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APR140625 WALKING DEAD TV SER 2 WALSH UD ED AF PI
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Tuesday, August 5, 2014
Image Comics from Diamond Distributors for August 6, 2014
Labels:
comics news,
Diamond Distributors,
Image Comics,
Jordie Bellaire,
Robert Kirkman,
Steven T. Seagle,
Todd McFarlane,
Toy News,
Walking Dead
Comics, Magazines and Books from Diamond Distributors for August 6, 2014
COMICS & GRAPHIC NOVELS
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MAY141789 SKETCHBOOK VATINE VOL 03 (MR) $30.00
JUN141628 SOUL OF DARK KNIGHT BATMAN MYTHIC FIGURE COMICS FILM SC $40.00
MAY141839 STAR WARS JEDI ACADEMY YR HC VOL 02 RETURN OF PADAWAN $12.99
MAY141814 WALT DISNEY DRAWN FROM IMAGINATION $14.99
MAY141614 WEBCOMICS HANDBOOK SC $24.99
Labels:
Archie Comics,
Art Book,
Book News,
comics news,
Diamond Distributors,
Disney,
Dynamite Entertainment,
Jack Kirby,
Joe Casey,
manga news,
Neil Gaiman,
Star Trek,
Star Wars,
Valiant Comics,
VIZ Media
Monday, August 4, 2014
I Reads You Review: JONNY QUEST #1
JONNY QUEST #1
COMICO The Comic Company
WRITER: Doug Wildey; William Messner-Loebs
PENCILS: Doug Wildey; Steve Rude
INKS: Doug Wildey; Mike Royer
COLORS: Doug Wildey; Matt Wagner
LETTERS: Doug Wildey; Bob Pinaha
PIN-UPS: Steve Rude; Marc Hempel and Mark Wheatley; Bill Willingham and Terry Austin
32pp, Color, $1.50 U.S., $2.25 CAN (June 1986)
“Jonny Quest” was a science fiction and action-adventure animated television series produced by Hanna-Barbera Productions for Screen Gems. The series was created and designed by comic book artist, Doug Wildey. “Jonny Quest” was broadcast on ABC in prime time for one season in 1964–1965 for a total of 26 episodes.
“Jonny Quest” focused on Jonathan “Jonny” Quest, an 11-year-old boy who accompanies Dr. Benton C. Quest, his genius scientist father, on extraordinary adventures. Roger T. “Race” Bannon was a special agent from the governmental agency, Intelligence One. A pilot, Race was also Jonny’s tutor, as well as his bodyguard, as the (presumably) U.S. government feared that the boy could be kidnapped. Jonny’s best friend was Hadji Singh, a streetwise, 11-year-old orphan from Calcutta whom Dr. Benton Quest adopted as his son. Jonny has a pet, Bandit, a small white dog.
There have been comic book adaptations of “Jonny Quest.” In 1964, Gold Key Comics published Jonny Quest #1 (cover dated: December 1964?), which retold the first TV episode, “Mystery of the Lizard Men.” The Grand Comics Database lists a single-issue Jonny Quest comic book published in Australia in 1976.
Beginning in 1986, Pennsylvania-based comic book publisher, Comico The Comic Company (or just Comico), began publishing a Jonny Quest comic book with all-new stories, using the original TV series as a template. Jonny Quest ran for 31 issues, with two issues of the Jonny Quest Special, and three issues of Jonny Quest Classic. Drawn by Doug Wildey, the “Classic” series retold three “Jonny Quest” TV episodes: “Shadow of the Condor,” “Calcutta Adventure,” and “Werewolf of the Timberland.” There was also Jezebel Jade, a three-issue miniseries starring Jade, a female combination soldier-of-fortune, mercenary, spy, etc. who appeared in the 1965-65 series and had (has) some kind of romantic relationship with Race.
Some months ago, on eBay, I bought a bundle of 1980s comic books that were published by independent publishers. What I really wanted were the issues of Wally Wood’s T.H.U.N.D.E.R. Agents included in this auction lot, but I was surprised to find the first issue of Comico’s ongoing Jonny Quest series.
Jonny Quest #1 contains two interconnected short stories. The first is “The Sands of Khasa Tahid,” written and drawn by “Jonny Quest” designer/creator, Doug Wildey. Jonny, Hadji, and Race are traveling across the desert of an unnamed North African country. Their destination is the Chandarkin Oasis, which is the location of an ancient city buried beneath its sands… or so goes Dr. Quest’s theory. The machinations of longtime Quest adversary, Dr. Zin, is about to put this trio in an explosive situation.
The second story is “City of Lost Time,” which is written by William Messner-Loebs and drawn by Steve Rude and Mike Royer. Dr. Quest, Race, and the boys head towards the uncovered city of Khasa Tahid, with Jezebel Jade along for the ride. They aren’t the only ones looking to discover the lost city’s secrets, which are about to reveal themselves to two curious boys.
I read this comic book around the time it was first released. I liked it, but not enough to keep reading the series. I’m not sure how many issues after the first issue I read, if I read any at all. Looking back, Jonny Quest #1 is good, but not great. I was a huge fan of the old TV series, and Doug Wildey’s opening story captures the graphic and visual sensibilities of the show, obviously, as Wildey created the show. The second story has some nice ideas, especially about the unseen denizens of the Khasa Tahid, but it is truncated. It needed to be a full-issue story, at least.
This time around, however, I do plan to try to read more of the series, especially the “specials” and Jonny Quest Classics. Jonny Quest #1 turned out to be a nice “bonus” in that eBay lot I bought.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
COMICO The Comic Company
WRITER: Doug Wildey; William Messner-Loebs
PENCILS: Doug Wildey; Steve Rude
INKS: Doug Wildey; Mike Royer
COLORS: Doug Wildey; Matt Wagner
LETTERS: Doug Wildey; Bob Pinaha
PIN-UPS: Steve Rude; Marc Hempel and Mark Wheatley; Bill Willingham and Terry Austin
32pp, Color, $1.50 U.S., $2.25 CAN (June 1986)
“Jonny Quest” was a science fiction and action-adventure animated television series produced by Hanna-Barbera Productions for Screen Gems. The series was created and designed by comic book artist, Doug Wildey. “Jonny Quest” was broadcast on ABC in prime time for one season in 1964–1965 for a total of 26 episodes.
“Jonny Quest” focused on Jonathan “Jonny” Quest, an 11-year-old boy who accompanies Dr. Benton C. Quest, his genius scientist father, on extraordinary adventures. Roger T. “Race” Bannon was a special agent from the governmental agency, Intelligence One. A pilot, Race was also Jonny’s tutor, as well as his bodyguard, as the (presumably) U.S. government feared that the boy could be kidnapped. Jonny’s best friend was Hadji Singh, a streetwise, 11-year-old orphan from Calcutta whom Dr. Benton Quest adopted as his son. Jonny has a pet, Bandit, a small white dog.
There have been comic book adaptations of “Jonny Quest.” In 1964, Gold Key Comics published Jonny Quest #1 (cover dated: December 1964?), which retold the first TV episode, “Mystery of the Lizard Men.” The Grand Comics Database lists a single-issue Jonny Quest comic book published in Australia in 1976.
Beginning in 1986, Pennsylvania-based comic book publisher, Comico The Comic Company (or just Comico), began publishing a Jonny Quest comic book with all-new stories, using the original TV series as a template. Jonny Quest ran for 31 issues, with two issues of the Jonny Quest Special, and three issues of Jonny Quest Classic. Drawn by Doug Wildey, the “Classic” series retold three “Jonny Quest” TV episodes: “Shadow of the Condor,” “Calcutta Adventure,” and “Werewolf of the Timberland.” There was also Jezebel Jade, a three-issue miniseries starring Jade, a female combination soldier-of-fortune, mercenary, spy, etc. who appeared in the 1965-65 series and had (has) some kind of romantic relationship with Race.
Some months ago, on eBay, I bought a bundle of 1980s comic books that were published by independent publishers. What I really wanted were the issues of Wally Wood’s T.H.U.N.D.E.R. Agents included in this auction lot, but I was surprised to find the first issue of Comico’s ongoing Jonny Quest series.
Jonny Quest #1 contains two interconnected short stories. The first is “The Sands of Khasa Tahid,” written and drawn by “Jonny Quest” designer/creator, Doug Wildey. Jonny, Hadji, and Race are traveling across the desert of an unnamed North African country. Their destination is the Chandarkin Oasis, which is the location of an ancient city buried beneath its sands… or so goes Dr. Quest’s theory. The machinations of longtime Quest adversary, Dr. Zin, is about to put this trio in an explosive situation.
The second story is “City of Lost Time,” which is written by William Messner-Loebs and drawn by Steve Rude and Mike Royer. Dr. Quest, Race, and the boys head towards the uncovered city of Khasa Tahid, with Jezebel Jade along for the ride. They aren’t the only ones looking to discover the lost city’s secrets, which are about to reveal themselves to two curious boys.
I read this comic book around the time it was first released. I liked it, but not enough to keep reading the series. I’m not sure how many issues after the first issue I read, if I read any at all. Looking back, Jonny Quest #1 is good, but not great. I was a huge fan of the old TV series, and Doug Wildey’s opening story captures the graphic and visual sensibilities of the show, obviously, as Wildey created the show. The second story has some nice ideas, especially about the unseen denizens of the Khasa Tahid, but it is truncated. It needed to be a full-issue story, at least.
This time around, however, I do plan to try to read more of the series, especially the “specials” and Jonny Quest Classics. Jonny Quest #1 turned out to be a nice “bonus” in that eBay lot I bought.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
-----------------------
Labels:
Bill Willingham,
children's comics,
COMICO,
Hanna-Barbera,
Matt Wagner,
Review,
Steve Rude,
Terry Austin
Sunday, August 3, 2014
Review: THE STRAIN #5
THE STRAIN #5
DARK HORSE COMICS – @DarkHorseComics
STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: E.M. Gist
28pp, Color, $3.50 U.S. (June 2012)
Part 5: “Origins”
Dark Horse Comics previously made PDF copies of all 11 issues of its horror comic book series, The Strain, available to comic book reviewers on its mailing list. This offer was part of DHC’s promotional effort for the follow-up series, The Strain: The Fall. I took up that offer and reviewed all 11 issues of The Strain for the ComicBookBin.
I have previously posted my reviews of The Strain, issues #1 through 4, here on the “I Reads You” blog. Over the course of the coming weeks, I will post the reviews of issues 5 to 11 on this blog in conjunction with the broadcast of “The Strain,” the television adaptation of the original novel. The first episode aired on Sunday night, July 13, 2014 on cable channel, FX, with each new episode airing the following Sunday.
Thus far, I think the first two issues The Strain comic book were better than the first two episodes of “The Strain” TV series. However, I found that the third episode, “Gone Smooth,” (Sunday, July 27, 2014) matched the intensity of the comic book.
--------
Published by Dark Horse Comics, The Strain is an 11-issue comic book adaptation of the 2009 vampire novel, also entitled The Strain, from filmmaker Guillermo del Toro (Blade II, Hellboy) and novelist Chuck Hogan (Prince of Thieves). The adaptation is scripted by David Lapham, drawn by Mike Huddleston, colored by Dan Jackson, and lettered by Clem Robins.
The Strain’s lead character is Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control). Eph heads the Canary Project, a rapid-response team that investigates biological threats. With his second-in-command, Nora Martinez, Eph has found such a threat. It begins at J.F.K. International Airport in New York City, where a Boeing 777 went dead silent after landing, while inside, almost all the passengers and crew were dead.
The Strain #5 opens at the 17th Precinct Headquarters in a holding cell. There, Professor Abraham Setrakian tells fellow cellmate, Gusto, a story that takes them back in time. It begins in 1927 in Romania. Young Abraham is a woodworker whose life is about to be turned upside down by the Nazis.
Moving forward to 1942, Abraham is imprisoned at the Treblinka Death Camp. His skills keep him alive, but he discovers another threat – the monstrous Sardu. That’s where the battle between good and evil really begins, and where Abraham’s bid for freedom will determine the fate of many.
Writing comic book reviews of the various issues of The Strain have been easy. Writer David Lapham and artist Mike Huddleston are a good team. Lapham decompresses the story, but the narrative pace moves with ever increasing urgency, heightening the sense of drama, especially the moments of violence. Huddleston brings it to life with compositions full of details that create atmosphere, but most especially embody what each moment is supposed to be.
Lapham and Huddleston’s efforts have earned readers’ notice. Fans of horror comic books must try The Strain.
A+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
DARK HORSE COMICS – @DarkHorseComics
STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: E.M. Gist
28pp, Color, $3.50 U.S. (June 2012)
Part 5: “Origins”
Dark Horse Comics previously made PDF copies of all 11 issues of its horror comic book series, The Strain, available to comic book reviewers on its mailing list. This offer was part of DHC’s promotional effort for the follow-up series, The Strain: The Fall. I took up that offer and reviewed all 11 issues of The Strain for the ComicBookBin.
I have previously posted my reviews of The Strain, issues #1 through 4, here on the “I Reads You” blog. Over the course of the coming weeks, I will post the reviews of issues 5 to 11 on this blog in conjunction with the broadcast of “The Strain,” the television adaptation of the original novel. The first episode aired on Sunday night, July 13, 2014 on cable channel, FX, with each new episode airing the following Sunday.
Thus far, I think the first two issues The Strain comic book were better than the first two episodes of “The Strain” TV series. However, I found that the third episode, “Gone Smooth,” (Sunday, July 27, 2014) matched the intensity of the comic book.
--------
Published by Dark Horse Comics, The Strain is an 11-issue comic book adaptation of the 2009 vampire novel, also entitled The Strain, from filmmaker Guillermo del Toro (Blade II, Hellboy) and novelist Chuck Hogan (Prince of Thieves). The adaptation is scripted by David Lapham, drawn by Mike Huddleston, colored by Dan Jackson, and lettered by Clem Robins.
The Strain’s lead character is Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control). Eph heads the Canary Project, a rapid-response team that investigates biological threats. With his second-in-command, Nora Martinez, Eph has found such a threat. It begins at J.F.K. International Airport in New York City, where a Boeing 777 went dead silent after landing, while inside, almost all the passengers and crew were dead.
The Strain #5 opens at the 17th Precinct Headquarters in a holding cell. There, Professor Abraham Setrakian tells fellow cellmate, Gusto, a story that takes them back in time. It begins in 1927 in Romania. Young Abraham is a woodworker whose life is about to be turned upside down by the Nazis.
Moving forward to 1942, Abraham is imprisoned at the Treblinka Death Camp. His skills keep him alive, but he discovers another threat – the monstrous Sardu. That’s where the battle between good and evil really begins, and where Abraham’s bid for freedom will determine the fate of many.
Writing comic book reviews of the various issues of The Strain have been easy. Writer David Lapham and artist Mike Huddleston are a good team. Lapham decompresses the story, but the narrative pace moves with ever increasing urgency, heightening the sense of drama, especially the moments of violence. Huddleston brings it to life with compositions full of details that create atmosphere, but most especially embody what each moment is supposed to be.
Lapham and Huddleston’s efforts have earned readers’ notice. Fans of horror comic books must try The Strain.
A+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Book Adaptation,
Chuck Hogan,
Dan Jackson,
Dark Horse,
David Lapham,
EM Gist,
Guillermo Del Toro,
Mike Huddleston,
Review,
vampires
Saturday, August 2, 2014
Toriko: Four-Beasts!!
I read Toriko, Vol. 22: Four Beasts
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
Labels:
Christine Dashiell,
Comic Book Bin,
Hope Donovan,
manga,
Matt Hinrichs,
Mitsutoshi Shimabukuro,
shonen,
Shonen Jump,
VIZ Media
Friday, August 1, 2014
I Reads You Review: LEGENDARY STAR-LORD #1
LEGENDARY STAR-LORD #1
MARVEL COMICS – @Marvel
WRITER: Sam Humphries
PENCILS: Paco Medina
INKS: Juan Vlasco
COLORS: David Curiel
LETTERS: VC’s Joe Caramagna
COVER: Paco Medina
VARIANT COVERS: Mahmud Asrar, Nick Bradshaw, David Marquez, Sara Pichelli, Valerio Schiti, Ryan Stegman
28pp, Color, $3.99 (September 2014)
Rated “T”
Star-Lord a/k/a Peter Quill is a Marvel Comics superhero and science fiction character. Star-Lord was created by writer Steve Englehart and artist Steve Gan and first appeared in Marvel Preview #4 (cover dated: January 1976). Quill is the son of a human mother and an alien father, and he assumes the mantle of Star-Lord, an interplanetary policeman.
After sporadic appearances, Star-Lord was revamped (or reinvigorated) for his appearance in Annihilation (2006) and Annihilation: Conquest (2007). He became the leader of the space-based superhero team, Guardians of the Galaxy, for the 2008 re-launch/revamp of the Guardians of the Galaxy comic book series.
Marvel Studios’ new film, Guardians of the Galaxy, is about to open in movie theatres, so it makes sense, from a sales perspective, for Marvel Comics to take characters from the Guardians of the Galaxy comic book and give them their own series. Thus, both Rocket Raccoon and Star-Lord have new titles. Legendary Star-Lord is written by Sam Humphries, drawn by Paco Medina and Juan Vlasco, colored by David Curiel, and lettered by Joe Caramagna.
Legendary Star-Lord #1 opens in Colorado, 20 years in the past. We observe Peter Quill on the day of his mother, Meredith Quill’s funeral. Cut to the present where we find Peter Quill as Star-Lord, outmanned and outgunned by the Badoon. Star-Lord is a wanted man with a price on his head, and the Badoons get a second prize, the Mandalay Gem, which Quill has in his possession. Escaping the Badoon might be easy, but facing his past will be a mess for Star-Lord.
I didn’t expect much from Legendary Star-Lord, but I liked it. It has a lone gun, private eye, cowboy, freelance dude vibe that works, mainly because Peter Quill is an attractive character. I figure that another issue or two will tell me if this series is really worth following for the (relatively) long haul.
I must say that I like Paco Medina’s art with Juan Vlasco’s Steve McNiven-like inks. To the readers who liked the space opera/space fantasy style of the recently launched Cyclops comic book, I say give Legendary Star-Lord a try.
B+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
MARVEL COMICS – @Marvel
WRITER: Sam Humphries
PENCILS: Paco Medina
INKS: Juan Vlasco
COLORS: David Curiel
LETTERS: VC’s Joe Caramagna
COVER: Paco Medina
VARIANT COVERS: Mahmud Asrar, Nick Bradshaw, David Marquez, Sara Pichelli, Valerio Schiti, Ryan Stegman
28pp, Color, $3.99 (September 2014)
Rated “T”
Star-Lord a/k/a Peter Quill is a Marvel Comics superhero and science fiction character. Star-Lord was created by writer Steve Englehart and artist Steve Gan and first appeared in Marvel Preview #4 (cover dated: January 1976). Quill is the son of a human mother and an alien father, and he assumes the mantle of Star-Lord, an interplanetary policeman.
After sporadic appearances, Star-Lord was revamped (or reinvigorated) for his appearance in Annihilation (2006) and Annihilation: Conquest (2007). He became the leader of the space-based superhero team, Guardians of the Galaxy, for the 2008 re-launch/revamp of the Guardians of the Galaxy comic book series.
Marvel Studios’ new film, Guardians of the Galaxy, is about to open in movie theatres, so it makes sense, from a sales perspective, for Marvel Comics to take characters from the Guardians of the Galaxy comic book and give them their own series. Thus, both Rocket Raccoon and Star-Lord have new titles. Legendary Star-Lord is written by Sam Humphries, drawn by Paco Medina and Juan Vlasco, colored by David Curiel, and lettered by Joe Caramagna.
Legendary Star-Lord #1 opens in Colorado, 20 years in the past. We observe Peter Quill on the day of his mother, Meredith Quill’s funeral. Cut to the present where we find Peter Quill as Star-Lord, outmanned and outgunned by the Badoon. Star-Lord is a wanted man with a price on his head, and the Badoons get a second prize, the Mandalay Gem, which Quill has in his possession. Escaping the Badoon might be easy, but facing his past will be a mess for Star-Lord.
I didn’t expect much from Legendary Star-Lord, but I liked it. It has a lone gun, private eye, cowboy, freelance dude vibe that works, mainly because Peter Quill is an attractive character. I figure that another issue or two will tell me if this series is really worth following for the (relatively) long haul.
I must say that I like Paco Medina’s art with Juan Vlasco’s Steve McNiven-like inks. To the readers who liked the space opera/space fantasy style of the recently launched Cyclops comic book, I say give Legendary Star-Lord a try.
B+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
David Marquez,
Mahmud Asrar,
Marvel,
Paco Medina,
Review,
Sara Pichelli,
Steve Englehart
I Reads This August 2014 Event
It's August 2014. Guardians of the Galaxy! Welcome to I Reads You, a ComicBookBin web and sister publication (www.comicbookbin.com). We write about the things we read: mostly comic books, comics, and related books. Sometimes, we’ll write about or link to other topics: typically books, politics, and entertainment.
All images and text appearing on this publication are copyright © and/or trademark their respective owners.
All images and text appearing on this publication are copyright © and/or trademark their respective owners.
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