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------------------------------
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Monday, April 9, 2018
Marvel Comics from Diamond Distributors for April 11, 2018
MARVEL COMICS
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----------------------------------
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Comics, Magazines and Books from Diamond Distributors for April 11, 2018
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----------------------------
Labels:
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Saturday, April 7, 2018
Review: THE YOUNG MASTER'S REVENGE Volume 1
THE YOUNG MASTER'S REVENGE, VOL. 1
VIZ MEDIA – @VIZMedia
MANGAKA: Meca Tanaka
TRANSLATION: JN Productions
LETTERS: Inori Fukuda Trant
EDITOR: Nancy Thislethwaite
ISBN: 978-1-4215-9897-0; paperback (March 2018); Rated “T” for “Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
Young Master's Revenge (Kimi no Koto nado Zettai ni) is a manga (Japanese comics) from creator, Meca Tanaka. The series is published in the Japanese manga magazine, LaLa. VIZ Media is publishing the manga in English as the graphic novel series, The Young Master's Revenge. VIZ Media has also launched The Young Master's Revenge digitally via viz.com and the VIZ Manga App, as well as from the Nook, Kobo, Kindle, iBooks, comiXology, and Google Play stores.
The Young Master's Revenge introduces Leo Tachibana. Leo wants revenge for an incident that occurred ten years ago. His target is a childhood friend, the rich girl Tenma Tsuwabuki. When he is reunited with Tenma, however, Leo discovers that she and her family have fallen on hard times.
The Young Master's Revenge, Vol. 1 (Chapters 1 to 5) opens as Leo returns to Japan. His first stop is to visit the home of Tenma, the girl who destroyed his pride. However, the family business, Tachibana Department Store, is now bankrupt, and Leo finds the Tachibana estate abandoned and in disrepair. Inside the dilapidated home, Leo finds Tenma scrounging for family heirlooms and treasure that she can sell. Leo decides if he is to get revenge, he will have to take this sad former “princess” under his care, and make her love him so that he can break her heart. But will it be that easy?
[This volume includes the bonus manga, “If It's About Me, Keep It Brief” and “Meca Site.”]
Sweet and frothy, The Young Master's Revenge manga is a familiar tale of reunions and ulterior motives. This series is also from manga writer-artist, Meca Tanaka, the creator of the sweet and delightful shojo manga, Meteor Prince (which VIZ Media published in English back in 2015 in a two-graphic novel series).
The Young Master's Revenge Graphic Novel Volume 1 reveals that Tanaka will bolster this manga's slight premise with supporting characters that are interesting, conniving, and aggressive. Two of the best are Tenma's jilted fiancé, Gou Gamada, and the student council president, Masaomi Barazono, who is just like one of those rich boy villains out of a John Hughes' teen romantic comedy.
The Young Master's Revenge is not exactly “Shojo Beat” empty calories. There is some substance inside and a tart cherry on top of the shojo ice cream sundae that is The Young Master's Revenge. I like it, and I'm giving the first volume a high grade.
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You'
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------------------
VIZ MEDIA – @VIZMedia
MANGAKA: Meca Tanaka
TRANSLATION: JN Productions
LETTERS: Inori Fukuda Trant
EDITOR: Nancy Thislethwaite
ISBN: 978-1-4215-9897-0; paperback (March 2018); Rated “T” for “Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
Young Master's Revenge (Kimi no Koto nado Zettai ni) is a manga (Japanese comics) from creator, Meca Tanaka. The series is published in the Japanese manga magazine, LaLa. VIZ Media is publishing the manga in English as the graphic novel series, The Young Master's Revenge. VIZ Media has also launched The Young Master's Revenge digitally via viz.com and the VIZ Manga App, as well as from the Nook, Kobo, Kindle, iBooks, comiXology, and Google Play stores.
The Young Master's Revenge introduces Leo Tachibana. Leo wants revenge for an incident that occurred ten years ago. His target is a childhood friend, the rich girl Tenma Tsuwabuki. When he is reunited with Tenma, however, Leo discovers that she and her family have fallen on hard times.
The Young Master's Revenge, Vol. 1 (Chapters 1 to 5) opens as Leo returns to Japan. His first stop is to visit the home of Tenma, the girl who destroyed his pride. However, the family business, Tachibana Department Store, is now bankrupt, and Leo finds the Tachibana estate abandoned and in disrepair. Inside the dilapidated home, Leo finds Tenma scrounging for family heirlooms and treasure that she can sell. Leo decides if he is to get revenge, he will have to take this sad former “princess” under his care, and make her love him so that he can break her heart. But will it be that easy?
[This volume includes the bonus manga, “If It's About Me, Keep It Brief” and “Meca Site.”]
Sweet and frothy, The Young Master's Revenge manga is a familiar tale of reunions and ulterior motives. This series is also from manga writer-artist, Meca Tanaka, the creator of the sweet and delightful shojo manga, Meteor Prince (which VIZ Media published in English back in 2015 in a two-graphic novel series).
The Young Master's Revenge Graphic Novel Volume 1 reveals that Tanaka will bolster this manga's slight premise with supporting characters that are interesting, conniving, and aggressive. Two of the best are Tenma's jilted fiancé, Gou Gamada, and the student council president, Masaomi Barazono, who is just like one of those rich boy villains out of a John Hughes' teen romantic comedy.
The Young Master's Revenge is not exactly “Shojo Beat” empty calories. There is some substance inside and a tart cherry on top of the shojo ice cream sundae that is The Young Master's Revenge. I like it, and I'm giving the first volume a high grade.
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You'
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------------------
Labels:
JN Productions,
manga,
Meca Tanaka,
Nancy Thislethwaite,
Review,
shojo,
Shojo Beat,
VIZ Media
Thursday, April 5, 2018
Review CURSE WORDS #2
CURSE WORDS No. 2
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
STORY: Charles Soule
ART: Ryan Browne
COLORS: Michael Garland with Ryan Browne and Michael Parkinson
LETTERS: Chris Crank
COVER: Ryan Browne
VARIANT COVERS: Chip Zdarsky; Ryan Browne
36pp, Color, $3.99 U.S. (February 2017)
Rated M / Mature
Curse Words is a new ongoing fantasy comic book series from Image Comics. It is created by comic book writer Charles Soule, known for his work on Daredevil and Death of Wolverine (both from Marvel Comics), and artist Ryan Browne, known for his comic book, God Hates Astronauts (also published by Image Comics).
Curse Words stars Wizord, a wizard from another world who appears one day in New York City, specifically Central Park. Of course, the first people to encounter him end up in an unfortunate situation, but eventually he is seen as the city's “sorcerous protector.” A confrontation with a murderous rival, however, made Wizord do something terrible to the city, and now, he has to come up with an incredible fix-it.
As Curse Words #2 opens, Wizord is trying to do something for the people he... minimized. He is determined to prove that he is not a monster, although his koala companion, Margaret, is dubious. Meanwhile, back in the Hole World, old adversaries prepare to destroy Wizord.
Curse Words instantly impresses with its eye-popping art. Visually and graphically, artist Ryan Browne makes Curse Words a thing of fiery comic book storytelling magic, with the help of those dazzling vivid colors by Michael Garland with Ryan Browne and Michael Parkinson. It is hard to believe that someone would flip through this comic book and not try at least one issue.
The story by Charles Soule is a dark fantasy that is darker by the minute. It threatens violence, but promises imagination and inventiveness in a way Garth Ellis did with Preacher. I still think this series could be a standout. We shall see...
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication and reprint rights and fees.
---------------------------
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
STORY: Charles Soule
ART: Ryan Browne
COLORS: Michael Garland with Ryan Browne and Michael Parkinson
LETTERS: Chris Crank
COVER: Ryan Browne
VARIANT COVERS: Chip Zdarsky; Ryan Browne
36pp, Color, $3.99 U.S. (February 2017)
Rated M / Mature
Curse Words is a new ongoing fantasy comic book series from Image Comics. It is created by comic book writer Charles Soule, known for his work on Daredevil and Death of Wolverine (both from Marvel Comics), and artist Ryan Browne, known for his comic book, God Hates Astronauts (also published by Image Comics).
Curse Words stars Wizord, a wizard from another world who appears one day in New York City, specifically Central Park. Of course, the first people to encounter him end up in an unfortunate situation, but eventually he is seen as the city's “sorcerous protector.” A confrontation with a murderous rival, however, made Wizord do something terrible to the city, and now, he has to come up with an incredible fix-it.
As Curse Words #2 opens, Wizord is trying to do something for the people he... minimized. He is determined to prove that he is not a monster, although his koala companion, Margaret, is dubious. Meanwhile, back in the Hole World, old adversaries prepare to destroy Wizord.
Curse Words instantly impresses with its eye-popping art. Visually and graphically, artist Ryan Browne makes Curse Words a thing of fiery comic book storytelling magic, with the help of those dazzling vivid colors by Michael Garland with Ryan Browne and Michael Parkinson. It is hard to believe that someone would flip through this comic book and not try at least one issue.
The story by Charles Soule is a dark fantasy that is darker by the minute. It threatens violence, but promises imagination and inventiveness in a way Garth Ellis did with Preacher. I still think this series could be a standout. We shall see...
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication and reprint rights and fees.
---------------------------
Labels:
Charles Soule,
Chip Zdarsky,
Image Comics,
Review
Wednesday, April 4, 2018
Review: RELIC OF THE DRAGON
RELIC OF THE DRAGON
IDW PUBLISHING – @IDWPublishing
[This review was originally posted on Patreon.]
STORY: Adrian Benatar
ART: Miguel Angel Garcia
TRANSLATION: Anna Rosenwong
LETTERS: Ron Estevez
COVER: Miguel Angel Garcia
EDITORS: Justin Eisinger and Alonzo Simon
ISBN: 978-1-68405-215-8; hardcover (March 2018)
56pp, Color, $9.99 U.S., $12.99 CAN (February 21, 2018)
Relic of the Dragon is a hardcover, full-color, comic book from artist Miguel Ángel García and writer Adrian Benatar. At the trim six of 6.25 x 9.25, Relic of the Dragon is like a half-size version of the European graphic album and the children's picture book.
Relic of the Dragon uses the classic you-choose-the-story format to tell the story of a dwarf forced to embark on a dangerous quest to find a new relic that will benefit his village. Relic of the Dragon combines elements of classic sword-and-sorcery RPGs (role-playing games) and classic sword-and-sorcery storytelling (Conan the Cimmerian), Norse sagas, and epic fantasy (The Lord of the Rings).
Relic of the Dragon introduces Urik the dwarf, a great warrior. A village elder has just consulted the “Oracle of the Gods,” and the word of the gods has revealed the arrival of a “new relic.” According to the elder, Urik is just the hero that can find “The Relic of the Dragon.” Urik is surprised to discover that he is the brave warrior who must obtain the relic, but he is a bit unsettled that the elder refers to him as “a tribute” rather than as “a brave warrior.”
Urik begins the quest to find “The Relic of the Dragon,” and he will need help from his trusty spirit guide if he is to find the relic and return home safe and sound. There is just one problem. You, the reader, are his spirit guide that will chose which path Urik will take every time he comes to a proverbial fork in the road.
I must say that Relic of the Dragon is such a wonderful, imaginative, and colorful comic book that I wish Miguel Ángel García and Adrian Benatar were the creative team behind at least one comic book based on a Robert E. Howard character (Conan, Kull, Red Sonja). Now, that I think about it, Relic of the Dragon has a bit of Sergio Aragones' Groo the Wanderer about it.
Benatar has written a surprisingly delightful story with many imaginative twists, turns, and traps. The variations are inventive enough that many readers will, upon finishing the story, go back and read the parts of the story they did not choose.
García's fantasy cartooning is the best that I have seen in quite a while, and his coloring is a storm of rich and vivid hues. Talk about eye candy; I can't help but keep flipping through this comic book that is almost an art book. Letterer Ron Estevez delivers lettering that highlights the epic fantasy and sword-and-sorcery in this story, but also manages to capture the wry humor that undercurrents this tale.
I like being surprised by comic books of which I did not expect much, and this comic book certainly surprised me. I hope that Relic of the Dragon is the first of many comics from Miguel Ángel García and Adrian Benatar produce.
8.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-------------------------
IDW PUBLISHING – @IDWPublishing
[This review was originally posted on Patreon.]
STORY: Adrian Benatar
ART: Miguel Angel Garcia
TRANSLATION: Anna Rosenwong
LETTERS: Ron Estevez
COVER: Miguel Angel Garcia
EDITORS: Justin Eisinger and Alonzo Simon
ISBN: 978-1-68405-215-8; hardcover (March 2018)
56pp, Color, $9.99 U.S., $12.99 CAN (February 21, 2018)
Relic of the Dragon is a hardcover, full-color, comic book from artist Miguel Ángel García and writer Adrian Benatar. At the trim six of 6.25 x 9.25, Relic of the Dragon is like a half-size version of the European graphic album and the children's picture book.
Relic of the Dragon uses the classic you-choose-the-story format to tell the story of a dwarf forced to embark on a dangerous quest to find a new relic that will benefit his village. Relic of the Dragon combines elements of classic sword-and-sorcery RPGs (role-playing games) and classic sword-and-sorcery storytelling (Conan the Cimmerian), Norse sagas, and epic fantasy (The Lord of the Rings).
Relic of the Dragon introduces Urik the dwarf, a great warrior. A village elder has just consulted the “Oracle of the Gods,” and the word of the gods has revealed the arrival of a “new relic.” According to the elder, Urik is just the hero that can find “The Relic of the Dragon.” Urik is surprised to discover that he is the brave warrior who must obtain the relic, but he is a bit unsettled that the elder refers to him as “a tribute” rather than as “a brave warrior.”
Urik begins the quest to find “The Relic of the Dragon,” and he will need help from his trusty spirit guide if he is to find the relic and return home safe and sound. There is just one problem. You, the reader, are his spirit guide that will chose which path Urik will take every time he comes to a proverbial fork in the road.
I must say that Relic of the Dragon is such a wonderful, imaginative, and colorful comic book that I wish Miguel Ángel García and Adrian Benatar were the creative team behind at least one comic book based on a Robert E. Howard character (Conan, Kull, Red Sonja). Now, that I think about it, Relic of the Dragon has a bit of Sergio Aragones' Groo the Wanderer about it.
Benatar has written a surprisingly delightful story with many imaginative twists, turns, and traps. The variations are inventive enough that many readers will, upon finishing the story, go back and read the parts of the story they did not choose.
García's fantasy cartooning is the best that I have seen in quite a while, and his coloring is a storm of rich and vivid hues. Talk about eye candy; I can't help but keep flipping through this comic book that is almost an art book. Letterer Ron Estevez delivers lettering that highlights the epic fantasy and sword-and-sorcery in this story, but also manages to capture the wry humor that undercurrents this tale.
I like being surprised by comic books of which I did not expect much, and this comic book certainly surprised me. I hope that Relic of the Dragon is the first of many comics from Miguel Ángel García and Adrian Benatar produce.
8.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-------------------------
Tuesday, April 3, 2018
Review: X-MEN: Grand Design #1
X-MEN: GRAND DESIGN No. 1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
CARTOONIST: Ed Piskor
COVER: Ed Piskor
48pp, Color, $5.99 U.S. (February 2018)
Rated T+
X-Men created by Stan Lee and Jack Kirby
The X-Men are a Marvel Comics superhero team. The X-Men were created by writer Stan Lee and artist/co-writer Jack Kirby, and the original and foundation characters first appeared in The X-Men #1 (cover dated: September 1963). Those characters are Angel, Beast, Cyclops, Iceman, and Marvel Girl (Jean Grey) – the X-Men; and their leader, Professor X and their primary adversary, Magneto.
The X-Men and Professor X are mutants, a subspecies of humans who are born with superhuman abilities. The X-Men fight for peace and equality between normal humans and mutants in a world where anti-mutant bigotry is fierce and widespread. Magneto and those later allied with him fight to conquer humans so that they can rule over them.
One could say that after 54 years, the X-Men have a fictional history and mythology that is quite convoluted. However, the X-Men's knotty and tangled state of affairs has less to do with the passage of time and more to do with editorial, publishing, and business decisions regarding the X-Men franchise and line of comic book publications.
Enter cartoonist Ed Piskor. He is best known for his long running webcomic, Hip Hop Family Tree, through which Piskor chronicles and traces the Byzantine origins and development of rap and hip hop music and Hip Hop culture. Fantagraphics Books has successfully collected the webcomic into print via graphic album collections and a comic book series.
It was announced earlier in the year that Piskor was embarking on an X-Men comic book project for Marvel Comics. Piskor would try to condense decades of X-Men comics into a cohesive and linear narrative – X-history as a mega-story. The result is an announced six-issue miniseries, X-Men: Grand Design, which Piskor writes, draws, colors, and letters in its entirety. The original announcement said that the series would recount six decades of X-Men (publishing?) history. I have seen some articles that emphasize Piskor condensing 30 years of X-Men history in Grand Design. We'll see...
X-Men: Grand Design #1 opens on The Watcher, the classic Marvel character that observes and records events. One of many, this particular Watcher watches Earth. His focus is currently on the mutants of Earth, primarily observing the activities of one Charles Xavier, a mutant who will gather a team of mutants that he will name, “The X-Men.” Together, Xavier a.k.a. “Professor X” and his X-Men will change the world. But first, Prof. X will have to gather just the right kind of mutants who can become just the students he needs. Meanwhile, other players, mutants and otherwise, have their own plans for the mutants of Earth.
The first 30 years of X-Men comics begins in 1963 and ends in 1993. Most of the comics that Piskor references for X-Men: Grand Design #1 were published in that time span, but several were published after 1993, including some that were published in the twenty-first century (a.k.a. “the 2000s”). Thus, it can be said that X-Men: Grand Design provides a condensed history that it also a detailed list of specific big and consequential moments in X-Men history.
So is X-Men: Grand Design #1 a good comic book, and the answer is yes, but not specifically because it is an X-Men history. In fact, Marvel Comics has produced X-Men comic books like this in the past, the best being X-Men #138 (cover dated: October 1980), a poignant coda to the “The Dark Phoenix Saga” by the legendary X-Men creative team of Chris Claremont and John Byrne.
X-Men: Grand Design #1 works because of Ed Piskor's aesthetic. As writer, illustrator, colorist, and letterer, Piskor has created a unique graphical style that recalls comic books of the 1960s and 1970s. Piskor produces comic books that are a visual, graphics package that is a “hands-on creation.” Without the help of computers, comic books were once produced by people who used their hands, knowledge, training, and skills to draw, color, letter, cut, copy, paste, and measure in order to produce a physical package that was then sent to the printer to be turned into a physical comics publication.
That “old-timey” quality and Piskor's ability to create large, condensed histories without sacrificing the details of the stories is what makes X-Men: Grand Design #1 a grand comic book. So it does not matter that this is about the X-Men. It could be Avengers: Grand Design, Spider-Man: Grand Design or even “Grand Designs” about Superman and Batman; the attraction would still be Piskor. Because Piskor loves comic books so much, it shows in his fantastic comics.
A
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------------
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
CARTOONIST: Ed Piskor
COVER: Ed Piskor
48pp, Color, $5.99 U.S. (February 2018)
Rated T+
X-Men created by Stan Lee and Jack Kirby
The X-Men are a Marvel Comics superhero team. The X-Men were created by writer Stan Lee and artist/co-writer Jack Kirby, and the original and foundation characters first appeared in The X-Men #1 (cover dated: September 1963). Those characters are Angel, Beast, Cyclops, Iceman, and Marvel Girl (Jean Grey) – the X-Men; and their leader, Professor X and their primary adversary, Magneto.
The X-Men and Professor X are mutants, a subspecies of humans who are born with superhuman abilities. The X-Men fight for peace and equality between normal humans and mutants in a world where anti-mutant bigotry is fierce and widespread. Magneto and those later allied with him fight to conquer humans so that they can rule over them.
One could say that after 54 years, the X-Men have a fictional history and mythology that is quite convoluted. However, the X-Men's knotty and tangled state of affairs has less to do with the passage of time and more to do with editorial, publishing, and business decisions regarding the X-Men franchise and line of comic book publications.
Enter cartoonist Ed Piskor. He is best known for his long running webcomic, Hip Hop Family Tree, through which Piskor chronicles and traces the Byzantine origins and development of rap and hip hop music and Hip Hop culture. Fantagraphics Books has successfully collected the webcomic into print via graphic album collections and a comic book series.
It was announced earlier in the year that Piskor was embarking on an X-Men comic book project for Marvel Comics. Piskor would try to condense decades of X-Men comics into a cohesive and linear narrative – X-history as a mega-story. The result is an announced six-issue miniseries, X-Men: Grand Design, which Piskor writes, draws, colors, and letters in its entirety. The original announcement said that the series would recount six decades of X-Men (publishing?) history. I have seen some articles that emphasize Piskor condensing 30 years of X-Men history in Grand Design. We'll see...
X-Men: Grand Design #1 opens on The Watcher, the classic Marvel character that observes and records events. One of many, this particular Watcher watches Earth. His focus is currently on the mutants of Earth, primarily observing the activities of one Charles Xavier, a mutant who will gather a team of mutants that he will name, “The X-Men.” Together, Xavier a.k.a. “Professor X” and his X-Men will change the world. But first, Prof. X will have to gather just the right kind of mutants who can become just the students he needs. Meanwhile, other players, mutants and otherwise, have their own plans for the mutants of Earth.
The first 30 years of X-Men comics begins in 1963 and ends in 1993. Most of the comics that Piskor references for X-Men: Grand Design #1 were published in that time span, but several were published after 1993, including some that were published in the twenty-first century (a.k.a. “the 2000s”). Thus, it can be said that X-Men: Grand Design provides a condensed history that it also a detailed list of specific big and consequential moments in X-Men history.
So is X-Men: Grand Design #1 a good comic book, and the answer is yes, but not specifically because it is an X-Men history. In fact, Marvel Comics has produced X-Men comic books like this in the past, the best being X-Men #138 (cover dated: October 1980), a poignant coda to the “The Dark Phoenix Saga” by the legendary X-Men creative team of Chris Claremont and John Byrne.
X-Men: Grand Design #1 works because of Ed Piskor's aesthetic. As writer, illustrator, colorist, and letterer, Piskor has created a unique graphical style that recalls comic books of the 1960s and 1970s. Piskor produces comic books that are a visual, graphics package that is a “hands-on creation.” Without the help of computers, comic books were once produced by people who used their hands, knowledge, training, and skills to draw, color, letter, cut, copy, paste, and measure in order to produce a physical package that was then sent to the printer to be turned into a physical comics publication.
That “old-timey” quality and Piskor's ability to create large, condensed histories without sacrificing the details of the stories is what makes X-Men: Grand Design #1 a grand comic book. So it does not matter that this is about the X-Men. It could be Avengers: Grand Design, Spider-Man: Grand Design or even “Grand Designs” about Superman and Batman; the attraction would still be Piskor. Because Piskor loves comic books so much, it shows in his fantastic comics.
A
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------------
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