SUPERMAN: EARTH ONE VOLUME TWO
DC COMICS – @DCComics
WRITER: J. Michael Straczynski
PENCILS: Shane Davis
INKS: Sandra Hope
COLORS: Barbara Ciardo
LETTERS: Rob Leigh
ISBN: 978-1-4012-3196-5; hardcover (October 2012)
136pp, Color, $22.99 U.S., $26.99 CAN
Superman: Earth One re-imagines various Superman stories, setting them on a new Earth with an all-new continuity. Superman: Earth One Volume Two is the second in this series of original graphic novels that depict the early years of Superman. It is written by J. Michael Straczynski and drawn by Shane Davis, the authors of the first book, Superman: Earth One.
As Superman: Earth One Volume Two opens, 20-something Clark Kent is basking in the glow from the journalistic scoop that earned him a job at the Daily Planet, the top newspaper in Kent’s new home, the city of Metropolis. This “beginner’s luck,” however, has earned him the scrutiny of fellow (rival?) Planet reporter, Lois Lane. Lane is not the only complication. Kent has moved into a new apartment, where he captures the attention of a lusty neighbor, a young woman named Lisa LaSalle, who starts turning his world upside down and inside out. Lisa awakens in Clark feelings and emotions he thought that he had tamed.
Clark is also struggling with how to use his power as Superman. How can he be effective? Can he make sure that he won’t inadvertently hurt any? But Clark isn’t the only man struggling with power. Raymond Maxwell Jensen is a stone-cold killer, but when an accident turns him into a thing called Parasite, he cannot get enough power. Only Superman can stop him, but the cost of stopping a monster for this still-new hero is a level of vulnerability he has never experienced.
Where as Superman: Earth One was like an action movie that introduced a new take on the origin of Superman, Superman: Earth One Volume Two delves into Clark Kent’s character and personality. In fact, writer J. Michael Straczynski approaches every character he places in this story from a personality/motivation point of view, even if he is ultimately vague about motivation.
With an opportunity to build a version of Superman from the ground up, Straczynski seems determined to start with Clark Kent, the man. His new Kent, like practically all the other Clark Kents, keeps secrets. Straczynski’s Kent not only keeps secrets, but he also constructs a life in which he does not stand out. Kent makes no waves and makes sure no one really notices him, so few people will realize that there is even a personality with secrets to keep. Straczynski is clever in the way he writes this new Clark Kent, but sometimes it becomes too anal and detailed. There are a few passages in Superman: Earth One Volume Two that read like fan fiction. This is balanced, however, by wonderful scenes such as the one in which Pa Kent and teen Clark have an awkward conversation about sex that rings with authenticity.
Artist Shane Davis really improves from his work in the first book. His art is not pretty in terms of style, but as storytelling, it is gorgeous. Davis doesn’t alter his style when he needs to switch from romance to drama to action. The way he draws is good for everything, so without theatrics, he authors graphical storytelling that encompasses the human drama of struggling characters and also the theatre of fantastic beings locked in struggle. I don’t think that Sandra Hope’s inking does Davis’ pencils in any favors, but Barbara Ciardo’s colors augment the subtle intensity of Davis’ art.
Superman: Earth One Volume Two is more about the man than it is about the Superman. Superman does his super things, of course, but this new version of Superman wants to dig deeper into the myth and mythology that is the Man of Steel.
A-
Reviewed by Leroy Douresseaux
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Sunday, November 25, 2012
Review: SUPERMAN: EARTH ONE Volume Two
Labels:
Barbara Ciardo,
DC Comics,
J. Michael Straczynski,
OGN,
Review,
Sandra Hope,
Shane Davis,
Superman
Saturday, November 24, 2012
Albert Avilla Reviews: X-Treme X-Men #5
X-Treme X-Men #5
Marvel Comics
Reviewed by Albert Avilla
Script: Greg Pak
Art: Paco Diaz
(Spoilers!)
When I was a little fellow, I went to a zoo that didn’t have lions and tigers; reading this issue felt like that.
This is the lineup for the two teams: Dazzler, Christmas-tree-ornament Xavier, rug-rat Nightcrawler, and mini-me Wolverine vs. full-grown-man Wolverine, Sabertooth, Colossus, Danger, and evil-boss Xavier. Based on pass performance, we know which team should win, but that’s why we play the game. Dazzler takes down some of the most formidable mutants in Marveldom without a scratch, a bump, or a bruise. Saber Tooth and Danger weren’t even factors to be dealt with.
I know Pak is building this team up to be this world-beating ultimate team, but wooo, hold your horses. We didn’t even get the tried and true Wolverine vs. Sabertooth battle. Xavier was taken down with the flick of the claw. If Dazzler has these kinds of battle and leadership skills, then keep her on this level. Put her in an appropriate superhero costume, and forget about the lounge act. I was let down by this story; I was expecting an epic battle. The cast of characters was set; all the elements of a great story were there, and the talent of the writer is undisputed. The big finale never emerged just an anticlimax.
The art really gave you the feel of the Old West from the Southwestern countryside down to young Wolverine’s shoes. Dazzler is shining through it all with various dramatic poses. The cover was the best thing about the whole issue.
I rate X-Treme X-Men # 5 Read a Friend’s Copy. #3 (of 5) on the Al-O-Meter Ranking
Marvel Comics
Reviewed by Albert Avilla
Script: Greg Pak
Art: Paco Diaz
(Spoilers!)
When I was a little fellow, I went to a zoo that didn’t have lions and tigers; reading this issue felt like that.
This is the lineup for the two teams: Dazzler, Christmas-tree-ornament Xavier, rug-rat Nightcrawler, and mini-me Wolverine vs. full-grown-man Wolverine, Sabertooth, Colossus, Danger, and evil-boss Xavier. Based on pass performance, we know which team should win, but that’s why we play the game. Dazzler takes down some of the most formidable mutants in Marveldom without a scratch, a bump, or a bruise. Saber Tooth and Danger weren’t even factors to be dealt with.
I know Pak is building this team up to be this world-beating ultimate team, but wooo, hold your horses. We didn’t even get the tried and true Wolverine vs. Sabertooth battle. Xavier was taken down with the flick of the claw. If Dazzler has these kinds of battle and leadership skills, then keep her on this level. Put her in an appropriate superhero costume, and forget about the lounge act. I was let down by this story; I was expecting an epic battle. The cast of characters was set; all the elements of a great story were there, and the talent of the writer is undisputed. The big finale never emerged just an anticlimax.
The art really gave you the feel of the Old West from the Southwestern countryside down to young Wolverine’s shoes. Dazzler is shining through it all with various dramatic poses. The cover was the best thing about the whole issue.
I rate X-Treme X-Men # 5 Read a Friend’s Copy. #3 (of 5) on the Al-O-Meter Ranking
Friday, November 23, 2012
Review: 07-GHOST Volume 1
07-GHOST, VOL. 1
VIZ MEDIA – @VIZMedia
CARTOONISTS: Yuki Amemiya and Yukino Ichihara
TRANSLATION: Satsuki Yamashita
LETTERING: Vanessa Satone
EDITOR: Hope Donovan
ISBN: 978-1-4215-4994-1; paperback; Rated “T” for “Teen”
208pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
07-Ghost is a shonen manga which debuted in 2005. It is also the first manga written and drawn by the team of Yuki Amemiya and Yukino Ichihara. VIZ Media recently released the first English-language volume of 07-Ghost.
07-Ghost, Vol. 1, opens in the Barsburg Empire. The opening chapter introduces Teito Klein, a former slave and orphan, who is a cadet at the Barsburg Empire Military Academy. An incident between Teito and Chief of Staff Ayanami gets Teito thrown in prison.
With the help of his friend, Mikage, Teito escapes and ends up in District 7, also known as the “District of God.” The bishops and nuns of Barsburg Church take him in and care for him, but the church is also a place of secrets. Teito learns of seven legendary ghosts, and one scary devil. Some of these secrets will cast away the shadows of Teito’s past and point the way to his place in the now-destroyed Raggs Kingdom.
That 07-Ghost is the debut work of a creative team is obvious. The story is overstuffed with characters, subplots, and back story, and the action is frantic and unkempt. The art is a maelstrom of heavy inks and chaotic page design. The composition is pure high energy, but that energy does not translate into consistently coherent storytelling. There is so much here that potential is assumed, and I’d like to see more. I’m intrigued, but right now, a lot of 07-Ghost seems like sound and fury.
Still, youthful exuberance and passion is a good thing, especially when compared to polished professionalism that results in bland corporate product
B
Reviewed by Leroy Douresseaux
VIZ MEDIA – @VIZMedia
CARTOONISTS: Yuki Amemiya and Yukino Ichihara
TRANSLATION: Satsuki Yamashita
LETTERING: Vanessa Satone
EDITOR: Hope Donovan
ISBN: 978-1-4215-4994-1; paperback; Rated “T” for “Teen”
208pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
07-Ghost is a shonen manga which debuted in 2005. It is also the first manga written and drawn by the team of Yuki Amemiya and Yukino Ichihara. VIZ Media recently released the first English-language volume of 07-Ghost.
07-Ghost, Vol. 1, opens in the Barsburg Empire. The opening chapter introduces Teito Klein, a former slave and orphan, who is a cadet at the Barsburg Empire Military Academy. An incident between Teito and Chief of Staff Ayanami gets Teito thrown in prison.
With the help of his friend, Mikage, Teito escapes and ends up in District 7, also known as the “District of God.” The bishops and nuns of Barsburg Church take him in and care for him, but the church is also a place of secrets. Teito learns of seven legendary ghosts, and one scary devil. Some of these secrets will cast away the shadows of Teito’s past and point the way to his place in the now-destroyed Raggs Kingdom.
That 07-Ghost is the debut work of a creative team is obvious. The story is overstuffed with characters, subplots, and back story, and the action is frantic and unkempt. The art is a maelstrom of heavy inks and chaotic page design. The composition is pure high energy, but that energy does not translate into consistently coherent storytelling. There is so much here that potential is assumed, and I’d like to see more. I’m intrigued, but right now, a lot of 07-Ghost seems like sound and fury.
Still, youthful exuberance and passion is a good thing, especially when compared to polished professionalism that results in bland corporate product
B
Reviewed by Leroy Douresseaux
Labels:
Hope Donovan,
manga,
Review,
Satsuki Yamashita,
VIZ Media,
Yuki Amemiya,
Yukino Ichihara
Thursday, November 22, 2012
I Thanks You
Happy Thanksgiving to you all. We are thankful for the regular, semi-regular, and casual visitors and readers. Thanks for buying stuff from Amazon and thanks for the donations.
Let's meet again next Thanksgiving.
Let's meet again next Thanksgiving.
Vertigo Review - SPACEMAN: The Deluxe Edition
SPACEMAN THE DELUXE EDITION
DC COMICS/VERTIGO – @vertigo_comics
WRITER: Brian Azzarello
ARTIST: Eduardo Risso
COLORS: Patricia Mulvihill with Giula Brusco
LETTERS: Clem Robins
COVER: Dave Johnson (also series cover art)
ISBN: 978-1-4012-3552-9; hardcover
224pp, $24.99 U.S., $28.99 CAN
The comic book creative team of writer Brian Azzarello and artist Eduardo Risso is best known for the Eisner Award-winning comic book series, 100 Bullets, which was published from 1999 to 2009. The most recent Azzarello-Risso “collabo” is Spaceman, a nine-issue, science fiction comic book miniseries. Published by DC Comics’ imprint, Vertigo (also the home of 100 Bullets), Spaceman is set in a future in which the rising seas leave a significant portion of the planet a drowned world. In this time, an outcast tries to be a hero and finds fame a very dangerous thing.
Vertigo has collected all nine issues of Spaceman, plus a short story that appeared in Strange Adventures #1 (the 2011 Vertigo anthology one-shot) in the hardcover collection, Spaceman: The Deluxe Edition. The new book also includes sketches and preliminary art that Eduardo Risso executed for the series, and there are also samples of Risso’s final art for the series in pencil form.
Spaceman’s title character is Orson, a simian-like man. He was born as the result of the Spacemen program, NASA’s attempt to biogenetically engineer humans that could withstand space travel. Orson and his Spacemen “brudahs” (as he calls them) were born with expanded bone mass and flesh density so that they could withstand the zero gravity of prolonged space travel. Orson and a few of the Spacemen did travel in space, but once the public became aware of the program, the Spacemen were basically tossed aside.
Now, a hulking, lonely loser, Orson lives in “the Rises,” a Venice-like community of broken buildings still standing in areas flooded by seawater. Orson spends his days in a small boat, trawling for scrap metal and dreaming of a better life. Meanwhile, like the rest of the country, Orson finds entertainment in “realtee” (reality television shows), and the most popular one in the world is “The Ark.” This realtee focuses on wealthy couple, Marc and April, and the orphaned children who compete for a place in Marc and April’s adopted clan.
One of the children, Tara, a Filipino girl, is kidnapped. Fate brings Orson and Tara together, but money and fame bring together a coalition of self-serving factions, all vying to retrieve Tara. Suddenly, Orson’s need to save Tara has put his life in danger and also dug up a dark part of his past, which goes by the name of Carter.
Brian Azzarello has some good ideas in this series. Some may seem obvious, such as the notion that the Internet and hand-held devices will be the engines that drive television entertainment and not televisions and broadcast signals. Azzarello creates a future English language full of strange colloquialisms and slang. It is as if a Jamaican, a black kid from the streets, and Anthony Burgess formed a poetry-slam/rap trio. Spaceman is a richly conceived world, but I do question the series as a whole. In terms of the execution of this concept as script (or series of scripts), it is probably three issues too long, which hampers the overall narrative development. Spaceman is interesting, intriguing, and thoughtful, but somewhat flawed.
You can make an argument that the star in Spaceman is artist Eduardo Risso. Practically every page is a narrative painting, with panels imbedded in the pages like bejeweled drawings in a tapestry. Risso makes Azzarello’s gaggle of ideas practical as a graphical narrative. Suddenly, the theoretical and eccentric are actual, and the unique voice Azzarello designed is given full throat through Risso’s pencils and lush inking.
Of course, Spaceman: The Deluxe Edition is the best way to read this original science fiction vision. It is the best way to see this unique, but surprisingly possible future.
B+
Reviewed by Leroy Douresseaux
DC COMICS/VERTIGO – @vertigo_comics
WRITER: Brian Azzarello
ARTIST: Eduardo Risso
COLORS: Patricia Mulvihill with Giula Brusco
LETTERS: Clem Robins
COVER: Dave Johnson (also series cover art)
ISBN: 978-1-4012-3552-9; hardcover
224pp, $24.99 U.S., $28.99 CAN
The comic book creative team of writer Brian Azzarello and artist Eduardo Risso is best known for the Eisner Award-winning comic book series, 100 Bullets, which was published from 1999 to 2009. The most recent Azzarello-Risso “collabo” is Spaceman, a nine-issue, science fiction comic book miniseries. Published by DC Comics’ imprint, Vertigo (also the home of 100 Bullets), Spaceman is set in a future in which the rising seas leave a significant portion of the planet a drowned world. In this time, an outcast tries to be a hero and finds fame a very dangerous thing.
Vertigo has collected all nine issues of Spaceman, plus a short story that appeared in Strange Adventures #1 (the 2011 Vertigo anthology one-shot) in the hardcover collection, Spaceman: The Deluxe Edition. The new book also includes sketches and preliminary art that Eduardo Risso executed for the series, and there are also samples of Risso’s final art for the series in pencil form.
Spaceman’s title character is Orson, a simian-like man. He was born as the result of the Spacemen program, NASA’s attempt to biogenetically engineer humans that could withstand space travel. Orson and his Spacemen “brudahs” (as he calls them) were born with expanded bone mass and flesh density so that they could withstand the zero gravity of prolonged space travel. Orson and a few of the Spacemen did travel in space, but once the public became aware of the program, the Spacemen were basically tossed aside.
Now, a hulking, lonely loser, Orson lives in “the Rises,” a Venice-like community of broken buildings still standing in areas flooded by seawater. Orson spends his days in a small boat, trawling for scrap metal and dreaming of a better life. Meanwhile, like the rest of the country, Orson finds entertainment in “realtee” (reality television shows), and the most popular one in the world is “The Ark.” This realtee focuses on wealthy couple, Marc and April, and the orphaned children who compete for a place in Marc and April’s adopted clan.
One of the children, Tara, a Filipino girl, is kidnapped. Fate brings Orson and Tara together, but money and fame bring together a coalition of self-serving factions, all vying to retrieve Tara. Suddenly, Orson’s need to save Tara has put his life in danger and also dug up a dark part of his past, which goes by the name of Carter.
Brian Azzarello has some good ideas in this series. Some may seem obvious, such as the notion that the Internet and hand-held devices will be the engines that drive television entertainment and not televisions and broadcast signals. Azzarello creates a future English language full of strange colloquialisms and slang. It is as if a Jamaican, a black kid from the streets, and Anthony Burgess formed a poetry-slam/rap trio. Spaceman is a richly conceived world, but I do question the series as a whole. In terms of the execution of this concept as script (or series of scripts), it is probably three issues too long, which hampers the overall narrative development. Spaceman is interesting, intriguing, and thoughtful, but somewhat flawed.
You can make an argument that the star in Spaceman is artist Eduardo Risso. Practically every page is a narrative painting, with panels imbedded in the pages like bejeweled drawings in a tapestry. Risso makes Azzarello’s gaggle of ideas practical as a graphical narrative. Suddenly, the theoretical and eccentric are actual, and the unique voice Azzarello designed is given full throat through Risso’s pencils and lush inking.
Of course, Spaceman: The Deluxe Edition is the best way to read this original science fiction vision. It is the best way to see this unique, but surprisingly possible future.
B+
Reviewed by Leroy Douresseaux
Labels:
Brian Azzarello,
Dave Johnson,
DC Comics,
Eduardo Risso,
Patricia Mulvihill,
Review,
Science Fiction,
Vertigo
Wednesday, November 21, 2012
Review: LOVELESS 2-IN-1 Volume 1
LOVELESS 2-IN-1, VOL. 1
VIZ MEDIA – @VIZMedia
CARTOONIST: Yun Kouga
TRANSLATION: Ray Yoshimoto
ENGLISH ADAPTATION: Lillian Diaz-Pazygyl
LETTERS: James Dashiell
EDITOR: Hope Donovan
ISBN: 978-1-4215-4990-3; paperback; Rated “T” for “Teen”
446pp, B&W, $14.99 U.S., $16.99 CAN, £9.99 UK
Yun Kouga, the pen name of Risa Yamada, is known for creating such manga as Crown of Love and Gestalt. One of her other popular titles, Loveless, a fantasy/drama series, has a new North American publisher. Tokyopop had the license to publish the series in English, releasing eight of the series’ graphic novels before going out of business. VIZ Media now has the license and resumed the English-language publication of the series with the ninth volume.
VIZ Media will also republish the first eight volumes in 2-in-1 editions, which has a single graphic novel edition containing two volumes. Loveless 2-in-1 Edition, Vol. 1 collects Loveless Volumes 1 and 2.
Loveless, Vol. 1 introduces 11-year-old Ritsuka Aoyagi, a troubled sixth grade student who is still grieving the loss of his older brother, Seimei, who was murdered a few months earlier. Ritsuka meets Soubi Agatsuma, a 20-year-old man who claims to have been a friend of Seimei’s. After a little while, Ritsuka learns that Seimei and Soubi acted as a fighting pair.
They were involved in battles in which the fighting involved spells composed of carefully selected words. Soubi was the “sentouki” or “fighter unit.” Seimei was the “sacrifice,” the one who bears the damage inflicted upon the fighter. When the sacrifice gets worn down, the fighter loses. Through Soubi, Ritsuka learns that Seimei was killed by a mysterious group called Septimal Moon.
In Loveless, Vol. 2, Ritsuka and Soubi grow closer, while more pairs of fighters come forward to challenge them or Soubi, specifically. Yuiko Hawatari, Ritsuka’s classmate, falls deeper in love with him. Ritsuka’s therapist, Dr. Katsuko, tries to unravel the mystery of his apparent dual personalities.
Apparently, Yun Kouga does not consider her creation, Loveless, to be boys’ love manga, although the series does depict romantic, committed, or intimate relationships between pairs of boys and young men. There are no scenes of fleshy entanglements between naked young men, as may be found in the boys’ love subset, yaoi manga. But there is the kind of lusty hugging between fully-clothed young men that one might find in the non-explicit-sex subset of boys’ love called shounen-ai.
That’s how Loveless is. It takes on the characteristics of many genres. It’s part battle manga, and I must admit to being intrigued by its verbal, word-based skirmishes. Call Loveless a battle rap manga. It is also a high school romance with a love triangle (Ritsuka, Soubi, and Yuiko) that threatens to keep adding romantic interests (a fellow student and possibly a teacher). It is a family drama complete with a psycho mom and a largely absent dad.
Loveless is not too much of a good thing, but rather, too many good things. I like Loveless, but I’m not in love with it.
B
Reviewed by Leroy Douresseaux
VIZ MEDIA – @VIZMedia
CARTOONIST: Yun Kouga
TRANSLATION: Ray Yoshimoto
ENGLISH ADAPTATION: Lillian Diaz-Pazygyl
LETTERS: James Dashiell
EDITOR: Hope Donovan
ISBN: 978-1-4215-4990-3; paperback; Rated “T” for “Teen”
446pp, B&W, $14.99 U.S., $16.99 CAN, £9.99 UK
Yun Kouga, the pen name of Risa Yamada, is known for creating such manga as Crown of Love and Gestalt. One of her other popular titles, Loveless, a fantasy/drama series, has a new North American publisher. Tokyopop had the license to publish the series in English, releasing eight of the series’ graphic novels before going out of business. VIZ Media now has the license and resumed the English-language publication of the series with the ninth volume.
VIZ Media will also republish the first eight volumes in 2-in-1 editions, which has a single graphic novel edition containing two volumes. Loveless 2-in-1 Edition, Vol. 1 collects Loveless Volumes 1 and 2.
Loveless, Vol. 1 introduces 11-year-old Ritsuka Aoyagi, a troubled sixth grade student who is still grieving the loss of his older brother, Seimei, who was murdered a few months earlier. Ritsuka meets Soubi Agatsuma, a 20-year-old man who claims to have been a friend of Seimei’s. After a little while, Ritsuka learns that Seimei and Soubi acted as a fighting pair.
They were involved in battles in which the fighting involved spells composed of carefully selected words. Soubi was the “sentouki” or “fighter unit.” Seimei was the “sacrifice,” the one who bears the damage inflicted upon the fighter. When the sacrifice gets worn down, the fighter loses. Through Soubi, Ritsuka learns that Seimei was killed by a mysterious group called Septimal Moon.
In Loveless, Vol. 2, Ritsuka and Soubi grow closer, while more pairs of fighters come forward to challenge them or Soubi, specifically. Yuiko Hawatari, Ritsuka’s classmate, falls deeper in love with him. Ritsuka’s therapist, Dr. Katsuko, tries to unravel the mystery of his apparent dual personalities.
Apparently, Yun Kouga does not consider her creation, Loveless, to be boys’ love manga, although the series does depict romantic, committed, or intimate relationships between pairs of boys and young men. There are no scenes of fleshy entanglements between naked young men, as may be found in the boys’ love subset, yaoi manga. But there is the kind of lusty hugging between fully-clothed young men that one might find in the non-explicit-sex subset of boys’ love called shounen-ai.
That’s how Loveless is. It takes on the characteristics of many genres. It’s part battle manga, and I must admit to being intrigued by its verbal, word-based skirmishes. Call Loveless a battle rap manga. It is also a high school romance with a love triangle (Ritsuka, Soubi, and Yuiko) that threatens to keep adding romantic interests (a fellow student and possibly a teacher). It is a family drama complete with a psycho mom and a largely absent dad.
Loveless is not too much of a good thing, but rather, too many good things. I like Loveless, but I’m not in love with it.
B
Reviewed by Leroy Douresseaux
Labels:
Boys' Love,
Hope Donovan,
Lillian Diaz Pazygyl,
manga,
Ray Yoshimoto,
Review,
Shounen-ai,
VIZ Media,
Yun Kouga
Tuesday, November 20, 2012
DC Comics from Diamond Distributors for November 21 2012
DC COMICS
JUL120217 52 OMNIBUS HC (N52) $150.00
JUL120219 BATMAN JUDGE DREDD COLLECTION HC $29.99
SEP120181 BATWOMAN #14 $2.99
SEP120185 BIRDS OF PREY #14 $2.99
AUG120247 BLACKHAWKS TP VOL 01 THE GREAT LEAP FORWARD (N52) $16.99
SEP120217 BLUE BEETLE #14 $2.99
SEP120183 CATWOMAN #14 (DOTF) $2.99
SEP120149 DC UNIVERSE PRESENTS #14 $2.99
SEP120258 FABLES #123 (MR) $2.99
AUG120283 FAIREST TP VOL 01 WIDE AWAKE (MR) $14.99
SEP120193 GREEN LANTERN NEW GUARDIANS #14 (RISE) $2.99
SEP120260 HELLBLAZER #297 (MR) $2.99
SEP120137 JUSTICE LEAGUE #14 $3.99
SEP120140 JUSTICE LEAGUE #14 COMBO PACK $4.99
SEP120222 LEGION OF SUPER HEROES #14 $2.99
APR120274 MAD ARCHIVES HC VOL 01 $59.99
APR120275 MAD ARCHIVES HC VOL 02 $59.99
APR120273 MAD ARCHIVES HC VOL 04 $59.99
SEP120186 NIGHTWING #14 $2.99
SEP120187 RED HOOD AND THE OUTLAWS #14 $2.99
AUG120295 SAUCER COUNTRY TP VOL 01 RUN (MR) $14.99
AUG120261 SHOWCASE PRESENTS WORLDS FINEST TP VOL 04 $19.99
SEP120162 SUPERGIRL #14 $2.99
SEP120199 SWORD OF SORCERY #2 $3.99
SEP120267 UNWRITTEN #43 (MR) $2.99
SEP120143 WONDER WOMAN #14 $2.99
SEP120252 YOUNG JUSTICE #22 $2.99
DC COMICS/DC COLLECTIBLES
JUL120274 BATMAN BLACK & WHITE STATUE BANE BY KELLEY JONES $99.95
JUL120269 BEFORE WATCHMEN COMEDIAN STATUE $149.95
JUL120270 DC COMICS SUPER HEROES STARFIRE BUST $69.95
JUL120217 52 OMNIBUS HC (N52) $150.00
JUL120219 BATMAN JUDGE DREDD COLLECTION HC $29.99
SEP120181 BATWOMAN #14 $2.99
SEP120185 BIRDS OF PREY #14 $2.99
AUG120247 BLACKHAWKS TP VOL 01 THE GREAT LEAP FORWARD (N52) $16.99
SEP120217 BLUE BEETLE #14 $2.99
SEP120183 CATWOMAN #14 (DOTF) $2.99
SEP120149 DC UNIVERSE PRESENTS #14 $2.99
SEP120258 FABLES #123 (MR) $2.99
AUG120283 FAIREST TP VOL 01 WIDE AWAKE (MR) $14.99
SEP120193 GREEN LANTERN NEW GUARDIANS #14 (RISE) $2.99
SEP120260 HELLBLAZER #297 (MR) $2.99
SEP120137 JUSTICE LEAGUE #14 $3.99
SEP120140 JUSTICE LEAGUE #14 COMBO PACK $4.99
SEP120222 LEGION OF SUPER HEROES #14 $2.99
APR120274 MAD ARCHIVES HC VOL 01 $59.99
APR120275 MAD ARCHIVES HC VOL 02 $59.99
APR120273 MAD ARCHIVES HC VOL 04 $59.99
SEP120186 NIGHTWING #14 $2.99
SEP120187 RED HOOD AND THE OUTLAWS #14 $2.99
AUG120295 SAUCER COUNTRY TP VOL 01 RUN (MR) $14.99
AUG120261 SHOWCASE PRESENTS WORLDS FINEST TP VOL 04 $19.99
SEP120162 SUPERGIRL #14 $2.99
SEP120199 SWORD OF SORCERY #2 $3.99
SEP120267 UNWRITTEN #43 (MR) $2.99
SEP120143 WONDER WOMAN #14 $2.99
SEP120252 YOUNG JUSTICE #22 $2.99
DC COMICS/DC COLLECTIBLES
JUL120274 BATMAN BLACK & WHITE STATUE BANE BY KELLEY JONES $99.95
JUL120269 BEFORE WATCHMEN COMEDIAN STATUE $149.95
JUL120270 DC COMICS SUPER HEROES STARFIRE BUST $69.95
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