Review: The Black Bat #2

BLACK BAT #2
DYNAMITE ENTERTAINMENT – @dynamitecomics

WRITER: Brian Buccellato
ARTIST: Ronan Cliquet
COLORS: Mat Lopes
LETTERS: Rob Steen
COVERS: Jae Lee (A), Joe Benitez (B), Ardian Syaf (C), Billy Tan (D), Marcos Martin (subscription cover)
28pp, Color, $3.99 U.S.

Rated T+

“The Black Bat” was a character that appeared in Black Bat Detective Mysteries, a short-lived, 1930s pulp magazine, published for six issues. The first Black Bat is thought to have had an influence on The Batman, either through Bob Kane (the man solely credited with creating Batman) or Bill Finger (the first Batman writer and essentially the co-creator of the character) or both. There was also a second version of The Black Bat, influenced by the first.

Dynamite Entertainment recently returned this pulp hero from the 1930s to comics. Dynamite’s The Black Bat comic book stars Tony Quinn, a brash defense attorney for the mob who compromises his ethics for financial gain. When Tony refuses to commit murder, his gangster employers torture and blind him. It is a covert agency that rescues and gives Quinn a chance to make amends. Tony dons a cape and cowl and becomes the Black Bat in a quest of redemption to right the wrongs of his past

The Black Bat #2 opens with Tony as the Black Bat about to break up a drug shipment for the city’s drug lord, Oliver Snate. Tony’s baptism in fire becomes literal when a moral dilemma complicates the mission. Meanwhile, anger in the city continues to rise over the unsolved case of the missing policemen.

The first time I saw images of the cover art for The Black Bat #2, I was struck by how much it all looked similar to various Batman images and graphics. [I wonder how many times you can poke the lion that is DC Comics’ legal department?] Actually, instead of Batman, The Black Bat #2 reads like a blending of Doug Moench’s Moon Knight and Mike Baron’s The Punisher, and I rather enjoyed it.

Writer Brian Buccellato is more than competent, offering familiar “street level” comic book tales, with a character made interesting because his determination is matched by his ignorance. Ronan Cliquet is also more than competent as a graphical storyteller, and his composition and page design is nice. Cliquet’s art improves Buccellato’s script in terms of storytelling.

I liked The Black Bat #2. I might read future issues, but as I have access to digital review copies from Dynamite Entertainment, that declaration might be something of a cheat. Still, The Black Bat has promise.

B

Reviewed by Leroy Douresseaux

Review: The Black Bat #1

BLACK BAT #1
DYNAMITE ENTERTAINMENT – @dynamitecomics

WRITER: Brian Buccellato
ARTIST: Ronan Cliquet
COLORS: Mat Lopes
LETTERS: Rob Steen
COVERS: J. Scott Campbell (A), Joe Benitez (B), Ardian Syaf (C), Billy Tan (D), Marcos Martin (subscription cover)
28pp, Color, $3.99 U.S.

Rated T+

Dynamite Entertainment has brought The Black Bat back from the public domain comic book graveyard in a new comic book series. The character that appeared in Black Bat Detective Mysteries, a short-lived, 1930s pulp magazine, published for six issues. The first Black Bat is thought to have had an influence on the creation of The Batman.

The Black Bat #1 opens with the Black Bat kicking ass. He’s looking for Silk, a police snitch who will become his assistant. The story also goes into flashback mode in order to take a look at the man who would become the Black Bat, Tony Quinn. He was a brash defense attorney for the mob who compromised his ethics for financial gain. It cost him a lot, but now as the Black Bat he can seek redemption… or vengeance?

Images and graphics in The Black Bat resemble image and graphics in and perhaps the spirit of Batman comic books. However, what writer Brian Buccellato offers is closer to “street level” comic books that Marvel Comics has produced over the years, featuring characters like Daredevil, Moon Knight, and The Punisher. It’s vigilante vs. organized crime, and the superhero costume seems extraneous in the moody, urban fiction edge of Buccellato’s script.

Artist Ronan Cliquet has a graphic style and visual sense that is perfect for the comics yarn Buccellato spins. Cliquet’s compositions and designs are flashy in a Batman mode, but a bit earthier. Once again, crime fiction edges out costumes. Dynamite Entertainment’s The Black Bat does have potential.

B+

Reviewed by Leroy Douresseaux

Demon Love Spell: Yamabuki the Onmyoji

I read Demon Love Spell, Vol. 3

I posted a review at the ComicBookBin.

Review: DREAM THIEF #2

DREAM THIEF #2 (OF 5)
DARK HORSE COMICS – @DarkHorseComics

STORY: Jai Nitz
ART/LETTERS: Greg Smallwood
COVER: Ryan Sook
MISC. ART: Kevin Nowlan, Rob Croonenborghs, Andrew MacLean, Ryan Browne, Jeremy Mohler
32pp, Color, $3.99 U.S. (June 2013)

Dream Thief is a new five-issue limited series from Bram Stoker Award-winning writer Jai Nitz (“Best Illustrated Narrative,” 2004) and artist Greg Smallwood. The series focuses on John Lincoln, whose body and mind become possessed after he dons a strange mask.

Lincoln is an Atlanta-based carouser and pot-smoker/connoisseur. He tends to get drunk and wake up in strange places; often those places are the bedrooms of women who are not his girlfriend, Claire. After a visit to the Fernbank Museum of Natural History, John awakens, wearing an Aboriginal mask he stole from the museum. Now, John’s problems have been replaced by blood stains and an unsteady memory that suggests he’s been disposing of bodies. He’s even killed his girlfriend.

As Dream Thief #2 opens, John is still trying to deal with the spirits of the dead who possess his mind and body while he sleeps. Now, he has a head full of another dead man’s memories, a young man named Jimmy Oliver. Tossed out of the U.S. Army for being gay, Jim found love and a career in the grungy underworld of drugs and pornography. Now, the Dream Thief has to enter that world on a vengeful errand.

When Dark Horse Comics made a PDF of Dream Thief #1 available to reviewers, I read it on a lark because it was a first issue. That was a moment of fortune in my life as a comic book reader. Dream Thief is just a damn good comic book and a great read.

Jai Nitz has written a fine, creepy dark fantasy, and he has an engaging character in John Lincoln. Lincoln is even better as the “Dream Thief,” whom Nitz uses, in this issue, to tell a poignant story of a young man lost. Dream Thief is partly a lovely character story, one that recalls Neil Gaiman’s The Sandman.

The scope of the talent of artist Greg Smallwood expands, practically with each page of this series. He draws Dream Thief as if it were a crime comic book, but he also captures the supernatural-infused nature of the narrative. I don’t think anyone could do a better job with Dream Thief than Smallwood is doing.

Comic book readers looking for excellence have a dream lover in Dream Thief.

A+

Reviewed by Leroy Douresseaux

Fantagraphics' Co-Publisher Kim Thompson Dies at Age 56

Photograph of Kim Thompson with two Eisner Award trophies. Photo by Lynn Emmert

Fantagraphics co-publisher Kim Thompson died at 6:30 this morning, June 19. "He was my partner and close friend for 36 years," said Gary Groth.

Thompson was born in Denmark in 1956. He grew up in Europe, a lifelong comics fan, reading both European and American comics in Denmark, France, and Germany. He was an active fan in his teen years, writing to comics — his letters appeared in Marvel's letter columns circa early 1970s — and contributing to fanzines from his various European perches. At the age of 21, he set foot, for the first time, on American soil, in late 1977. One "fanzine" he had not contributed to was The Comics Journal, which Groth and Michael Catron began publishing in July of 1976. That was soon to change.

"Within a few weeks of his arrival," said Groth, "he came over to our 'office,' which was the spare bedroom of my apartment, and was introduced by a mutual friend — it was a fan visit. We were operating out of College Park, Maryland and Kim's parents had moved to Fairfax, Virginia, both Washington DC suburbs. Kim loved the energy around the Journal and the whole idea of a magazine devoted to writing about comics, and asked if he could help. We needed all the help we could get, of course, so we gladly accepted his offer. He started to come over every day and was soon camping out on the floor. The three of us were living and breathing The Comics Journal 24 hours a day."

Thompson became an owner when Catron took a job at DC Comics in 1978. As he became more familiar with the editorial process, Thompson became more and more integral to the magazine, assembling and writing news and conducting interviews with professionals. Thompson's career in comics began here.

In 1981, Fantagraphics began publishing comics (such as Jack Jackson's Los Tejanos, Don Rosa's Comics and Stories, and, in 1982, Love and Rockets). Thompson was always evangelical about bandes dessinées and wanted to bring the best of European comics to America; in 1981, Thompson selected and translated the first of many European graphic novels for American publication — Herman Huppen's The Survivors: Talons of Blood (followed by a 2nd volume in 1983). Thompson's involvement in The Comics Journal diminished in 1982 when he took over the editorship of Amazing Heroes, a bi-weekly magazine devoted to more mainstream comics (with occasional forays into alternative and even foreign comics). Thompson helmed Amazing Heroes through 204 issues until 1992.

Among Thompson's signature achievements in comics were Critters, a funny-animal anthology that ran from 50 issues between 1985 to 1990 and is perhaps best known for introducing the world to Stan Sakai's Usagi Yojimbo; and Zero Zero, an alternative comics anthology that also ran for 50 issues over five years — between 1995 and 2000 — and featured work by, among others, Kim Deitch, Dave Cooper, Al Columbia, Spain Rodriguez, Joe Sacco, David Mazzuchelli, and Joyce Farmer. His most recent enthusiasm was spearheading a line of European graphic novel translations, including two major series of volumes by two of the most significant living European artists — Jacques Tardi (It Was the War of the Trenches, Like a Sniper Lining up His Shot, The Astonishing Exploits of Lucien Brindavoine) and Jason (Hey, Wait..., I Killed Adolf Hitler, Low Moon, The Left Bank Gang) — and such respected work as Ulli Lust's Today Is the Last Day of the Rest of Your Life, Lorenzo Mattotti's The Crackle of the Frost, Gabriella Giandelli's Interiorae, and what may be his crowning achievement as an editor/translator, Guy Peelaert's The Adventures of Jodelle.

Throughout his career at Fantagraphics, Thompson was active in every aspect of the company, selecting books, working closely with authors, guiding books through the editorial and production process. "Kim leaves an enormous legacy behind him," said Groth, "not just all the European graphic novels that would never have been published here if not or his devotion, knowledge, and skills, but for all the American cartoonists he edited, ranging from Stan Sakai to Joe Sacco to Chris Ware, and his too infrequent critical writing about the medium. His love and devotion to comics was unmatched. I can't truly convey how crushing this is for all of us who've known and loved and worked with him over he years."

Thompson was diagnosed with lung cancer in late February. He is survived by his wife, Lynn Emmert, his mother and father, Aase and John, and his brother Mark.

I want to offer my prayers and condolences to Kim Thompson's family, friends, and colleagues.  Rest in peace, Kim. - Leroy Douresseaux

Dawn of the Arcana: Overuse the Arcana?

I read Dawn of the Arcana, Vol. 10

I posted a review at the ComicBookBin.

DC Comics from Diamond Distributors for June 19 2013

DC COMICS

APR130246 100 BULLETS BROTHER LONO #1 (MR) $3.99

APR130191 ANIMAL MAN #21 $2.99

MAR130279 BATGIRL ROBIN YEAR ONE TP $24.99

APR130167 BATMAN AND BATGIRL #21 $2.99

APR130211 BATMAN BEYOND UNLIMITED #17 $3.99

APR130173 BATWOMAN #21 $2.99

APR130178 BIRDS OF PREY #21 $2.99

APR130252 FABLES #130 (MR) $2.99

MAR130275 FURY OF FIRESTORM TP VOL 02 FIRESTORM PROTOCOLS (N52) $14.99

APR130186 GREEN LANTERN NEW GUARDIANS #21 $2.99

APR130135 JUSTICE LEAGUE OF AMERICAS VIBE #5 $2.99

APR130201 LEGION OF SUPER HEROES #21 $2.99

AUG120258 METAL MEN ARCHIVES HC VOL 02 $75.00

APR130180 RED HOOD AND THE OUTLAWS #21 $2.99

APR130156 SUPERGIRL #21 $2.99

MAR130305 SWEET TOOTH TP VOL 06 WILD GAME (MR) $16.99

MAR130272 TEEN TITANS TP VOL 02 THE CULLING (N52) $16.99

APR130145 WONDER WOMAN #21 $2.99

DC COMICS/DC COLLECTIBLES

MAR130314 INJUSTICE CYBORG VS HARLEY QUINN 2 PACK $29.95

MAR130315 INJUSTICE FLASH VS RAVEN 2 PACK $29.95