Image Comics from Diamond Distributors for February 22 2012

IMAGE COMICS

DEC110481 BETWEEN GEARS TP $19.99
DEC110549 BULLETPROOF COFFIN DISINTERRED #2 (OF 6) (MR) $3.99
SEP110456 CHEW #24 (MR) $2.99
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Comics and Magazines from Diamond Distributors for February 22 2012

COMICS

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MAGAZINES
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MAR111464 STAR WARS VEHICLES COLL MAG #80 ANAKINS PODRACER $18.00
OCT111358 VIDEO WATCHDOG #166 (MR) $8.95

Tenjo Tenge: "F"

I read Tenjo Tenge, Vol. 5: Full Contact Edition 2-in-1

I posted a review at the Comic Book Bin (which has FREE smart phone apps and comics).

43rd NAACP Image Awards Winners in Literary Categories

The 43rd NAACP Image Awards winners were announced in a ceremony, February 17, 2012 and broadcast live on NBC.

The 43rd NAACP Image Awards winners - Literature Categories:

Fiction: Reshonda Tate Billingsley, "Say Amen, Again" (Gallery Books)

Nonfiction: Hill Harper, "The Wealth Cure: Putting Money in Its Place" (Gotham Books)

Debut author: Lyah Le Flore, "The Strawberry Letter" (Ballantine/Random House)

Biography/autobiography: Harry Belafonte, "My Song" (Knopf)

Instructional: T.D. Jakes, "The T.D. Jakes Relationship Bible: Life Lessons on Relationships from the Inspired Word of God" (Atria Books)

Poetry: James Golden, "Afro Clouds & Nappy Rain: The Curtis Brown Poems" (iUniverse)

Children: Tony Dungy (author), Ron Mazellan (illustrator), "You Can Be A Friend" (Simon & Schuster Children's Publishing - Little Simon)

Youth/teens: Jeff Burlingame, "Jesse Owens: I Always Loved Running" (Enslow Publishers, Inc.)

Review: The Art of the Secret World of Arrietty

THE ART OF THE SECRET WORLD OF ARRIETTY
VIZ MEDIA

WRITER: Studio Ghibli
ARTISTS: Hiromasa Yonebayashi, Hayao Miyazaki, Ai Kagawa, Akihito Yamashita, Studio Ghibli
ENGLISH ADAPTATION: Takami Nieda
ISBN: 978-1-4215-3064-2; soft cover
248pp, Color, $34.99 US, $39.99 CAN, £25.00 UK

The Secret World of Arrietty, a 2010 Japanese animated fantasy film, opens in the United States today. Known as The Borrower Arrietty in Japan, it is the latest animated feature film from Studio Ghibli, the Japanese animation and film studio founded by Hayao Miyazaki and Isao Takahata. Miyazaki is known for such animated films as the Oscar-winning Spirited Away, the Oscar-nominated Howl’s Moving Castle, and also Princess Mononoke. The Secret World of Arrietty is based upon The Borrowers, the 1952 children’s fantasy novel by Mary Norton.

Although he drew key art sketches and co-wrote the screenplay, Miyazaki is not The Secret World of Arrietty’s director. That honor goes to rising star Hiromasa Yonebayashi, who also did the concept and rough character sketches for Arrietty. Now, readers can take a look behind the scenes of the production of The Secret World of Arrietty in a new book, The Art of the Secret World of Arrietty.

The Art of the Secret World of Arrietty is a full color collection of preliminary concept sketches and rough character sketches, concept sketches, concept art, background art, and character sketches and designs. The book also includes film stills and the complete voice-over script, illustrated with black and white images from the film.

The television campaign to promote The Secret World of Arrietty’s release to theatres is quite good, the best that I’ve seen for a Studio Ghibli movie since the U.S. release of Princess Mononoke. One could also view The Art of the Secret World of Arrietty as promotion for the film; just thumbing through it is enough to convince someone to see the movie. All the beautiful art, sketches, and assorted graphics from the books are tempting samples from the film.

Certainly, fans of the animated films of Studio Ghibli will want this book. Not only is The Art of the Secret World of Arrietty a behind-the-scenes look at the drawing and visual storytelling process of creating The Secret World of Arrietty, but it is also a dreamscape showing off the tremendous artistic and film talent that works at Studio Ghibli.

The Art of the Secret World of Arrietty also has several pages of sketches produced by the master himself, Hayao Miyazaki. These concept sketches have an impressionistic quality, as if Monet had created them as studies for paintings he would later produce. $34.99 is a bargain just to have the Miyazaki sketches.

A

Leroy Douresseaux Reviews: Lucille graphic novel

LUCILLE (OGN)
TOP SHELF PRODUCTIONS

CARTOONIST: Ludovic Debeurme
TRANSLATOR: Edward Gauvin
LETTER: Christopher Ross
ISBN: 978-1-60309-073-5; paperback
544pp, B&W, $29.95 U.S.

Rated: Mature (18+)

Born in 1971, Ludovic Debeurme is a French comic book artist. After studying at the Sorbonne (University of Paris), he was published in the anthology, Comix 2000, and later went on to become an acclaimed graphic novelist. Debeurme’s breakthrough work was Lucille, a graphic novel published by Futuropolis in 2006 and honored at the Angoulême International Comics Festival. Top Shelf Productions gave Lucille its English-language debut in 2011.

The novel is set in rural France and centers on two teenagers from families that are dysfunctional to one degree or another. Lucille Flavinsky is a 16-year-old and suffers from anorexia. Abandoned by her father, Lucille battles her mother’s attempts to get her medical help.

Arthur is a teenaged boy whose father, Vladamir, is a fisherman and an alcoholic. Arthur strongly resists inheriting his father’s profession and his father’s family’s traditions. After two chance encounters, Lucille and Arthur become a couple, star-crossed lovers soon on the run to Italy. However, they cannot run away from their families’ complex legacies, nor can they outrace their own personal complexities.

Lucille has a broad reach and scope, playing like both modern fiction and like some potboiler genre piece. Its creator, Ludovic Debeurme, excavates the nuances and intimate details of the lead characters and also reveals essential moments in the lives of many of its supporting characters. That is why Lucille is definitely not a comic book and is certainly a graphic novel. Lucille is complex, and the narrative flows naturally, always frustrating our expectations, but rewarding our patience – so much so that I must wonder if the narrative did not also frustrate its creator.

Several years ago, I was briefly acquainted with a young woman who was suffering from anorexia. She thought she was fat (though she was not) and unattractive (again, not true, at least from my perspective). She had that pale, young waif look that some young women are lucky or opportunistic enough to turn into a career as a model and/or starlet. I found her more pitiful than I felt pity for her. I have to admit to not exactly being sympathetic to women suffering from anorexia, but I’m working on that. This is the reason why my feelings about Lucille fluctuated so much. She annoyed me as much as she intrigued me.

Like the larger narrative, however, Lucille the character is fascinating and mysterious. She is subtle and yet powerful, like Debeurme’s simple line work and evocative compositions. Lucille is tender and stubborn, both the book and its title character. This is a mesmerizing work, and I started out not wanting to read it. I felt obligated because Top Shelf sent me a review copy, but now I can’t act as if this stunning book has not touched me. I am still thinking about it, and because this is the first chapter of a longer story, I want to read on.

A-

http://www.topshelfcomix.com/

Stephen Eric Bronner: At Home With the Bigot

At Home With the Bigot
By Stephen Eric Bronner, Reader Supported News
14 February 12

Reader Supported News Perspective

Republicans and their conservative allies insist that racism is a thing of the past. But their party still serves as the bastion of anti-gay, anti-immigrant, anti-black, and anti-feminist activism. Not since the Great Depression has its lower-middle class base experienced such disorientation and disruption. President George W. Bush left them with two failed wars in Iraq and Afghanistan, the bursting of the sub-prime housing bubble and the crashing of the derivates market in 2007. And then, on top of it, came the electoral defeat in 2008 that produced the first black president of the United States. Military miscalculation abroad, economic collapse at home, and burning political humiliation fueled the stubborn radicalism and small-minded resentment of what would become the Tea Party. Coming from non-urban areas mostly in the South and the Mid-West, but also from white immigrant enclaves in some big cities, its members have their own forms of moral cognition. They have little use for globalization, the welfare state, new social movements or the "adversary culture" inherited from the 1960s. Wearing revolutionary garb and tricorn hats, disrupting town meetings devoted to healthcare and other social issues, bullying progressive congressional representatives and holding rallies of their own, they constitute a new generation of reactionary activists calling for "revolution" - though, naturally, only one that will protect their privileges and interests.

The Tea Party meshes libertarian capitalists preaching the gospel of the free market and reactionary populists intent upon rehabilitating "family values," rehabilitating religion, and a parochial vision of community. Over the last century, for the most part, these trends were diametrically at odds with one another: Libertarians had little use for rabble-rousing bigots, religious fanatics or the like, while populists hated big business, open markets, and the scientific culture of modernity. Ronald Reagan initially brought these contradictory trends together. He blended the anti-union and de-regulating interests of elites committed to the classical principles of the free market with the cultural conservatism and hyper-nationalism of the old "moral" majority and burgeoning religious movements. George W. Bush built on that coalition. But there was new urgency for an organizational alliance between liberations and populists following the economic collapse of 2008 and subsequent presidential victory of Barack Obama. Fears of dramatic state intervention into the economy blended with horror over the symbolic implications of having a black president for the image of community associated with old television shows like Father Knows Best, Leave It to Beaver, and Happy Days. Out of this alliance and these anxieties, indeed, the Tea Party was born in 2009.

The GOP was quick to recognize its importance. Seasoned operatives of the Republican Party were soon offering their advice and leadership. They originally thought the Tea Party might be manipulated. But the opposite took place: the tail wound up wagging the dog. There is an old saying: styles make fights. The new rhetoric was supplied by Fox News and a score of feral media demagogues, among whom Glenn Beck and Michael Savage were merely the most venal. Evangelicals and far-right groups associated with them and others like them, and the Tea Party routinely began referring to President Obama as the Anti-Christ and as an Imam. The bigot applauded. Advertisements compared him and his family to chimpanzees, portrayed the White House with rows of watermelons on the lawn, and implied that the president is a crack addict. But the problem apparently was not the bigot's friends who supposedly hate blacks: it was rather Obama who clearly hates whites. The new president was seen as the advocate of the (black) welfare cheat, the (Latino) immigrant, the anti-Christian (Arab) terrorist, the supposedly overpaid (lazy and shiftless) union worker, and anti-family (feminist and gay) forces. The Tea Party channeled the bigot's prejudices. It would become easy for him to identify with the (white) business elite whose (seemingly color-blind) policies attacking the bureaucratic welfare state appeared intent upon recreating a patriarchal world of white privilege.

Lingering economic recession, fear of radical social and economic reform, and fanatical mobilization (coupled with disillusionment of those expecting yet more radical changes by the new regime) brought about the sweeping victory of the far right in the Congressional elections of 2010. Now it was the Republicans' turn to applaud. The Tea Party was not simply nuts. Challenging the seemingly sacrosanct image of FDR and the New Deal, whatever its racist and intolerant elements, the Tea Party had become the agent of what might be termed capitalist fundamentalism. This meant highlighting the "invisible hand" of the market and the individual (not the accumulation process and class) as the units of social analysis. The state budget could now be equated with a household budget and everyone would now echo the mantra of Margaret Thatcher: "There is no society, there are only individuals." The welfare state would now be condemned (once again) not merely as wasteful - but immoral. Hard work brings rewards. Individuals are responsible for themselves, not others. Lack of ambition and foresight by individuals are the causes of unemployment and poverty. No free rides! Evangelicals know the "truth": no abortions, no condoms, and no gay marriage - women back to the kitchen and gays to the closet.

With the increasing influence of the Tea Party upon the Republican Party, indeed, the once modest home afforded the bigot turned into a mansion. Rooms would prove available especially for someone who is neither white nor male and who seemingly represents the less privileged. Women like former Republican vice-presidential candidate Sarah Palin or Congresswoman Michelle Bachmann (R-Minnesota) reaffirm the house-wife or the "soccer mom" in the face of an economy in which the single breadwinner has become an anachronism. A gay couple (two male earners) is trotted out occasionally to congratulate the Tea Party for its libertarian values. There is the Latino Senator Marco Rubio (R-Fla), who is apparently terrified by the immigrant mob threatening to invade from South of the border. The bigot has also made friends with an African-American or two. Hermann Cain received his applause for insisting that Blacks were "brain-washed" into supporting the Democratic Party, thereby confirming the bigot's old belief that they are too stupid to favor egalitarian and redistributive policies on their own. Supreme Court Justice Clarence Thomas champions tough love while his (white) wife champions the Tea Party. Then there is Congressman Allen West (R-Fla), whose idea of tolerance is to tell liberals "to get the hell out of the United States" and then identify the Democratic Party with the Nazi propaganda machine. This cast of characters, it should be noted, is not simply useful for propagandizing the undecided: it also reinforces the bigot's idea of what makes a real person of color or a real woman. These political figures validate the benevolent image of a bygone America in which taxes were low, government was small, women were in the kitchen, and the only important color was white.

The clock has already been turned back. A study released on October 29, 2011, by the Bertelsmann Stiftung showed that the United States has plummeted into the bottom five among the thirty nations comprising the industrial world in "Overall Social Justice Rating," "Overall Poverty Prevention Rating," Overall Poverty Rate," "Child Poverty," and "Income Inequality." Libertarian economic policies championed by the Tea Party endanger democratic deliberation, diversity, and cosmopolitan ideals. New socio-economic burdens and constraints also threaten disadvantaged groups. People of color will disproportionately suffer from a flat tax as well as other regressive attempts to shrink the tax base and, subsequently, bankrupt the welfare state. African-Americans and Latinos will be disproportionately impacted by attempts to demand photo-ID, literacy tests, and the like in order to vote. Redistricting and racist zoning regulations are recreating segregation while the uncurbed use of private money in election campaigns is disenfranchising the working people and the poor. Privatizing the prison system has sharply increased incarceration, especially among minority groups: people of color constitute 70% of inmates, nationally, and one in three African-American males is currently either awaiting trial, in jail, or on parole. Since convicts cannot vote, hundred of thousands of primarily African-Americans and people of color are currently being disenfranchised by what has been called the "new Jim Crow."

There is hardly a policy proposal forwarded by the GOP that does not disadvantage people of color, women, and working people - and, worse, there is hardly a single major Republican politician willing to publicly challenge the rhetoric or the proposals of the far right and the Tea Party. The mainstream has justified the extreme. All candidates for the Republican presidential nomination of 2012 seem to worry about a "disappearing white majority" as they take turns in attacking the Civil Rights Act of 1964, "food stamp presidents," and critics of religious dogmatism (as well as the Crusades). White supremacists of varying shades try to recruit and mix with luminaries of the Republican Party at conferences like that hosted by the American Conservative Union. Fragments of half-baked conspiracy theories float around in the minds of many grassroots activists in the Tea Party. Obama may look like he is in charge but (especially since he is black) the more paranoid insist that he is being controlled by more powerful interests and organizations like the Bilderberg banking group, the Trilateral Commission, Freemasons, Islamic terrorists, or Jews - or all of them working in concert. Conspiracy theory is common currency in the Tea Party and, again, there is hardly a single Republican willing to condemn it. Such talk makes no sense and thus frustration grows, resentment increases, and rage intensifies. It is taken out not merely on African-Americans but on other outsiders as well: gays, immigrants, Arabs, and Jews. Bigotry has become a commonplace of political life in the United States. The jargon of prejudice, sometimes veiled and sometimes not, is now so prevalent that most people simply shrug their shoulders. And the Tea Party has been in the vanguard. The influence of their words on action may be indirect: but it is, nonetheless, palpable.

Everyday violence (that mostly goes unreported) against homosexuals, immigrants, and minorities is simply a routine fact of American life. Doctors performing abortions outside the larger cities do so at their own risk. The virtual obsession of the Tea Party with the right to own firearms (including AK-47s) does not merely express a desire to hunt ducks. Mainstream politicians of the Republican Party again fall into line. Sure: explicit calls for the use of violence come only from the margins. Just as the conservative mainstream has helped legitimate the Tea Party, however, the Tea Party is giving new hope to fanatics who stand even further on the right. The Republican Party has lacked the courage to take on the bigots in its own ranks - and its toleration of the Tea Party validates precisely what its ideologues wish to deny: racism is alive and well in the United States. And, all the while, the bigot is smiling. The approving winks that he gets are evident everywhere. What one reaps is what one sows. The prejudices of times past have not disappeared. One just needs to know where to look. Talk about the "end of racism" has become a bad joke. Conservative politics attests to its continuation. The Tea Party will probably find itself in the trashcan of history once Republicans suffer some serious electoral defeats. But its mass base will undoubtedly survive and take new organizational forms as it always has in the past - from the "Know-Nothings" to the KKK to McCarthy to the "Silent Majority" and the "Moral Majority" and God knows what other fringe groups. For the foreseeable future, however, the bigot has no need to worry. With the Republican Party, indeed, he has once again found himself a happy home.

--------------------------------------------------------------------------------

Stephen Eric Bronner is a Distinguished Professor of Political Science and Director of Global Relations at the Center for the Study of Genocide, Conflict Resolution, and Human Rights: Rutgers University. The Senior Editor of Logos: A Journal of Modern Society and Culture, he is currently working on a manuscript entitled The Bigot for Yale University Press.

Reader Supported News is the Publication of Origin for this work. Permission to republish is freely granted with credit and a link back to Reader Supported News.