TEENAGE MUTANT NINJA TURTLES, VOL. 16 CHASING PHANTOMS
IDW PUBLISHING – @IDWPublishing
[This review was originally posted on Patreon.]
STORY: Kevin Eastman, Bobby Curnow, and Tom Waltz
SCRIPT: Tom Waltz
ART: Dave Wachter; Mateus Santolouco
COLORS: Ronda Pattison
LETTERS: Shawn Lee
EDITORS: Justin Eisinger and Alonzo Simon
COVER: Dave Wachter
MISC. ART: Dave Hammond; Dave Wachter; Kevin Eastman; Carlos D'Anda; Kevin Eastman with Tomi Varga; Goran Sudzuka with Miroslav Mrva; Alex Kotkin; Rod Thornton; Eric Jones; Edwin Huang; Mateus Santolouco; Garry Brown
ISBN: 978-1-63140-859-5; paperback; 6 5/8 x 10 3/16 (April 2017)
120pp, Color, $19.99 U.S., $25.99 CAN
Teenage Mutant Ninja Turtles created by Kevin Eastman and Peter Laird
The Teenage Mutant Ninja Turtles (also known as TMNT; Ninja Turtles, or “the Turtles”) are a media empire that began with characters created by Kevin Eastman and Peter Laird for the comic book, Teenage Mutant Ninja Turtles #1 (cover dated: May 1984). Donatello, Leonardo, Michelangelo, and Raphael are four teenage anthropomorphic turtles who walk and talk like humans.
An anthropomorphic rat, Master Splinter, adopts them and becomes their sensei. He trains them in the art of ninjutsu. The Turtles live in the sewers of New York City and battle every bad guy, from petty criminals and overlord-mastermind types to alien invaders and mutated creatures. Many of their adventures have been chronicled in comic books, with IDW Publishing current holding the license to produced Turtles comic books since 2011. IDW'S Ninja Turtles comic books have essentially rebooted the TMNT franchise.
The trade paperback, Teenage Mutant Ninja Turtles, Volume 16: Chasing Phantoms, reprints IDW's Teenage Mutant Ninja Turtles #61-65. Issue #61 opens in the wake of the surprise attack that exposed the weaknesses in the Turtles and Splinter's defenses. Now, an ambitious crime lord, Darius Dun, and his technologically-equipped gang, the “Street Phantoms,” move against them. To maintain his advantage, Dun has Harold Lilja, the inventor who equips the Turtles and Splinter, kidnapped and demands that Lilja serve him.
Meanwhile, the Turtles and their allies prepare to fight back with the help of familiar allies, including Casey Jones. However, the Turtles discover that Master Splinter considers this dispute with Dun to be a war, and they are shocked to learn just how far Splinter is willing to go to win... or just how many secrets he is keeping to himself.
Prior to reading Teenage Mutant Ninja Turtles, Volume 16: Chasing Phantoms, I think that I had read only two TMNT comic books in well over a decade. I was surprised that I enjoyed Chasing Phantoms, although I was not looking forward to reading it after IDW sent me a copy for review last year or so.
The conflict between the Turtles and their Master Splinter is quite potent, but I don't know how long the secrets and lies have been happening. Perhaps, it is less of a big deal for regular Turtle fans if this is a long-simmering plot thread. That said, I found myself shocked, titillated, and all-around entertained. In fact, all the conflicts, especially the Darius Dun-Harold Lilja-Dr Libby Meitner (“The Inventor”) dynamic, are particularly engaging.
I am recommending this trade paperback to readers familiar with the Teenage Mutant Ninja Turtles. If you want to read a good Turtles comic book, I recommend Teenage Mutant Ninja Turtles, Volume 16: Chasing Phantoms. Also, issue #65 is a Christmas issue, so...
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
------------------------
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Wednesday, January 30, 2019
Review: TEENAGE MUTANT NINJA TURTLES, Volume 16: Chasing Phantoms
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Tuesday, January 29, 2019
Review: THE KAMANDI CHALLENGE #12
THE KAMANDI CHALLENGE No. 12 (OF 12)
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Gail Simone
ART: Jill Thompson; Ryan Sook
COLORS: Trish Mulvihill; Laura Martin; Andrew Crossley
LETTERS: Clem Robins
MISC ART: Jose Luis Garcia-Lopez and Joe Prado with Mark Chiarello; Adam Kubert
COVER: Frank Miller with Alex Sinclair
VARIANT COVERS: Ryan Sook; Jose Luis Garcia-Lopez and Joe Prado with Trish Mulvihill
40pp, Color, $4.99 U.S. (February 2018)
Rated “T” for Teen
Kamandi created by Jack Kirby
[Afterword by Paul Levitz]
“The Boundless Realm”
Created by Jack Kirby, Kamandi, The Last Boy on Earth was a comic book series published by DC Comics in the 1970s. Running from 1972 to 1978, the series starred Kamandi, a teenaged boy in a post-apocalyptic future. In this time, humans have been reduced back to savagery in a world ruled by intelligent, highly evolved animals.
Kamandi, The Last Boy on Earth #1 (cover dated: October 1972) opens some time after a huge event called “The Great Disaster,” which wiped out human civilization. In “Earth A.D.” (After Disaster), many animals have become humanoid, bipedal, and sentient, and also possess the power of speech. These newly intelligent animal species have equipped themselves with weapons and technology salvaged from the ruins of human civilization and are constantly at war in a struggle for territory.
The world of Kamandi returned in the DC Comics miniseries, The Kamandi Challenge. Ostensibly a tribute to the 100th anniversary of Jack Kirby's birth (1917), The Kamandi Challenge brought together 14 teams of writers and artists. Each team produced a single issue (or worked on a single issue) of The Kamandi Challenge, which ended in an cliffhanger. The following issue's creative team would resolve that cliffhanger left behind by the previous creative team however it wanted. That team would craft its own story, which also ended in a cliffhanger, which the next creative team would have to resolve... and so on.
The Kamandi Challenge came to an end with the recently published twelfth issue, featuring two creative teams. The first team is writer Gail Simone; artists Jill Thompson and Ryan Sook; colorists Trish Mulvihill; Laura Martin; and Andrew Crossley; and letterer Clem Robins. The second creative team is comprised of writer Paul Levitz; artist José Luis García-López (pencils) and Joe Prado (inks); colorist Trish Mulvihill; and letterer Clem Robins.
The Kamandi Challenge #12 opens with the story “The Boundless Realm” (by the Simone-Thompson/Sook team), which introduces “Kamanda: The Last Girl on Earth.” Who is she and what does she have to tell Kamandi: The Last Boy on Earth as he enters his final battle with “The Misfit?”
The second story is “Epilogue the First: The Answers” by Levitz- García-López. Kamandi meets his creator Jack Kirby and gets some answers. But what kind of answers are they?
Let us make no mistake, Jack Kirby is a great artist, worthy of being a comic book icon (or the comic book icon) and being in the hallowed halls of museums and academia. The problem with tributes to great artist is that those tributes are sometimes offered by people who, while they are influenced by great artists, are not themselves great artists. In fact, sometimes the people who offer tributes are hacks, in spite of the greatness they admire.
And The Kamandi Challenge is the creation of some who are middling talents, some who are hacks, some exceptional talents that produced middling work in this series. In this final issue, from the ugly Frank Miller front cover to the “it was all a dream” type ending, The Kamandi Challenge #12, like the earlier issues, is a tribute in name only to Jack Kirby. Yes, there are some good moments and good issues in this twelve issue maxi-series, but The Kamandi Challenge is a cynical attempt to make money using Jack Kirby's name and legacy.
The best thing about The Kamandi Challenge #12 is Paul Levitz's afterword, which is a true and loving tribute to someone who was obviously a friend, the truly talented and late Len Wein.
5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-----------------
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Gail Simone
ART: Jill Thompson; Ryan Sook
COLORS: Trish Mulvihill; Laura Martin; Andrew Crossley
LETTERS: Clem Robins
MISC ART: Jose Luis Garcia-Lopez and Joe Prado with Mark Chiarello; Adam Kubert
COVER: Frank Miller with Alex Sinclair
VARIANT COVERS: Ryan Sook; Jose Luis Garcia-Lopez and Joe Prado with Trish Mulvihill
40pp, Color, $4.99 U.S. (February 2018)
Rated “T” for Teen
Kamandi created by Jack Kirby
[Afterword by Paul Levitz]
“The Boundless Realm”
Created by Jack Kirby, Kamandi, The Last Boy on Earth was a comic book series published by DC Comics in the 1970s. Running from 1972 to 1978, the series starred Kamandi, a teenaged boy in a post-apocalyptic future. In this time, humans have been reduced back to savagery in a world ruled by intelligent, highly evolved animals.
Kamandi, The Last Boy on Earth #1 (cover dated: October 1972) opens some time after a huge event called “The Great Disaster,” which wiped out human civilization. In “Earth A.D.” (After Disaster), many animals have become humanoid, bipedal, and sentient, and also possess the power of speech. These newly intelligent animal species have equipped themselves with weapons and technology salvaged from the ruins of human civilization and are constantly at war in a struggle for territory.
The world of Kamandi returned in the DC Comics miniseries, The Kamandi Challenge. Ostensibly a tribute to the 100th anniversary of Jack Kirby's birth (1917), The Kamandi Challenge brought together 14 teams of writers and artists. Each team produced a single issue (or worked on a single issue) of The Kamandi Challenge, which ended in an cliffhanger. The following issue's creative team would resolve that cliffhanger left behind by the previous creative team however it wanted. That team would craft its own story, which also ended in a cliffhanger, which the next creative team would have to resolve... and so on.
The Kamandi Challenge came to an end with the recently published twelfth issue, featuring two creative teams. The first team is writer Gail Simone; artists Jill Thompson and Ryan Sook; colorists Trish Mulvihill; Laura Martin; and Andrew Crossley; and letterer Clem Robins. The second creative team is comprised of writer Paul Levitz; artist José Luis García-López (pencils) and Joe Prado (inks); colorist Trish Mulvihill; and letterer Clem Robins.
The Kamandi Challenge #12 opens with the story “The Boundless Realm” (by the Simone-Thompson/Sook team), which introduces “Kamanda: The Last Girl on Earth.” Who is she and what does she have to tell Kamandi: The Last Boy on Earth as he enters his final battle with “The Misfit?”
The second story is “Epilogue the First: The Answers” by Levitz- García-López. Kamandi meets his creator Jack Kirby and gets some answers. But what kind of answers are they?
Let us make no mistake, Jack Kirby is a great artist, worthy of being a comic book icon (or the comic book icon) and being in the hallowed halls of museums and academia. The problem with tributes to great artist is that those tributes are sometimes offered by people who, while they are influenced by great artists, are not themselves great artists. In fact, sometimes the people who offer tributes are hacks, in spite of the greatness they admire.
And The Kamandi Challenge is the creation of some who are middling talents, some who are hacks, some exceptional talents that produced middling work in this series. In this final issue, from the ugly Frank Miller front cover to the “it was all a dream” type ending, The Kamandi Challenge #12, like the earlier issues, is a tribute in name only to Jack Kirby. Yes, there are some good moments and good issues in this twelve issue maxi-series, but The Kamandi Challenge is a cynical attempt to make money using Jack Kirby's name and legacy.
The best thing about The Kamandi Challenge #12 is Paul Levitz's afterword, which is a true and loving tribute to someone who was obviously a friend, the truly talented and late Len Wein.
5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-----------------
Labels:
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Monday, January 28, 2019
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