Showing posts with label small press. Show all posts
Showing posts with label small press. Show all posts

Wednesday, January 27, 2021

#IReadsYou Review: GREY Chapter 3

GREY. CHAPTER 3
THE GREY ROOM

[This review was originally posted on Patreon.]

STORY: Kris Hornett
ART: Ardee Arollado
SPECIAL PROJECTS ART: Kenet Guevarra
EDITOR: Lisa Taylor
28pp, B&W, $10.00 (September 2020)

Chapter 3 “Deja Vu”

Grey is a recently-launched. independently published comic book series from writer Kris Hornett and artist Ardee Arollado.  Published by The Grey Room, Grey is a hybrid, a combination of an American comic book format and Japanese manga.  Grey is similar to what was once called “OEL manga” or “original English language” manga.  These were American graphic novels in which the storytelling borrowed or mimicked the aesthetics and sensibilities of Japanese manga (comics).

Grey is set in the realm of Ketiyama (apparently an archipelago) and takes place some time after an event known as “the Sonoma Incident.”  This outbreak of the lethal “Moon Virus” on Nacirema, one of Ketiyama's islands, led to chaos, destruction, and division.  As a sign of good faith and as a last attempt to restore order, the ruling Board of Officials allowed the people to elect a team of highly trained tactical agents, known as “the Bureau,” to serve and protect them.  Within the Bureau is an elite unit known as “Nimbus.”  This team of five agents are sworn to maintain moral balance and to enforce the law.  The agents of Nimbus are also able to manipulate their “prana” (“life energy”).

The agents of Nimbus are Samara Asuhara, Kouken Masimuto, Shuyin Hagamuri, Manu Yagyu, and Kale SchaeferBelisia Asuhara is their handler and the creator of Nimbus.

As Grey. Chapter 3. (“Deja Vu”) opens,  Shuyin visits with his mother, who has telepathic abilities.  Through her, Shuyin gets to play with his memories and experiences with Willow, the young woman from his past who is connected to the Bureau's current case.

Elsewhere, agents Samara and Kouken visit Kale Schaefer to discuss the mysterious “okami mask,” its notorious past and its connection to Kale's past.  Later, Samara and Kouken may be unaware of the danger near them.  Have they walked into a trap?

THE LOWDOWN:  Grey is conceptually well-developed, and the world in which it is set has a complex history.  The authors are simultaneously building a world and unwrapping a science fiction dramatic narrative.

Grey Chapter 3 first takes a deep dive into Shuyin's mind.  I find Shuyin's interior world:  memories, dreams, thoughts, etc. to be an engaging way to delve into the character and into everything that is going on around him – past, present, and future.  As much as I like Grey's other characters, I feel as if I never get enough of him, but it is good that Hornett and Arollado have their lead emerge as a star character so early in the series.

Meanwhile, Hornett takes time to take us to some other characters, and as I wrote in a previous review, all the characters are interesting in some way.  They make the world of Grey an exciting place for readers to be, and Hornett always leaves me wanting more.  Twenty-five pages of story is a lot these days, but 50 pages per issue of Grey would not be enough.  It is still early enough to get in on the ground floor of this exciting American manga, dear readers.

I READS YOU RECOMMENDS:  Fans of manga-inspired comic books will want to read Grey.

[This comic book includes two pages of additional informative text pieces.]

A-
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



https://thegreyroom.org/
https://www.instagram.com/thegreyroom_/
https://twitter.com/Hornett_
https://www.instagram.com/kero.beroz/?hl=en


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, January 1, 2021

#IReadsYou Review: CHAOS CAMPUS #29

CHAOS CAMPUS: SORORITY GIRLS VS ZOMBIES #29
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Anita Zaramella
COLORS: Anita Zaramella
LETTERS: Krugos
POST-SCRIPTING/POLISH: John P. Ward
EDITORS: B. Alex Thompson and John P. Ward
COVER: Anita Zaramella
28pp, Color, $4.99 U.S. print/$1.99 U.S. digital (2016; digital release date – May 24, 2017)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“One Night at Pheromones”


Chaos Campus: Sorority Girls vs. Zombies is the long-running zombie apocalypse comic book series from Approbation Comics.  Mixing in elements of comedy, horror, and adventure, it is the creation of B. Alex Thompson.  The series is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

Chaos Campus: Sorority Girls vs. Zombies #29 (“One Night at Pheromones”) opens in the aftermath of “The Road to Salvation” story arc.  As usual, our heroic trio is seeking a momentary safe haven from the zombies.  They head to “Dinah's Haven,” an all-female city and military garrison.  Upon entry, the girls discover that there is a weapons checkpoint and that they must relinquish all of their weapons.

There, they meet two mystery men, Marco and Dylan, with whom Brittany and Paige immediately become smitten.  Seeking a place where they can get to know each other, the EAZY girls and the new guys head to Dinah's Haven's only drinking establishment, the strip club, “Pheromones.”  The new friends find plenty of pretty girls, do some lap-dancing, and discover the secret of Dinah's Haven in this issue written by B. Alex Thompson; drawn and colored by Anita Zaramella; and lettered by Krugos.

THE LOWDOWN:  After bringing “The Road to Salvation” story line to an end, writer B. Alex Thompson brings some levity to the standalone story, “One Night at Pheromones.”  It reminds me of those standalone issues of Uncanny X-Men that writer Chris Claremont used to do so well.

The star of this issue is artist-colorist Anita Zaramella.  Her elastic and fluid drawing style yields compositions that pop with energy and makes this story move quickly.  The graphic storytelling offers readers a sexy romp in the series usual wheelhouse.  Zaramella's coloring is bright and vivid, and the colors bring club “Pheromones” to life as the exiting and NAS-TAY! place to be.

Chaos Campus #29 is a surprisingly good one-off issue.  It features one of Chaos Campus' strengths – its ability to not take itself too seriously while being true to its driving force.  This issue is a good place to start for new readers.

POSSIBLE AUDIENCE:  Fans of zombies and of horror-comedies will want to try Chaos Campus: Sorority Girls vs. Zombies.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Buy Chaos Campus #29 at comiXology: https://www.comixology.com/Chaos-Campus-Sorority-Girls-vs-Zombies/comics-series/63703

www.ApprobationComics.com
www.AlexThompsonWriter.com


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Tuesday, December 22, 2020

#IReadsYou: Review HASS #4

HASS #4
APPROBATION COMICS

[This review was originally posted on Patreon.]

WRITER/CREATOR: B. Alex Thompson – @ApproBAT
PENCILS: Edgard Machiavello
INKS: Victor Moya
COLORS: Alivon Ortiz
LETTERS: Krugos
MISC. ART: Cesar Grego and Federico Santagati
COVERS: Cesar Grego and Federico Santagati
32pp, Color, $9.99 U.S. (2020)

Hass is a four-issue comic book miniseries from Approbation Comics.  Hass is written and created by B. Alex Thompson.  The third and fourth issues are drawn by Edgard Machiavello (pencils) and Victor Moya (inks).  Alivón Ortiz is the series' colorist, and Krugos is the series' letterer.

A racial drama and crime thriller, Hass centers on Joshua “Josh” Jones, a freshman attending a college “deep in the heart of Texas.”  First day on campus, Josh falls in love with fellow medical student, Maggie Stewart, but he has to work hard to get Maggie to give him a chance at romance.

Eventually, this relationship forces Josh to confront violence and racism, and to have an unfortunate tattoo branded on his chest.  Before long, Josh is hanging out with Maggie's racist, drug-dealing cousin, Cole Truitt, and his gang of misfits: Eugene “Shamrock” Walsh (also known as “Rocky), Edward Vargas, Randall Gavin, and Warren “Great” White (also known as “Sharky”).

Hass #4 opens with the cliffhanger where the third issue left us.  Josh finds himself in a “Mexican standoff” with a gang of Mexican-American drug dealers … at a redneck honky-tonk!  Josh may be smart enough to talk himself out of this predicament, but when changes come to Cole's gang, he finds himself on the outside.  It turns out, however, that nothing was ever what it seems.  There is a turncoat in Cole's gang, and Maggie and her ailing father's lives are in danger.  It all heads to an explosive climax at Josh's college, and there will be many violent false endings before there is a happy ending.

THE LOWDOWN:  Early in the series, the back cover copy describes Hass as “William Shakespeare’s Romeo and Juliet” meets American History X” (the 1998 film).  Throw in your favorite undercover cop drama-thriller, dear readers, and you will be pretty close to the crazy fun that Hass offers.

B. Alex Thompson is the creator of the long-running indie, comedy-horror comic book series, Chaos Campus: Sorority Girls vs. Zombies.  As much as I love Chaos Campus, Hass is Thompson's best work to date.  He creates a scenario in Hass that allows him to explore various themes emerging from racism, as well as the violence that racism inspires or to which it directly leads.  Thompson explores the consequences of violence and its aftermath, and he also depicts the myriad ways in which racism, prejudice, and bigotry reveal themselves.

Pencil artist Edgard Machiavello was bold and unapologetic in delivering graphical storytelling for Hass #3; he took Thompson's dangerous ideas and kept them dangerous.  For Hass #4, Machiavello presents compositions that deliver on the furious pace of Thompson's finale for this series.  Inker Victor Moya brings nuance to the explosive nature of Machiavello's pencils.  As usual, Alivón Ortiz's colors accentuate the story by bring bright colors to the violence.  Krugos' lettering does what it has to do this issue, and that is to make sure that the story never slows down until the end.

Cover artist Cesar Grego once again delivers excellent cover art for the front and back covers and also drops a nice interior illustration.  This time, Grego's art captures the heat and the heart that define Hass #4.  As I have said before, I have never read another comic book that has explored American racism and prejudice in such a unique and complex way as Hass does.  Bold and different in ways that other comic books would not dare be, Hass is one of the decade's best indie comic books.

I READS YOU RECOMMENDS:  Readers looking for bold comic book storytelling and for the very best in comic books will want Hass.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ApproBAT
http://alexthompsonwriter.com/
https://www.comixology.com/Approbation-Comics/comics-publisher/7396-0
www.ApprobationComics.com


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Saturday, December 12, 2020

#IReadsYou Review: GEEK-GIRL #7

GEEK-GIRL, VOL. 2 #7
MARKOSIA ENTERPRISES, LTD.

[This review was originally posted on Patreon.]

STORY: Sam Johnson with Mark Darden
ART: Carlos Granda
COLORS: Chunlin Zhao
LETTERS: Paul McLaren
COVER ARTISTS: Jason Hehir with Chunlin Zhao; Claudio Due Avella with Chunlin Zhao (Ltd. Edition Variant)
28pp, Color, $3.99 U.S. (September 2020)

Rated T+ / 12+ only

Geek-Girl created by Sam Johnson

“Tights 'N' Capes” Part 2: “Bona to Vada Your Dolly Old Eeks!”


Created by Sam Johnson, Geek-Girl is a comic book character that debuted in the 2016 Geek-Girl miniseries,  She returned in a second miniseries, 2018's Geek-Girl Vol. 2, which became an ongoing series.  Geek-Girl Vol. 2 is written by Sam Johnson; drawn by Carlos Granda; colored by Chunlin Zhao; and lettered by Paul McLaren.

Geek-Girl focuses on Ruby Kaye of Acorn Ridge, Maine, a sexy and popular college coed who inadvertently becomes a superhero.  Ruby dons a pair of super-tech pair of eye glasses that gives her super-powers.  Ruby's BFF, Summer James, then talks her into trying to be a superhero, even providing her with a moniker.  Now, Ruby is Maine's newest superhero, “Geek-Girl.”

Geek-Girl Vol. 2 #7 (“Bona to Vada Your Dolly Old Eeks!”) finds Ruby and Summer joined by their new pal (and Ruby's new teammate), Kerry a.k.a. “The Minger,” for a night of partying at the gay night club, “Reach.”  There, they meet Ruby's friends (fake-as friends?) Karin, Stacey, and Jennifer.  While Summer is enjoying a night of being a superhero and Kerry is discovering the local color, Ruby is nursing a grudge or two that one powerful drink is about to put out on “jump street.”

Plus, Cabra Cini: Voodoo Junkie Hitwoman visits Acorn Ridge to prove that she is the baddest bitch.  Meanwhile, Digger Mensch has enough of his loyalties being tested, and he really hates it when his “professional” associations are questioned.

THE LOWDOWN:  Geek-Girl creator-writer Sam Johnson sends me PDF review copies of the latest issues of Geek-Girl.  So lately, I have been able to keep up with the happenings and adventures of Maine's cutest superhero.

As I said in my review of the prior issues (Vol. 2 #5-6), just about any issue of Geek-Girl is a good jumping-on point because Johnson's story and script are simply quite inviting to new readers.  Geek-Girl does not suffer from any of the ailments that longtime comic book writer and veteran television writer-producer, Gerry Conway, discussed in a series of recent twitter postings.

Geek-Girl is not a mature readers title that is inappropriate for young readers, nor is it weighed down by decades of anal continuity, which is one of the main problems of titles published by Marvel and DC Comics.  Geek-Girl #7 is one of those off-beat or “girls night out” issues that legendary comic book writer Chris Claremont presented to his readers in the classic Marvel Comics title, Uncanny X-Men.

I hope that teen comic book readers (and yes, they exist) will discover Geek-Girl.  In it, they will discover a kind of comic book that was the norm before Alan Moore and Frank Miller inadvertently gave comic book editors the blueprint for killing kid-friendly superhero comic books.  In the world before Watchmen-is-the-greatest-comic-book-of-all-time, many comic book superheroes seemed like they could be a young reader's best pals.  I think that this is the reason that comic books like Uncanny X-Men and The New Teen Titans (DC Comics) were so popular.  There is indeed a place for Batman: Arkham Asylum, but it need not be the entire place.

The last few years have seen mainstream American publishers trying hard to get middle-grade and teen readers back into the superhero comic book fold.  IDW's “Marvel Action” line is a good example.  Geek-Girl skewers towards the older teen readers, but (so far), there is very little in Geek-Girl that I would describe as inappropriate for a 13-year-old reader.  I don't think comic book characters partying at a gay night club is scandalous now in the way it would have been decades ago.  [Hey, if The Punisher is acceptable, so is club “Reach.”]

In Geek-Girl, writer Sam Johnson, artist Carlos Granda, colorist Chunlin Zhao, and letterer Paul McLaren are producing a comic book that recalls the past without being retro.  Geek-Girl is a cool comic book starring cool characters.

I READS YOU RECOMMENDS:  Fans of lovable superheroes will find an all-around winner in Geek-Girl.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Geek-Girl #7 is Out Now and available in Regular, Digital and Variant editions at www.geekgirlcomics.com


https://twitter.com/daSamJohnson
https://twitter.com/Markosia
https://twitter.com/Markosia_News
https://markosia.com/


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Thursday, December 10, 2020

#IReadsYou Review: CHAOS CAMPUS #28

CHAOS CAMPUS: SORORITY GIRLS VS ZOMBIES #28
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Ricardo Mendez
COLORS: Alivon Ortiz
LETTERS: Krugos
POST-SCRIPTING/POLISH: John P. Ward
EDITORS: B. Alex Thompson and John P. Ward
COVER: Ricardo Mendez
24pp, Color, $4.99 U.S. (2016; digital release date – May 10, 2017)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“The Road to Salvation, Part 4 of 4”


Chaos Campus: Sorority Girls vs. Zombies is the long-running zombie apocalypse comic book series from Approbation Comics.  Mixing in elements of comedy, horror, and adventure, it is the creation of B. Alex Thompson.  The series is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

The current story line is “The Road to Salvation,” which finds the Chaos Campus trio in the middle of a squabble involving “Salvation,” a now-divided human sanctuary.  The girls also fend off the fearsome “Neo Zombies” and deal with a Jamie-lookalike, her long-lost twin sister, Aimee.  This fourth and final chapter of “The Road to Salvation” is written by B. Alex Thompson; drawn by Ricardo Mendez; colored by Alivon Ortiz; and lettered by Krugos.

Chaos Campus: Sorority Girls vs. Zombies #28 opens to find Princess Aimee... trippin.  Embittered about everything, including the fact that Jamie “stole” the man she loved (the “Snake Eyes” like Damien), Aimee is going to tear down her own Sanctuary West and also Sanctuary East.  And she is going to use the Neo Zombies to do her dirty deeds.

Well, the Chaos Campus girls are not going to take it, but when things fall apart, can going back to the beginning be the answer to what happens after the end of Sanctuary?  Plus, there is a reference to director Ridley Scott's classic film, Alien.

THE LOWDOWN:  Chaos Campus brings to an end an excellent story line “The Road to Salvation.”  This series really hit its stride once the issues started being numbered in the 20s.  I like to remind readers that Chaos Campus is one of my favorite comic books, and Chaos Campus: Sorority Girls vs. Zombies #28 reminds me of why I fell in love with this series so many years ago.

And I love Chaos Campus because it has evolved.  Once a horror action comedy, individual issues offered parodies of well known dark fantasy, horror, and science fiction films.  Then, while holding onto its sense of humor, the character drama and storytelling became polished, and the series matured.  Chaos Campus came to remind me of The Walking Dead, both the comic book and the television series it inspired.  Still, Chaos Campus has the spirit of Sam Raimi, as it takes the best of George Romero's dead movies and blends its with other “zombie apocalypse” fiction to be something different.

Writer-creator B. Alex Thompson gets stronger as a writer with each issues, and his series reaps the benefits.  Artist Ricardo Mendez is an excellent collaborator for Thompson because Mendez conveys the mood and style that defines Chaos Campus.  Mendez's art is the Chaos Campus graphical storytelling that was meant to be... as far as I'm concerned.

I read Chaos Campus #28 as a digital comic on comiXology, and the digital format really shows off Alivon Ortiz's rich coloring.  Another recent frequent collaborator, letterer Krugos, continues to convey a sense of action in comic via his fonts.  He completes the process that makes Chaos Campus a comic book that I find to be pure fun... while also being shameless in its humor.  So on to the next story arc!

POSSIBLE AUDIENCE:  Fans of zombies and of horror-comedies will want to try Chaos Campus: Sorority Girls vs. Zombies.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

Buy Chaos Campus #28 at comiXology: https://www.comixology.com


www.ApprobationComics.com
www.AlexThompsonWriter.com


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Wednesday, November 25, 2020

#IReadsYou Review: PSYCHODRAMA ILLUSTRATED #2

PSYCHODRAMA ILLUSTRATED #2
FANTAGRAPHICS BOOKS – @fantagraphics

[This review was originally posted on Patreon.]

CARTOONIST: Gilbert Hernandez
EDITOR: Eric Reynolds
COVER: Gilbert Hernandez with Paul Baresh
24pp, B&W, $4.99 U.S. (June 2020)

“Mercy and the Devil”

Gilbert “'Beto” Hernandez is the prolific half of the comic book creating duo, Los Bros. (the other half being his brother, Jaime Hernandez).  Gilbert and Jaime are the creators of Love and Rockets (Fantagraphics Books), the seminal alternative comic book series, and perhaps, the greatest American comic book series of all time.

Gilbert has produced a number of solo projects including (the infamous) Blubber, Yeah! (with writer Peter Bagge), and Twilight Children (with the late Darwyn Cooke).  Gilbert's latest solo comic book project is the recently launched series, Psychodrama Illustrated.  According to publisher Fantagraphics Books, Psychodrama Illustrated is a new Love and Rockets spin-off focusing on the classic character, Rosalba Martinez, best known as “Fritz,” and on her extended family, especially Fritz's grand-niece, Dora “Killer” Rivera.  The series will feature stories about Fritz’s film career “that bend Fritz’s reality” and the “reality” of the comic book itself.

Psychodrama Illustrated #2 (“Mercy and the Devil”) opens not in the life of Fritz.  Instead, it opens in “Mercy and the Devil,” a strange movie about an ex-adult film actress (played by Fritz) and her grifter daughter, “Mercy” (played by Killer).  Mom and Mercy's relationship is played as if they are as all-American as... well, as mom and apple pie.  However, the specter of murder looms, and both mother and daughter have a penchant for taking men for the money.  But is one of the women taking men's lives as well as their money?  Or are both of them killer dames?

THE LOWDOWN:  As I wrote in my review of Psychodrama Illustrated #1, I was and am a huge fan of Beto's Blubber comic book series.  I found Blubber to be in the tradition (or at least in the spirit) of Underground Comix with its brave and bold depictions of raunchy sex and surreal sexuality.

On the other hand, Psychodrama Illustrated comes across, if not personal, then, as the work of a visionary free to commit to paper whatever the hell he wants.  After all, the main narrative of Psychodrama Illustrated #2 takes place entirely inside the narrative of a film.  This is not the first time that one of Gilbert's stories takes place inside of a movie; many have, and some still do in Love and Rockets.  And this is a good thing, because Gilbert does it so well.

Gilbert is doing what he wants at his pace and in his way.  I find myself drawn to this series, and more so than with first issue.  I did not want Psychodrama Illustrated #2 to end.  After all, there is a strange allure to the combination of sex and death, and I am sure many men and women dream of engaging in sexual congress with a dangerous, even homicidal woman.  Yeah, the way Gilbert draws Fritz's gargantuan breasts annoys the f*** out of me, but in this comic book, I felt the most drawn to her that I have ever felt.

I am in love with “Mercy and the Devil,” and I want to experience... more of this particular kind of work from Gilbert.  I want whatever he wants do draw when it comes to Psychodrama Illustrated... and I could use some more right now.

I READS YOU RECOMMENDS:  Fans of Gilbert Hernandez's Love and Rockets comics will want to try Psychodrama Illustrated.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://www.fantagraphics.com/
https://twitter.com/fantagraphics
https://www.instagram.com/fantagraphics/
https://www.facebook.com/fantagraphics/
https://www.youtube.com/channel/UCtLxEaspctVar287DtdsMww


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

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Sunday, November 15, 2020

#IReadsYou Review: GEEK-GIRL #6

GEEK-GIRL, VOL. 2 #6
MARKOSIA ENTERPRISES, LTD. – @daSamJohnson

[This review was originally posted on Patreon.]

STORY: Sam Johnson with Mark Darden
ART: Carlos Granda
COLORS: Chunlin Zhao
LETTERS: Paul McLaren
COVER ARTISTS: Jason Hehir with Chunlin Zhao; Claudio Due Avella with Chunlin Zhao
28pp, Color, $4.99 U.S. (September 2020)

Rated T+ / 12+ only

Geek-Girl created by Sam Johnson

“Tights 'N' Capes” Part 1: “Change of Plan”


Geek-Girl is a comic book character created by Sam Johnson.  Geek-Girl debuted in the 2016 Geek-Girl miniseries and returned in a second miniseries, Geek-Girl Vol. 2, which became an ongoing series.  Geek-Girl Vol. 2 is written by Sam Johnson; drawn by Carlos Granda; colored by Chunlin Zhao; and lettered by Paul McLaren.

Geek-Girl focuses on Ruby Kaye, a sexy and popular college coed who inadvertently becomes a superhero.  Ruby dons a pair of super-tech eye glasses that gives her super-powers.  Ruby's BFF, Summer James, then talks her into trying to be a superhero, even providing her with a moniker.  Now, Ruby is Maine's newest superhero, “Geek-Girl.”

Geek-Girl Vol. 2 #6 (“Change of Plans”) finds Ruby, Summer, and Kerry a.k.a. “The Minger” enjoying time at the super-team headquarters provided for them by Johnny Carlyle, the former super-tech weapons dealer turned philanthropist.  Carlyle has founded the Kaye Foundation and is forming a brand new superhero team, of which Ruby as Geek-Girl will be the leader.  Ruby meets her teammate, Tyler a.k.a. “Super-Porter,” and then, plans a girl' night out with Summer and Kerry.

Meanwhile, one of Carlyle's “associates,” Digger Mensch, finds his loyalties being tested.  Plus, Ruby does not realize that she and her friends are being watched.

THE LOWDOWN:  Creator-writer Sam Johnson sent me a PDF review copy of Geek-Girl, Vol. 2 #5, as he has sent me PDF review copies of his other comic books over the past few years.  Johnson provides a synopsis on the inside front cover of each issue, so potential readers don't have to have read the previous issues to really enjoy the current one.

As I said in my review of the prior issue (Vol. 2 #5), just about any issue of Geek-Girl is a good jumping on point because Johnson's story and script are simply quite inviting.  Unlike so many Marvel and DC Comics titles, Geek-Girl is not stuffy and self-important and weighed down by decades of anal continuity.  Nor it is beset by frequent sales-boosting reboots... at least, not yet.

You know what, dear readers?  I'll just keep it simple.  Geek-Girl is fun to read, and Geek-Girl Vol. 2 #6 is a blast to read.

Also, the more this series' art team works together, the more polished its work becomes.  Artist Carlos Granda's clear-line drawing style has gone from being a little shaky on the line work to becoming sharper.  Chunlin Zhao's colors are so pretty that they make me think of candy, and Paul McLaren's clean lettering conveys this issue's easy pace and tantalizing foreshadowing.  So Geek-Girl-Vol. 2 #6 is a good read and is good looking!

I READS YOU RECOMMENDS:  Fans of indie superhero comic books will find an all-around winner in Geek-Girl.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Geek-Girl #6 is Out Now and available in Regular, Digital and Variant editions at www.geekgirlcomics.com

https://twitter.com/daSamJohnson
https://twitter.com/Markosia
https://twitter.com/Markosia_News
https://markosia.com/


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

--------------------


Saturday, November 14, 2020

#IReadsYou Review: HASS #3

HASS #3
APPROBATION COMICS

[This review was originally posted on Patreon.]

WRITER/CREATOR: B. Alex Thompson – @ApproBAT
PENCILS: Edgard Machiavello
INKS: Victor Moya
COLORS: Alivon Ortiz
LETTERS: Krugos
MISC. ART: Cesar Grego
COVERS: Cesar Grego
32pp, Color, $9.99 U.S. (2019)

Hass is a racial drama and crime thriller comic book miniseries from Approbation Comics.  Hass is written and created by B. Alex Thompson.  The third issue is drawn by Edgard Machiavello (pencils) and Victor Moya (inks); colored by Alivón Ortiz; and lettered Krugos.

Hass is the story of Joshua “Josh” Jones, a freshman attending a college “deep in the heart of Texas.”  First day on campus, Josh falls in love with fellow student, Maggie Stewart, but he has to work hard to get Maggie to give him a chance at romance.  This relationship forces Josh to confront violence and racism... and a tattoo.  Before long, Josh is hanging out with Maggie's racist, drug-dealing cousin, Cole, and his gang of misfits: Rocky (or “Shamrock”), Vargas, Gavin, and Sharky.

Hass #3 opens a few months after the events depicted in the first two issues.  Josh is firmly ensconced with Cole's gang, which sees him participating in a little gay bashing.  Josh's Aunt Yvonne, Maggie, and his roommate, Asher, all try to direct Josh's activities in a more positive direction.  But when he experiences racism from the “Black side,” how will Josh react?  And will it pull him deeper into Cole's criminal and racist world.

THE LOWDOWN:  In my review of Hass #2, I noted that the copy on the back cover of the first two issues describes Hass as “William Shakespeare’s Romeo and Juliet” meets American History X” (the 1998 film).  That is accurate... up to a point.  Hass is a powerful work of fiction that defies easy description

B. Alex Thompson, creator of the long-running indie, comedy-horror comic book series, Chaos Campus: Sorority Girls vs. Zombies, has created a scenario that allows him to explore various themes emerging from racism, as well as the violence that racism inspires or to which it directly leads.  Thompson explores the consequences of violence and its aftermath, and he also depicts the myriad ways in which racism, prejudice, and bigotry reveal themselves.

Cover artist Cesar Grego once again delivers cover art that explodes in the readers' faces with bold and unapologetic images and ideas.  Pencil artist Edgard Machiavello is also bold and unapologetic in delivering graphical storytelling that takes Thompson's dangerous ideas and keeps them dangerous.  Inker Victor Moya embellishes, but does not tame Machiavello's pencils.  As usual, Alivón Ortiz's colors accentuate the story by giving the art the heat, and Krugos' lettering captures the subversiveness of this narrative by keeping an even pace that does not let the action move the story too quickly.

I have never read another comic book that has explored American racism and prejudice in such a unique and complex way as Hass does.  Hass is bold and different in ways that other comic books would not dare be.

I READS YOU RECOMMENDS:  Readers looking for bold comic book storytelling and for the very best in comic books will want Hass.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ApproBAT
http://alexthompsonwriter.com/
https://www.comixology.com/Approbation-Comics/comics-publisher/7396-0
www.ApprobationComics.com

The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

-------------------


Friday, November 13, 2020

#IReadsYou Review: NOW #1

NOW #1
FANTAGRAPHICS BOOKS

[This review was originally posted on Patreon.]

CARTOONISTS: Gabrielle Bell; Sara Corbett; Antoine Cossé; Eleanor Davis; Kaela Graham; Sammy Harkham; Conxita Hererro; Malachi Ward and Matt Sheean; J.C. Menu; Rebecca Morgan; Tommi Parrish; Tobias Schalken; Dash Shaw; Noah Van Sciver; Daria Tessler; Nick Thorburn
DESIGN: Jacob Covey
EDITOR: Eric Reynolds
COVER: Rebecca Morgan
ISBN: 978-1-68396-052-2; paperback (September 2017)
128pp, Color, $9.99 U.S.

NOW is a comics anthology series launched in 2017 by alternative comics (alt-comix) and art comics publisher, Fantagraphics Books.  Over its four-plus decades of existence, Fantagraphics has published what is probably the most diverse collection of comic book anthologies in the history of North American comic books.  That line-up includes such titles as Anything Goes, Critters, Mome, Pictopia, and Zero Zero, to name a few.

NOW #1 proves that Fantagraphics has not lost a step with age when it comes to anthologies.  I wish that everyone could read the introduction to the first issue written by NOW's editor, Eric Reynolds, even those who have not read this first issue.  It seems as if everything Reynolds hopes NOW could achieve is in evidence in NOW #1.  Reynolds wants to showcase “...as broad a range of quality comic art as possible...”

NOW #1 does that, so let's take a look at each cartoonist's contribution.

THE LOWDOWN:  The illustration that acts as NOW #1's cover art is entitled “Plan B on Easter Morning,” and it is produced by Rebecca Morgan.  It is a stylish, colorful, full-color illustration that is surreal and kooky, and it reminds me of the work of Aline Kominsky-Crumb.

“Constitutional” by Sara Corbett:
This is a beautiful piece featuring an elderly woman and her wily cat that has vivid green eyes.  This one-page comic has a striking graphical style, dazzling colors, and eye-catching patterns drawn on characters and objects.  I could see “Constitutional” being a cover for The New Yorker.

“21 Positions/The Final Frontier” by Tobias Schalken:
This is a pantomime comic featuring two characters, one female and one male, each alone and each on the opposite side of the page.  They are imitating the ways in which people hold and touch one another.  I am impressed by the figure drawing, and every time I look at this story, I feel some raw emotions emanating from the page.

“Hurt or Fuck?” by Eleanor Davis:
This is a black and white comic, drawn apparently with a lead pencil.  I like its composition, but I don't know what to make of it.  I don't want to read too much into it... or read the wrong thing...

“Scorpio” by Dash Shaw:
The incomparable Dash Shaw (Cosplayers) offers this story of childbirth on Tuesday, November 8, 2016 (a.k.a. “The Day of the Clown”).  The intimacy and familiarity between the expecting couple feels genuine, and the story is warm and humorous.  I could read an entire graphic novel built around these characters.

“Dear Naked Guy In the Apartment Across from Mine Spread Eagle & Absent-mindedly Flicking his Penis While Watching TV,” by Gabrielle Bell:
This one-page comic is exactly what it says – a young woman sees her pudgy, naked neighbor lying in his bed and playing with himself every time she is in the kitchen of her (apparently) small apartment.  I read the neighbor as being aggressively passive-aggressive, but I'm not sure about the young woman (whom I'm assuming is the cartoonist).  Is she disgusted or distressed... “Dear Naked Guy...” is one of NOW #1's best entries.

“S.O.S. Suitcases” by J.C. Menu:
This 14-page, black and white, comic is a wild and woolly, surreal adventure tale that is alternative comics and neo-underground comix.  I think this story would be a perfect fit in a certain kind of comics anthologies:  from Zap Comix to Weirdo and from Zero Zero to... well, to NOW.

“Wall of Shame” by Noah Van Sciver:
This 15-page story is my NOW #1 favorite.  In an autobiographical slash slice-of-life comics story, Noah returns to his hometown of Denver, Colorado because the Denver Art Museum is holding an exhibition of his comics and illustrations.  Returning home, however, means a return to family... and a reunion with his younger brother, Jonah, a loud, shameless, womanizing, pussy-hound.

If I have encountered Van Sciver's work before, it could not have been much.  After reading “Wall of Shame,” I definitely want to read more it, especially anything like this story.  Once upon a time, I spent much of the 1990s reading the autobiographical, mock-auto-bio, and slice-of-life comics, comic books, and graphic novels produced by a number of alternative cartoonists and comic book creators, including Joe Matt, Seth, David Greenberger, and Julie Doucet, to name a few.

“Wall of Shame,” a very entertaining story, brings me back to those days.  That aside, this is a thoroughly engaging story of family ties, with Jonah as the kind of scene-stealing character that captures the imagination.  Noah leaves me wanting more.

“Untitled” by Tommi Parrish:
This lovely story is about two people talking about the struggles of understanding oneself when coming out as gay.  Reading this is like listening in on an intimate conversation, and at seven pages, this story is over much too soon.  After I read this, I could not stop thinking about the idea of “poisonous scripts,” which comes from the world of culture and pop culture and tells us what and how we should be, act, think, feel, live, etc.

“Pretend We're Orphans” by Kaela Graham:
This story has a delightful, picture book and fairy tale quality.  It works as a self-contained tale of imagination, but it would still be quite good as a piece from a larger work.”

“Songs in the Key of Grief” by Daria Tessler:
I feel like this is about Kurt Cobain.

“Here I Am” by Conxita Hererro:
This story is apparently based on an earlier work by cartoonist Gabrielle Bell, a contributor to Now #1.  I got nothing from it.

“Widening Horizon” by Malachi Ward (story/art) and Matt Sheean (story):
This is an intriguing science fiction comics short story.  I won't call it “alternative history,” because it reads like a classic science fiction short story that imagines a different past, present, and future.  Ward's beautiful clear-line drawing style perfectly captures the atmosphere of a story about spaceflight.

“Statue” by Antoine Cossé:
A stylish blend of landscape architecture, industrial design, Art Deco, and minimalism, “Statue” is a haunting tale that also manages to gleam with possibility.  I found that Cossé engaged my imagination with a story that challenged me to unravel its mysteries.  “Statue” is an example of a story that the reader can enjoy without having to know everything the cartoonist wants to convey.  I look forward to seeing more of this creator's work.

“I, Marlon” by Sammy Harkham:
The only reason that I know that the “Marlon” in “I, Marlon” is the legendary American actor, Marlon Brando, is because I recently read Michael J. Mann's massive biography of the actor, The Contender: The Story of Marlon Brando.  Shockingly, Harkham's one-age comic (apparently produced in 2016) summarizes some key themes in Mann's 700+ page book, which was published in late 2019 (and took me several months to read).

“Untitled” by Nick Thorburn:
This is a comic strip that runs at the top of the back cover.  I like Thorburn's drawing style.

So, the final verdict on NOW #1 is that it is one of the best first issues of a comics anthology that I have ever read.  If the issues that follow NOW #1 are half as good as it is, then, NOW is a must-read series for serious comic book readers.

I READS YOU RECOMMENDS:  Fans of classic alternative-comics anthologies will want to discover NOW.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://www.fantagraphics.com/
https://twitter.com/fantagraphics
https://www.instagram.com/fantagraphics/
https://www.facebook.com/fantagraphics/
https://www.youtube.com/channel/UCtLxEaspctVar287DtdsMww


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

-------------------------


Friday, October 16, 2020

#IReadsYou Review: GREY Chapter 2

GREY. CHAPTER 2
THE GREY ROOM

[This review was originally posted on Patreon.]

STORY: Kris Hornett
ART: Ardee Arollado
SPECIAL PROJECTS ART: Kenet Guevarra
COVER: InHyuk Lee
EDITOR: Lisa Taylor
28pp, B&W, $10.00 (August 2020)

Chapter 2 “Nimbus”

Grey is a recently-launched. independently published comic book series from writer Kris Hornett and artist Ardee Arollado.  Published by The Grey Room, Grey is a hybrid, a combination of an American comic book format and Japanese manga.  Grey is similar to OEL manga or “original English language” manga, American graphic novels in which the storytelling borrowed or mimicked the aesthetics, styles, attitudes, genres, graphics, pacing, etc. of Japanese manga (comics).

Grey is set in the realm of Ketiyama (apparently an archipelago) and takes place some time after an event known as “the Sonoma Incident.”  This outbreak of the lethal “Moon Virus” on Nacirema, one of Ketiyama's islands, led to chaos, destruction, and division.  As a sign of good faith and as a last attempt to restore order, the ruling Board of Officials allowed the people to elect a team of highly trained tactical agents, known as “the Bureau,” to serve and protect them.  Within the Bureau is an elite unit known as “Nimbus.”  This team of five agents are sworn to maintain moral balance and to enforce the law.  The agents of Nimbus are also able to manipulate their “prana” (“life energy”).

The agents of Nimbus are Samara Asuhara, Kouken Masimuto, Shuyin Hagamuri, Manu Yagyu, and Kale SchaeferBelisia Asuhara is their handler and the creator of Nimbus.

As Grey. Chapter 2. (“Nimbus”) opens, the media confronts Renee Dubois, the commissioner of the Bureau, about recent events.  There was the shocking murder at the International Fashion Fest (IFF).  There was an invasion of Bureau headquarters in which nine agents were killed.  The Bureau's evidence room was also infiltrated and an “okami mask,” with a notorious past was stolen.  Belisia Asuhara is pushing her agents of Nimbus to get involved in this case because everything about it is abnormal and beyond the scope of ordinary Bureau agents.

Meanwhile, Samara does some pushing of her own.  She wants Shuyin to accept that Willow, a woman from his past, is connected to their case, but Shuyin really has no idea what Willow is doing.  But first, Shuyin receives a special visitor.

THE LOWDOWN:  As I wrote in my review of the first issue:  Grey is not one of those comic books that you read and toss in the already-read-pile before moving on to the next comic book.  Grey is conceptually well-developed, and the world in which it is set has a complex history.

Grey Chapter 2 begins the deep dive into the narrative, after Chapter 1's teasing nature, in which the creative team of Kris Hornett and Ardee Arollado teased readers through the door and into the world of Grey.  In Grey Chapter 2, Hornett seems to be establishing the independence and the individuality of the characters.  Even the bit players, some of whom might be captives for all I know, come across as persons with their own lives outside of game of which they are part.

Part of that also comes from Arollado's strong art and graphical storytelling.  No character really looks like another.  It is as if Arollado actually approaches each new figure to draw as a new character.  He or she may be a face in the crowd, but it is HIS or HER face in the crowd and it belongs to no one else.  There are no filler characters; instead, there are players with potential.

I think the strongest element in Grey are the characters.  Each and every one has his or her own motivation, and motivation can be a dangerous thing.  Danger is good for drama.  So let's come back for more Grey.  By the way, Grey Chapter 2 has a beautiful cover drawn by Marvel Comics cover artist InHyuk Lee... which would make a gorgeous poster.

I READS YOU RECOMMENDS:  Fans of manga-inspired comic books will want to read Grey.

[This comic book includes additional informative text pieces.]

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://thegreyroom.org/
https://www.instagram.com/thegreyroom_/
https://twitter.com/Hornett_


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------------


Thursday, October 8, 2020

#IReadsYou Review: CHAOS CAMPUS: Extra Credit #9

CHAOS CAMPUS: EXTRA CREDIT No. 9
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Ricardo Mendez
COLORS: Alivon Ortiz
LETTERS: Krugos
EDITOR: B. Alex Thompson
COVER: Ricardo Mendez
BACK COVER: Ricardo Mendez
24pp, Color, $4.99 U.S./$1.99 digital-comic (2018; digital release date – October 24, 2018)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“Connective Tissue”

Chaos Campus: Sorority Girls vs. Zombies is a zombie apocalypse comic book series that mixes in elements of comedy, horror, and adventure.  Chaos Chaos is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

Chaos Campus: Extra Credit is a “side series” to the main series.  It offers readers something “extra,” and is also set in the continuity to the main series.  Both series are the creation of B. Alex Thompson and are published by Thompson's company, Approbation Comics.  Chaos Campus: Extra Credit is written by Thompson; drawn by Ricardo Mendez; colored by Alivon Oritz; and lettered by Krugos.

Chaos Campus: Extra Credit #9 finds the girls back on campus thanks to an inter-dimensional portal.  Paige is using her considerable supernatural power in an attempt to bring zombies back to life.  The girls are caught up in a bid to help a doctor, Ian, and his sister, Linz, rid themselves of an infection that has transformed them into something similar to vampires.  The laboratory of Linz and Ian's father could hold help for them, but it is having some nuclear meltdown issues...

Chaos Campus: Extra Credit #9 is not one of B. Alex Thompson's better efforts, but it is still enjoyable.  Why?  As I have written before, Thompson has refined his sexy Chaos Campus trio into the kind of comic book characters that can attract a following.  The story does not always have to be the best, because they are the best.  Obviously, they have caught my interest.

I find myself becoming more attracted to the art by Ricardo Mendez the more I see it.  His graphical storytelling is good, if not stylish, and I like his take on the Chaos Campus girls.  Mendez's art benefits from the strong coloring by Alivon Ortiz.  The colors are pretty and the effects and separations are spectacular; the reds really convey the sense of an impending nuclear disaster.  Letterer Krugo, as usual, gets the most out of his sound effects when they convey the sounds of zombies, gunfire, and action-violence.

So, for those who can't get enough zombie-action from the main series, try Chaos Campus: Extra Credit #9.  You, dear reader, can even get this “Extra Credit” from comiXology.

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Buy Chaos Campus: Extra Credit #9 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

Sunday, September 20, 2020

#IReadsYou Review: HASS #2

HASS #2
APPROBATION COMICS

[This review was originally posted on Patreon.]

WRITER/CREATOR: B. Alex Thompson – @ApproBAT
ARTIST: Federico Santagati
COLORS: Alivon Ortiz
LETTERS: Krugos
MISC. ART: Cesar Grego
COVERS: Federico Santagati
32pp, Color, $9.99 U.S. (2019)

Hass is a racial drama and crime thriller comic book miniseries from Approbation Comics.  Hass #1 was first published in 2013, and it went on to earn two 2014 Glyph Comics Award nominations (“Best Cover” and “Best Writer”).

Hass is the story of Joshua “Josh” Jones, a freshman attending a college “deep in the heart of Texas.”  First day on campus, Josh falls in love with fellow student, Maggie Stewart, but he has to work hard to get Maggie to give him a chance at romance.  He will have to work even harder to confront the racism and the violence that his courtship of Maggie ignites.

Hass is written and created by B. Alex Thompson and is drawn by Federico Santagati.  Colorist Alivón Ortiz and letterer Krugos join the creative team for the second issue.

Hass #2 opens twelve hours after the incident that ended the first issue.  Josh is dealing with the terrible injury visited upon his body.  Neo-Nazi associates of Maggie tattooed a Nazi swastika on the left side of his chest.  Josh, furious with Maggie and no longer trusting her, sends her away.

Now, he plots revenge against his attackers, but what will he do when he meets the Neo-Nazis:  Cole (the leader), Rocky (or “Shamrock”), Vargas, Gavin, and Sharky?  What Josh ends up doing shocks even himself!

THE LOWDOWN:  The back cover copy of Hass #2, like the back cover of the first issue, describes Hass as “William Shakespeare’s Romeo and Juliet meets American History X” (the 1998 film).  I think such a description makes for the kind of cover copy that can sell a comic book to curious readers.

So far, the first two issues of Hass offer some of B. Alex Thompson's (Chaos Campus: Sorority Girls vs. Zombies) best writing.  I prefer to describe Thompson's writing and Hass in general in bold strokes.  It is bold, visionary, daring, ballsy, and shameless.  It is also a pure joy to read.  In comic books like Hass, Thompson goes against the grain in writing a comic books in a manner similar to what British comic book writers like Alan Moore, Garth Ennis, and Warren Ellis did.

I do not want to spoil Hass #2, but I can say that this is the kind of comic book that DC Comics wishes it could publish through it “DC Black Label” imprint.  Hass is the kind of comic book DC's now-castrated Vertigo Comics imprint would have published.  Anyone who reads it will see that it is the kind of “mature readers” comic book that will cause a sensation and an urge to get copies in the way that Garth Ennis and Steve Dillon's Preacher did a quarter-century ago.

Underneath some beautiful cover art, artist Federico Santagati turns Thompson's bold vision into some powerful graphical storytelling.  Santagati's dynamic and unconventional compositions are perfect for this unorthodox comic book.  As usual, Alivón Ortiz's color accentuates the story and captivates the imagination.  Krugos' lettering captures the subversiveness of this narrative and gives the story a rapid fire pace.  Yes, indeed; kudos to this creative team for making Hass #2 a grand winner.

I READS YOU RECOMMENDS:  Readers looking for bold comic book storytelling will want Hass.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ApproBAT
http://alexthompsonwriter.com/
https://www.comixology.com/Approbation-Comics/comics-publisher/7396-0
www.ApprobationComics.com

The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

---------------------------------

 

Wednesday, August 26, 2020

#IReadsYou Review: GREY CHAPTER 1

GREY. CHAPTER 1.
THE GREY ROOM

[This review was originally posted on Patreon.]

STORY: Kris Hornett
ART: Kero Beroz
SPECIAL PROJECTS ART: Kenet Guevarra
EDITOR: Lisa Taylor
32pp, B&W, $10.00 (July 2020)

Chapter 1 “Hello Winter”

Grey is a new independently published comic book series from writer Kris Hornett and artist Kero Beroz.  Published by The Grey Room, the series saw its debut issue, Grey. Chapter 1., just recently published.  Grey is a hybrid, a combination of an American comic book format and Japanese manga aesthetics.  Grey is also similar to what was once called OEL manga or “original English language” manga, a genre associated with publisher, TOKYOPOP.

Grey is set in the realm of Ketiyama (apparently an archipelago).  The story takes place an indeterminate time after the occurrence of an event known as “the Sonoma Incident,” which was the outbreak of a lethal virus on Nacirema, one of Ketiyama's islands.  The outbreak left the island in chaos, destruction, and division.  As a sign of good faith and as a last attempt to restore order, the ruling Board of Officials allowed the people to elect a team of highly trained tactical agents, known as “the Bureau,” to serve and protect them.

Within the Bureau is an elite unit known as “Nimbus.”  This is a team of five agents who are sworn to maintain moral balance and to enforce the law.  The agents of Nimbus are also apparently able to manipulate their “prana” (“life energy”).  One of the agents is 20-year-old Shuyin Hagamuri.

As Grey. Chapter 1 (“Hello Winter”) opens, Shuyin is attending the International Fashion Fest (IFF).  After one of the models is attacked, Shuyin receives an unusual warning.  Shortly afterwards, Shuyin in investigating an invasion of Bureau headquarters when he learns that, yes, the shadows of his past have resurfaced.  And they are portending disaster.

THE LOWDOWN:  Grey is not one of those comic books that you read and toss in the already-read-pile before moving on to the next comic book.  Grey is a shockingly well-developed concept and exists in world with a complex history that seems (at least to me) to permeate every panel of the story.

Grey. Chapter 1 teases the readers and offers them a hint at what is to comic, but the story is not hard to follow, as the creators focus much of the action through Shuyin Hagamuri.  Shuyin seems to be one of those steadfast protagonists.  He also seems more of a fidelity-to-vocation professional and less like one of those relentless law dog types.  But, as it is very early in the overall narrative, I certainly am assuming a lot.

I like the art and graphical storytelling, which is composed of big panels, but is intimate instead of being widescreen and epic.  The illustrations are in black and white, but the story has a color vibe.  Or maybe what I am feeling is vibrancy of the story.  I like the matter-of-fact lettering, which is not polished, but is also not obtrusive.

I am curious about Grey, and I want to recommend that readers looking to support independent and DIY comics buy this first issue (which you can do at the publisher's website).  Some of this first chapter is unpolished, and this is obviously because the creators are still feeling their way around the narrative.  Regardless, Grey has the potential to offer a lot of surprises if the creators can keep it going... which involves money... which is where your support comes into play...

I READS YOU RECOMMENDS:  Fans of manga-inspired comic books will want to try Grey. Chapter 1.

[This comic book includes additional informative text and also includes a map of Ketiyama.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://thegreyroom.org/
https://www.instagram.com/thegreyroom_/
https://twitter.com/Hornett_


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------

Thursday, May 28, 2020

#IReadsYou Review: SURFACING #3

SURFACING #3 (OF 3)
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITOR: John Ward and Denise Thompson
COVER/BACK COVER: Cesar Grego and Alivon Ortiz
32pp, Color, $4.99 U.S. / $1.99 digital-comic (2018; digital release date – November 7, 2018)

Rated: “M” for Mature / 17+ Only (comiXology)

“A Promise of Home”

Surfacing is a three-issue comic book miniseries published by Approbation Comics.  Surfacing is a horror anthology, with each issue offering a different story based on a similar theme – a violent encounter with mermaid-like creatures (which are the subject of the four-issue miniseries, Surfacing: Depth Perceptions).  Surfacing is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos, with gorgeous cover art drawn by Cesar Grego and Alivon Ortiz.

Surfacing #3 (“A Promise of Home”) opens somewhere in the American West, sometime in the 1800s.  There and then, we meet Bennet Ramirez, Amos Parker, Kit Taylor, Zeke Breen, Elijah Hart, and Jasper Doolin.  They are a roving gang of armed stagecoach robbers.  After their latest... successful campaign they visit a small wild west town to cash in on their loot.

It seems that a traveling circus has also set up in that town, and Kit Taylor, considered a bit sanctimonious by some of his lot, visits the circus.  There, he discovers a wondrous and captivating creature, a being that will decide Kit's fate and that of his fellow thieves.

When I first prepared to read Surfacing #2, I did not know what to expect of it, especially after I had enjoyed Surfacing: Depth Perceptions so very much.  It turned out that I thoroughly enjoyed Surfacing #2, which was and is a truly exceptional single-issue comic book story.

Surfacing reminds me of dark fantasy anthology series like the classic  “The Twilight Zone” (1959 to 1964) and the 1980s “Tales from the Darkside.”  Both series feature stories set in the present, as well as in the past and the future.  Surfacing #3's “A Promise of Home” is set in the “Wild West” that is familiar to audiences via American “Western” films.

However, at its heart is a timeless tale of star-crossed lovers, in which the author somewhat downplays the fantasy and the horror fiction aspects of the story.  B. Alex Thompson, as he has done in some of his other anthology work (like his Amour series), depicts real human emotions and feelings in a fantastic setting and allows the humanity to dominate.

Artist Nenad Cviticanin delivers lovely art and excellent storytelling. Cviticanin's clean, “clear-line” style is evocative and focuses in on the most important aspects of the story.  He depicts the “American West” in a way that is recognizable to readers, but he saves his storytelling prowess for a truly powerful ending, with its love-at-first-sight angle.  The coloring by Santtos captures the strength of the story with subtlety and grace, and Krugos' lettering is gentle and effective.

Of course, I am crazy about the cover illustration by artists Cesar Grego and Alivon Ortiz, and I'd like to see more of their work.  Surfacing #3 makes me wish Thompson would produce more Surfacing, especially with this exceptional group of collaborators.

9 out of 10

Buy Surfacing #3 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------

Monday, April 6, 2020

#IReadsYou Review: CHAOS CAMPUS: Extra Credit #7

CHAOS CAMPUS: EXTRA CREDIT No. 7
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Ricardo Mendez
COLORS: Alivon Ortiz
LETTERS: Krugos
EDITORS: B. Alex Thompson and John P. Ward
COVER: Ricardo Mendez (2017 Monterey Comic Con Convention Exclusive cover)
32pp, Color, $9.99 U.S./.99¢ digital-comic (2017; digital release date – April 12, 2017)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“The NecroMager”

Chaos Campus: Sorority Girls vs. Zombies is a zombie apocalypse comic book series that mixes in elements of comedy, horror, and adventure.  The creation of B. Alex Thompson, Chaos Campus is published by Thompson's company, Approbation Comics.  Chaos Chaos is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

Thompson is also producing a Chaos Campus side series, Chaos Campus: Extra Credit, which offers readers something “extra,” but (apparently) in continuity to the main series.  Thompson also releases a “convention exclusive” variant cover edition of Extra Credit.  Thompson recently provided me a copy-for-review of Chaos Campus: Extra Credit #7 – Convention Exclusive 2017 (for the Monterey Comic Con).

Chaos Campus: Extra Credit #7 opens in the middle of Paige's funky dream that finds her in a too-revealing swimsuit, in a situation of submission and humiliation, and in a meeting the mysterious Locus.  Back in the waking world, Paige reunites with Jamie and Paige and also with the ongoing battle against the “Neo-Zombies.”

There are also some new complications.  Jamie makes a shocking announcement.  A killing machine named “Denvey” joins the fray.  Locus is real, and she has friend named “Spook.”  And a friend, Brian, turns out to be a budding magic-baddie and a total frickin' asshole and ass-wipe.

As usual, I enjoy whatever Chaos Campus comic book I read.  Chaos Campus: Extra Credit #7 does not have the dramatic (or humorous) chops of the regular series, but it is wacky, offbeat, and gleefully gruesome.  I enjoyed the guest characters:  Locus, Spook, and Denvey, which are the property of comic book creator, Adam Black.

The art by Ricardo Mendez is quite nice.  What he lacks as an experienced draftsman, Mendez makes up with imaginative illustrations.  To me, Mendez feels like a natural at comic book storytelling.  As usual, Alivon Ortiz delivers strong coloring, this time conveying the chaotic situation of this issue.  Letterer, Krugos, gets the most out of “sound effects,” especially “Budda Budda” for gunfire.

So, for those who can't get enough zombie education from Chaos Campus: Sorority Girls vs. Zombies, you'll get schooled in the ways of necromancy and backstabbing in Chaos Campus: Extra Credit #7.  You, dear reader, can even get this “Extra Credit” from comiXology.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

Buy Chaos Campus: Extra Credit #7 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com
Visit Adam Black and Locus Comics at http://locuscomics.com/


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Tuesday, March 10, 2020

#IReadsYou Review: ECTYRON: The Invasion from the Red Star Nebula

ECTYRON: THE INVASION FROM THE RED STAR NEBULA
CANDLE LIGHT PRESS/Warning Comics – @candlelightpres @attila71

[This review was originally posted on Patreon.]

STORY: Carter Allen
SCRIPT: John Ira Thomas
ART: Carter Allen – @attila71
LETTERS: John Ira Thomas
COVER: Carter Allen and Christopher Martinez
BACK COVER: Will Grant
ISBN: 2370009462269; paperback
28pp, Color, $5.00 U.S. (2019)

Ectyron: The Invasion from the Red Star Nebula is a 2019 comic book published by Candle Light Press (CLP).  It is written by CLP stalwarts Carter Allen (story) and John Ira Thomas (script/letters) and drawn by Allen.  This comic book focuses on a group of monster fighters:  Ectyron, a giant-sized chicken; Jake and Iowa of “Sustenatione Stabilitas Base,” and AtoM.I.K.E.

Ectyron: The Invasion from the Red Star Nebula is the third book in the “Ectyron” series.  All three books employ certain elements of particular Japanese science fiction sub-genres.  There is “kaiju,” a term used to describe a genre of Japanese films that feature giant monsters, and the term is also used to describe the giant monsters themselves.  [Godzilla is an example of a kaiju.]  AtoM.I.K.E. is “tokusatsu” which includes the “mecha” or giant robot superheroes.  [The American franchise, “Power Rangers,” is based on tokusatsu.].

Ectyron: The Invasion from the Red Star Nebula opens on Main Street in an unnamed American small town.  The country is in an uproar over America's “kaiju problem,” and American's favorite faux news and reactionary-corporate propaganda network is the most uproarious.  When his power warns him of an impending kaiju attack, AtoM.I.K.E. does more than talk, as he takes to the skies.

Meanwhile, in the Great Basin Desert at the “Sustenatione Stabilitas Base,” a convoy of black SUVs arrives carrying a squad of black-suited men that look like MiB agents.  When the agents try to infiltrate the base, Jake and Iowa try some penetrating of their own with laser pistols and mecha.  With our heroes hands full on two fronts, the question is where is Ectyron?  Guest stars include Maddy Coil, Mectyron, and Ogon' Podsolnukh.

Ectyron: The Invasion from the Red Star Nebula is, thus far, my favorite Ectyron title.  It easily surpasses the previous releases, Ectyron: Rise of Nemehiss (the second) and Ectyron Against Lagaxtu (the first).

Once again, cartoonist, designer, and comic book creator, Carter Allen, fills one of his comic books with Godzilla-sized creations, which includes monsters, beasts, machines, contraptions, and heroes.  It is all pure comic book fun.  This time, however, he draws the story entirely in pencil; with the exception of a few chapter heads slash faux-covers, this comic book is pencil-art glory.  A skilled illustrator, Carter uses his pencils to create shades, textures, and gradations that are finer than a welfare check on Christmas Day.  The underbelly of Mectyron's armor and the peacock-like wonders of Ecytron's feathers are simply beautiful examples of inking and “feathering.”

Writer John Ira Thomas delivers some of his most sparkling dialogue, communicated to us via his classic lettering fonts.  This is truly a funny comic book, but Thomas' script also offers a deft mix of action and adventure that will keep readers glued to the story.

Ectyron: The Invasion from the Red Star Nebula certainly strikes me as something that would make excellent source material for either live-action or animated television and film and also for a novel.  Best of all, this comic book seems to be the perfect realization of Ectyron, so I hope we get more like it.  I heartily recommend Ectyron: The Invasion from the Red Star Nebula to those who read Godzilla and Power Rangers comic books and are in need of some real kaiju and tokusatsu comic book power.  Oh, and I like Will Grant's back cover illustration.

10 out of 10

http://candlelightpress.tumblr.com/
www.warningcomics.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Wednesday, March 4, 2020

#IReadsYou Review: MURPHY'S FUBAR

MURPHY'S FUBAR
STRIKE HOLD STUDIO

[This review was originally posted on Patreon.]

STORY: Damon Pellican
PENCILS: Damon Pellican
INKS: Damon Pellican and Tone Rodriguez
LETTERS: Angela Pellican
EDITOR: Angela Pellican with Tone Rodriguez and Kody Chamberlain
COVER ARTIST: Damon Pellican and Tone Rodriguez
8pp, B&W2-tone/Color, $4.99 U.S. (2019)

Murphy's Fubar created by Damon Pellican

“Incoming Fire Has The Right of Way”

Murphy's Fubar is a short comic book that contains the comics short story, “Incoming Fire Has The Right of Way.”  This comic is the work of Damon Pellican, a U.S. Army veteran and fledgling comic book creator.  “Incoming Fire Has The Right of Way” is written and drawn (pencils-inks) by Pellican and Tone Rodriguez (inks), and lettered by Angela Pellican, Damon's wife.

“Incoming Fire Has The Right of Way” comes to life at “Murphy's Fubar,” a bar that acts as an oasis for wayward souls, especially the souls of military veterans who have seen the darkest and bloodiest sides of war and of military combat.  “Murphy's Fubar” seems to be the last stop for lost souls, a place where they can find a way to resolve their physical and/or emotional wounds or die because of them.  The barkeep is Master Sgt. Murphy, whom Pellican describes as “a grizzly, battle-hardened vet.”  Mysterious and perhaps supernatural, Murphy may be connected to all of humanity's wars, from the first and oldest to the most recent conflicts.

“Incoming Fire Has The Right of Way” opens in 1998.  We meet a lost man living as low as a man could when a doorway appears before him.  His life literally leaking from him, he enters a bar where an equally grizzled bartender offers him a story.  Transported back thirty years to Vietnam, 1968, this desperate man will have to choose between the “hard road” or the “easy way out.”

I like the raw, unrefined nature of Damon Pellican's illustrations.  He is at the place where many young comic book artists find themselves, even the great ones, and that is how to grow by leaps and bounds.  A few years of intensive comic book drawing, and 1981 Matt Wagner becomes 1986 Matt Wagner (Mage) – almost two different artists.  Or Jim Lee:  from the end of his run on Alpha Flight (1987-88), through The Punisher War Journal (1989), he emerged on Uncanny X-Men (1990-91) and seemed like a totally different artist.

I see potential in Pellican as an artist, and that shows in this story through the inking of Tone Rodriguez, a longtime comic book artist.  I think the combination of the two makes the art for “Incoming Fire Has The Right of Way” look like Michael Golden's art on Marvel Comics' war comic book series, The 'Nam (issues #1-11, 13).  The cover art also is pretty dynamic.

Drawing skills aside, Pellican does some good graphical storytelling in “Incoming Fire Has The Right of Way.”  This is a powerful, brief, little tale that seems longer in terms of page length and bigger in terms of scope.  Pellican gets more out of eight pages than some of Marvel and DC Comics titles get out of 20 or 30 pages.

So I'm shocked.  I bought this first installment of Murphy's Fubar only to support a local comic book creator.  Frankly, I didn't expect much; instead, I found something I really liked.  With the best creators of American war comics mostly long gone, I look forward to another visit to Murphy's Fubar.

Website: https://www.strikeholdstudio.com/
Facebook: https://www.facebook.com/strikeholdstudio/
Instagram: https://www.instagram.com/damonpellican/
Twitter: https://twitter.com/DamonPellican
ArtStation: https://www.artstation.com/supern_a_ds

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Tuesday, January 28, 2020

#IReadsYou Review: CHAOS CAMPUS #27

CHAOS CAMPUS: SORORITY GIRLS VS ZOMBIES No. 27
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Anita Zaramella
COLORS: Anita Zaramella
LETTERS: Elisa M. Coletti
POST-SCRIPTING/POLISH: John P. Ward
EDITORS: B. Alex Thompson and John P. Ward
COVER: Ricardo Mendez
24pp, Color, $4.99 U.S. (2015; digital release date – December 14, 2016)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“The Road to Salvation, Part 3 of 4”

Chaos Campus: Sorority Girls vs. Zombies is a long-running zombie apocalypse comic book series that mixes in elements of comedy, horror, and adventure.  It is the creation of B. Alex Thompson and is published by his company, Approbation Comics.  The series is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

The current story line is “The Road to Salvation,” which finds the Chaos Campus trio in the middle of a squabble involving “Salvation,” a now-divided human sanctuary.  The girls also fend off the fearsome “Neo Zombies” and deal with a Jamie-lookalike.  This third chapter of “The Road to Salvation” is written by B. Alex Thompson; illustrated and colored by Anita Zaramella; and lettered by Elisa M. Coletti.

Chaos Campus: Sorority Girls vs. Zombies #27 opens in the past via Paige's boogie-woogie magic and time traveling.  There, our badass chick heroes learn that Jamie and her lookalike, Princess Aimee of Salvation West, are twin sisters, and that they were separated at birth.  Now, it is time for Jamie to be reunited with her mother, Queen Raimee of Salvation West.

Jamie isn't exactly crazy about her new situation, and she finds further complications with Damien, Salvation West's Storm Shadow (G.I. Joe) lookalike head of security.  When tragedy strikes, however, the dynamics change.

Chaos Campus is currently in the middle of an excellent story line.  I believe that this series has hit its stride since entering the 20s.  I like to remind readers that Chaos Campus is one of my favorite comic books.  It is certainly as good as many and better than most of the nostalgia titles published by Marvel and DC Comics.  B. Alex Thompson offers a winner to readers, one that needs to come out of the shadows of indie comics obscurity.

I am fascinated by “The Road to Salvation” story line, and I think that it could be told as a separate miniseries.  Anita Zaramella does solid work as artist this issue; her imaginative layouts keep the story exciting, but she is also good at the emotional moments.  Her coloring gives the story the feel of animation, and that gives the story a sense of movement and flow.  The lettering by Elisa M. Coletti captures the swings in tone and mood that shape this issue.

9 out of 10

Buy Chaos Campus #27 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Friday, January 24, 2020

#IReadsYou Review: MAN IS VOX: Paingels (Expanded Edition)

MAN IS VOX: PAINGELS (Expanded Edition)
CANDLE LIGHT PRESS – @candlelightpres

[This review was originally posted on Patreon.]

WRITER: John Ira Thomas – @johnirathomas
ARTIST: Carter Allen – @attila71
PENCILS: Carter Allen
INKS: Carter Allen; Jeremy Smith (“Dessert” story)
LETTERS: John Ira Thomas
COVER: Carter Allen
ISBN: 978-0-9895376-9-3; paperback – 7.5 x 0.8 x 9.2 inches dimensions (September 18, 2017)
292pp, B&W and Color $39.95 U.S.

Man is Vox: Paingels is a 2004 original graphic novel published by Candle Light Press (CLP) and created by writer John Ira Thomas and artist Carter Allen.  Last year, CLP released an updated edition of the graphic novel, Man is Vox: Paingels (Expanded Edition).

This is a kind of overview.  Man is Vox: Paingels follows a man who is essentially a killer on the search for a psycho who kills some women.  He abuses in terrible ways those women that he does not kill.  The Fearsome Shade, Mr. Way, the Shotgun Bride, the Husband, Samdy Lockney, The Beacon, Insides, and Dilmus:  they are all on or in the orbit “The Beacon.”

Abortions; many Beacons; clothes make the man, and Sid S, the serial killer of children.  Mr. Way and the Fearsome Shade have to put an end to the Beacon, but who are they really?  Who are Mr. Way and the Fearsome Shade to confront the Beacon for his crimes, especially against Ms. Lockney?

2015 was Candle Light Press' 20th anniversary.  [In fact, there is a book celebrating that anniversary, CLP20: Twenty Years of Candle Light Press (http://candlelightpress.tumblr.com/clp20.htm), a book to which I have contributed a few notes.]  Since then, CLP have been releasing new editions of a few of their early graphic novels, including Man is Vox: Barracudae, the Man is Vox OGN that precedes Paingels.

John Ira Thomas and Carter Allen tell Paingels via a Baskin-Robbins like palette of graphic styles and illustrative mediums (so to speak).  Traditional color comic book art; traditional black and white art; a child's crayon drawings; charcoal; vector art; ink; finger puppet theater; 8-bit video game graphics; cut outs; torn pages; woodblock engraving-like art; and faux family photo album, among many.

When I first read Man is Vox: Paingels, I could not think of many points of references for my subsequent review of it.  Fifteen years later, however, I think I have one.  With surrealism on high and touches of Meshes of the Afternoon, Man is Vox: Paingels (Expanded Edition) is a trippy reading experience.  Much of the narrative deals with what goes on in the human mind – the interior life and the mental experience.  So Paingels makes me think of Noah Hawley's television series, “Legion” (FX).  Paingels simply does not display the self-indulgence and narcissism, nor does it possess the lack of self-control and lack of self-awareness that can be brought on by having the kind of large budget that a major Hollywood studio can gift a “genius” showrunner.

Man is Vox: Paingels (Expanded Edition) is an adventure in original graphic novel reading.  It is not really meant to be read in one sitting, which I certainly did not do.  Some chapters, I read over a period of several weeks.  Other chapters, I read in rapid succession.  I have to be honest; Paingels is not my favorite Candle Light Press book by far.  However, the characters are simply lovely, so much so that I want to engage Paingels just to read about them.

http://candlelightpress.tumblr.com/
https://www.facebook.com/candlelightpres/

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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