SECOND TIME SWEETER (A Blessings Novel)
HARPERCOLLINS/William Morrow – @HarperCollins; @WmMorrowBks
[This review was originally posted on Patreon.]
AUTHOR: Beverly Jenkins – @authorMsBev
ISBN: 978-0-06-284617-4; hardcover (August 28, 2018)
302pp, B&W, $19.99 U.S., $24.99 CAN
Second Time Sweeter is a new novel from bestselling author, Beverly Jenkins. This is the ninth novel in Jenkins' “Blessings” series (following 2017's Chasing Down a Dream). Set in the fictional small town of Henry Adams, Second Time Sweeter focuses on a too-proud man seeking forgiveness and redemption and a single-father hoping that he can get a second chance with an old high school flame.
In Henry Adams, Kansas, there is never a dull day, especially when someone is trying to resolve events that occurred when we last visited our friends in Henry Adams. Malachi “Mal” July betrayed the town by stealing $70,000 (and promptly losing it in an investment scheme) and also the woman he loves, Bernadine Brown, the owner of Henry Adams. Now, Bernadine has dumped Mal and refuses to talk to him, and Mal's son, Trent, is both furious and hurt as a result of his father's actions. Even Trent's sons (and Mal's grandsons), Amari and Devon, are disappointed and exasperated with their grandfather. Mal knows that he needs to make restitution, but he has prideful notions that everyone should simply forgive him and move on from his... indiscretions. However, the revenge of another woman he spurned will force Mal to reconsider his uppity attitude.
Meanwhile, single-father, Gary Clark, is looking forward to his thirtieth high school reunion. Although he deeply loves his two daughters, Leah and Tiffany, Gary feels that his life is in a rut. He hopes a reunion with Elanor “Nori” Price, the high school girlfriend he was forced to give up, will prove that there is still a spark between the two of them. However, the woman he did end up marrying, his ex-wife, Colleen Ewing, is demanding a reunion of her own. Is the second time sweeter? Witness all this and more, plus the arrival of a mob hit-woman...
I had heard of author Beverly Jenkins, but had never read her work until I read her 2016 novel, Stepping to a New Day (the seventh “Blessings” novel). I immediately fell in love with the characters and with the town of Henry Adams. Adams is the kind of small town that Norman Rockwell or Walt Disney could have loved. Unlike a Disney small town idyll, however, Henry Adams has a diverse population. Henry Adams' predominately African-American population is descended from slaves, freemen, Native American, and assorted rascals
Second Time Sweeter is the third Blessings novel that I have read. It is also the darkest of the trio, as several characters are confronted by the consequences of their actions and/or by their troubled pasts. Jenkins also references some violent and troubling incidents from Henry Adams' past that I really do not remember her doing (or doing as much) in Stepping to a New Day or in Chasing Down a Dream (Blessings #8).
But damn, in Second Time Sweeter, every word of the good times, the bad times, and the ugly times is a joy to read. Jenkins' prose is efficient, but also elegant and is straightforward, but also evocative and emotive. In articles and courses that try to teach and guide budding authors on writing, creating engaging characters is emphasized. Jenkins offers the most lovable protagonists and the most engrossing antagonists. Jenkins captivates her readers with good guys and gals and bad folks alike, as always, especially in Second Time Sweeter.
Beverly Jenkins is a fantastic teller of tales of the heart. I recommend her novels without hesitation, and Second Time Sweeter is a sweet read times three. If Ms. Jenkins stopped writing “Blessings” novels, I might have to act like that crazy-ass woman in Stephen King's Misery.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint syndication rights and fees.
--------------------
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Wednesday, October 10, 2018
Book Review: SECOND TIME SWEETER
Labels:
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Black Authors,
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Review
Tuesday, October 9, 2018
Review: INCOGNEGRO: Renaissance #1
INCOGNEGRO: RENAISSANCE No. 1 (OF 5)
DARK HORSE COMICS/Berger Books – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Mat Johnson
ART: Warren Pleece
LETTERS: Clem Robin
EDITOR: Karen Berger – @karenpberger
28pp, B&W, $3.99 U.S. (February 2018)
Mature Readers
Part 1: “Soaked”
Incognegro is an original graphic novel created by writer Mat Johnson and artist Warren Pleece. First published by DC Comics' Vertigo imprint in 2008, Incognegro is set in the 1930’s and focuses on Zane Pinchback, of the neighborhood of Harlem in New York City. Zane is a reporter for the “New Holland Herald,” a newspaper which serves the Black community of Harlem and beyond. Although Zane is a Negro, his skin complexion is so light that he looks like a White man. When Zane pretends to be a White man, he is doing what is called “passing” or “going incognegro.”
Zane occasionally leaves the relative safety of Harlem and heads to the Deep South where he infiltrates the local White populace – “going incognegro.” Pretending to be a White man, Zane can freely take pictures of the lynchings of black men and also learn the names of the respectable folks attending these ghastly events. In the main story of Incognegro, Zane is forced to travel back to Tupelo, Mississippi where his estranged brother, Alonzo “Pinchy” Pinchback, is scheduled to hang for the murder of a white woman. Zane has to find the real killer while someone who knows of Zane's ruse of passing as a White man arrives in Tupelo, determined to find Zane and out him to the White populace.
Zane Pinchback returns in a new five-issue miniseries, Incognegro: Renaissance, a prequel of sorts to the Incognegro graphic novel. This new comic book is written and drawn by the original Incognegro team of Johnson and Pleece and lettered by Clem Robins. This miniseries is published by Dark Horse Comics' imprint, Berger Books, which is headed by DC Comics/Vertigo's legendary former editor, Karen Berger.
Incognegro: Renaissance #1 opens about two decades before the events depicted in the original Incognegro in New York City of the early 1920s. Zane Pinchback, a young reporter for the New Holland Herald, is accompanying his friend, Carl (who is also a lightly-complected Negro) to a swanky book release party in midtown New York that is being held at a White man's apartment.
Former literary sensation, Arna Van Horn, is celebrating the release of his first book in about 15 years. Set in Harlem, the book is entitled “Nigger Town.” During the party, a dark-skinned Black man named Xavier Harris causes a commotion that leads to a shocking turn of events. The party may also provide an opportunity for a struggling young reporter to make a name for himself.
I am probably one of the few comic book reviewers (if not the only one) outside the mainstream, big media press that listed Incognegro as one of the top five comic books of the first decade of the twenty-first century. Incognegro did turn out to be quite well regarded with critics and reviewers who don't trade in the comic book fan-driven press. According to author Mat Johnson, the original Incognegro was quite popular in high school and college classes, but for some reason, DC Comics allowed the graphic novel to go out of print. Incognegro is back in print under Berger Books, so hopefully, it has found a long-term home.
Concerning Incognegro: Renaissance: it opens with a strong first issue. Mat Johnson's writing is as witty and as engaging as ever, and his eye as a social critic and a commentator may be stronger than ever. In his hands, the pen is not mightier than the sword; it is a sharp and beautifully lethal sword.
I was not crazy about Warren Pleece as the artist of the first Incognegro. Although, his storytelling was good, I found his compositions to be awkward. Now, I have warmed to him. His pen is also a switchblade, honey. Here, Pleece's storytelling is mostly subtle and graceful, but there are times when he conveys the hypocrisy of a 1920's high White society that treats Negros like pets so bluntly. One might mistake this British comics artist as a propagandist for Black radicals.
Readers who want really exceptional comic books will want Incognegro: Renaissance.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
----------------------------------
DARK HORSE COMICS/Berger Books – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Mat Johnson
ART: Warren Pleece
LETTERS: Clem Robin
EDITOR: Karen Berger – @karenpberger
28pp, B&W, $3.99 U.S. (February 2018)
Mature Readers
Part 1: “Soaked”
Incognegro is an original graphic novel created by writer Mat Johnson and artist Warren Pleece. First published by DC Comics' Vertigo imprint in 2008, Incognegro is set in the 1930’s and focuses on Zane Pinchback, of the neighborhood of Harlem in New York City. Zane is a reporter for the “New Holland Herald,” a newspaper which serves the Black community of Harlem and beyond. Although Zane is a Negro, his skin complexion is so light that he looks like a White man. When Zane pretends to be a White man, he is doing what is called “passing” or “going incognegro.”
Zane occasionally leaves the relative safety of Harlem and heads to the Deep South where he infiltrates the local White populace – “going incognegro.” Pretending to be a White man, Zane can freely take pictures of the lynchings of black men and also learn the names of the respectable folks attending these ghastly events. In the main story of Incognegro, Zane is forced to travel back to Tupelo, Mississippi where his estranged brother, Alonzo “Pinchy” Pinchback, is scheduled to hang for the murder of a white woman. Zane has to find the real killer while someone who knows of Zane's ruse of passing as a White man arrives in Tupelo, determined to find Zane and out him to the White populace.
Zane Pinchback returns in a new five-issue miniseries, Incognegro: Renaissance, a prequel of sorts to the Incognegro graphic novel. This new comic book is written and drawn by the original Incognegro team of Johnson and Pleece and lettered by Clem Robins. This miniseries is published by Dark Horse Comics' imprint, Berger Books, which is headed by DC Comics/Vertigo's legendary former editor, Karen Berger.
Incognegro: Renaissance #1 opens about two decades before the events depicted in the original Incognegro in New York City of the early 1920s. Zane Pinchback, a young reporter for the New Holland Herald, is accompanying his friend, Carl (who is also a lightly-complected Negro) to a swanky book release party in midtown New York that is being held at a White man's apartment.
Former literary sensation, Arna Van Horn, is celebrating the release of his first book in about 15 years. Set in Harlem, the book is entitled “Nigger Town.” During the party, a dark-skinned Black man named Xavier Harris causes a commotion that leads to a shocking turn of events. The party may also provide an opportunity for a struggling young reporter to make a name for himself.
I am probably one of the few comic book reviewers (if not the only one) outside the mainstream, big media press that listed Incognegro as one of the top five comic books of the first decade of the twenty-first century. Incognegro did turn out to be quite well regarded with critics and reviewers who don't trade in the comic book fan-driven press. According to author Mat Johnson, the original Incognegro was quite popular in high school and college classes, but for some reason, DC Comics allowed the graphic novel to go out of print. Incognegro is back in print under Berger Books, so hopefully, it has found a long-term home.
Concerning Incognegro: Renaissance: it opens with a strong first issue. Mat Johnson's writing is as witty and as engaging as ever, and his eye as a social critic and a commentator may be stronger than ever. In his hands, the pen is not mightier than the sword; it is a sharp and beautifully lethal sword.
I was not crazy about Warren Pleece as the artist of the first Incognegro. Although, his storytelling was good, I found his compositions to be awkward. Now, I have warmed to him. His pen is also a switchblade, honey. Here, Pleece's storytelling is mostly subtle and graceful, but there are times when he conveys the hypocrisy of a 1920's high White society that treats Negros like pets so bluntly. One might mistake this British comics artist as a propagandist for Black radicals.
Readers who want really exceptional comic books will want Incognegro: Renaissance.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
----------------------------------
Labels:
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Monday, October 8, 2018
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