COMICS & GRAPHIC NOVELS
DEC130890 ALL NEW FATHOM #8 DIRECT MARKET CVR A $3.99
DEC130891 ALL NEW FATHOM #8 DIRECT MARKET CVR B $3.99
JUN140799 ARCHIE #659 REG CVR (NOTE PRICE) $3.99
JUN140802 ARCHIE COMICS DIGEST #254 (NOTE PRICE) $4.99
JUL141488 ARMOR HUNTERS BLOODSHOT #3 REG TAN (AH) $3.99
JUN141355 ASTERIX OMNIBUS SC VOL 08 $19.95
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JUL141075 BIONIC WOMAN SEASON FOUR #1 $3.99
JUL141528 BOKURANO OURS GN VOL 11 $12.99
JUL140875 CALIBAN #6 DARK MATTER CVR (MR) $9.99
JUL141359 CHARLES BURNS SUGAR SKULL GN $23.00
JUL140881 CROSSED BADLANDS #61 (MR) $3.99
JUL140884 CROSSED BADLANDS #61 FATAL FANTASY CVR (MR) $3.99
JUL140883 CROSSED BADLANDS #61 TORTURE CVR (MR) $3.99
JUL140882 CROSSED BADLANDS #61 WRAP CVR (MR) $3.99
APR141553 DC SUPER HEROES MY FIRST DICTIONARY HC $15.99
JUL141481 DELINQUENTS #2 BOARD GAME CVR DOE (VF) $3.99
JUL141479 DELINQUENTS #2 REG RIVERA (VF) $3.99
MAR141146 DF AMAZING SPIDER-MAN #1 DLX DUAL SGN & REMARKED $499.99
FEB141247 DF DEADPOOL VS CARNAGE #1 CGC GRADED 9.8 $89.99
JUL141390 DURHAM RED BITCH GN $17.99
JUL141308 GENSHIKEN SECOND SEASON GN VOL 05 $10.99
JUL140949 GEORGE PEREZ SIRENS #1 MAIN CVRS $3.99
JUL141621 GFT ROBYN HOOD LEGEND TP VOL 01 $15.99
JUL141594 GFT TALES OF TERROR #3 A CVR JOHNSON (MR) $2.99
JUL141595 GFT TALES OF TERROR #3 B CVR ERIC J (MR) $2.99
JUL141596 GFT TALES OF TERROR #3 C CVR PESSANHA (MR) $2.99
JUL141601 GFT VS WONDERLAND #3 A CVR LEISTER (MR) $2.99
JUL141602 GFT VS WONDERLAND #3 B CVR MYCHAELS (MR) $2.99
JUL141603 GFT VS WONDERLAND #3 C CVR ANDOLFO (MR) $2.99
JUL141604 GFT WONDERLAND #27 A CVR DAXIONG (MR) $3.99
JUL141605 GFT WONDERLAND #27 B CVR QUALANO (MR) $3.99
JUL141606 GFT WONDERLAND #27 C CVR KROME (MR) $3.99
JUL140904 GOD IS DEAD #20 (MR) $3.99
JUL140905 GOD IS DEAD #20 CARNAGE WRAP CVR (MR) $3.99
JUL140906 GOD IS DEAD #20 END OF DAYS CVR (MR) $3.99
JUL140907 GOD IS DEAD #20 ICONIC CVR (MR) $3.99
JUL140865 GRAVEL TP VOL 04 COMBAT MAGICIAN (MR) $19.99
JUL141624 GRIMM FAIRY TALES DIFFERENT SEASONS TP VOL 04 $15.99
JUL140959 HELLRAISER BESTIARY #2 (MR) $3.99
JUN140766 ITTY BITTY BUNNIES RAINBOW PIXIE LAND XMAS #1 (MR) $3.99
JUL140984 JIM HENSONS STORYTELLER WITCHES #1 $3.99
JUN141398 JUDGE DREDD COMP CASE FILES TP VOL 23 $33.99
JUL140830 KEVIN KELLER #15 REG CVR $3.99
JUL140988 LAST BROADCAST #5 (MR) $3.99
JUL141339 LIFE AFTER #3 CVR A PITARRA (MR) $3.99
JUL141340 LIFE AFTER #3 CVR B GABO (MR) $3.99
FEB140941 MEGA MAN TP VOL 07 BLACKOUT CURSE OF RA MOON $11.99
JUN141320 MEKA HC $19.99
MAY141499 MERMIN HC VOL 03 $19.99
MAY141604 MICHAEL MOORCOCK ELRIC HC VOL 01 RUBY THRONE $12.99
JUL141397 ONLY SKIN GN NEW PTG (MR) $21.95
JUL141018 PEANUTS VOL 2 #21 $3.99
JUL141070 PURGATORI #1 BLANK AUTHENTIX CVR $3.99
JUL141064 PURGATORI #1 MAIN RUFFINO $3.99
JUL141499 QUANTUM & WOODY TP VOL 03 CROOKED PASTS PRESENT TENSE $14.99
MAY141161 RUSH CLOCKWORK ANGELS #5 $3.99
JUN141096 SHADOW MIDNIGHT MOSCOW #4 $3.99
JUL141342 SIXTH GUN DAYS OF THE DEAD #2 $3.99
JUN141087 SOLAR MAN OF ATOM #5 $3.99
JUN140822 SONIC THE HEDGEHOG #264 REG CVR (NOTE PRICE) $3.99
JUL140981 SONS OF ANARCHY #13 (MR) $3.99
JUL140980 SONS OF ANARCHY TP VOL 01 (MR) $19.99
JUL141512 TERRA FORMARS GN VOL 02 (MR) $12.99
JUL141078 THE DEVILERS #3 $2.99
JUL140972 TRANSLUCID #6 $3.99
JUL141486 UNITY #11 REG ALLEN (AH) $3.99
JUL141381 WINX CLUB MAGIC COLLECTION GN $19.99
MAY141541 WWE SUPERSTARS ONGOING #8 $3.99
MAGAZINES
JUL141722 COMIC SHOP NEWS #1422 PI
JUL141724 COMIC SHOP NEWS FALL 2014 PREVIEW PI
JUN141680 DC BATMAN AUTO FIG MAG #40 DARK KNIGHT RISES MOVIE BANE TUMB $20.00
JUN141682 DC SUPERHERO CHESS FIG COLL MAG #65 ULTRAMAN BLACK KING $16.00
JUN141683 DC SUPERHERO CHESS FIG COLL MAG #66 STARFIRE BLACK PAWN $16.00
JUL141729 FAMOUS MONSTERS OF FILMLAND #267 CTHULHU COVER $9.99
MAY141849 MARVEL CHESS FIG COLL MAG #14 CAPTAIN MARVEL WHITE QUEEN $16.00
MAY141850 MARVEL FACT FILES SPECIAL #4 MAGNETO $32.95
APR141644 STAR TREK STARSHIPS FIG COLL MAG #23 NEBULA CLASS $20.00
APR141645 STAR TREK STARSHIPS FIG COLL MAG #24 XINDI INSECTOID STARSHI $20.00
BOOKS
JUL141473 ATTACK ON TITAN BEFORE THE FALL NOVEL $10.95
JUL141306 ATTACK ON TITAN GUIDEBOOK INSIDE & OUTSIDE $24.99
JUN141486 BREATH OF FIRE OFF COMP WORKS SC $39.99
JUL141670 BRIAN FROUD FAERIES TALES HC $35.00
JUL141469 HATSUNE MIKU GRAPHICS VOCALOID SC VOL 02 $39.99
JUL141702 LIFE OF ZARF YR HC BOOK 01 TROUBLE WITH WEASELS $14.99
JUL141269 OVERSTREET COMIC BK MARKETPLACE YEARBOOK 2014 BATMAN CVR $12.95
JUL141272 OVERSTREET COMIC BK MARKETPLACE YEARBOOK 2014 LUNA BY BUZZ C $12.95
JUL141270 OVERSTREET COMIC BK MARKETPLACE YEARBOOK 2014 SHI PAINKILLER $12.95
JUL141271 OVERSTREET COMIC BK MARKETPLACE YEARBOOK 2014 X-O MANOWAR CV $12.95
JUL141514 PHANTASM JAPAN SC NOVEL $14.99
JUL141465 RESIDENT EVIL 6 ARTWORKS SC $44.99
JUN142612 WARHAMMER 40K GREY KNIGHTS OMNIBUS SC $17.50
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Tuesday, September 16, 2014
Comics, Magazines and Books from Diamond Distributors for September 17, 2014
Labels:
Archie Comics,
Art Book,
Book News,
comics news,
Diamond Distributors,
Dynamite Entertainment,
George Perez,
Kodansha,
manga news,
Oni Press,
Star Trek,
Toy News,
Valiant Comics,
VIZ Media
Monday, September 15, 2014
Library Wars: The Nuclear Crisis
I read Library Wars: Love & War, Vol. 12
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
Labels:
Comic Book Bin,
John Werry,
manga,
shojo,
Shojo Beat,
VIZ Media
Sunday, September 14, 2014
I Reads You Review: ROCKET RACCOON #1 (2014)
ROCKET RACCOON (2014) #1
MARVEL COMICS – @Marvel
WRITER/ARTIST: Skottie Young
COLORS: Jean-Francois Beaulieu
LETTERS: Jeff Eckleberry
COVER: Skottie Young
VARIANT COVERS: Skottie Young; Leonel Castellani; David Peterson; J. Scott Campbell with Nei Ruffino; Sara Pichelli with Justin Ponsor; Jeff Smith with Tom Gaadt; and Dale Keown with Jason Keith
28pp, Color, $3.99 (September 2014)
Rocket Raccoon created by Bill Mantlo and Keith Giffen
Rated T
“A Chasing Tale” Part 1
Rocket Raccoon, the space-based Marvel Comics superhero created by writer Bill Mantlo and artist Keith Giffen (first appearing in Marvel Preview #7 – cover dated: Summer 1976), received a snazzy makeover in 2008. He's verbose, proactive, and doesn't mind popping a cap in sentient ass. He even recently received his first ongoing comic book series, Rocket Raccoon, written and drawn by Skottie Young and colored by Jean-Francois Beaulieu. This is also the first ongoing comic book series both written and drawn by Young.
Rocket Raccoon #1 (“A Chasing Tale” Part 1) opens three years in the past, showing how Rocket rescued Amalya, who would apparently become his girlfriend. Moving to the present, Rocket is on Planet Nivlent, where Rocket's Guardians of the Galaxy teammate, Groot (a sentient tree-like creature), is fighting in a wrestling match. It is there that Rocket discovers that he is a wanted man... err... raccoon... hmm... being. In fact, Rocket is wanted for committing several murderers, which he doesn't remember committing.
I really didn't care for Rocket Raccoon #1 after reading the first 11 pages. When the story brings in Rocket's Guardians teammate, Star-Lord, the story changes into something fun and exciting. The energy in the story simply explodes. I can say that the art for the entire issue is fantastic. Skottie Young and Jean-Francois Beaulieu are a match made in comic book heaven.
There is a Saturday morning cartoon quality to the art that really takes off in the second half. From a graphical standpoint, Rocket Raccoon #1 doesn't really look like a Marvel comic book. In fact, Skottie Young doesn't seem like a Marvel Comics artist, which makes this Rocket Raccoon comic book look like an indie book put out by Oni Press or Top Shelf Productions. For Marvel Comics fans, however, Rocket Raccoon looks like it will be something different, and the Marvel Universe could use a little different – something that does not look standardized.
B+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
MARVEL COMICS – @Marvel
WRITER/ARTIST: Skottie Young
COLORS: Jean-Francois Beaulieu
LETTERS: Jeff Eckleberry
COVER: Skottie Young
VARIANT COVERS: Skottie Young; Leonel Castellani; David Peterson; J. Scott Campbell with Nei Ruffino; Sara Pichelli with Justin Ponsor; Jeff Smith with Tom Gaadt; and Dale Keown with Jason Keith
28pp, Color, $3.99 (September 2014)
Rocket Raccoon created by Bill Mantlo and Keith Giffen
Rated T
“A Chasing Tale” Part 1
Rocket Raccoon, the space-based Marvel Comics superhero created by writer Bill Mantlo and artist Keith Giffen (first appearing in Marvel Preview #7 – cover dated: Summer 1976), received a snazzy makeover in 2008. He's verbose, proactive, and doesn't mind popping a cap in sentient ass. He even recently received his first ongoing comic book series, Rocket Raccoon, written and drawn by Skottie Young and colored by Jean-Francois Beaulieu. This is also the first ongoing comic book series both written and drawn by Young.
Rocket Raccoon #1 (“A Chasing Tale” Part 1) opens three years in the past, showing how Rocket rescued Amalya, who would apparently become his girlfriend. Moving to the present, Rocket is on Planet Nivlent, where Rocket's Guardians of the Galaxy teammate, Groot (a sentient tree-like creature), is fighting in a wrestling match. It is there that Rocket discovers that he is a wanted man... err... raccoon... hmm... being. In fact, Rocket is wanted for committing several murderers, which he doesn't remember committing.
I really didn't care for Rocket Raccoon #1 after reading the first 11 pages. When the story brings in Rocket's Guardians teammate, Star-Lord, the story changes into something fun and exciting. The energy in the story simply explodes. I can say that the art for the entire issue is fantastic. Skottie Young and Jean-Francois Beaulieu are a match made in comic book heaven.
There is a Saturday morning cartoon quality to the art that really takes off in the second half. From a graphical standpoint, Rocket Raccoon #1 doesn't really look like a Marvel comic book. In fact, Skottie Young doesn't seem like a Marvel Comics artist, which makes this Rocket Raccoon comic book look like an indie book put out by Oni Press or Top Shelf Productions. For Marvel Comics fans, however, Rocket Raccoon looks like it will be something different, and the Marvel Universe could use a little different – something that does not look standardized.
B+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
J. Scott Campbell,
Jason Keith,
Jeff Smith,
Justin Ponsor,
Marvel,
Nei Ruffino,
Review,
Sara Pichelli,
Skottie Young
I Reads You Review: ROCKET RACCOON #1 (1985)
ROCKET RACCOON (1985) #1 (OF 4)
MARVEL COMICS – @Marvel
WRITER: Bill Mantlo
PENCILS: Mike Mignola
INKS: Al Gordon
COLORS: Christie Scheele
LETTERS: Ken Bruzenak
EDITOR: Carl Potts
EiC: Jim Shooter
32pp, Color, .75¢ (May 1985)
Rocket Raccoon created by Bill Mantlo and Keith Giffen
Rocket Raccoon is an outer-space based Marvel Comics superhero. He was created by writer Bill Mantlo and artist Keith Giffen and first appeared in Marvel Preview #7 (cover dated: Summer 1976). The character was initially known as “Rocky Raccoon,” and it was later revealed that “Rocky” was short for “Rocket.” Rocket Raccoon is an intelligent, anthropomorphic raccoon and is an expert marksman and master tactician.
Apparently, fondly remembered by fans, the character made very few appearances in comic books during the first three decades of his existence. In 2008, Rocket Raccoon appeared in the relaunch of the superhero comic book, Guardians of the Galaxy. Rocket is a prominent member of the Guardians of the Galaxy team, and is now a breakout star thanks to the 2014 live-action film, Guardians of the Galaxy. In the film, Rocket is a CGI character and his voice is provided by Oscar-nominated actor, Bradley Cooper.
I was a fan of the 1985, four-issue, Rocket Raccoon comic book miniseries, written by Bill Mantlo, drawn by Mike Mignola and Al Gordon, colored Christie Scheele, and lettered by Ken Bruzenak. I am not sure if I had heard of the character before the miniseries. I think one reason I wanted to read it was because the creative team, especially Bill Mantlo (who co-created the character) and then-emerging artist, Mike Mignola.
Rocket Raccoon #1 is a humorous comic book set in a walled-off section of space known as the “Keystone Quadrant.” The story opens in Spacewheel, a toy manufacturer that is a division of Dyvynicies, Inc., owned by Lord Dyvyne. We meet the Chief Toysmith, who is soon killed a murderous clown. The blame falls on Dyvyne's rival, Judson Jakes, who oversees Mayhem Mekaniks, a toy-making corporation.
The story then moves to Halfworld, where we meet Rocket Raccoon, Llyla (Rocket's lady, who is an otter), and Wal-An (a walrus). Rocket's main concern is making sure that there is a steady flow of toys for the humans of Cuckoo's Nest. Now, it seems as if Dyvyne and Jakes are about to go to war, but they want more than just control of the toys. Rocket and his friends are also targeted.
I lost my original copies of the Rocket Raccoon miniseries, but I managed to replace them about a decade ago during a sale at Mile High Comics. I got them for next-to-nothing; in the wake of the hit Guardians of the Galaxy movie, I think it might cost at least $100 or more to buy a complete set.
I remember liking this miniseries when I first read it, but I wonder if I really understood it. Decades of reading comic books later, I think I have a better grasp of it. This is a humor comic book that is a bit satirical, and the first issue has some pop culture references, especially regarding the Oscar-winning film, One Flew Over the Cuckoo's Nest (which was based on on Ken Kesey's 1962 novel of the same name).
In a way, Rocket Raccoon the miniseries is similar to crime fiction, as it features Rocket as a kind of cop who has to stop a war between two mob bosses before they destroy the city. The difference is that this comic book features anthropomorphism and juvenile science fiction and space opera elements. I don't know if I'd recommend it to anyone but fans of Rocket Raccoon. This miniseries is such an odd-duck that it is hard to figure out what the target audience for it is. I guess that back in the mid-1980s, Marvel's target for Rocket Raccoon was the “Marvel zombies,” readers who bought practically everything that Marvel Comics published.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
MARVEL COMICS – @Marvel
WRITER: Bill Mantlo
PENCILS: Mike Mignola
INKS: Al Gordon
COLORS: Christie Scheele
LETTERS: Ken Bruzenak
EDITOR: Carl Potts
EiC: Jim Shooter
32pp, Color, .75¢ (May 1985)
Rocket Raccoon created by Bill Mantlo and Keith Giffen
Rocket Raccoon is an outer-space based Marvel Comics superhero. He was created by writer Bill Mantlo and artist Keith Giffen and first appeared in Marvel Preview #7 (cover dated: Summer 1976). The character was initially known as “Rocky Raccoon,” and it was later revealed that “Rocky” was short for “Rocket.” Rocket Raccoon is an intelligent, anthropomorphic raccoon and is an expert marksman and master tactician.
Apparently, fondly remembered by fans, the character made very few appearances in comic books during the first three decades of his existence. In 2008, Rocket Raccoon appeared in the relaunch of the superhero comic book, Guardians of the Galaxy. Rocket is a prominent member of the Guardians of the Galaxy team, and is now a breakout star thanks to the 2014 live-action film, Guardians of the Galaxy. In the film, Rocket is a CGI character and his voice is provided by Oscar-nominated actor, Bradley Cooper.
I was a fan of the 1985, four-issue, Rocket Raccoon comic book miniseries, written by Bill Mantlo, drawn by Mike Mignola and Al Gordon, colored Christie Scheele, and lettered by Ken Bruzenak. I am not sure if I had heard of the character before the miniseries. I think one reason I wanted to read it was because the creative team, especially Bill Mantlo (who co-created the character) and then-emerging artist, Mike Mignola.
Rocket Raccoon #1 is a humorous comic book set in a walled-off section of space known as the “Keystone Quadrant.” The story opens in Spacewheel, a toy manufacturer that is a division of Dyvynicies, Inc., owned by Lord Dyvyne. We meet the Chief Toysmith, who is soon killed a murderous clown. The blame falls on Dyvyne's rival, Judson Jakes, who oversees Mayhem Mekaniks, a toy-making corporation.
The story then moves to Halfworld, where we meet Rocket Raccoon, Llyla (Rocket's lady, who is an otter), and Wal-An (a walrus). Rocket's main concern is making sure that there is a steady flow of toys for the humans of Cuckoo's Nest. Now, it seems as if Dyvyne and Jakes are about to go to war, but they want more than just control of the toys. Rocket and his friends are also targeted.
I lost my original copies of the Rocket Raccoon miniseries, but I managed to replace them about a decade ago during a sale at Mile High Comics. I got them for next-to-nothing; in the wake of the hit Guardians of the Galaxy movie, I think it might cost at least $100 or more to buy a complete set.
I remember liking this miniseries when I first read it, but I wonder if I really understood it. Decades of reading comic books later, I think I have a better grasp of it. This is a humor comic book that is a bit satirical, and the first issue has some pop culture references, especially regarding the Oscar-winning film, One Flew Over the Cuckoo's Nest (which was based on on Ken Kesey's 1962 novel of the same name).
In a way, Rocket Raccoon the miniseries is similar to crime fiction, as it features Rocket as a kind of cop who has to stop a war between two mob bosses before they destroy the city. The difference is that this comic book features anthropomorphism and juvenile science fiction and space opera elements. I don't know if I'd recommend it to anyone but fans of Rocket Raccoon. This miniseries is such an odd-duck that it is hard to figure out what the target audience for it is. I guess that back in the mid-1980s, Marvel's target for Rocket Raccoon was the “Marvel zombies,” readers who bought practically everything that Marvel Comics published.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Jim Shooter,
Ken Bruzenak,
Marvel,
Mike Mignola,
Review
Saturday, September 13, 2014
Seraph of the End: Black Asura
I read Seraph of the End, Vol. 2
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
Labels:
Adrienne Beck,
Comic Book Bin,
Daisuke Furuya,
Hope Donovan,
manga,
shonen,
Shonen Jump Advanced,
Takaya Kagami,
vampires,
VIZ Media,
Yamato Yamamoto
Friday, September 12, 2014
I Reads You Review: DKW: Ditko Kirby Wood
DKW: Ditko Kirby Wood
FANTAGRAPHICS BOOKS – @fantagraphics
CARTOONIST: Sergio Ponchione
TRANSLATION: Diego Ceresa with Sergio Ponchione, Eric Reynolds, and Kristy Valenti
EDITOR: Eric Reynolds
32pp, 2-Color, $4.99 U.S. (July 2014)
Originally published in Italy, DKW: Ditko Kirby Wood is a one-shot comic book from cartoonist and comic book creator, Sergio Ponchione. DKW is a tribute to three of the most acclaimed comic book artists of all time: Steve Ditko, Jack Kirby and Wallace (Wally) Wood. Fantagraphics Books recently published an English-language edition of DKW as as single-issue comic book.
Ponchione presents these three artists as a “holy trinity,” showcasing each the artist in a story that pays homage to his work, philosophy (especially in the case of Ditko), style, and creations. One could certainly argue that Kirby and Ditko created the visual and graphical language of modern comic books, and I consider Wally Wood to be the greatest comic book artist of all time.
Ponchione dedicates one chapter to each of the three artists, with a framing sequence before and between each chapter to explain what is coming. First, “The Mysterious Steve” (inspired by Reed Tucker's 2012 New York Post article) attempts to explain Steve Ditko's insistence that his work speaks for him and his resistance to giving interviews about himself and his work.
Next, “Planet Kirby” presents Jack Kirby and his workspace as a space ship from which he produces a never-ending stream of fantastic creations. Finally, “Wood & Me” (based on information based on Steve Starger and J. David Spurlock's Wally's World) is an illustrated essay about Wally Wood, whose creativity, imagination, and output burned so brightly that they eventually consumed him.
I agree with what fantastic comics biographer Blake Bell says in his introduction to DKW. Ponchione's imbues his work: layouts, compositions, and graphic design with inspiration. His book respects Ditko, Kirby, and Wood without imitating or, even worse, stealing their work. Thor knows that five decades of Marvel Comics writers, artists, and editors have remade, reinvented, re-imagined Ditko and Kirby's work to death (to say nothing of those making movies based on Marvel's comic books).
Sergio Ponchione honors Ditko, Kirby, and Wood by capturing the ideological, spiritual, philosophical, and intellectual aspects of their work. He does not have to copy or steal. Read this comic book, and you will realize that Ponchione understands this “Holy Trinity” beyond a superficial notion of “styles” and past what is seen on the surface, at first glance and without examination. That shows in how his graphical storytelling captures the essence of these three masters.
Best of all, DKW: Ditko Kirby Wood is just a fun comic book to read. Once upon a time, Ditko, Kirby, and Wood produced that kind of comic book. I remember the first time I read Mr. A and Doctor Strange. Wow! I remember the first time I followed the X-Men to the Savage Land (X-Men #10 – cover dated: March 1965), and watches as Kirby's pencil pitted the Angel against a pterodactyl in an awesome aerial duel. When I discover Wally Wood comics that I have not seen before, my respect and love for him grows.
It's early, but I think DKW: Ditko Kirby Wood should get an Eisner nod in the category of “Best U.S. Edition of International Material” next year. It is one of the best comic books of the year, and it makes me want to seek out more comics from Sergio Ponchione. He is clearly quite good at this comic book thing.
A+
www.fantagraphics.com
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
FANTAGRAPHICS BOOKS – @fantagraphics
CARTOONIST: Sergio Ponchione
TRANSLATION: Diego Ceresa with Sergio Ponchione, Eric Reynolds, and Kristy Valenti
EDITOR: Eric Reynolds
32pp, 2-Color, $4.99 U.S. (July 2014)
Originally published in Italy, DKW: Ditko Kirby Wood is a one-shot comic book from cartoonist and comic book creator, Sergio Ponchione. DKW is a tribute to three of the most acclaimed comic book artists of all time: Steve Ditko, Jack Kirby and Wallace (Wally) Wood. Fantagraphics Books recently published an English-language edition of DKW as as single-issue comic book.
Ponchione presents these three artists as a “holy trinity,” showcasing each the artist in a story that pays homage to his work, philosophy (especially in the case of Ditko), style, and creations. One could certainly argue that Kirby and Ditko created the visual and graphical language of modern comic books, and I consider Wally Wood to be the greatest comic book artist of all time.
Ponchione dedicates one chapter to each of the three artists, with a framing sequence before and between each chapter to explain what is coming. First, “The Mysterious Steve” (inspired by Reed Tucker's 2012 New York Post article) attempts to explain Steve Ditko's insistence that his work speaks for him and his resistance to giving interviews about himself and his work.
Next, “Planet Kirby” presents Jack Kirby and his workspace as a space ship from which he produces a never-ending stream of fantastic creations. Finally, “Wood & Me” (based on information based on Steve Starger and J. David Spurlock's Wally's World) is an illustrated essay about Wally Wood, whose creativity, imagination, and output burned so brightly that they eventually consumed him.
I agree with what fantastic comics biographer Blake Bell says in his introduction to DKW. Ponchione's imbues his work: layouts, compositions, and graphic design with inspiration. His book respects Ditko, Kirby, and Wood without imitating or, even worse, stealing their work. Thor knows that five decades of Marvel Comics writers, artists, and editors have remade, reinvented, re-imagined Ditko and Kirby's work to death (to say nothing of those making movies based on Marvel's comic books).
Sergio Ponchione honors Ditko, Kirby, and Wood by capturing the ideological, spiritual, philosophical, and intellectual aspects of their work. He does not have to copy or steal. Read this comic book, and you will realize that Ponchione understands this “Holy Trinity” beyond a superficial notion of “styles” and past what is seen on the surface, at first glance and without examination. That shows in how his graphical storytelling captures the essence of these three masters.
Best of all, DKW: Ditko Kirby Wood is just a fun comic book to read. Once upon a time, Ditko, Kirby, and Wood produced that kind of comic book. I remember the first time I read Mr. A and Doctor Strange. Wow! I remember the first time I followed the X-Men to the Savage Land (X-Men #10 – cover dated: March 1965), and watches as Kirby's pencil pitted the Angel against a pterodactyl in an awesome aerial duel. When I discover Wally Wood comics that I have not seen before, my respect and love for him grows.
It's early, but I think DKW: Ditko Kirby Wood should get an Eisner nod in the category of “Best U.S. Edition of International Material” next year. It is one of the best comic books of the year, and it makes me want to seek out more comics from Sergio Ponchione. He is clearly quite good at this comic book thing.
A+
www.fantagraphics.com
Reviewed by Leroy Douresseaux
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Labels:
Blake Bell,
EC Comics,
Eric Reynolds,
Eurocomics,
Fantagraphics Books,
Jack Kirby,
MAD,
Marvel,
Review,
Sergio Ponchione,
Steve Ditko,
Wally Wood
Thursday, September 11, 2014
Dawn of the Arcana: The Final Volume
I read Dawn of the Arcana, Vol. 13
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
Labels:
Comic Book Bin,
JN Productions,
manga,
shojo,
Shojo Beat,
VIZ Media,
Ysabeth Reinhardt MacFarlane
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