Grumble on Indiegogo - The Last Week

Down to the last week:

Kimi Ni Todoke: New Year's Eve and Day

I read Kimi ni Todoke: From Me to You, Vol. 19

I posted a review at the ComicBookBin, which has free smart phone apps and comics.  The Bin is seeking donations.  Follow me on Twitter and Indiegogo.

I Reads Juneteenth 2014

It's June 2014!  Welcome to I Reads You, a ComicBookBin web and sister publication (www.comicbookbin.com).  We write about the things we read:  mostly comic books, comics, and related books.  Sometimes, we’ll write about or link to other topics:  typically books, politics, and entertainment.

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All images and text appearing on this publication are copyright © and/or trademark their respective owners.

I Reads You Review: THE AMAZING SPIDER MAN #1

AMAZING SPIDER-MAN #1 (2014)
MARVEL COMICS – @Marvel

WRITER: Dan Slott
PENCILS: Humberto Ramos
INKS: Victor Olazaba
COLORS: Edgar Delgado
LETTERS: Chris Eliopoulos
COVER: Humberto Ramos
VARIANT COVERS: Marcos Martin; Ed McGuinness; Pop Mhan; Jerome Opeña; Skottie Young; Alex Ross
92pp, Color, $5.99 U.S. (June 2014)

Spider-Man is a Marvel Comics superhero.  Peter Parker was once a shy and retiring teenager.  He was a freelance photographer.  He has always been a science wiz.  Parker is the Amazing Spider-Man.  Then, the gods of comics fate allowed Spider-Man arch-villain, Doctor Octopus, to swap his brain into Parker’s body.  Doc Ock became the Superior Spider-Man.

Peter Parker’s brain is back in his body, and the core Spider-Man comic book series, The Amazing Spider-Man, is re-launched.  This All-New Marvel NOW series is brought to readers by writer Dan Slott, artists Humberto Ramos (pencils) and Victor Olazaba (inks), colorist Edgar Delgado and letterer Chris Eliopoulos.

The Amazing Spider-Man #1 (“Lucky to Be Alive”) opens with Spider-Man fighting a group of oddball, semi-super-villains.  He’s doing that for relaxation.  Now, that Parker is back in control of his body, he discovers that Doctor Octopus completed Parker’s PhD and started his own company, “Parker Industries.”  But the company is a bit of a mess.  And Parker apparently has girlfriend named Anna Maria Marconi.  Spider-Man is back, but so are the troubles of Peter Parker.

I don’t read Spider-Man comic books as much as I once did.  I have been planning on changing that, and The Amazing Spider-Man #1 – 2014 edition – convinces me that I should.  This new beginning features classic pile-on-Parker with some web-slinging, and while I won’t call this great, I find it to be a good read.  As for artist Humberto Ramos, I am enjoying his work, which seems more like the work of former imprint-mate, J. Scott Campbell, than ever before.

Back-up features credits:
WRITERS: Dan Slott, Christos Gage, Joe Caramagna, Peter David, Chris Yost
PENCILS: Javier Rodriguez, Giuseppe Camuncoli, Chris Eliopoulos, Will Sliney, David Baldeon, Ramon Perez
INKS: Alvaro Lopez, John Dell, Cam Smith, Chris Eliopoulos, Will Sliney, Jordi Tarragona, Ramon Perez
COLORS: Javier Rodriguez, Antonio Fabela, Jim Charalampidis, Rachelle Rosenberg, Ian Herring

There are six short stories featuring various characters from the world of Spider-Man, with one being a preview of a side-series comic book.  These stories are extras, and I like anything that makes a comic book a bigger issue than it normally is.

INHUMAN #1
WRITER: Charles Soule
ARTIST: Joe Madureira
COLORS: Marte Gracia
LETTERS: VC’s Clayton Cowles
COVER:  Joe Madureira and Marte Gracia

The Amazing Spider-Man #1 reprints the sold-out Inhuman #1 (Part 1: Genesis) by writer Charles Soule, artist Joe Madureira, colorist Marte Gracia, and letter Clayton Cowles.  Marvel Comics is re-inventing and revitalizing the Inhumans, a strain of humanity that began with genetic manipulation by visitors to Earth from an alien civilization (the Kree).

This first issue revitalizes my interest in the Inhumans, and I have not read an Inhumans comic book since Paul Jenkins’ 12-issue comic book series, The Inhumans, which was first published about 14 years ago.  This new comic book also offers some of Joe Madureira’s strongest art, in terms of storytelling and style, in over a decade.  This Inhuman #1 reprint is why I’m giving The Amazing Spider-Man #1 a high grade.

A-

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: MOON KNIGHT #2

MOON KNIGHT (2014) #2
MARVEL COMICS – @Marvel

WRITER: Warren Ellis
ARTIST/COVER: Declan Shalvey
COLORS: Jordie Bellaire
LETTERS: Chris Eliopoulos
COVER: Declan Shalvey and Jordie Bellaire
VARIANT COVER: Phil Noto
28pp, Color, $3.99 U.S. (July 2014 – second printing)

Rating: Parental Advisory

“Sniper”

Moon Knight, the Marvel Comics superhero character created by writer Doug Moench and artist Don Perlin, recently received a new eponymous comic book series.  [Moon Knight first appeared in Werewolf by Night #32 (cover dated: August 1975).]  Courtesy of writer Warren Ellis, artist Declan Shalvey, colorist Jordie Bellaire, and letterer Chris Eliopoulos, the 2014 Moon Knight comic book finds the title character taking on serial killers, spree killers, and other mass murders (so far).

Moon Knight #2 (“Sniper”) opens with a focus on eight individuals, who wind down after a long day at work.  But their pasts have come back possibly to haunt them.  Perhaps, Moon Knight can stop the haunting.

I just read Moon Knight #2, and I like it so much that I had to start writing this review right away.  That’s funny, because I did not care much for the first issue of the “All-New Marvel NOW!” Moon Knight.  Nothing:  I didn’t care for Warren Ellis’ script, nor was I feeling buzz word-hot artist Declan Shalvey or just-got-lots-of-Eisner-nominations colorist Jordie Bellaire (whose work I usually like).

Ellis’ story has a heartbreaking quality to it, but he is clever in how he manipulates through information.  By the end of the story, you might be having thoughts about how justice is served or, at least, least be thinking about blow back and real world issues.

Shalvey has a graphic style that would be right at home at alt-comix and art comics publishers like Top Shelf Productions and Drawn & Quarterly.  This time his compositions offer the striking visuals that they did not in the first issue.  Bellaire’s colors are evocative, creating mood and also giving the story a forceful sense of drama.

Shalvey and Ellis come together to create a story rhythm that is a beating heart, with a jazzy vibe that is part noir and part superhero comic book.  Half pantomime (without dialogue and exposition) and half sparsely worded, Moon Knight #2 is a unique read.  It bodes well for the next few issues, and I’m on board for more.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Arata: The Legend - Written Word

I read Arata: The Legend, Vol. 18

I posted a review at the ComicBookBin, which is seeking donations.  Follow me at Twitter and visit my Indiegogo campaign.

I Reads You Review: SCOOBY-DOO, Where Are You? #45

SCOOBY-DOO, WHERE ARE YOU? #45
DC COMICS – @DCComics

STORY: Georgia Ball, Darryl Taylor Kravitz, Robbie Busch
PENCILS: Dave Alvarez, Karen Matchette, Robert Pope
INKS: Dave Alvarez, Karen Matchette, Scott McRae
COLORS: Dave Alvarez; Heroic Age
LETTERS: Saida Temofonte, Randy Gentile, Brian Durniak
EDITOR: Kristy Quinn
COVER: Dave Alvarez
28pp, Color, $2.99 U.S. (July 2014)

Rated “E” for “Everyone”

Via subscription, I continue my journey through the current Scooby-Doo comic book series with the forty-fifth issue of Scooby-Doo, Where Are You?  Why is this happening, those of you who are new might ask?  I bought a subscription to Scooby-Doo, Where Are You? via a fundraiser held by my nephew’s school last year, which involved selling magazine subscriptions.

Scooby-Doo, Where Are You? #45 opens with “Scooby Slides into Danger” (written by Georgia Ball and drawn and colored by Dave Alvarez).  The Mystery Inc. gang visits the water park, Pudelnass (“the World’s Greatest Water Park”), for a day of sun without a mystery to solve.  The kids actually get to have the water park all to themselves.  Of course, it’s not that easy.  They have to solve the mystery of the mutant creature known as “the Primordial Ooze.”

As “The Freeloading Ghost” (written by Darryl Taylor Kravitz and drawn by Karen Matchette) opens, the Mystery Inc. kids have just solved a mystery.  However, there is some blowback because of their actions.  They have made a ghost homeless, and he expects housing from his accidental evictors.  Also, reality show shenanigans have the gang trying to capture “The Great Lire of Lagoona Beach” (written by Robbie Busch and drawn by Robert Pope and Scott McRae).

Scooby-Doo, Where Are You? #45 features the return of one of my favorite Scooby-Doo comic book artists, the fantastic Dave Alvarez.  There is a 3D quality to the combination of his compositions and coloring that remind me of my childhood experiences with “View Master.”

Of course, Scooby-Doo and friends have an established visual appearance, but Alvarez shows off his talent for cartooning the human head and face on the other characters.  Expressive and odd-looking, the supporting players of “Scooby Slides into Danger” have a striking visual look.  Plus, the story is also fun, and it is one that I would like to see adapted as one of those Scooby-Doo direct-to-DVD animated films.

The other two stories are reprints from the Scooby-Doo comic book series previous to this one (entitled, Scooby-Doo).  I love “The Freeloading Ghost.”  Can we get a revisit on that one?  As for Scooby-Doo, Where Are You? #45, it is one of the favorites of my subscription.  More Dave Alvarez, please.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.