Marvel Comics from Diamond Distributors for March 13 2013

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I Reads You Review: UNCANNY X-MEN #1

UNCANNY X-MEN #1 (April 2013)
MARVEL COMICS

WRITER: Brian Michael Bendis
PENCILS/COLORS: Chris Bachalo
INKS: Tim Townsend, Jaime Mendoza, Al Vey
LETTERS: VC’s Joe Caramagna
VARIANT COVERS: Skottie Young; Joe Quesada and Danny Miki with Richard Isanove; Francesco Francavilla; Gabriel Del’Otto; Stuart Immonen with Marte Gracia
28pp, Colors, $3.99 U.S.

Rated T+

Part of Marvel Comics’ Marvel NOW initiative (the re-launch of their comics line) is another re-launch of Uncanny X-Men. The new series is written by Brian Michael Bendis, who is also writing Uncanny’s sister title, All-New X-Men. For the time being, the art is being produced by Chris Bachalo (pencils) and Tim Townsend (inks). Longtime comic book readers know why I’m saying “for the time being.”

The roster of X-Men that makes up this new Uncanny X-Men is Cyclops, Magneto, Emma Frost the White Queen, Majik, and two new mutants. The newbies are an Australian girl, Tempus, and a boy who is a healer and who has not chosen his mutant name, yet. Cyclops/Scott Summers, one of the original X-Men, has become a highly controversial figure and is also the public face of a new mutant revolution.

Uncanny X-Men #1 opens in an underground S.H.I.E.L.D. interrogation bunker. Director Hill is about to interview a mysterious figure who has shown up out of nowhere. He has a tale to tell about Cyclops and his band of X-Men. It begins with the rescue of Fabio Medina, a young mutant whose powers have just awakened. What is this stranger really offering S.H.I.E.L.D. and what does he really want?

Brian Michael Bendis is proving himself to be the best X-Men writer in a decade or, at least since Grant Morrison on New X-Men. Bendis is doing his excellent work without making the changes Morrison did when he became an X-writer. In this first issue, the set-up of the mysterious stranger peddling information creates a thrilling sense of mystery, drama, and anticipation. It’s enough to have me coming back.

OK. Chris Bachalo. Yeah, used to like him a lot. He has done some really good work. Bachalo is from the school of eye-candy comic book art. He has sometimes been more about style than storytelling, and his compositions can be crowded, though not always. Gawd, remember Steampunk? Luckily, the crowding is down significantly. In Uncanny X-Men #1, the storytelling is off-kilter, at times, and the page design is sometimes a jumbled cluster-fk that makes certain pages annoying to read.

Thank God for Bendis.

A-

Reviewed by Leroy Douresseaux

I Reads You Review: ALL-NEW X-MEN #6

ALL-NEW X-MEN #6
MARVEL COMICS

WRITER: Brian Michael Bendis
ARTIST: David Marquez
COLORS: Marte Gracia
LETTERS: VC’s Cory Petit
COVER: Stuart Immonen and Wade von Grawbadger with Marte Gracia
VARIANT COVER: Chris Bachalo and Tim Townsend
28pp, Colors, $3.99 U.S.

Rated T+

All-New X-Men, a Marvel NOW title, is set at the Jean Grey School for Higher Learning. Here, Storm, Wolverine, Beast, Iceman, and Kitty Pryde try to keep Professor Charles Xavier’s dream alive. Meanwhile, Cyclops/Scott Summers, one of the original X-Men, has become a highly controversial figure and is the public face of a new mutant revolution. He and his teammates: Magneto, the White Queen, and Majick, are gathering new mutants as fast as they appear.

In a desperate bid to stop Cyclops’ activities from triggering a mutant apocalypse, a dying Beast/Hank McCoy goes back in time. He brings the original X-Men: Cyclops, Jean Grey, Iceman, Beast, and Angel, back with him. He wants young Cyclops see what he has become, so that he might change his ways and change his future.

All-New X-Men #6 opens after the original X-Men decide to stay in the present (their future) in order to save all our futures. Adjustment is difficult, however. Jean’s telepathic powers awakened for the first time. Angel is the only original X-Man who has not met his future-self. Cyclops has the most difficult time accepting what has happened, and that leads to a showdown with Wolverine.

With Brian Michael Bendis still writing, All-New X-Men is still good. His thoughtful, character-centric writing focuses on Marvel’s mutants both as people and as heroes. This makes All-New X-Men something like an evening teen soap opera / primetime drama.

David Marquez is now the artist on All-New X-Men. He replaces the team of Stuart Immonen and Wade von Grawbadger, who were the artists on the series’ first story arc. The results are mixed. Marquez storytelling is low-energy and his drawing style is bland. One of the problems with artists drawing from complete scripts is that they can become art robots, and Marquez’s art does lack a human touch. The robotic coloring doesn’t help.

Thank God for Bendis.

A-

Reviewed by Leroy Douresseaux

Marvel Comics from Diamond Distributors for February 6 2013

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Marvel Comics from Diamond Distributors for January 30 2013

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I Reads You Review: ALL-NEW X-MEN #2

ALL-NEW X-MEN #2
MARVEL COMICS

WRITER: Brian Michael Bendis
PENCILS: Stuart Immonen
INKS: Wade von Grawbadger
COLORS: Marte Gracia
LETTERS: VC’s Cory Petit
28pp, Colors, $3.99 U.S.

Rated T+

The Marvel Comics event, Marvel NOW, is a re-launch, re-vamp, or re-something. It means lots of new first issues and restarts. One new title has shockingly (to me) and totally captured my imagination and attention. That title is All-New X-Men by writer Brian Michael Bendis and artist Stuart Immonen. I have not been this excited about an X-Men title since John Byrne’s X-Men: The Hidden Years and Grant Morrison and Frank Quitely’s New X-Men.

All-New X-Men has started with a series of bangs. Cyclops/Scott Summers, one of the original X-Men, has become a highly controversial figure. Cyclops is the public face of a new mutant revolution. He and his teammates: Magneto, the White Queen, and Majick, are gathering new mutants as fast as they appear.

Meanwhile, the X-Men at the Jean Grey School for Higher Learning: Storm, Wolverine, Beast, Iceman, and Kitty Pryde fear that Cyclops’ activities will trigger a mutant apocalypse. In a desperate bid to stop this from happening, the Beast/Hank McCoy goes back in time to ask the original X-Men for help.

As All-New X-Men #2 opens, the Beast confronts the original X-Men: Cyclops, Marvel Girl, Angel, Iceman, and his younger-and-lacking-blue-fur self, the Beast. He wants them to return to the future with him so that perhaps, younger Scott, seeing the way older Scott is acting, will change things. But if the original X-Men decide to help, who says they won’t do it their own way?

Why is All-New X-Men so good? It’s simple. Brian Michael Bendis’ thoughtful, occasionally dense, and character-centric writing, which focuses on Marvel’s mutants, both as people and heroes, is ideal for an X-Men comic book. This opening storyline (“Here Comes Yesterday”) allows Bendis to define personalities and ambitions and aspirations. These are the things that drive the conflict within each individual and within the team, as well as within the larger mutant community and the larger world.

Stuart Immonen’s pencil art delivers compositions that capture the intimate moments and the superhero melodrama of Bendis’ script. It tells the story in a compelling and dramatic way that makes each moment and each panel necessary to the story. Inker Wade von Grawbadger gives the story even more dramatic heft, adding a dark overtone while also making the art eye candy. Immonen and von Grawbadger present some of the best graphical storytelling that X-Men comics have delivered in a decade, as far as I’m concerned.

A+

Reviewed by Leroy Douresseaux

Marvel Comics from Diamond Distributors for January 16 2013

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Albert Avilla Reviews: All New X-Men #1

All New X-Men #1
Mavel Comics

Reviewed by Albert Avilla

Writer: Brian Michael Bendis
Pencils: Stuart Immonen
Inks: Wade Von Grawbadger

Spoilers!
Bendis on the X-Men, gentlemen, I think we have a hit. This story is getting back to the roots of what the X-Men are about, finding new mutants and preparing them for the realities of the world.

Beast is going through another mutation that may kill him. Cyclops is still tripping, finding mutants, and recruiting them to his side. I thought he was locked up. He’s leading Magneto and the White Queen and calling themselves the X-Men. This is sure to be a real public relations problem for the real X-Men who are ready to shut Cyclops down; but Storm, the wise leader that she is, wants to take the high road. Saving lives is more important to her than her own agenda. Beast gets the idea that Cyclops needs to get back to who he is. Beast goes to the past to get the original X-Men to do just that.

I don’t like to say that one creator is better than another, but I can say that Bendis is an industry leader. This story is Claremont-esque. We get interesting plotline within interesting plotline. Hopefully, these plotlines won’t be resolved in a neat four issue format, but be true to Claremont form and have each plot leading into story after story. The possibilities are endless. I’m not ashamed to say that my expectations for this book were low; when I would see the ads for this book I would say, “What?” Bendis has made me so happily wrong. I’m ready to ride this rollercoaster.

The art speaks for itself. All that I can say is look at the rug when Scott and Hank are arguing in the past. I liked the contrast between youngster Cyclops and grown man Cyclops on the cover. Keep this creative team together. This was a symphony of art and words.

I rate All New X-Men #1 Recommend It to a Friend. #1 (of 5) on the Al-O-Meter Ranking