without Borders, a job that cost him a leg. Hayes received a composite fibers prosthesis from a company called Biotek, but the company also placed him under mind-control. Apparently, Hayes is now an operative who works as an assassin, killer, and soldier. Henry Hayes is the star of a new Deathlok comic book series from writer Nathan Edmondson, artist Mike Perkins, colorist Andy Troy, and letterer Joe Sabino.
Deathlok #1 (“The Enemy of My Enemy”) finds Henry getting some fine-tuning on his Biotek prosthesis. A week later, he is on a mission in Ludzern, Switzerland. Back home, Henry's teenaged daughter, Aria, is mostly ignoring him. S.H.I.E.L.D isn't ignoring him, however, as Director Maria Hill has assigned Agent Hope, a researcher, to investigate Deathlok.
I really like Mike Perkins' art in this first issue. It seems like a blend of Bryan Hitch and styles not seen since the 1970s and 80s, especially in the depiction of human anatomy and of the domestic scenes. Nathan Edmondson, who can write intriguing stories, does just that here. Deathlok #1 is a well-put together first issue. I am curious enough to read more issues, but I don't see myself paying $3.99 per issue for the pleasure of reading this new Deathlok past the first story arc. That might change if I hear things about the second arc that really intrigues me.
PREACHING TIME: By the way, I have nothing against Nathan Edmondson. I always enjoy his writing. However, I have to admire the contortions through which Marvel Comics will go in order to avoid hiring Black writers, even on books starring African-American characters.
I had to laugh at Marvel Studios' announcement of a Black Panther movie, when I know that no Black man will play a major part in this movie beyond Chadwick Boseman as the film's star. I don't see a Black woman doing much in the film other than playing a small supporting role, either. Will a Black man or woman ever write, direct, or produce a Marvel feature film? I certainly don't see that happening during this round of films that Marvel has mapped out to the year 2028 (or 2029). PREACHING TIME OVER
Oh, yeah. Once again, Deathlok #1 is good and has potential.
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
MARVEL COMICS – @Marvel
WRITER: Nathan Edmondson
ART: Mike Perkins
COLORS: Andy Troy
LETTERS: VC's Joe Sabino
COVER: Mike Perkins with Andy Troy
VARIANT COVERS: Clayton Crain: Skottie Young
28pp, Color, $3.99 U.S. (December 2014)
Rated “T+”
“The Enemy of My Enemy”
Deathlok is a Marvel Comics cyborg character that first appeared in Astonishing Tales #25 (cover date: August 1974). Also known as “Deathlok the Demolisher,” he was created by artist Rich Buckler and writer Doug Moench. There have been several different versions of the character, but the recurring theme for all these characters was that a dead human was reanimated with cybernetic technology and became Deathlok.
Now, there is a new Deathlok, and he appeared in the eight-issue event miniseries, Original Sin. This Deathlok is Henry Hayes (an African-American), who works for Medics Without Borders, a job that cost him a leg. Hayes received a composite fibers prosthesis from a company called Biotek, but the company also placed him under mind-control. Apparently, Hayes is now an operative who works as an assassin, killer, and soldier. Henry Hayes is the star of a new Deathlok comic book series from writer Nathan Edmondson, artist Mike Perkins, colorist Andy Troy, and letterer Joe Sabino.
Deathlok #1 (“The Enemy of My Enemy”) finds Henry getting some fine-tuning on his Biotek prosthesis. A week later, he is on a mission in Ludzern, Switzerland. Back home, Henry's teenaged daughter, Aria, is mostly ignoring him. S.H.I.E.L.D isn't ignoring him, however, as Director Maria Hill has assigned Agent Hope, a researcher, to investigate Deathlok.
I really like Mike Perkins' art in this first issue. It seems like a blend of Bryan Hitch and styles not seen since the 1970s and 80s, especially in the depiction of human anatomy and of the domestic scenes. Nathan Edmondson, who can write intriguing stories, does just that here. Deathlok #1 is a well-put together first issue. I am curious enough to read more issues, but I don't see myself paying $3.99 per issue for the pleasure of reading this new Deathlok past the first story arc. That might change if I hear things about the second arc that really intrigues me.
PREACHING TIME: By the way, I have nothing against Nathan Edmondson. I always enjoy his writing. However, I have to admire the contortions through which Marvel Comics will go in order to avoid hiring Black writers, even on books starring African-American characters.
I had to laugh at Marvel Studios' announcement of a Black Panther movie, when I know that no Black man will play a major part in this movie beyond Chadwick Boseman as the film's star. I don't see a Black woman doing much in the film other than playing a small supporting role, either. Will a Black man or woman ever write, direct, or produce a Marvel feature film? I certainly don't see that happening during this round of films that Marvel has mapped out to the year 2028 (or 2029). PREACHING TIME OVER
Oh, yeah. Once again, Deathlok #1 is good and has potential.
Reviewed by Leroy Douresseaux
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Labels:
About Race,
Black Superheroes,
Clayton Crain,
Marvel,
Mike Perkins,
Neo-Harlem,
Review,
Skottie Young
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