Review: DAREDEVIL #1

DAREDEVIL No. 1 (2019)
MARVEL COMICS – @Marvel

[This review was originally posted in Patreon.]

STORY: Chip Zdarsky
ART: Marco Checchetto
COLORS: Sunny Gho
LETTERS: VC's Clayton Cowles
EDITOR: Devin Lewis
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Julian Totino Tedesco
VARIANT COVER ARTISTS: Alex Maleev; Joe Quesada; Skottie Young; Gabriele Dell'Otto
36pp, Color, $4.99 U.S. (April 2019)

Daredevil created by Stan Lee and Bill Everett with Jack Kirby and Wally Wood

“Know Fear” Part 1

Daredevil is a Marvel Comics superhero created by writer-editor Stan Lee and artist Bill Everett.  The character first appeared in Daredevil #1 (cover dated: April 1964).  Daredevil is Matt Murdock, a vision-impaired attorney who was blinded as a child after being exposed to a radioactive substance.  That substance enhanced his senses to a supernatural level and gave him a 360-degree radar sense.

Marvel Comics is giving Daredevil the comic book something of a reboot.  Daredevil 2019 is written by Chip Zdarsky; drawn by Marco Checchetto; colored by Sunny Gho; and lettered by Clayton Cowles.

Daredevil #1 opens in the wake of the events depicted at the end of writer Charles Soule's run on Daredevil and in the subsequent five-issue miniseries, Man Without Fear.  After recovering from grievous injuries and intense physical therapy, Matt Murdock returns to Hell's Kitchen.  As the story begins, Matt has already acted once as Daredevil (although apparently not in costume).  However, there is a new sheriff in town.

Straight outta Chicago comes Detective Cole North.  He has been tasked by New York City Mayor Wilson Fisk, formerly known as The Kingpin – the crime lord of New York City, to take down costumed superheroes in NYC.  When he dons the Daredevil costume for the first time in a long time, Matt may end up doing Detective Cole's work for him.

Daredevil #1 (2019) is quite a good start for the new series.  First, there is Julian Totino Tedesco's beautiful cover art.  Inside, Marco Checchetto offers his most disciplined compositions to date, with an emphasis on storytelling that makes the most of atmosphere and mood and characters' emotions.  Previously, Checchetto was good at these things, but his drawings seemed to emphasize style.  Sunny Gho's colors are beautiful and emphasize reds and blues to create a sort of rose-tinted Film-Noir look.  The artists' depiction of Daredevil's radar sense is also quite nice.

Writer Chip Zdarsky's storytelling here reminds me, in some ways, of writer Frank Miller and artist David Mazzuchelli's “Born Again” story arc in Daredevil (1964) #227-231.  It is also something of a spiritual heir to the last year of Frank Miller's original run on Daredevil as writer-artist/designer (with Klaus Janson as artist).  I don't know if Zdarsky's work on Daredevil will reach the great heights of Miller, but I like how Zdarsky emphasizes Matt's moral conflicts and his past, as well as emphasizing Wilson Fisk as being an existential threat to Matt Murdock-Daredevil.  Clayton Cowles lettering creates a nice rhythm for Zdarsky's script.

I was not looking forward to Daredevil (2019), but happenstance dropped a copy of Daredevil #1 (2019) in my lap.  I am glad I read it, and I am recommending it to Daredevil fans.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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From Newsarama:  Tom King, Mitch Gerads, and Evan Shaner will producer a "Strange Adventures" comic book starring Adam Strange.

From TheGuardian:  Apparently, it is official.  Alan Moore has retired from comic books.

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SDCC - From THR:  Marvel Comics announces the relaunch of the X-Men franchise with six new titles: "X-Men," "Excalibur," "Marauders," "New Mutants," "Fallen Angels," and "X-Force."

SDCC - From THR:  The 2019 Will Eisner Award winners have been announced.  Writer Tom King wins in four of the five categories in which he was nominated.

SDCC - From Newsarama:  Miracleman returns in "Marvel Comics #1000" in a one-page story by Neil Gaiman and Mark Buckingham.

SDCC - From Newsarama:  DC Comics has aligned its imprints... again... adding a new one, "DC Graphic Novels for Young Adults" (which will encompass the former "DC Ink" line).  So the revised line of imprints are as follows:  "DC Graphic Novels for Kids," "DC Graphic Novels for Young Adults," "DC" (also known as DC Universe), and "DC Black Label."

SDCC - From THR:   Brandon Routh, how played Superman in the 2006 film, "Superman Returns," will reprise that role in The CW's "Crisis on Infinite Earths" crossover in December 2019 and January 2020.

SDCC - From BleedingCool:  Jonathan Hickman talks X-Men at Comic-Con 2019 via video

SDCC - From CBR:  Announced at a Comic-Con press event, comiXology has announced another of its "Originals" program, "Afterlift" by writer Chip Zdarsky and artist Jason Loo.

From Deadline:  Ed Brubaker has signed a multi-year deal with Legendary Entertainment Television to develop his creator-owned comic book series for television.

From Deadline:  The upcoming seventh season will be the final season for the ABC TV series, "Marvel's Agents of S.H.I.E.L.D."

From Newsarama:  Random House reveals its 2020 releases under its graphic novel imprint, "Random House Graphic."

From EW:  Jonathan Hickman says that Marvel Comics should not be taking its storytelling cues from Marvel Studios.

From Newsarama:  DC will launch a new Birds of Prey ongoing series this October from writer Brian Azzarello and artists Emanuela Lupacchino, Ray McCarthy, and Trish Mulhivill.

From Newsarama:  Bill Jemas and Axel Alonso have hired ReedPOP's Gabe Yocum as its Sales Director for their new comic publishing start-up Artists, Writers, and Artisans (AWA)

From Newsarama:  "The Authority" creators, writer Warren Ellis and artist Bryan Hitch, are reuniting for a 12-issue Batman comic books series, "The Batman's Grave."

From HypeBeast:  13 years after it ended, the infamous manga, "Death Note" is coming back for a one-off, reuniting the manga’s original author and illustrator, Tsugumi Ohba and Takeshi Obata.  Now, they are giving fans a look at a storyboard for the upcoming 87-page story.

From TheGeekHerald:  The latest "My Hero Academia" spinoff manga debuts this month in Japan.  "My Hero Academia: Team Up Mission" will debut in "Saiko Jump" on or around July 25th.

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JULY 2019 COMICS SOLICITATIONS:
From Newsarama:  July 2019 comics solicitations for all publishers on one page.
From Newsarama:  AC Comics for July 2019
From Newsarama:  Action Lab Entertainment for July 2019
From Newsarama:  AfterShock Comics for July 2019
From Newsarama:  Ahoy Comics for July 2019
From Newsarama:  Albatross Funnybooks for July 2019
From Newsarama:  Alterna Comics for July 2019
From Newsarama:  American Mythology for July 2019
From Newsarama:  Antarctic Press for July 2019
From Newsarama:  Archie Comics for July 2019
From Newsarama:  Aspen Comics for July 2019
From Newsarama:  BOOM! Studios for July 2019
From Newsarama:  Dark Horse Comics for July 2019
From Newsarama:  DC Comics for July 2019
From Newsarama:  Dynamite Entertainment for July 2019
From Newsarama:  Hero Tomorrow for July 2019
From Newsarama:  IDW Publishing for July 2019
From Newsarama:  Image Comics for July 2019
From Newsarama:  Mad Cave Studios for July 2019
From Newsarama:  Marvel Comics for July 2019
From Newsarama:  Nobrow Press for July 2019
From Newsarama:  Oni Press for July 2019
From Newsarama:  Papercutz for July 2019
From Newsarama:  Titan Comics for July 2019
From Newsarama:  Valiant Entertainment for July 2019
From Newsarama:  VIZMedia for July 2019

AUGUST 2019 COMICS SOLICITATIONS:
From Newsarama:  August 2019 comics solicitations for all publishers on one page.
From Newsarama:  AC Comics for August 2019
From Newsarama:  Action Lab Entertainment for August 2019
From Newsarama:  AfterShock Comics for August 2019
From Newsarama:  Ahoy Comics for August 2019
From Newsarama:  Antarctic Press for August 2019
From Newsarama:  Archie Comics for August 2019
From Newsarama:  Aspen Comics for August 2019
From Newsarama:  Avatar Press for August 2019
From Newsarama:  Black Mask Studios for August 2019
From Newsarama:  BOOM! Studios for August 2019
From Newsarama:  Dark Horse Comics for August 2019
From Newsarama:  DC Comics for August 2019
From Newsarama:  Dynamite Entertainment for August 2019
From Newsarama:  Humanoids for August 2019
From Newsarama:  IDW Publishing for August 2019
From Newsarama:  Lion Forge for August 2019
From Newsarama:  Marvel Comics for August 2019
From BleedingCool:  Oni Press for August 2019
From Newsarama:  Red 5 Comics for August 2019
From Newsarama:  Scout Comics for August 2019
From Newsarama:  Titan Comics for August 2019
From Newsarama:  Vault Comics for August 2019
From Newsarama:  VIZ Media for August 2019
From Newsarama:  Yen Press for August 2019

SEPTEMBER 2019 COMICS SOLICITATIONS:
From Newsarama:  September 2019 comics solicitations for 24 publishers on one page
From Newsarama:  AfterShock Comics for September 2019
From Newsarama:  Ahoy Comics for September 2019
From Newsarama:  Antarctic Press for September 2019
From Newsarama:  Archie Comics for September 2019
From Newsarama:  Aspen Comics for September 2019
From Newsarama:  BOOM! Studios for September 2019
From Newsarama:  Dark Horse Comics for September 2019
From Newsarama:  DC Comics for September 2019
From Newsarama:  Drawn & Quarterly for September 2019
From Newsarama:  Dynamite Entertainment for September 2019
From Newsarama:  Fantagraphics Books for September 2019
From Newsarama:  Humanoids for September 2019
From Newsarama:  IDW Publishing for September 2019
From Newsarama:  Image Comics for September 2019
From Newsarama:  Insight for September 2019
From Newsarama:  Lion Forge Comics for September 2019
From Newsarama:  Mad Cave Studios for September 2019
From Newsarama:  Marvel Comics for September 2019
From Newsarama:  Oni Press for September 2019
From Newsarama:  Scout Comics for September 2019
From Newsarama:  Titan Comics for September 2019
From Newsarama:  Valiant Entertainment for September 2019
From Newsarama:  Vault Comics for September 2019
From Newsarama:  VIZ Media for September 2019

OCTOBER 2019 COMICS SOLICITATIONS:
From Newsarama:  AC Comics for October 2019
From BleedingCool:  Ahoy Comics for October 2019
From BleedingCool:  Albatross Funnybooks for October 2019
From BleedingCool:  Antarctic Press for October 2019
From Newsarama:  BOOM! Studios for October 2019
From BleedingCool:  Dark Horse Comics for October 2019
From Newsarama:  DC Comics for October 2019
From Newsarama:  IDW Publishing for October 2019
From BleedingCool:  Image Comics for October 2019
From BleedingCool:  Keenspot Entertainment for October 2019
From Newsarama:  Marvel Comics for October 2019 
From Newsarama:  Scout Comics for October 2019
From Newsarama:  Valiant Comics for October 2019
From Newsarama:  A Wave Blue World for October 2019
From Newsarama:  Yen Press for October 2019

HALLOWEEN COMICFEST 2019:
From Newsarama:  28 comic book titles for the industry's fall event taking place Saturday, October 26, 2019 at participating comic shops worldwide.

DC's HILL HOUSE COMICS Debut Solicitations:
From Newsarama:  These are the solicitations for DC Comics' "Hill House Comics" group overseen by Joe Hill.  The line is scheduled to kick off October 30, 2019 with "Basketful of Heads #1."

NOVEMBER 2019 COMICS SOLICITATIONS:
From Newsarama:  DC Comics advanced solicitations for November 2019 ( for acetate covers)

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Review: PRODIGY #1

PRODIGY No. 1
IMAGE COMICS – @ImageComics @TheMagicOrder

[This review was originally posted on Patreon.]

WRITER: Mark Millar – @mrmarkmillar
ARTIST: Rafael Albuquerque
COLORS: Marcelo Maiolo
LETTERS: Peter Doherty
EDITOR: Rachel Fulton
COVER: Rafael Albuquerque
VARIANT COVER ARTISTS: Frank Quitely; Rafael Albuquerque
28pp, Color, $3.99 U.S. (December 2018)

Rated M / Mature

Prodigy is a new comic book miniseries created by Mark Millar and Rafael Albuquerque.  It is the second series (following The Magic Order) produced by Millar since he sold his company, Millarworld, to Netflix.  Prodigy focuses on the world's smartest man, who believes that he is the go-to guy when there is a global crisis to solve.

Prodigy #1 opens in 1993 at the end of the “Inter-School Polo Cup Final.”  Eleven-year-old Edison Crane is the star of the match, much to the ire of some of his teammates who are high school students of actual high school age.  How he deals with those violent, bitter teammates is a hint at what Edison will become – a man who will take on any problem or challenge on the road to becoming the world's smartest man running the world's most successful business.

But Edison Crane is not content because his brilliant mind needs constant challenge, so he becomes the go-to guy for governments around the world when they have a problem or crisis they cannot solve.  When strange cars containing crispy critters start popping up around the world, however, Edison may finally face something that will truly challenge him.

I am a fan of a number of Mark Millar's creator-owned comic book series, with Kick-Ass, Empress, and The Magic Order (also a Netflix title) being among my favorite.  I only read the first issue of the previous Millar-Albuquerque collaboration, Huck, which did not interest me enough to keep reading past the first issue.

Prodigy #1 is a teaser; the series' narrative really won't kick off until the second issue.  Millar uses this first issue to sell Edison Crane, who has a thoroughly unlikable personality, to his readers.  By the end of this issue, you might think Edison is a thoroughly intriguing character, dear readers; I did.  This first issue also has one killer scene, which concerns surgery.

Rafael Albuquerque continues to transform as a comic book artist, in terms of his draftsmanship and in terms of the flair in his illustrative style.  This stylishly-drawn first issue is among his best work, and Marcelo Maiolo's bright coloring makes this one gorgeously drawn comic book.

I am intrigued by this first issue, so I plan to keep reading Prodigy.  Of course, I recommend it to all loyal Mark Millar readers.

7.5 out of 10

http://www.millarworld.tv/
www.imagecomics.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Image Comics from Diamond Distributors for July 31, 2019

IMAGE COMICS

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Marvel Comics from Diamond Distributors for July 31, 2019

MARVEL COMICS

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Comics, Magazines and Books from Diamond Distributors for July 31, 2019

COMICS & GRAPHIC NOVELS

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Review: SURFACING: Depth Perceptions #4

SURFACING: DEPTH PERCEPTIONS No. 4 (OF 4)
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITORS: John Ward and Denise Thompson
COVER: Cesar Grego and Alivon Ortiz
32pp, Color, $4.99 U.S. / $1.99 digital-comic (2018; digital release date – October 31, 2018)

Rated: “M” for Mature / 17+ Only (comiXology)

Surfacing: Depth Perceptions is a four-issue comic book miniseries published by Approbation Comics.  It tells the story of Marcus Wright, a young man who visits an oceanic research facility directed by his childhood friend, Anton Parker, who has a business deal to offer Marcus.  The facility has captured a mermaid-like creature, and Marcus finds himself caught in the mystery of this creature and of its captivity.  Surfacing: Depth Perceptions is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos.

As Surfacing: Depth Perceptions #4 opens, Marcus tells Anton that he is going scuba diving in order to visit “The Gardens.”  These are underwater pods that contain hydroponic gardens.  Anton is against this, as he is increasingly paranoid about “Becca,” the name Marcus has given the mermaid.  Marcus is playing a dangerous game, as Anton and Becca each see a different side of him.  As his friend and the mermaid make their final plays, Marcus himself has to survive his own dangerous game.

The first three issues of Surfacing: Depth Perceptions are some of the prettiest comic books Approbation Comics has published to date, and four does not turn out to be the ugly duckling of the bunch.  Artists Cesar Grego and Alivon Ortiz have produced some pretty cover art for this series, using gorgeous illustrations and shimmering colors.  Their cover for Surfacing: Depth Perceptions takes a dark turn, as beauty gives way to a striking image that encapsulates the violent resolution to this series.

The interior art by Nenad Cviticanin has been consistently good with solid storytelling that keeps the shifting moods of this narrative blending.  Colorist Santtos delivers stellar work the second half of this issue, creating an atmosphere that moves from apocalypse to paradise.  The lettering by Krugos conveys this double-size issue's sudden resolution and its expectations for a hopeful future.

Writer B. Alex Thompson presents an ending that readers of this series would expect, with a twist or two and some back story.  One of the best writers of naturalistic dialogue in American comic books, Thompson lets the characters play out this drama in their own words.  Yes, we do get a killer ending, and it was quite exciting, but this finale is also thoughtful.

Surfacing: Depth Perceptions #4 gives us an excellent ending to an excellent comic book series.  So, dear readers, head over to comiXology to read the entire thing.

9 out of 10

Buy Surfacing: Depth Perceptions #4 at comiXology.
www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

Review: THE UNEXPECTED #1

THE UNEXPECTED No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Steve Orlando and Ryan Sook
PENCILS: Cary Nord
INKS: Mick Gray and Wade von Grawbadger
COLORS: FCO Plascencia
LETTERS: Carlos M. Mangual
EDITOR: Katie Kubert
COVER: Ryan Sook
32pp, Color, $2.99 U.S. (August 2018)

Rated “T” for Teen

The Unexpected created by Steve Orlando and Ryan Sook

Call of the Unknown: Part One – “Punch First”

DC Comics has launched a new superhero comic book initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries.  This line of comic books consists of eight new comic book series:  The Curse of Brimstone, Damage, The Immortal Men, New Challengers, Sideways, The Silencer, The Terrifics, and the subject of this review, The Unexpected.

The Unexpected is the eighth and final release in “The New Age of DC Heroes.”  The series is written by Steve Orlando and Ryan Sook; drawn by Cary Nord and Ryan Sook (pencils) and Mick Gray and Wade von Grawbadger (inks); colored by FCO Plascencia; and lettered by Carlos M. Mangual.  The Unexpected focuses on a group of unlikely heroes who are called to action across the Multiverse in the wake of the events depicted in Dark Nights: Metal.

The Unexpected #1 (“Punch First”) introduces Janet Fals.  She was a paramedic killed in the line of duty.  Civil Solutions, “ a futurist arms developer,” revives Janet giving her a new heart – something called “the Conflict Engine.”  Every 24 hours, she has to feed the Conflict Engine a fight or violence... or she dies.  Janet Fals is now known as the super-powered entity, “Firebrand.”

In her new life, Firebrand uses the name “Ronan,” and works at a VA hospital.  When a new and strange patient starts causing trouble, Ronan has to become Firebrand to deal with the Bad Samaritan, Neon the Unknown, Ascendant, and Viking Judge.

I don't know how much of this book is drawn by Ryan Sook and how much is drawn by Cary Nord.  I do know that Mick Gray and Wade von Grawbadger are two of the best inkers working in American superhero comic books today.  The result is that The Unexpected has the most beautiful art of any of “New Age” titles, which is quite a feat.  Many of the initial art teams on the “New Age” books turned out some pretty art, and some of the secondary teams have also delivered attractive illustrating.  Colorist FCO Plascencia and letterer Carlos M. Mangual complete what is a top-notch graphics and graphical storytelling team on The Unexpected.

Unfortunately, The Unexpected offers a terrible story and only a serviceable script.  It offers the kind of pointless bombastic action that plagues event comic books that Marvel and DC Comics publish every time they and comic book retailers need a sales bump.  Bombastic action over anemic character writing:  hope that works for you if you want to like The Unexpected.  I would be surprised if The Unexpected lasts 12 issues, which is a pity.  This is one good-looking comic book.

3.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------

Review: SAVAGE SWORD OF CONAN #1

SAVAGE SWORD OF CONAN No. 1 (2019) – Legacy #236
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Gerry Duggan
ART: Ron Garney
COLORS: Richard Isanove
LETTERS: VC's Travis Lanham
EDITOR: Mark Basso
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Alex Ross
VARIANT COVER ARTISTS: Kevin Eastman with Tomi Varga; Ron Garney with Richard Isanove; George Perez with Jason Keith; Rahzzah
44pp, Color, $4.99 U.S. (April 2019)

Parental Advisory

Conan the Barbarian based on the “Conan” character created by Robert E. Howard

“The Cult of Koga Thun” Part One: “Shipwrecked”

Conan the Cimmerian is a fictional “sword and sorcery” hero created by Robert E. Howard (REH).  Conan first appeared in the pulp fiction magazine, Weird Tales (1932).  Conan lived in Howard's fictional “Hyborian Age” and was a mercenary, outlaw, pirate, thief, warrior, and eventually a king, but because of his tribal origins, some characters that encountered him thought of Conan as a barbarian.

Beginning in 1970 and for three decades, Marvel Comics brought Conan to the world of American comic books with the series, Conan the Barbarian.  Marvel is publishing Conan comic books again and recently began a revival of its black and white Savage Sword of Conan comic magazine as a full-color standard-sized comic book.  Savage Sword of Conan (2019) is written by Gerry Duggan; drawn by Ron Garney; colored by Richard Isanove; and lettered by VC's Travis Lanham.

Savage Sword of Conan #1 (“Shipwrecked”) finds Conan cast adrift on the seas of fate.  Starving, half-drowned, half-dead, and hallucinating, Conan (who is about 20 or so years of age) is picked out of the ocean by the slave ship, “Ouroboros.”  He finds an ally (that he doesn't really need or want) in a fellow slave, Suty.  Together, they will discover that there is more to the captain of the Ouroboros and more to the treasure chest in his cabin than they suspect.

I enjoyed the return of Conan the Barbarian to Marvel Comics, and while that comic book has been good, even very good at times, it has not been great.  Savage Sword of Conan's return to Marvel Comics suggests that Savage Sword of Conan could be THE great Marvel Conan comic book (Era #2).  When I first read the original old, black and white magazine Savage Sword of Conan when I was a teenager, I found it to be superior to the Conan the Barbarian title of that time.

In fact, “Shipwrecked,” the opening chapter of this first story arc, reminds me of the stories I read in the original Savage Sword of Conan.  “Shipwrecked” is probably the best Gerry Duggan story I have read to date.  Duggan offers a violent tale that is as bat-shit crazy as Conan creator, Robert E. Howard's original Conan prose fiction, or it is at least as crazy as Roy Thomas' adaptations of Howard's stories for Conan comic books back in 1970s.  Dear readers, obviously you can tell that I had a blast reading this.

The power and aggression in this story is most evident in artist Ron Garney's illustrations and graphical storytelling.  The storytelling is brawny, and Garney deftly captures the sudden switches in Conan's temper and temperament.  Richard Isanove's shimmering colors emphasize, even heighten the intensity rather that merely color over the art.  Travis Lanham's matter-of-fact lettering seems to pound out the story to the reader, a relentless rhythm, page after page.

Savage Sword of Conan #1 is a success.  I will come back for more because this first issue reminds me of the stories that made me a fan of Conan comic books back in the way back.  I highly recommend this to Conan fans.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------------

Review: William Gibson's ALIEN 3 #1

WILLIAM GIBSON'S ALIEN 3 No. 1
DARK HORSE COMICS – @DarkHorseComics

[This review was originally posted on Patreon.]

STORY: William Gibson
SCRIPT: Johnnie Christmas (adaptation)
ART: Johnnie Christmas
COLORS: Tamra Bonvillain
LETTERS: Nate Piekos of Blambot
EDITOR: Daniel Chabon
COVER: Johnnie Christmas with Tamra Bonvillain
VARIANT COVER: Paolo and Joe Rivera
28pp, Color, $3.99 U.S. (November 2018)

The 1979 film, Alien (directed by Ridley Scott), won an Academy Award and was a critical and commercial success.  It's 1986 sequel, Aliens (directed by James Cameron), won two Academy Awards and was a critical and commercial success.  The third film, Alien 3 (1992), was less successful, critically and commercially.

According to contemporary and historical accounts, Alien 3, had a contentious and troubled production.  That started from the beginning and continued into late 1987, when two of Alien 3's producers approached acclaimed science fiction author, William Gibson (Neuromancer), to write the film's screenplay.  Gibson accept the offer and completed a script, but ultimately left the project.  Apparently not much of Gibson's work made the eventually completed Alien 3.

Now, Dark Horse Comics is publishing a comic book adaptation of Gibson's unused screenplay for Alien 3.  The comic book series is entitled William Gibson's Alien 3, and writer-artist Johnnie Christmas (Angel Catbird) is adapting Gibson's script to comics and is drawing the series.  Tamra Bonvillain is the series colorist, and Nate Piekos is series letterer.

William Gibson's Alien 3 #1 opens sometime after the events depicted in the film, Aliens.  The U.S.S. Sulaco enters the territorial space of the Union of Progressive Peoples (U.P.P.).  Aboard this spaceship are Ellen Ripley, Corporal Dwayne Hicks, Rebecca “Newt” Jorden, and Bishop, the damaged android – all four in are in cryonic stasis.

There is also something else aboard the Sulaco, as three U.P.P. military personnel are about to discover.  The U.P.P. forces cannot know that this fifth passenger is quite deadly and is about to unleash chaos between two governmental titans intent on developing the ultimate weapon of mass destruction.

Back in the 1990s, I read a synopsis of William Gibson's Alien 3 screenplay that was published in a British science fiction magazine (possibly Interzone).  At the time, I thought that the synopsis would have made a much better film than the Alien 3 we did get in 1992.

William Gibson's Alien 3 #1 only introduces the milieu of the story, providing what amounts to a first-look at the characters and the settings.  Readers familiar with 20th Century Fox's Alien film franchise understand the threat and menace of the franchise's signature villains, the “Aliens” (a.k.a. “xenomorphs”).  They also understand the conflicts and conspiracies that exist among various human factions in the series.  They know who the heroes are, and, in William Gibson's Alien 3, they have a good idea who will likely be the villains.

Since I have seen most of the films in this franchise numerous times, I know how to read an Alien comic book adaptation, and I have an idea what to expect.  That said, I thoroughly enjoyed all the teasing that William Gibson's Alien 3 #1 does.  I like the relaxed pacing of Christmas' script adaptation, and his clean and minimalist drawing style makes for clear graphical storytelling.

Tamra Bonvillain's colors convey the characters' emotions and suggest conspiracy and secrets with surprising potency.  Bonvillain also makes the action and attack scenes explode off the page.  Nate Piekos' lettering is quiet and quietly effective in hitting story beats.  This first issue is one of those examples of when it is hard not to recognize how effective coloring and lettering is.

I did not know what to expect of William Gibson's Alien 3 #1, but after reading it, I want to read more of this series.  This could turn out to be a really good Alien comic book.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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