Leroy Douresseaux on THE ORIGINAL JOHNSON Book Two

THE ORIGINAL JOHNSON BOOK TWO

IDW

 

CARTOONIST: Trevor Von Eeden

ADDITIONAL INKS: Don Hillsman II
COLORS: George Freeman, Glenn Hauman
LETTERS: Marc Alan Fishman
AFTERWORD/EDITOR: Mike Gold
ISBN: 978-1-60010-664-4; paperback
136pp, Color, $19.99 US

The Original Johnson was first published as a webcomic at the site Comicmix.com. Written and drawn by Trevor Von Eeden, a comics veteran of over three decades, The Original Johnson is a comic book biography about John Arthur “Jack” Johnson (1878-1946). An American boxer, Jack Johnson was the first Black man to win the “World Heavyweight” boxing championship, a title he won in 1908 and held until 1915.

IDW recently published the second of two trade editions collecting Von Eeden’s 240-page graphic novel. The Original Johnson Book Two can be described as the education, maturation, triumph, and fall of a great boxer and of a greater man. Early in Book Two, Jack reaches the turning point in his career that takes him to the next level as a true professional boxer. He faces his first opponent who, rather than rely on brute force, has developed a science and system to boxing, Joe Choynski. Book Two also details Jack’s complicated relationship with women and his reasons for preferring white women as his mates. The story recounts his triumph as world champion and also makes a case for why he chose to lose the world title in 1915.

I found that The Original Johnson Book One presented Jack Johnson’s life (from the age of 13 to 22) as being like a coming-of-age story about a young superhero – a kind of Black Superboy/Superman. Book Two is more a straight biography, but it is also an essay and treatise on racism, both national and internationally, against Black people.

With his pencil art, Von Eeden captures the physicality and musculature of Jack Johnson. With his inking, he depicts power and dynamism that marries Burne Hogarth’s love of anatomy and the intensity of Michelangelo’s David. At times, Von Eeden turns Jack Johnson’s figure into a blunt instrument to batter his bigoted opponents and the virulently racist spectators at boxing matches. At other times, Von Eeden transforms Johnson and his perfect physique into a precision machine, undulating waves of ecstasy into the white women he frequently beds (Mandingo!).

Much of Book Two is both philosophical and even informative about the racism African-Americans and Black people faced in the United States and abroad in Johnson’s time. The reason for the hate was because many people who did not have black skin refused to see Black people as anything other than less than white people. Black people were subservient half-citizens who were often beasts of burdens. Not only does Von Eeden present the story of Jack Johnson the boxer, but he also uses Jack Johnson as a fictional paladin through which Von Eeden boxes against racism.

The over-arching theme of The Original Johnson is that of taking freedom no matter what others may say or do. That permeates Trevor Von Eeden’s comic book. This is the work of a free man unafraid to speak his mind and to present his work as he sees it. The graphical style, the design, the formats, the compositional qualities, the storytelling feel as if these are all Von Eeden’s choices, made free of other’s prejudices and expectations.

The Original Johnson doesn’t read as if it followed the rules for comic book writing that fans and critics think Alan Moore established in Watchmen. Nor does the art slavishly ape Jim Lee or some photorealist. Jack Johnson was a man, and Trevor Von Eeden is man enough to tell his story the way he wants. Johnson and Von Eeden did it their way, and the result of each man’s effort is greatness.

A+

http://www.trevorvoneeden.com/
http://www.comicmix.com/

Top Shelf and Congressman John Lewis Enter Publishing Agreement

Rep. John Lewis and Top Shelf Productions Sign Historic Publishing Agreement

 

February 7, 2010 Atlanta, GA – Congressman John Lewis, Andrew Aydin, and Top Shelf Productions have signed a publishing agreement. Top Shelf Productions has agreed to publish the graphic novel March, coauthored by Rep. John Lewis and Andrew Aydin, tentatively scheduled for release in 2012.

“I am very pleased to be participating in this effort,” said Congressman John Lewis. “This is something I really wanted to do some years ago and there is no better time to do it than now. It is not just a story of struggle; it is a story of involvement. It shows the ups, the downs, the ins and the outs of a movement.

“It is my hope,” said Congressman Lewis, “that this work will be meaningful and helpful to future generations to give many people here in America and around the world the urge, the desire, to seek, to build, their own world, their own future.”

A meditation in the modern age on the distance traveled, both as a nation and as a people, since the days of Jim Crow and segregation, March tells the first hand account of John Lewis’ lifelong struggle for civil and human rights.

The publishing agreement is an historic first, both for the U.S. Congress and graphic novel publishing as a whole, marking the first time a sitting Member of Congress has authored a graphic novel. Top Shelf Productions is the first and only graphic novel publisher to be certified by the House Committee on Standards.

“As a proud resident of Georgia, and a long-time fan of the honorable Congressman,” adds publisher Chris Staros, “this is truly a deep honor. To bring, not only his life’s story, but that of the Civil Rights Movement to the comics medium is truly exciting. This will make this historical and timeless message accessible to an entirely new generation of readers.”

An artist has yet to be named for the project though candidates are being actively considered.

***

JOHN LEWIS, is Georgia’s Fifth Congressional District Representative and an American icon widely known for his role in the Civil Rights Movement.

As a student at American Baptist Theological Seminary in 1959, John Lewis organized sit-in demonstrations at segregated lunch counters in Nashville, Tennessee. In 1961, he volunteered to participate in the Freedom Rides, which challenged segregation at interstate bus terminals across the South. He was beaten severely by angry mobs and arrested by police for challenging the injustice of Jim Crow segregation in the South.

From 1963 to 1966, Lewis was Chairman of the Student Nonviolent Coordinating Committee (SNCC). As Chairman, John Lewis became a nationally recognized leader. Lewis was dubbed one of the Big Six leaders of the Civil Rights Movement and at the age of 23, he was an architect of and a keynote speaker at the historic March on Washington in August 1963.

In 1964, John Lewis coordinated SNCC efforts to organize voter registration drives and community action programs during the Mississippi Freedom Summer. The following year, Lewis helped spearhead one of the most seminal moments of the Civil Rights Movement. Hosea Williams, another notable Civil Rights leader, and John Lewis led over 600 peaceful, orderly protestors across the Edmund Pettus Bridge in Selma, Alabama on March 7, 1965. They intended to march from Selma to Montgomery to demonstrate the need for voting rights in the state. The marchers were attacked by Alabama state troopers in a brutal confrontation that became known as "Bloody Sunday." News broadcasts and photographs revealing the senseless cruelty of the segregated South helped hasten the passage of the Voting Rights Act of 1965.

Despite more than 40 arrests, physical attacks and serious injuries, John Lewis remained a devoted advocate of the philosophy of nonviolence. After leaving SNCC in 1966, he continued his commitment to the Civil Rights Movement as Associate Director of the Field Foundation and his participation in the Southern Regional Council's voter registration programs. Lewis went on to become the Director of the Voter Education Project (VEP). In 1977, John Lewis was appointed by President Jimmy Carter to direct more than 250,000 volunteers of ACTION, the federal volunteer agency.

In 1981, he was elected to the Atlanta City Council. He was elected to Congress in November 1986 and has served as U.S. Representative of Georgia's Fifth Congressional District since then.

ANDREW AYDIN, an Atlanta native, currently serves in Rep. John Lewis’ Washington, D.C. office handling Telecommunications and Technology policy as well as New Media. Previously, Andrew served as Communications Director and Press Secretary during Rep. Lewis’ 2008 and 2010 re-election campaigns. Andrew is a graduate of the Lovett School in Atlanta and Trinity College in Hartford, and is currently pursuing a master’s degree at Georgetown University.

TOP SHELF PRODUCTIONS is the literary graphic novel and comics publisher best known for its ability to discover and showcase the vanguard of the comics scene. Founded by Co-Publisher Brett Warnock in 1995, and partnered by Co-Publisher Chris Staros in 1997, Top Shelf has produced over two hundred graphic novels and comics that have helped to revitalize interest in comics as a literary art form. Most notably, Alan Moore’s FROM HELL, LOST GIRLS, and THE LEAGUE OF EXTRAORDINARY GENTLEMEN; Craig Thompson’s BLANKETS; Andy Runton's OWLY; Robert Venditti & Brett Weldele’s THE SURROGATES, Jeff Lemire’s ESSEX COUNTY, and Jeffrey Brown's CLUMSY & UNLIKELY, all of which have garnered critical accolades from the likes of Time Magazine, USA Today, Entertainment Weekly, People Magazine, Publishers Weekly , The New Yorker, and the New York Times Book Review.

IN PHOTO (FROM LEFT TO RIGHT): Chris Staros, Congressman John Lewis & Andrew Aydin

Your Black History Moment - 4 Black Girls

Forty-six years ago this morning, 26 children walked into the basement assembly room of the 16th Street Baptist Church (Birmingham, Alabama) for closing prayers when a bomb exploded. Four girls: Addie Mae Collins (aged 14), Denise McNair (aged 11), Carole Robertson (aged 14), and Cynthia Wesley (aged 14) were killed in the blast.

The dynamite bombing was a terrorist attack perpetrated by members of the local Ku Klux Klan. 22 additional people were injured - a watershed moment for the African-American Civil Rights Movement of the mid-20th century (1955-1968).

Spike Lee created an Oscar-nominated documentary film about the bombing entitled 4 Little Girls