DEADMAN No. 1 (OF 6)
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY/ART/COLORS: Neal Adams
LETTERS: Clem Robins
COVER: Neal Adams
32pp, Color, $3.99 U.S./$4.99 U.S. for Glow-in-the-Dark cover (January 2018)
Rated “T+” for “Teen Plus”
Deadman created by Arnold Drake and Carmine Infantino
“Journey into Death” Part One: “Still Dead... After All These Years!”
Deadman is a DC Comics superhero. The character first appeared in Strange Adventures #205 (cover dated: October 1967) and was created by writer Arnold Drake and artist Carmine Infantino. Deadman is a ghost, but he was once Boston Brand, a circus trapeze artist.
Brand performed under the name “Deadman,” his stage persona which included him wearing a red costume and white corpse makeup. Brand was murdered during a trapeze performance by a mysterious assailant known only as “the Hook.” A Hindu god named “Rama Kushna” gave Brand's spirit the power to possess any living being, so that Brand could search for his murderer and obtain justice. Brand's spirit takes the moniker “Deadman,” and he becomes a superhero of sorts.
The original Deadman comic books are most associated with legendary artist, Neal Adams, and writer Jack Miller, the creative team that took over the Deadman serial after Arnold Drake and Carmine Infantino created the initial story. Neal Adams returns to the character in the new six-issue miniseries, Deadman, which he writes, draws, and colors. Clem Robins letters the series.
Deadman #1 (“Still Dead... After All These Years!”) opens where readers last left Deadman – discovering that the true story had barely begun! Deadman’s death was unsolved, and even Batman could unravel the fantastic mysteries surrounding Boston Brand.
The story opens in Japan where Commissioner James Gordon of the Gotham City Police Department has arrived as part of a nuclear safety inspection team. However, Ra's al Ghul's League of Assassins is apparently plotting to kill Gordon, and Deadman has learned that Boston's murder may have been a test for Hook and members of the League. Will Deadman gets any answers, even after Batman enters the drama and stirs chaos?
The last several years has seen Neal Adams produced a number of limited series comic books starring DC Comics' most popular superheroes, especially Batman and Superman. I have totally ignored those comic books, but I could not ignore a Neal Adams Deadman comic book.
Deadman #1 is not a particularly good comic book. Yes, the art displays Neal Adams' signature dynamic page layout and also some nice graphic design that is not as dynamic. However, the story reads like something undisciplined or unfocused. Let's be honest: DC Comics would not allow a first time comic book writer to get away with the kind of clunky and awkward storytelling found in this first issue unless he or she were the child of someone powerful and influential at DC Comics' parent corporation, Time-Warner.
I tried to lie to myself, the first step in lying to you, dear readers, but Deadman #1 is not good. I hope it gets better, but the first issue does not make a compelling argument that I keep reading.
2 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-------------------------
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Friday, December 28, 2018
Review: DEADMAN #1
Thursday, December 27, 2018
Review: THE RUFF AND REDDY SHOW #1
THE RUFF & REDDY SHOW No. 1 (OF 6)
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
WRITER: Howard Chaykin
ART: Mac Rey
COLORS: Mac Rey
LETTERS: Ken Bruzenak
COVER: Howard Chaykin with Wil Quintana
VARIANT COVER: Mac Rey
32pp, Color, $3.99 U.S. (December 2017)
Rated “T+” for “Teen Plus”
Ruff and Reddy: A Cautionary Tale in Six Parts Part One
“The Ruff and Reddy Show” (also known as “Ruff and Reddy”) was an animated television series made by Hanna-Barbera Productions (H-B Productions) for NBC. It was also the first animated series produced by Hanna-Barbera. “The Ruff and Reddy Show” premiered in December 1957 and ran for fifty episodes until April 1960, comprising three seasons. “Ruff and Reddy” followed the adventures of Ruff, a smart and steadfast cat, and Reddy, a friendly and brave (but not too bright) dog.
DC Comics has been reinventing and re-imagining classic Hanna-Barbera Saturday morning cartoons in new comic book series since early 2016, the best example being Scooby Apocalypse, which is “Scooby-Doo, Where Are You?” with an apocalyptic twist.
“The Ruff and Reddy Show” is the latest classic H-B series to get a DC Comics re-imagining. The Ruff & Reddy Show is a six-issue comic book miniseries. It is written by Howard Chaykin; drawn and colored by Mac Rey; and lettered by Ken Bruzenak.
The Ruff & Reddy Show #1 opens in the 1950s and finds America caught between communist/Russia hysteria and the comfort of post-WWII economic prosperity (which white people who are of the Silent Generation or are Baby Boomers call “the good old days”). On television, “The Ruff and Reddy Show” is a hit, but its stars are not necessarily in the best place. Ruff and his comedy partner, Reddy, are “celimates,” and neither guy really likes the other. When everything falls apart, are they ready to try something new to get back to the top of the entertainment mountain?
Considering that this is written by Howard Chaykin, it is surprisingly unimaginative. The Ruff and Reddy Show also shares a setting that is similar to Satellite Sam (Image Comics), the series Chaykin produced with writer Matt Fraction. I was somewhat interested in Satellite Sam, but not enough to really seek out the series past the first issue. I am even less interested in The Ruff and Reddy Show; it just seems like DC Comics is really reaching in its (forced?) effort to re imagine the Hanna-Barbera library. It seems as if Chaykin favors the lost potential or possibilities of the past (this series and his other work set post-WWII) while holding the actual potential and possibilities of the present in disdain?
Also, the story is lost in all the dark colors and black space created by artist Mac Rey. Rey's art looks like the work of someone who misunderstands Maurice Noble and uses illustration software to make ugly Maurice Noble-inspired art. I don't know if I will read the second issue, but I do know that The Ruff & Reddy Show #1 is not worth its $3.99 cover price.
3.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-------------------------
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
WRITER: Howard Chaykin
ART: Mac Rey
COLORS: Mac Rey
LETTERS: Ken Bruzenak
COVER: Howard Chaykin with Wil Quintana
VARIANT COVER: Mac Rey
32pp, Color, $3.99 U.S. (December 2017)
Rated “T+” for “Teen Plus”
Ruff and Reddy: A Cautionary Tale in Six Parts Part One
“The Ruff and Reddy Show” (also known as “Ruff and Reddy”) was an animated television series made by Hanna-Barbera Productions (H-B Productions) for NBC. It was also the first animated series produced by Hanna-Barbera. “The Ruff and Reddy Show” premiered in December 1957 and ran for fifty episodes until April 1960, comprising three seasons. “Ruff and Reddy” followed the adventures of Ruff, a smart and steadfast cat, and Reddy, a friendly and brave (but not too bright) dog.
DC Comics has been reinventing and re-imagining classic Hanna-Barbera Saturday morning cartoons in new comic book series since early 2016, the best example being Scooby Apocalypse, which is “Scooby-Doo, Where Are You?” with an apocalyptic twist.
“The Ruff and Reddy Show” is the latest classic H-B series to get a DC Comics re-imagining. The Ruff & Reddy Show is a six-issue comic book miniseries. It is written by Howard Chaykin; drawn and colored by Mac Rey; and lettered by Ken Bruzenak.
The Ruff & Reddy Show #1 opens in the 1950s and finds America caught between communist/Russia hysteria and the comfort of post-WWII economic prosperity (which white people who are of the Silent Generation or are Baby Boomers call “the good old days”). On television, “The Ruff and Reddy Show” is a hit, but its stars are not necessarily in the best place. Ruff and his comedy partner, Reddy, are “celimates,” and neither guy really likes the other. When everything falls apart, are they ready to try something new to get back to the top of the entertainment mountain?
Considering that this is written by Howard Chaykin, it is surprisingly unimaginative. The Ruff and Reddy Show also shares a setting that is similar to Satellite Sam (Image Comics), the series Chaykin produced with writer Matt Fraction. I was somewhat interested in Satellite Sam, but not enough to really seek out the series past the first issue. I am even less interested in The Ruff and Reddy Show; it just seems like DC Comics is really reaching in its (forced?) effort to re imagine the Hanna-Barbera library. It seems as if Chaykin favors the lost potential or possibilities of the past (this series and his other work set post-WWII) while holding the actual potential and possibilities of the present in disdain?
Also, the story is lost in all the dark colors and black space created by artist Mac Rey. Rey's art looks like the work of someone who misunderstands Maurice Noble and uses illustration software to make ugly Maurice Noble-inspired art. I don't know if I will read the second issue, but I do know that The Ruff & Reddy Show #1 is not worth its $3.99 cover price.
3.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-------------------------
Labels:
DC Comics,
Hanna-Barbera,
Howard Chaykin,
Ken Bruzenak,
Review
Wednesday, December 26, 2018
Review: MAESTROS #1
MAESTROS No. 1
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
WRITER/ARTIST: Steve Skroce
COLORS: Dave Stewart
LETTERS: Fonografiks
COVER: Steve Skroce
VARIANT COVERS: Pia Guerra; Geof Darrow with Dave Stewart
36pp, Color, $3.99 U.S. (October 2017)
Rated “M/ Mature”
Maestros is the new comic book series from writer-artist Steve Skroce. Skroce has produced a number of comic books over a career that is almost three decades long, including the recent miniseries, We Stand on Guard (Image Comics). Skroce's most famous work may be as the storyboard artist for the Oscar-winning film, The Matrix (1999).
Maestros #1 opens in the magical realm of Zainan, where the monstrous wizard, Mardok, is directing the brutal destruction of the royal family. Meanwhile, on Earth, there is a young man named Will who can wield magic. Instead of doing great things with his magic, however, Will is helping enormously rich men... become enormous. Now, Will's mother, Margaret, has returned to bring Will back to his destiny – a destiny that has been problematic for him.
In the synopsis that Image Comics provides for Maestros #1, it includes a quote from award-winning writer, Brian K. Vaughan, Skroce's We Stand on Guard collaborator. The quote read, "MAESTROS is a masterpiece, with one of the best first issues I've ever read. Steve is somehow an even greater writer than he is an artist. Get ready for your new favorite comic." [END]
I have to kind of agree on the first part. This is one of the best first issues that I have read, at least over the last several years. There are 34 pages of story and I could have easily read another 34; in fact, I am anxious (“jonesing”?) for the second issue. Maestros #1 is exciting, imaginative, funny, witty, and delightfully bursting with surprises.
As well written as this is, I am not sure that Skroce could be a better comic book writer than he is a comic book artist, and he is a really good comic book writer – a natural at writing a comic book script. As a comic book artist, Skroce, is so damn good – he is a freak as a artist – that he would have to become the greatest comic book writer of all time to surpass his illustrative skills. Skroce produces some of the most visually striking comic book art and graphics, and his graphical storytelling, from the quietest moments to the fastest action scenes – are potent, to say the least.
Perhaps, we should not separate Skroce as a writer and an artist. He is a comic book cartoonist who produces graphically and visually engrossing comics, and Maestros #1 suggests that this might be his mightiest work yet.
9.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
----------------------
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
WRITER/ARTIST: Steve Skroce
COLORS: Dave Stewart
LETTERS: Fonografiks
COVER: Steve Skroce
VARIANT COVERS: Pia Guerra; Geof Darrow with Dave Stewart
36pp, Color, $3.99 U.S. (October 2017)
Rated “M/ Mature”
Maestros is the new comic book series from writer-artist Steve Skroce. Skroce has produced a number of comic books over a career that is almost three decades long, including the recent miniseries, We Stand on Guard (Image Comics). Skroce's most famous work may be as the storyboard artist for the Oscar-winning film, The Matrix (1999).
Maestros #1 opens in the magical realm of Zainan, where the monstrous wizard, Mardok, is directing the brutal destruction of the royal family. Meanwhile, on Earth, there is a young man named Will who can wield magic. Instead of doing great things with his magic, however, Will is helping enormously rich men... become enormous. Now, Will's mother, Margaret, has returned to bring Will back to his destiny – a destiny that has been problematic for him.
In the synopsis that Image Comics provides for Maestros #1, it includes a quote from award-winning writer, Brian K. Vaughan, Skroce's We Stand on Guard collaborator. The quote read, "MAESTROS is a masterpiece, with one of the best first issues I've ever read. Steve is somehow an even greater writer than he is an artist. Get ready for your new favorite comic." [END]
I have to kind of agree on the first part. This is one of the best first issues that I have read, at least over the last several years. There are 34 pages of story and I could have easily read another 34; in fact, I am anxious (“jonesing”?) for the second issue. Maestros #1 is exciting, imaginative, funny, witty, and delightfully bursting with surprises.
As well written as this is, I am not sure that Skroce could be a better comic book writer than he is a comic book artist, and he is a really good comic book writer – a natural at writing a comic book script. As a comic book artist, Skroce, is so damn good – he is a freak as a artist – that he would have to become the greatest comic book writer of all time to surpass his illustrative skills. Skroce produces some of the most visually striking comic book art and graphics, and his graphical storytelling, from the quietest moments to the fastest action scenes – are potent, to say the least.
Perhaps, we should not separate Skroce as a writer and an artist. He is a comic book cartoonist who produces graphically and visually engrossing comics, and Maestros #1 suggests that this might be his mightiest work yet.
9.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
----------------------
Labels:
Dave Stewart,
Geof Darrow,
Image Comics,
Review,
Steve Skroce
Monday, December 24, 2018
BOOM! Studios from Diamond Distributors for December 26, 2018
BOOM! STUDIOS
OCT181262 BONE PARISH #5 $3.99
OCT188294 BONE PARISH #5 (OF 12) FOC CROOK INCV $3.99
SEP181310 BONE PARISH TP VOL 01 DISCOVER NOW EDITION $14.99
OCT181262 BONE PARISH #5 $3.99
OCT188294 BONE PARISH #5 (OF 12) FOC CROOK INCV $3.99
SEP181310 BONE PARISH TP VOL 01 DISCOVER NOW EDITION $14.99
Labels:
BOOM Studios,
comics news,
Cullen Bunn,
Diamond Distributors
Dark Horse Comics from Diamond Distributors for December 26, 2019
DARK HORSE COMICS
OCT180285 HELLBOY AND BPRD 1956 #2 (OF 5) $3.99
OCT180285 HELLBOY AND BPRD 1956 #2 (OF 5) $3.99
Labels:
comics news,
Dark Horse,
Diamond Distributors,
Hellboy
DC Comics from Diamond Distributors for December 26, 2018
DC COMICS
SEP180541 BATMAN BEYOND TP VOL 04 TARGET BATMAN $14.99
SEP180575 GREEN ARROW WAR OF THE CLANS ESSENTIAL EDITION TP $29.99
SEP180596 NIGHTWING TP VOL 07 THE BLEEDING EDGE $19.99
SEP180611 SUPERMAN REBIRTH DLX COLL HC BOOK 03 $34.99
SEP180541 BATMAN BEYOND TP VOL 04 TARGET BATMAN $14.99
SEP180575 GREEN ARROW WAR OF THE CLANS ESSENTIAL EDITION TP $29.99
SEP180596 NIGHTWING TP VOL 07 THE BLEEDING EDGE $19.99
SEP180611 SUPERMAN REBIRTH DLX COLL HC BOOK 03 $34.99
Labels:
Batman,
comics news,
DC Comics News,
Diamond Distributors,
Superman
Dynamite Entertainment from Diamond Distributors for December 26, 2018
DYNAMITE
OCT181120 MARS ATTACKS #3 CVR A FRANCAVILLA $3.99
OCT181121 MARS ATTACKS #3 CVR B COLEMAN $3.99
OCT181122 MARS ATTACKS #3 CVR C MARRON $3.99
OCT181123 MARS ATTACKS #3 CVR D HACK $3.99
OCT181124 MARS ATTACKS #3 CVR E SCHWEIZER SUB VAR $3.99
OCT181120 MARS ATTACKS #3 CVR A FRANCAVILLA $3.99
OCT181121 MARS ATTACKS #3 CVR B COLEMAN $3.99
OCT181122 MARS ATTACKS #3 CVR C MARRON $3.99
OCT181123 MARS ATTACKS #3 CVR D HACK $3.99
OCT181124 MARS ATTACKS #3 CVR E SCHWEIZER SUB VAR $3.99
Labels:
comics news,
Diamond Distributors,
Dynamite Entertainment,
Francesco Francavilla,
Robert Hack
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