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Tuesday, January 29, 2013
Comics, Magazines and Books from Diamond Distributors for January 30 2013
Labels:
Archie Comics,
Art Book,
Avengers,
Book News,
Captain America,
Chris Ware,
comics news,
Diamond Distributors,
Green Hornet,
Jack Kirby,
manga news,
Oni Press
Monday, January 28, 2013
Karakauri Dôji Ultimo: Theory of Good and Evil
I read Ultimo, Vol. 8
I posted a review at the ComicBookBin (which has free smart phone apps and comics).
I posted a review at the ComicBookBin (which has free smart phone apps and comics).
Labels:
Comic Book Bin,
John Werry,
manga,
shonen,
Shonen Jump Advanced,
Stan Lee,
VIZ Media
Sunday, January 27, 2013
I Reads You Review: DENGEKI DAISY Volume 11
DENGEKI DAISY, VOL. 11
VIZ MEDIA – @VIZMedia
CARTOONIST: Kyousuke Motomi
TRANSLATION/ENGLISH ADAPTATION: JN Productions
LETTERS: Rina Mapa
ISBN: 978-1-4215-5060-2; paperback; Rated “T+” for “Older Teen”
192pp, B&W, $9.99 US, $12.99 CAN
Kyousuke Motomi is female mangaka (manga creator) who debut in 2002 with the manga, No-Good Cupid! (English title). Her current series is Dengeki Daisy.
Teru Kurebayshi, an orphan, is the lead character in Dengeki Daisy. She lost her brother, Soichiro, but she wasn’t alone. Teru exchanges messages with DAISY, a mysterious figure who can only be reached through a cell phone her brother left her. Eventually, Teru learns that DAISY is Tasuku Kurosaki, a janitor who is always around when she needs him.
As Dengeki Daisy, Vol. 11 opens, Teru is frustrated at the lingering fear she feels from the threat of Chiharu Mori and her flunky, Akira. Teru is glad that Kurosaki is around to protect her, but she also wants to be able to protect herself. Meanwhile, Teru’s longtime friend, Kiyoshi Hasegawa, struggles with his deeply romantic feelings for Rena Ichinose, another friend of Teru’s. But Rena already has a fiancé.
That fiancé is a shady-acting business man named Kazuki Morizono. His actions will give Teru a chance to show her strength. Morizono brings up Kurosaki’s past as a hacker and endangers Rena. Can Teru protect her friend?
After first reading the Dengeki Daisy manga, I saw it as another romantic tale featuring a beastly male love interest, from the creator of Beast Master, Kyousuke Motomi. After reading Dengeki Daisy Volume 11, I now see it as a kind of manga version of American television soap operas. Why?
Dengeki Daisy borrows from several genres. It has a high school romance. The male love interest is an older man, while the female is a high school student, so there is a tad bit of a tawdry true romance feel to it. Kurosaki’s past as a hacker and Teru’s late brother’s life as a programmer adds an espionage angle. The series is also a light suspense thriller because of the threats of violence, personal destruction, and kidnapping. I could see a young Susan Lucci as perfect for a dramatization of this.
I like the soap opera and melodrama. This is a shojo high school romance that is not as comic as some shojo romances and is darker, in a theatrical way, than most. Readers looking for shojo romantic drama as American soap opera will like the Shojo Beat title, Dengeki Daisy.
A-
Reviewed by Leroy Douresseaux
VIZ MEDIA – @VIZMedia
CARTOONIST: Kyousuke Motomi
TRANSLATION/ENGLISH ADAPTATION: JN Productions
LETTERS: Rina Mapa
ISBN: 978-1-4215-5060-2; paperback; Rated “T+” for “Older Teen”
192pp, B&W, $9.99 US, $12.99 CAN
Kyousuke Motomi is female mangaka (manga creator) who debut in 2002 with the manga, No-Good Cupid! (English title). Her current series is Dengeki Daisy.
Teru Kurebayshi, an orphan, is the lead character in Dengeki Daisy. She lost her brother, Soichiro, but she wasn’t alone. Teru exchanges messages with DAISY, a mysterious figure who can only be reached through a cell phone her brother left her. Eventually, Teru learns that DAISY is Tasuku Kurosaki, a janitor who is always around when she needs him.
As Dengeki Daisy, Vol. 11 opens, Teru is frustrated at the lingering fear she feels from the threat of Chiharu Mori and her flunky, Akira. Teru is glad that Kurosaki is around to protect her, but she also wants to be able to protect herself. Meanwhile, Teru’s longtime friend, Kiyoshi Hasegawa, struggles with his deeply romantic feelings for Rena Ichinose, another friend of Teru’s. But Rena already has a fiancé.
That fiancé is a shady-acting business man named Kazuki Morizono. His actions will give Teru a chance to show her strength. Morizono brings up Kurosaki’s past as a hacker and endangers Rena. Can Teru protect her friend?
After first reading the Dengeki Daisy manga, I saw it as another romantic tale featuring a beastly male love interest, from the creator of Beast Master, Kyousuke Motomi. After reading Dengeki Daisy Volume 11, I now see it as a kind of manga version of American television soap operas. Why?
Dengeki Daisy borrows from several genres. It has a high school romance. The male love interest is an older man, while the female is a high school student, so there is a tad bit of a tawdry true romance feel to it. Kurosaki’s past as a hacker and Teru’s late brother’s life as a programmer adds an espionage angle. The series is also a light suspense thriller because of the threats of violence, personal destruction, and kidnapping. I could see a young Susan Lucci as perfect for a dramatization of this.
I like the soap opera and melodrama. This is a shojo high school romance that is not as comic as some shojo romances and is darker, in a theatrical way, than most. Readers looking for shojo romantic drama as American soap opera will like the Shojo Beat title, Dengeki Daisy.
A-
Reviewed by Leroy Douresseaux
Labels:
JN Productions,
Kyousuke Motomi,
manga,
Review,
shojo,
Shojo Beat,
VIZ Media
Saturday, January 26, 2013
Albert Avilla Reviews: Indestructible Hulk #2
Indestructible Hulk # 2
Marvel Comics
Reviewed by Albert Avilla
Writer: Mark Waid
Pencils: Leinil Yu
Inks: Gerry Alanguilan
(Spoilers!)
Hulk, Agent of S.H.I.E.L.D. is a good premise. This new direction for the Hulk is an excellent idea. Banner has decided to embrace the idea of being the Hulk, and using him in situations where he can do good. Why keep a potential force for good relegated to the status of criminal?
The Hulk is the ultimate stick for S.H.I.E.L.D. to wield. You better be committed to whatever terrorism you are thinking about, knowing that the Hulk might be a consequence of your actions. Just think about the money S.H.I.E.L.D. can save. Why develop any weapons? All you need is a truck; put Hulk in the back, and drive to the scene. “What’s up now Hydra? Suck on this!” Drop off the Hulk, end of evildoing.
This issue is about Banner being a super-scientist on a level with Reed Richards. With this new situation, Banner will have time to work, which should have a calming effect on him. He has a goal of completing an invention a week. I can’t complete any of my chores on the honey-do list each week.
Iron Man pays a visit to check out the situation, but he is unknowingly set up by Banner for a good-old, stress-relieving butt-kicking. This story would be a good bridge between two good story arcs, but as it stands, it’s just an unnecessary character developing story. When we pick up a Hulk mag, we expect more Hulk-smash for our money, not a sparring match with Iron Man.
The art is passable. The coloring goes a little too far; it makes the art look like pieces of a puzzle. A lighter hand may make the art more engaging.
I rate Indestructible Hulk 002 Read a Friend’s Copy. #3 (of 5) on the Al-O-Meter
Marvel Comics
Reviewed by Albert Avilla
Writer: Mark Waid
Pencils: Leinil Yu
Inks: Gerry Alanguilan
(Spoilers!)
Hulk, Agent of S.H.I.E.L.D. is a good premise. This new direction for the Hulk is an excellent idea. Banner has decided to embrace the idea of being the Hulk, and using him in situations where he can do good. Why keep a potential force for good relegated to the status of criminal?
The Hulk is the ultimate stick for S.H.I.E.L.D. to wield. You better be committed to whatever terrorism you are thinking about, knowing that the Hulk might be a consequence of your actions. Just think about the money S.H.I.E.L.D. can save. Why develop any weapons? All you need is a truck; put Hulk in the back, and drive to the scene. “What’s up now Hydra? Suck on this!” Drop off the Hulk, end of evildoing.
This issue is about Banner being a super-scientist on a level with Reed Richards. With this new situation, Banner will have time to work, which should have a calming effect on him. He has a goal of completing an invention a week. I can’t complete any of my chores on the honey-do list each week.
Iron Man pays a visit to check out the situation, but he is unknowingly set up by Banner for a good-old, stress-relieving butt-kicking. This story would be a good bridge between two good story arcs, but as it stands, it’s just an unnecessary character developing story. When we pick up a Hulk mag, we expect more Hulk-smash for our money, not a sparring match with Iron Man.
The art is passable. The coloring goes a little too far; it makes the art look like pieces of a puzzle. A lighter hand may make the art more engaging.
I rate Indestructible Hulk 002 Read a Friend’s Copy. #3 (of 5) on the Al-O-Meter
Labels:
Albert Avilla,
Iron Man,
Leinil Francis Yu,
Mark Waid,
Marvel,
Marvel NOW,
Review
Hunter x Hunter: Memory
Labels:
Comic Book Bin,
Lillian Olsen,
manga,
Matt Hinrichs,
shonen,
Shonen Jump Advanced,
VIZ Media,
Yoshihiro Togashi
Friday, January 25, 2013
Albert Avilla Reviews: Red Lanterns #14
Red Lanterns #14
DC Comics
Reviewed by Albert Avilla
Writer: Peter Milligan writer
Artist: Miguel Sepulveda
“Home Is Where the Heart Is” (Spoilers!)
In the “Rise of the Third Army” event this is where the action is. The Red Lanterns are fighting the Third Army. The Red Lanterns have found their weakness and destroyed the creatures through their eyes. We are not talking about let’s subdue these creatures and take them in kind of action. This is fight to the death: tear off arms, body parts flying all over the place action. The Red Lanterns are able to defeat the creatures, but not without the lost of Skorch.
Atrocitus takes the remains of one of the creatures to Ysmault to find the origins of the creatures. Using his blood magic, Atrocitus learns that the creatures come from the DNA of the Guardians. These are some really gruesome scenes; if horror is your thing, then this is the book for you. Atrocitus’s animosity toward the Guardians is increasing. Atrocitus gives his Lanterns missions to seek out the blood of the guilty to feed the Red Power Battery; a leader delegating responsibility. Then, bam! The creature regenerates from a rat; you can’t get away from those little B’s anywhere in the Universe, and it attacks. Atrocitus, being the battle leader that he is, instantly comes up with a plan to destroy the creature. Artist Miguel Sepulveda gives us another blood-splattering, gore-fest page.
Atrocitus comes up with another plan to defeat the Third Army by using a synthetic army, the Manhunters. Rankorr is sent to Earth to get his vengeance and become a true Red Lantern. Atrocitus returns to Ayutt, his home planet, where he relives the destruction of Sector 666 by the Manhunters. If you like science fiction, superhero throw-down, and blood and guts action, then, look no farther.
Milligan keeps the action rolling, and when there is a pause in the action, it’s building up to some more action. Milligan keeps the intensity level high and the story is well done. The characters are exciting and vibrant; they are not just rage-filled maniacs running around the Universe, killing the guilty, but the rage does give these characters that certain spice to their personalities. Atrocitus is quite fascinating, with his intelligence and leadership shining through the rage. This book is a punch in the gut that sends shivers down the back.
The art is horrifically wonderful, and it accentuates the writing completely. After he has splattered this bloody rage throughout the book, Sepulveda surprises us with a landscape of a beautiful country town. What did his teachers say when they caught him drawing these scenes in elementary school?
I rate Red Lanterns 14 Buy Your Own Copy. (#2 on the Al-O-Meter Ranking)
DC Comics
Reviewed by Albert Avilla
Writer: Peter Milligan writer
Artist: Miguel Sepulveda
“Home Is Where the Heart Is” (Spoilers!)
In the “Rise of the Third Army” event this is where the action is. The Red Lanterns are fighting the Third Army. The Red Lanterns have found their weakness and destroyed the creatures through their eyes. We are not talking about let’s subdue these creatures and take them in kind of action. This is fight to the death: tear off arms, body parts flying all over the place action. The Red Lanterns are able to defeat the creatures, but not without the lost of Skorch.
Atrocitus takes the remains of one of the creatures to Ysmault to find the origins of the creatures. Using his blood magic, Atrocitus learns that the creatures come from the DNA of the Guardians. These are some really gruesome scenes; if horror is your thing, then this is the book for you. Atrocitus’s animosity toward the Guardians is increasing. Atrocitus gives his Lanterns missions to seek out the blood of the guilty to feed the Red Power Battery; a leader delegating responsibility. Then, bam! The creature regenerates from a rat; you can’t get away from those little B’s anywhere in the Universe, and it attacks. Atrocitus, being the battle leader that he is, instantly comes up with a plan to destroy the creature. Artist Miguel Sepulveda gives us another blood-splattering, gore-fest page.
Atrocitus comes up with another plan to defeat the Third Army by using a synthetic army, the Manhunters. Rankorr is sent to Earth to get his vengeance and become a true Red Lantern. Atrocitus returns to Ayutt, his home planet, where he relives the destruction of Sector 666 by the Manhunters. If you like science fiction, superhero throw-down, and blood and guts action, then, look no farther.
Milligan keeps the action rolling, and when there is a pause in the action, it’s building up to some more action. Milligan keeps the intensity level high and the story is well done. The characters are exciting and vibrant; they are not just rage-filled maniacs running around the Universe, killing the guilty, but the rage does give these characters that certain spice to their personalities. Atrocitus is quite fascinating, with his intelligence and leadership shining through the rage. This book is a punch in the gut that sends shivers down the back.
The art is horrifically wonderful, and it accentuates the writing completely. After he has splattered this bloody rage throughout the book, Sepulveda surprises us with a landscape of a beautiful country town. What did his teachers say when they caught him drawing these scenes in elementary school?
I rate Red Lanterns 14 Buy Your Own Copy. (#2 on the Al-O-Meter Ranking)
Labels:
Albert Avilla,
DC Comics,
Green Lantern,
Miguel Sepulveda,
Peter Milligan,
Review,
The New 52
Thursday, January 24, 2013
Review: NUMBER 13 #2
NUMBER 13 #2
DARK HORSE COMICS – @DarkHorseComics
STORY: Robert Love and David Walker
PENCILS: Robert Love – @Robert33071
INKS: Dana Shukartsi
COLORS: Heather Breckel
LETTERS: David Walker with Robert Love
COVER: Robert Love with Christian Colbert
28pp, Color, $3.99 U.S.
Robert Love formed Gettosake Entertainment with his brothers, Jeremy and Maurice, in 1998. Since then, he has worked on a number of comic books, including Fierce (with his brother, Jeremy).
Number 13 is a new comic book series from Robert Love that he co-writes with David Walker. This science fiction tale is set in a world where a plague, Monstrum Morbus (the monster plague), turned people into mutated monsters (“the fected”) or killed them. Only a few humans remained (“the mune”), but they became like monsters as they slaughtered the fected and effectively ended the world. The story centers on a bionic amnesiac known as Number 13 (or Number Thirteen), who is trying to recover his past.
Number 13 #2 opens 60 years after the end of the world. Number 13’s creator, the Professor, recounts the beginning of the plague and the war that followed. He continues his search for 13, his “son.” Meanwhile, Mother Goose, the leader of a small “kingdom” of the fected, continues her manipulation of 13, because she hopes to use him as a defense against the mune who hunt her kind. Meanwhile, some of 13’s new fected friends strike out on their own, only to fall into a trap.
As did the first issue, Number 13 #2 shows the influence on creator/artist Robert Love of Jack Kirby and John Byrne (himself influenced by Kirby). Love has taken his influences and created something new, something that also recalls Vaughn Bodé’s post-apocalyptic-set comics.
Number 13 is like a Saturday morning cartoon, but reflecting Barack Obama-era diversity in terms of the characters and players. After reading the first issue, I was careful not to over-praise. Now, I know I’m right. Number 13 is simply fun to read. I can’t get enough, and I want to spread the Robert Love all over your reading list.
A
Reviewed by Leroy Douresseaux
DARK HORSE COMICS – @DarkHorseComics
STORY: Robert Love and David Walker
PENCILS: Robert Love – @Robert33071
INKS: Dana Shukartsi
COLORS: Heather Breckel
LETTERS: David Walker with Robert Love
COVER: Robert Love with Christian Colbert
28pp, Color, $3.99 U.S.
Robert Love formed Gettosake Entertainment with his brothers, Jeremy and Maurice, in 1998. Since then, he has worked on a number of comic books, including Fierce (with his brother, Jeremy).
Number 13 is a new comic book series from Robert Love that he co-writes with David Walker. This science fiction tale is set in a world where a plague, Monstrum Morbus (the monster plague), turned people into mutated monsters (“the fected”) or killed them. Only a few humans remained (“the mune”), but they became like monsters as they slaughtered the fected and effectively ended the world. The story centers on a bionic amnesiac known as Number 13 (or Number Thirteen), who is trying to recover his past.
Number 13 #2 opens 60 years after the end of the world. Number 13’s creator, the Professor, recounts the beginning of the plague and the war that followed. He continues his search for 13, his “son.” Meanwhile, Mother Goose, the leader of a small “kingdom” of the fected, continues her manipulation of 13, because she hopes to use him as a defense against the mune who hunt her kind. Meanwhile, some of 13’s new fected friends strike out on their own, only to fall into a trap.
As did the first issue, Number 13 #2 shows the influence on creator/artist Robert Love of Jack Kirby and John Byrne (himself influenced by Kirby). Love has taken his influences and created something new, something that also recalls Vaughn Bodé’s post-apocalyptic-set comics.
Number 13 is like a Saturday morning cartoon, but reflecting Barack Obama-era diversity in terms of the characters and players. After reading the first issue, I was careful not to over-praise. Now, I know I’m right. Number 13 is simply fun to read. I can’t get enough, and I want to spread the Robert Love all over your reading list.
A
Reviewed by Leroy Douresseaux
Labels:
Christian Colbert,
Dana Shukartsi,
Dark Horse,
David Walker,
Jack Kirby,
John Byrne,
Review,
Robert Love
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