Hit Girl Issue 4
Marvel Comics/ICON
Reviewed by Albert Avilla
Writer: Mark Millar
Artist: John Romita Jr.
Finishes/Inks: Tom Palmer
Say My Name! (Spoilers!)
The best female character in comics, and she has no boobs. We thought Hit Girl was caught in an untenable situation. She not only gets out of trouble with the most violence she can muster, she also gets home in time to protect her cover story. You have to love a little cutie who can mop the floor with blood-thirsty thugs. She has all the little bees at school in check; her position as alpha female is firmly established. Her plan to take down Genovese is set with pictures to go along with it. Red Mist is getting mystical martial arts training from con artists in Asia.
I got cramps in the old abdomen from laughing. How can someone make you cringe at the amount of blood splattered and at the same time laugh at the stupidity of the criminal? Talent has something to do with it. Sweet and spicy like General Tso's Chicken. The step-dad is locking down Mindy's room; I can imagine her planning how she'll pick the locks while Marcus is installing them. When Genovese's hit squad comes to kill Marcus, they grab Mindy and drag her to Marcus; they want Marcus to beg them not to kill her. They think that they are going to be pulling the wings off of a butterfly when they really stepped in a nest of pit vipers.
There is no moment while reading this story that you are not thoroughly entertained. Millar is the leader of the pack when we are discussing storytelling in the comic book format. I have to wait until next issue to see what Hit Girl has up her diabolical little sleeves. We are in store for some poetic violence.
John Romita Jr. is an icon in the industry. This is some of his best work. When you see his name on a comic book, you know that it is a major event. He has his own signature style which enhances any story.
I rate Hit Girl Issue 4 Recommend it to a Friend. Al-O-Meter's Highest Ranking
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Sunday, December 2, 2012
Albert Avilla Reviews: Hit Girl Issue 4
Labels:
Albert Avilla,
John Romita Jr,
Kick Ass,
Mark Millar,
Marvel,
Marvel Icon,
Review,
Tom Palmer
Black Bird: Teen-Something and Pregnant
I read Black Bird, Vol. 15
I posted a review in ComicBookBin (which has free smart phone apps and comics).
I posted a review in ComicBookBin (which has free smart phone apps and comics).
Labels:
Comic Book Bin,
JN Productions,
Kanoko Sakurakoji,
manga,
shojo,
Shojo Beat,
VIZ Media
Saturday, December 1, 2012
Albert Avilla Reviews: All New X-Men #1
All New X-Men #1
Mavel Comics
Reviewed by Albert Avilla
Writer: Brian Michael Bendis
Pencils: Stuart Immonen
Inks: Wade Von Grawbadger
Spoilers!
Bendis on the X-Men, gentlemen, I think we have a hit. This story is getting back to the roots of what the X-Men are about, finding new mutants and preparing them for the realities of the world.
Beast is going through another mutation that may kill him. Cyclops is still tripping, finding mutants, and recruiting them to his side. I thought he was locked up. He’s leading Magneto and the White Queen and calling themselves the X-Men. This is sure to be a real public relations problem for the real X-Men who are ready to shut Cyclops down; but Storm, the wise leader that she is, wants to take the high road. Saving lives is more important to her than her own agenda. Beast gets the idea that Cyclops needs to get back to who he is. Beast goes to the past to get the original X-Men to do just that.
I don’t like to say that one creator is better than another, but I can say that Bendis is an industry leader. This story is Claremont-esque. We get interesting plotline within interesting plotline. Hopefully, these plotlines won’t be resolved in a neat four issue format, but be true to Claremont form and have each plot leading into story after story. The possibilities are endless. I’m not ashamed to say that my expectations for this book were low; when I would see the ads for this book I would say, “What?” Bendis has made me so happily wrong. I’m ready to ride this rollercoaster.
The art speaks for itself. All that I can say is look at the rug when Scott and Hank are arguing in the past. I liked the contrast between youngster Cyclops and grown man Cyclops on the cover. Keep this creative team together. This was a symphony of art and words.
I rate All New X-Men #1 Recommend It to a Friend. #1 (of 5) on the Al-O-Meter Ranking
Mavel Comics
Reviewed by Albert Avilla
Writer: Brian Michael Bendis
Pencils: Stuart Immonen
Inks: Wade Von Grawbadger
Spoilers!
Bendis on the X-Men, gentlemen, I think we have a hit. This story is getting back to the roots of what the X-Men are about, finding new mutants and preparing them for the realities of the world.
Beast is going through another mutation that may kill him. Cyclops is still tripping, finding mutants, and recruiting them to his side. I thought he was locked up. He’s leading Magneto and the White Queen and calling themselves the X-Men. This is sure to be a real public relations problem for the real X-Men who are ready to shut Cyclops down; but Storm, the wise leader that she is, wants to take the high road. Saving lives is more important to her than her own agenda. Beast gets the idea that Cyclops needs to get back to who he is. Beast goes to the past to get the original X-Men to do just that.
I don’t like to say that one creator is better than another, but I can say that Bendis is an industry leader. This story is Claremont-esque. We get interesting plotline within interesting plotline. Hopefully, these plotlines won’t be resolved in a neat four issue format, but be true to Claremont form and have each plot leading into story after story. The possibilities are endless. I’m not ashamed to say that my expectations for this book were low; when I would see the ads for this book I would say, “What?” Bendis has made me so happily wrong. I’m ready to ride this rollercoaster.
The art speaks for itself. All that I can say is look at the rug when Scott and Hank are arguing in the past. I liked the contrast between youngster Cyclops and grown man Cyclops on the cover. Keep this creative team together. This was a symphony of art and words.
I rate All New X-Men #1 Recommend It to a Friend. #1 (of 5) on the Al-O-Meter Ranking
Labels:
Albert Avilla,
Brian Michael Bendis,
Marvel,
Review,
Stuart Immonen,
Wade Von Grawbadger,
X-Men
An I Reads You December to Remember
Welcome to I Reads You, a ComicBookBin blog (www.comicbookbin.com). We blog about the things we read: mostly comic books (we love 'dem comics), comics, and related books. Sometimes, we’ll write about or link to other topics: typically books, politics, and entertainment.
All images and text appearing on this blog are copyright © and/or trademark their respective owners.
All images and text appearing on this blog are copyright © and/or trademark their respective owners.
Friday, November 30, 2012
Albert Avilla Reviews: Gambit #4
Gambit #4
Marvel Comics
Reviewed by Albert Avilla
Writer: James Asmus
Pencils: Clay Mann and Leonard Kirk
Inks: Seth Mann and Leonard Kirk
She’s the End of the World (Spoilers!)
This issue is the conclusion to the first story arc of the new Gambit series. Nothing significant happens in the story. Gambit and his lady open a portal to the realm of the gods to face a non-sentient feathered serpent. The story allows Gambit to show his resourcefulness and acrobatic abilities. He has an opportunity to save the damsel in distress. At one point Gambit enters the serpent and blows up its head from the inside. Where have we seen this before? Finally, Gambit gives up on trying to use the relic to close the portal and uses his powers to do the deed.
One prop that I can give the story is that it had action from beginning to the end. Gambit’s lady’s name is Joelle, and she has super powers which she doesn’t use to help Gambit. The story’s ending threw me for a loop. One minute Joelle is kissing Gambit and in the next, she’s knocking him out. If you want to break up, lets be cordial about it; there is no need for the violence.
On his return to New York, Gambit jumps into a car with a stranger. He ends up in the hands of Cich. I wonder what Cich has planned for him? Do you think he wants Gambit to steal something? A conclusion to a story arc should have a little more bang for your buck; this ended in a fizzle. The greatest challenge that Gambit faced was the hostile environment. This god didn’t wield very much power; it was just another big snake.
The art was an asset to the story. The artists were able to put large scenes in every panel. The scenes with Gambit and the serpent illustrate the size of the challenge that Gambit must overcome.
I rate Gambit #4 Read a Friends Copy. #3 (of 5) on the Al-O-Meter Ranking
Marvel Comics
Reviewed by Albert Avilla
Writer: James Asmus
Pencils: Clay Mann and Leonard Kirk
Inks: Seth Mann and Leonard Kirk
She’s the End of the World (Spoilers!)
This issue is the conclusion to the first story arc of the new Gambit series. Nothing significant happens in the story. Gambit and his lady open a portal to the realm of the gods to face a non-sentient feathered serpent. The story allows Gambit to show his resourcefulness and acrobatic abilities. He has an opportunity to save the damsel in distress. At one point Gambit enters the serpent and blows up its head from the inside. Where have we seen this before? Finally, Gambit gives up on trying to use the relic to close the portal and uses his powers to do the deed.
One prop that I can give the story is that it had action from beginning to the end. Gambit’s lady’s name is Joelle, and she has super powers which she doesn’t use to help Gambit. The story’s ending threw me for a loop. One minute Joelle is kissing Gambit and in the next, she’s knocking him out. If you want to break up, lets be cordial about it; there is no need for the violence.
On his return to New York, Gambit jumps into a car with a stranger. He ends up in the hands of Cich. I wonder what Cich has planned for him? Do you think he wants Gambit to steal something? A conclusion to a story arc should have a little more bang for your buck; this ended in a fizzle. The greatest challenge that Gambit faced was the hostile environment. This god didn’t wield very much power; it was just another big snake.
The art was an asset to the story. The artists were able to put large scenes in every panel. The scenes with Gambit and the serpent illustrate the size of the challenge that Gambit must overcome.
I rate Gambit #4 Read a Friends Copy. #3 (of 5) on the Al-O-Meter Ranking
Labels:
Albert Avilla,
Clay Mann,
James Asmus,
Leonard Kirk,
Marvel,
Review,
Seth Mann,
X-Men
Bleach: End of Bond
Labels:
Bleach,
Comic Book Bin,
Joe Yamazaki,
manga,
shonen,
Shonen Jump,
Tite Kubo,
VIZ Media
Thursday, November 29, 2012
Albert Avilla Reviews: Astonishing X-Men #55
Astonishing X-Men # 55
Marvel Comics
Reviewed by Albert Avilla
Writer: Marjorie Liu
Artist: Mike Perkins
Cover: Phil Noto
Spoilers!
The bullets on the cover must have all been blanks, because that is what this story was shooting. I was under the impression that this title’s purpose was to give us cutting edge X-Men stories. This misses that mark completely.
The most intriguing part of the story was the flashback to Susan Hatchi’s earlier life. Hatchi turns the pressure on the X-Men to take over Madripoor. The airport is destroyed by a group of imposter X-Men. This group is so lame that they don’t have a name and the members don’t have code names. Normal humans using technology to imitate mutant powers; for the amount of effort it took the X-Men to defeat them they need to get a refund for that technology. The X-Men had them out of the picture before they could say two lines, and the X-Men had their powers taken away.
Tyger Tiger arrests the X-Men and takes them to a warehouse where Karma’s supposedly deceased father is waiting for them. Susan Hatchi shows up with a rocket launcher and blows up the warehouse. She expects to find buried bodies. They survived being buried under the rubble of a building and also survived attacks by some of the most powerful evil mutants ever. Why waste a rocket when you have nano-worms that control the X-Men’s bodies? Didn’t she threaten to kill Warbird and Northstar with the nano-worms? Am I the only one asking these questions? Who is to be held accountable for this? This is just irresponsible writing.
Overall the art is bland. The characters look roughly drawn. There is no detail in the background just a lot of pretty colors hiding a lack of effort. A few of the headshots do reveal some talent that is inconsistent.
I rate Astonishing X-Men #55 Read it in the Store. #4 (of 5) on the Al-O-Meter Ranking
Marvel Comics
Reviewed by Albert Avilla
Writer: Marjorie Liu
Artist: Mike Perkins
Cover: Phil Noto
Spoilers!
The bullets on the cover must have all been blanks, because that is what this story was shooting. I was under the impression that this title’s purpose was to give us cutting edge X-Men stories. This misses that mark completely.
The most intriguing part of the story was the flashback to Susan Hatchi’s earlier life. Hatchi turns the pressure on the X-Men to take over Madripoor. The airport is destroyed by a group of imposter X-Men. This group is so lame that they don’t have a name and the members don’t have code names. Normal humans using technology to imitate mutant powers; for the amount of effort it took the X-Men to defeat them they need to get a refund for that technology. The X-Men had them out of the picture before they could say two lines, and the X-Men had their powers taken away.
Tyger Tiger arrests the X-Men and takes them to a warehouse where Karma’s supposedly deceased father is waiting for them. Susan Hatchi shows up with a rocket launcher and blows up the warehouse. She expects to find buried bodies. They survived being buried under the rubble of a building and also survived attacks by some of the most powerful evil mutants ever. Why waste a rocket when you have nano-worms that control the X-Men’s bodies? Didn’t she threaten to kill Warbird and Northstar with the nano-worms? Am I the only one asking these questions? Who is to be held accountable for this? This is just irresponsible writing.
Overall the art is bland. The characters look roughly drawn. There is no detail in the background just a lot of pretty colors hiding a lack of effort. A few of the headshots do reveal some talent that is inconsistent.
I rate Astonishing X-Men #55 Read it in the Store. #4 (of 5) on the Al-O-Meter Ranking
Labels:
Albert Avilla,
Marjorie Liu,
Marvel,
Mike Perkins,
Phil Noto,
Review,
Wolverine,
X-Men
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