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Monday, May 13, 2019
Marvel Comics from Diamond Distributors for May 15, 2019
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comics news,
Conan,
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Jason Aaron,
Marvel,
Russell Dauterman,
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Star Wars,
Thor,
X-Men
Comics, Magazines and Books from Diamond Distributors for May 15, 2019
COMICS & GRAPHIC NOVELS
JAN191433 ABERRANT SEASON 2 #2 (OF 5) CVR A LEON DIAS (MR) $3.99
JAN191434 ABERRANT SEASON 2 #2 (OF 5) CVR B LEON DIAS (MR) $3.99
SEP181363 ABERRANT VOL 01 (MR) $14.99
MAR191678 ALEXANDRIA OCASIO CORTEZ & FRESHMAN FORCE WHO DIS ONE SHOT $5.99
FEB191770 ALL TIME COMICS ZEROSIS DEATHSCAPE #0 (MR) $3.99
MAR192230 ANGELS OF DEATH EPISODE 0 GN VOL 02 $13.00
MAR192229 ANNE HAPPY GN VOL 09 UNHAPPY GO LUCKY $13.00
MAR191653 APPALACHIAN APOCALYPSE #5 $3.99
MAR191480 ARCHIE GIANT COMICS GALA GN $9.99
SEP181356 ATHENA VOLTAIRE GOLDEN DAWN TP $14.99
MAR191628 BELLADONNA #3 COSTUME CHANGE A (MR) $8.99
MAR191629 BELLADONNA #3 COSTUME CHANGE B (MR) $8.99
MAR191630 BELLADONNA #3 COSTUME CHANGE C (MR) $8.99
MAR191631 BELLADONNA #3 NUDE & NAUGHTY A (MR) $9.99
MAR191632 BELLADONNA #3 NUDE & NAUGHTY B (MR) $16.99
MAR191633 BELLADONNA #3 NUDE & NAUGHTY C (MR) $16.99
MAR191634 BELLADONNA #4 COSTUME CHANGE A (MR) $8.99
MAR191635 BELLADONNA #4 COSTUME CHANGE B (MR) $8.99
MAR191636 BELLADONNA #4 COSTUME CHANGE C (MR) $8.99
MAR191637 BELLADONNA #4 NUDE & NAUGHTY A (MR) $9.99
MAR191638 BELLADONNA #4 NUDE & NAUGHTY B (MR) $16.99
MAR191639 BELLADONNA #4 NUDE & NAUGHTY C (MR) $16.99
MAR191485 BETTY & VERONICA JUMBO COMICS DIGEST #273 $6.99
AUG181435 BLACK BETTY TP VOL 02 $14.99
FEB192298 BLANK CANVAS SO CALLED ARTISTS JOURNEY GN VOL 01 $13.99
MAR191654 BLESSED MACHINE #3 $3.99
MAR192029 BLOODBORNE #12 CVR A WORM (MR) $3.99
MAR192030 BLOODBORNE #12 CVR B YOSHIOKA (MR) $3.99
MAR192031 BLOODBORNE #12 CVR C GAME ART (MR) $3.99
FEB192286 BLUES FOR LADY DAY GN STORY OF BILLIE HOLIDAY $14.95
MAR191418 CASPER CAPERS #4 LTD ED CVR $9.99
MAR191417 CASPER CAPERS #4 SCHERER MAIN CVR $3.99
FEB191856 CATALYST PRIME INCIDENTALS #18 $3.99
MAR192231 CHIOS SCHOOL ROAD GN VOL 04 $13.00
MAR191505 CINEMA PURGATORIO #18 (MR) $6.99
MAR191510 CINEMA PURGATORIO #18 ANCIENT TOME PREMIUM CVR (MR) $9.99
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MAR191509 CINEMA PURGATORIO #18 VAST CVR (MR) $6.99
MAR191518 CROSSED ANNUAL 2013 C-DAY BONUS (MR) $9.99
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MAR191519 CROSSED FAMILY VALUES #4 (OF 7) NEW YORK VIP (MR) $19.99
MAR191522 CROSSED PSYCHOPATH #1 (OF 7) PHOENIX VIP (MR) $19.99
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JAN191444 DANGER DOLL SQUAD PRESENTS AMALGAMA LIVES #2 CVR B MACCAGNI $4.99
JAN191445 DANGER DOLL SQUAD PRESENTS AMALGAMA LIVES #2 CVR C CELOR (MR $4.99
JAN191446 DANGER DOLL SQUAD PRESENTS AMALGAMA LIVES #2 CVR D CELOR RIS $4.99
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FEB192299 DIDNT I SAY MAKE MY ABILITIES AVERAGE GN VOL 03 $12.99
MAR192232 DIMENSION W GN VOL 14 (MR) $13.00
OCT181313 DOUBLE JUMPERS TP VOL 02 FULL CIRCLE JERKS (MR) $14.99
JAN192024 DREAM DADDY DAD DATING COMIC BOOK TP $19.99
FEB192301 EVE X EVE GN (MR) $13.99
MAR191500 FATHOM VOL 8 #1 CVR A CAMPETELLA $3.99
MAR191501 FATHOM VOL 8 #1 CVR B TURNER $3.99
MAR191447 FLASH SC YA NOVEL VOL 01 HOCUS POCUS (RES) $8.99
MAR191935 FUZZY BASEBALL HC GN VOL 01 $12.99
MAR191862 GENDER QUEER MEMOIR GN $17.99
MAR191655 GEORGE MCDONALDS LIGHT PRINCESS #4 $3.99
MAR191793 GLITCH GN VOL 01 $14.99
MAR191794 GLITCH HC GN $26.99
FEB191840 GODZILLA AFTERSHOCK HC GN $24.99
DEC181558 GOLD DIGGER #263 $3.99
MAR192234 GRAINELIERS GN VOL 03 $13.00
OCT181314 GUNCATS TP VOL 01 $14.99
MAR192228 HAPPY SUGAR LIFE GN VOL 01 $13.00
MAR191640 HELLINA SCYTHE #2 FETISH FASHION A (MR) $8.99
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FEB191568 LADY DEATH APOCALYPSE #1 ORIGINAL SKETCH ED COSMIC (MR) $19.99
FEB191569 LADY DEATH APOCALYPSE #1 ORIGINAL SKETCH ED HEADLIGHTS (MR) $19.99
FEB191570 LADY DEATH APOCALYPSE #1 ORIGINAL SKETCH ED LOVELY (MR) $19.99
FEB191571 LADY DEATH APOCALYPSE #1 ORIGINAL SKETCH ED NOCTURNAL (MR) $19.99
FEB191572 LADY DEATH APOCALYPSE #1 ORIGINAL SKETCH ED REAR VIEW (MR) $19.99
FEB191573 LADY DEATH APOCALYPSE #1 ORIGINAL SKETCH ED VAMP (MR) $19.99
FEB191574 LADY DEATH APOCALYPSE #1 ORIGINAL SKETCH ED WET (MR) $19.99
MAR192240 LAID BACK CAMP GN VOL 06 $13.00
MAR192073 LIFE & DEATH OF TOYO HARADA #3 (OF 6) CVR A SUAYAN $4.99
MAR192074 LIFE & DEATH OF TOYO HARADA #3 (OF 6) CVR B GANUCHEAU $4.99
MAR192075 LIFE & DEATH OF TOYO HARADA #3 (OF 6) CVR C JOTHIKUMAR $4.99
FEB198909 LIFE & DEATH OF TOYO HARADA #3 (OF 6) CVR D PRE-ORDER BUNDLE $4.99
MAR192250 LITTLE WITCH ACADEMIA GN VOL 03 $10.00
MAR192070 LIVEWIRE #6 CVR A ROCAFORT $3.99
MAR192071 LIVEWIRE #6 CVR B SNYDER III $3.99
MAR192072 LIVEWIRE #6 CVR C DOE $3.99
FEB198910 LIVEWIRE #6 CVR D PRE-ORDER BUNDLE ED $3.99
MAR192140 LOVE IN LIMBO GN VOL 01 (MR) $12.99
FEB192304 MAGICAL GIRL SITE GN VOL 09 (MR) $12.99
FEB192307 MASAMUNE KUNS REVENGE GN VOL 10 $12.99
MAR191904 MORNING IN AMERICA #3 $3.99
FEB192306 MY MONSTER SECRET GN VOL 16 $12.99
JAN192445 OJOJOJO GN VOL 02 $16.99
MAR191854 ON THE RUN IN ANCIENT CHINA GN $11.99
MAR191855 ON THE RUN IN ANCIENT CHINA HC GN $15.99
MAR198405 ORPHAN AGE #1 2ND PTG $3.99
MAR191369 ORPHAN AGE #2 $3.99
MAR192241 OVERLORD GN VOL 10 (MR) $13.00
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MAR191779 SCIENCE COMICS CARS ENGINES THAT MOVE YOU HC GN $19.99
MAR191778 SCIENCE COMICS CARS ENGINES THAT MOVE YOU SC GN $12.99
MAR191327 SEAFOAM FRIEND FOR MADISON #1 CVR A $3.99
MAR191328 SEAFOAM FRIEND FOR MADISON #1 CVR B $3.99
FEB191870 SERIOUS TP $15.99
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FEB192311 SORCEROUS STABBER ORPHEN GN VOL 01 HEED MY CALL PT1 $12.99
DEC181561 STARS END #4 (OF 4) $3.99
MAR191811 STATES OF MIND GN TP (MR) $14.95
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MAR192248 THOUGH YOU MAY BURN TO ASH GN VOL 05 $13.00
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MAR191523 UBER #0 ENHANCED ED IT BEGINS (MR) $9.99
MAR191524 UBER #1 IT ENDS (MR) $9.99
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MAGAZINES
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BOOKS
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MAR191822 ART OF HARRY POTTER MINI BOOK OF CREATURES HC $11.99
MAR191660 ART OF TOY STORY 4 HC $40.00
MAR191824 DC COMICS DETECTIVE COMICS COMP COVERS MINI HC VOL 02 $11.99
MAR191659 DC COMICS SUPER VILLAINS 100 GREATEST MOMENTS HC $24.99
MAR191825 DC COMICS WONDER WOMAN COMP COVERS MINI HC VOL 02 $11.99
MAR192222 DEATH MARCH PARALLEL WORLD RHAPSODY NOVEL SC VOL 08 $14.00
MAR192223 GOBLIN SLAYER LIGHT NOVEL SC VOL 07 $14.00
FEB192313 HOW REALIST HERO REBUILT KINGDOM LIGHT NOVEL VOL 03 $13.99
MAR191681 I AM KIND ABE LINCOLN BOARD BOOK $7.99
MAR191682 I AM UNSTOPPABLE AMELIA EARHART BOARD BOOK $7.99
MAR191679 INSIDE FAMILY GUY ILLUSTRATED HISTORY HC $34.99
MAR191978 LEGO HARRY POTTER HOGWARTS HANDBOOK W MINI FIGURE $12.99
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MAR192225 SISTERS ALL YOU NEED LIGHT NOVEL SC VOL 04 $14.00
MAR191820 STRANGE HIGHWAYS ILLUSTRATED NOVEL HC $35.00
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MAR191448 SUPERGIRL SC YA NOVEL VOL 01 AGE OF ATLANTIS (RES) $8.99
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MAR192220 TORTURE PRINCESS FREMD TORTURCHEN NOVEL SC VOL 01 $14.00
MAR192221 WOLF CHILDREN AME & YUKI LIGHT NOVEL HC $20.00
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MAR191678 ALEXANDRIA OCASIO CORTEZ & FRESHMAN FORCE WHO DIS ONE SHOT $5.99
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MAR192230 ANGELS OF DEATH EPISODE 0 GN VOL 02 $13.00
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MAR191653 APPALACHIAN APOCALYPSE #5 $3.99
MAR191480 ARCHIE GIANT COMICS GALA GN $9.99
SEP181356 ATHENA VOLTAIRE GOLDEN DAWN TP $14.99
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MAR191485 BETTY & VERONICA JUMBO COMICS DIGEST #273 $6.99
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MAR192029 BLOODBORNE #12 CVR A WORM (MR) $3.99
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FEB192299 DIDNT I SAY MAKE MY ABILITIES AVERAGE GN VOL 03 $12.99
MAR192232 DIMENSION W GN VOL 14 (MR) $13.00
OCT181313 DOUBLE JUMPERS TP VOL 02 FULL CIRCLE JERKS (MR) $14.99
JAN192024 DREAM DADDY DAD DATING COMIC BOOK TP $19.99
FEB192301 EVE X EVE GN (MR) $13.99
MAR191500 FATHOM VOL 8 #1 CVR A CAMPETELLA $3.99
MAR191501 FATHOM VOL 8 #1 CVR B TURNER $3.99
MAR191447 FLASH SC YA NOVEL VOL 01 HOCUS POCUS (RES) $8.99
MAR191935 FUZZY BASEBALL HC GN VOL 01 $12.99
MAR191862 GENDER QUEER MEMOIR GN $17.99
MAR191655 GEORGE MCDONALDS LIGHT PRINCESS #4 $3.99
MAR191793 GLITCH GN VOL 01 $14.99
MAR191794 GLITCH HC GN $26.99
FEB191840 GODZILLA AFTERSHOCK HC GN $24.99
DEC181558 GOLD DIGGER #263 $3.99
MAR192234 GRAINELIERS GN VOL 03 $13.00
OCT181314 GUNCATS TP VOL 01 $14.99
MAR192228 HAPPY SUGAR LIFE GN VOL 01 $13.00
MAR191640 HELLINA SCYTHE #2 FETISH FASHION A (MR) $8.99
MAR191641 HELLINA SCYTHE #2 FETISH FASHION B (MR) $8.99
MAR191642 HELLINA SCYTHE #2 FETISH FASHION C (MR) $8.99
MAR191643 HELLINA SCYTHE #2 NUDE & NAUGHTY A (MR) $9.99
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BOOKS
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Labels:
AfterShock,
Archie Comics,
Art Book,
Book News,
comics news,
Diamond Distributors,
Kodansha,
Legendary Comics,
manga news,
Neil Gaiman,
SuBLime,
Titan Publishing,
TOKYOPOP,
Valiant Comics,
VIZ Media
Saturday, May 11, 2019
Review: RED SONJA / TARZAN #1
RED SONJA / TARZAN No. 1
DYNAMITE ENTERTAINMENT – @dynamitecomics
[This review was originally posted on Patreon.]
WRITER: Gail Simone – @GailSimone
ARTIST: Walter Geovani
COLORS: Adriano Augusto
LETTERS: Simon Bowland
COVER: Adam Hughes
VARIANT COVER ARTISTS: Jae Lee with June Chung; Aaron Lopresti; Walter Geovani with Dee Cunniffe; Sergio Davila with Dinei Ribeiro; Sergio Davila; Jae Lee; Jim Balent
32pp, Color, $3.99 U.S. (May 2, 2018)
Rated Teen+
In the Marvel Comics publication, Conan the Barbarian #23 (cover dated February 1973), writer Roy Thomas and artist Barry Windsor-Smith created a high fantasy sword and sorcery heroine. She was named Red Sonja and was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the 1934 short story, “The Shadow of the Vulture,” written by Conan the Cimmerian's creator, Robert E. Howard.
Tarzan is one of the most famous fictional characters in the world. Tarzan was an orphan and the archetypal “feral child,” and in this instance, he was raised in the African jungle by great apes. Tarzan was born a noble, John Clayton, Lord Greystoke, but he rejects civilization and lives in the wilds of Africa as a heroic adventurer. Tarzan was created by Edgar Rice Burroughs and first appeared in the novel, Tarzan of the Apes, which began serialization in All-Story Magazines in 1912, before it was published in book form in 1914. Tarzan would go onto to be a multimedia star, appearing in films, television, comic books, etc.
Red Sonja and Tarzan come together for the first time in the new crossover comic book miniseries, Red Sonja / Tarzan, from Dynamite Entertainment. It is written by Gail Simone; drawn by Walter Geovani; colored by Adriano Augusto; and lettered by Simon Bowland. The series finds Red Sonja (The She-Devil with a Sword) and Tarzan (Lord of the Jungle) caught in a deadly conflict with a man whose very name inspires fear in even the most powerful people.
Red Sonja / Tarzan #1 opens in Australia in 1921, revealing the exploits of the evil “great White hunter,” Eson Duul. A year later, outside London, Tarzan clashes with Duul, a first step, which unbeknownst to Tarzan, begins a game of death between the two formidable men. Meanwhile, in the “Hyborian Age,” Red Sonja has her own unpleasant encounter, one that will leave her broken and crossing the oceans of time in order to get revenge.
Pencil ink artist Walter Geovani and color artist Adriano Augusto deliver some nice illustrations and storytelling in Red Sonja / Tarzan #1, and they are quite good at conveying the multiple shifts in settings and time that this story requires. Letter Simon Bowland uses his fonts and balloons to give this story a sense of hysteria that imparts the sense of many of the characters' state of desperation.
However, the star of this creative team is Gail Simone. She may be a fan-favorite, but I consider her an underrated and under-appreciated comic book writer. If she were not under-appreciated, she would have been writing flagship comic books like Avengers, The Amazing Spider-Man, X-Men, and Star Wars (for Marvel) and Superman, Batman, and Justice League (for DC Comics).
Simone is adept at quickly establishing the personalities of her characters and at defining their motivations for her readers. Simone totally sells the idea of Red Sonja, that same She-Devil with a Sword, as a woman who has been soundly defeated, especially mentally. Simone makes Duul so evil that I could order a drone attack on the bastard myself, and I am not a supporter of drone warfare.
Gail Simone is going to make Red Sonja / Tarzan a must-read, event crossover comic book. It is worth fighting in your local comic book shop over a last copy.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-----------------------
DYNAMITE ENTERTAINMENT – @dynamitecomics
[This review was originally posted on Patreon.]
WRITER: Gail Simone – @GailSimone
ARTIST: Walter Geovani
COLORS: Adriano Augusto
LETTERS: Simon Bowland
COVER: Adam Hughes
VARIANT COVER ARTISTS: Jae Lee with June Chung; Aaron Lopresti; Walter Geovani with Dee Cunniffe; Sergio Davila with Dinei Ribeiro; Sergio Davila; Jae Lee; Jim Balent
32pp, Color, $3.99 U.S. (May 2, 2018)
Rated Teen+
In the Marvel Comics publication, Conan the Barbarian #23 (cover dated February 1973), writer Roy Thomas and artist Barry Windsor-Smith created a high fantasy sword and sorcery heroine. She was named Red Sonja and was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the 1934 short story, “The Shadow of the Vulture,” written by Conan the Cimmerian's creator, Robert E. Howard.
Tarzan is one of the most famous fictional characters in the world. Tarzan was an orphan and the archetypal “feral child,” and in this instance, he was raised in the African jungle by great apes. Tarzan was born a noble, John Clayton, Lord Greystoke, but he rejects civilization and lives in the wilds of Africa as a heroic adventurer. Tarzan was created by Edgar Rice Burroughs and first appeared in the novel, Tarzan of the Apes, which began serialization in All-Story Magazines in 1912, before it was published in book form in 1914. Tarzan would go onto to be a multimedia star, appearing in films, television, comic books, etc.
Red Sonja and Tarzan come together for the first time in the new crossover comic book miniseries, Red Sonja / Tarzan, from Dynamite Entertainment. It is written by Gail Simone; drawn by Walter Geovani; colored by Adriano Augusto; and lettered by Simon Bowland. The series finds Red Sonja (The She-Devil with a Sword) and Tarzan (Lord of the Jungle) caught in a deadly conflict with a man whose very name inspires fear in even the most powerful people.
Red Sonja / Tarzan #1 opens in Australia in 1921, revealing the exploits of the evil “great White hunter,” Eson Duul. A year later, outside London, Tarzan clashes with Duul, a first step, which unbeknownst to Tarzan, begins a game of death between the two formidable men. Meanwhile, in the “Hyborian Age,” Red Sonja has her own unpleasant encounter, one that will leave her broken and crossing the oceans of time in order to get revenge.
Pencil ink artist Walter Geovani and color artist Adriano Augusto deliver some nice illustrations and storytelling in Red Sonja / Tarzan #1, and they are quite good at conveying the multiple shifts in settings and time that this story requires. Letter Simon Bowland uses his fonts and balloons to give this story a sense of hysteria that imparts the sense of many of the characters' state of desperation.
However, the star of this creative team is Gail Simone. She may be a fan-favorite, but I consider her an underrated and under-appreciated comic book writer. If she were not under-appreciated, she would have been writing flagship comic books like Avengers, The Amazing Spider-Man, X-Men, and Star Wars (for Marvel) and Superman, Batman, and Justice League (for DC Comics).
Simone is adept at quickly establishing the personalities of her characters and at defining their motivations for her readers. Simone totally sells the idea of Red Sonja, that same She-Devil with a Sword, as a woman who has been soundly defeated, especially mentally. Simone makes Duul so evil that I could order a drone attack on the bastard myself, and I am not a supporter of drone warfare.
Gail Simone is going to make Red Sonja / Tarzan a must-read, event crossover comic book. It is worth fighting in your local comic book shop over a last copy.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-----------------------
Labels:
Aaron Lopresti,
Adam Hughes,
Dynamite Entertainment,
Gail Simone,
Jae Lee,
Review
Thursday, May 9, 2019
Review: SURFACING: Depth Perceptions #2
SURFACING: DEPTH PERCEPTIONS No. 2 (OF 4)
APPROBATION COMICS
[This review was originally posted on Patreon.]
STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITOR: John Ward and Denise Thompson
COVER: Cesar Grego and Alivon Ortiz
24pp, Color, $4.99 U.S. (2017; digital release date – January 3, 2018)
Rated: “M” for Mature / 17+ Only (comiXology)
Surfacing: Depth Perceptions is a four-issue comic book miniseries from Approbation Comics. It tells the story of Marcus Wright, a young man who visits an oceanic research facility directed by his childhood friend, Anton Parker, who has a business deal to offer Marcus. The facility has captured a mermaid-like creature, and Marcus finds himself caught in the mystery of this creature and of its captivity. Surfacing: Depth Perceptions is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos.
Surfacing: Depth Perceptions #2 opens with Marcus engaging in an extensive conversation with the mermaid, who eventually gets the name “Becca.” Anton warns Marcus that “it,” as he calls Becca, has the ability to “mess” with his mind and to manipulate people. To squash Marcus' admiration for the creature, Anton reveals some of the events that occurred before he arrived.
The first issue of Surfacing: Depth Perceptions is one of the prettiest comic books Approbation Comics has published to date, and the second issue is equally pretty. The cover for both issues #1 and #2 feature gorgeous illustrations and shimmering colors by Cesar Grego and Alivon Ortiz. The interior art by Nenad Cviticanin gets better with each chapter, as his cleanly drawn line art reveals a confident storyteller. In fact, Cviticanin's graphical storytelling conveys the range of emotions writer B. Alex Thompson depicts in this issue.
Among independent comic book creators, B. Alex Thompson is one of the best at writing naturalistic dialogue for genre comic books, including fantasy and horror tales. Writing naturalistic dialogue makes the characters seem like personalities rather than being props (in fantasy) or victims (in horror). The conversation between Marcus and Becca makes it seem as if they are two twenty-somethings on an apparently successful first date. I had to remind myself that they were actually a human and a creature of fantasy on a futuristic research facility.
The second half of this issue does indeed offer genre intrigue and mystery. I have to say that I am surprised, although I should not be. B. Alex Thompson usually delivers high-quality genre storytelling, and he certainly delivers in Surfacing: Depth Perceptions #2.
8.5 out of 10
Buy Surfacing: Depth Perceptions #2 at comiXology.
www.ApprobationComics.com
www.AlexThompsonWriter.com
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------
APPROBATION COMICS
[This review was originally posted on Patreon.]
STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITOR: John Ward and Denise Thompson
COVER: Cesar Grego and Alivon Ortiz
24pp, Color, $4.99 U.S. (2017; digital release date – January 3, 2018)
Rated: “M” for Mature / 17+ Only (comiXology)
Surfacing: Depth Perceptions is a four-issue comic book miniseries from Approbation Comics. It tells the story of Marcus Wright, a young man who visits an oceanic research facility directed by his childhood friend, Anton Parker, who has a business deal to offer Marcus. The facility has captured a mermaid-like creature, and Marcus finds himself caught in the mystery of this creature and of its captivity. Surfacing: Depth Perceptions is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos.
Surfacing: Depth Perceptions #2 opens with Marcus engaging in an extensive conversation with the mermaid, who eventually gets the name “Becca.” Anton warns Marcus that “it,” as he calls Becca, has the ability to “mess” with his mind and to manipulate people. To squash Marcus' admiration for the creature, Anton reveals some of the events that occurred before he arrived.
The first issue of Surfacing: Depth Perceptions is one of the prettiest comic books Approbation Comics has published to date, and the second issue is equally pretty. The cover for both issues #1 and #2 feature gorgeous illustrations and shimmering colors by Cesar Grego and Alivon Ortiz. The interior art by Nenad Cviticanin gets better with each chapter, as his cleanly drawn line art reveals a confident storyteller. In fact, Cviticanin's graphical storytelling conveys the range of emotions writer B. Alex Thompson depicts in this issue.
Among independent comic book creators, B. Alex Thompson is one of the best at writing naturalistic dialogue for genre comic books, including fantasy and horror tales. Writing naturalistic dialogue makes the characters seem like personalities rather than being props (in fantasy) or victims (in horror). The conversation between Marcus and Becca makes it seem as if they are two twenty-somethings on an apparently successful first date. I had to remind myself that they were actually a human and a creature of fantasy on a futuristic research facility.
The second half of this issue does indeed offer genre intrigue and mystery. I have to say that I am surprised, although I should not be. B. Alex Thompson usually delivers high-quality genre storytelling, and he certainly delivers in Surfacing: Depth Perceptions #2.
8.5 out of 10
Buy Surfacing: Depth Perceptions #2 at comiXology.
www.ApprobationComics.com
www.AlexThompsonWriter.com
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------
Labels:
Approbation Comics,
Bart Thompson,
Black Comics,
comiXology,
digital comics,
Neo-Harlem,
Review,
self-published,
small press
Wednesday, May 8, 2019
Review: LUKE MCBAIN Volume 1
LUKE MCBAIN VOL. 1
12-GAUGE COMICS – @12gaugecomics
[This review was originally posted on Patreon.]
STORY: David Tischman
ART: Kody Chamberlain – @KodyChamberlain
COLORS: Kody Chamberlain
LETTERS: Ed Dukeshire
EDITOR: Keven Gardner
COVER: Brian Stelfreeze
ISBN: 978-098369372-7; paperback – 6.5 x 0.3 x 10 inches (July 21, 2012)
112pp., Colors, $14.99 U.S.
Trace Adkins is a Grammy-nominated singer and also an actor. A decade ago, Adkins joined 12-Gauge Comics president, Keven Gardner; comic book writer, David Tischman; and comic book artist-designer, Kody Chamberlain, to bring to life a new comic book hero, Luke McBain.
The character appeared in the 2009-10, four-issue miniseries, Luke McBain. It was written by David Tischman; drawn and colored by Kody Chamberlain; lettered by Ed Dukeshire, with cover art provided by Brian Stelfreeze. In 2012, the miniseries was collected in the trade paperback, Luke McBain Vol. 1. The series focuses on the title character who returns to his small Southern hometown after a long stint in prison and confronts his powerful family.
Luke McBain is set in the small town of Eden, Louisiana, (population 14,983). Eden is where Luke McBain returns after a 14-year hitch in prison for a crime he did not commit. Luke's brother, Paul, is running the family business, McBain Timber Mill. The mill is the town; it controls the town. People either work there or work in jobs that depend on the business.
By the time Luke returns, Paul has made himself rich. He has modernized the mill, which means fewer jobs for the town. With jobs gone, the result has been that local shops have closed. Closed shops and fewer jobs have made the people of Eden angry and scared. No one can do anything about that... except Luke, the only one who knows Paul’s secret. Reunited with his beautiful ex-girlfriend, Callie Flack, Luke McBain does what he has always done, fight for what is right. The hardest choice Luke McBain will have to make, however, is just how far he will go to stop Paul.
Honestly, I had never heard of Luke McBain, neither the miniseries nor its trade collection. I recently attended the Lafayette edition of the Louisiana Comic Con 2019 and visited local comic book creator and artist Kody Chamberlain's table. I wanted to buy something, and I spotted Luke McBain Vol. 1 and bought a copy, which Kody autographed for me. [When I first bought this comic book, I thought it was a recent publication.]
Luke McBain reminds me of the character, “Robert “Gator” McKlusky,” which the late actor, Burt Reynolds, played in one of my all time favorite films, White Lightning (1973). Like “Gator,” McBain is the kind of guy who can navigate the contentious social-economic byways of the small Southern town, and he can fight his way past the dangerous hired thugs that seem to populate such places (at least in Southern-set crime fiction). Like Gator, McBain ain't afraid of the local law, personified in Eden by Eden's Sheriff Chris Morrison.
Although Luke McBain has only appeared in one comic book series thus far, David Tischman, plays him as an emerging figure, as if the best is yet to come. I think one thing that will surprise readers, as it did me, is how restrained McBain can be, although he never really backs down from a fight.
In the hands of Kody Chamberlain, Luke McBain, story and title character, are a quite storm, a force of nature that blows into a town that could use a sandblasting. This comic book reminds me of Larry Watson's 1993 novella, Montana 1948, which was published as a hardcover book, in the way it plays with the dark secrets within a family that has two strong-willed and estranged brothers.
Chamberlain makes Luke McBain dark and edgy, like Watson's story, with his highly-stylized, but also photo-realistic illustrative style. Chamberlain also brings flexibility to Luke McBain. The concept can come across as a standard Southern crime-action story with a hero that is more type that character. In the rhythm of the narrative and with his coppery-noir coloring, Chamberlain tells the story in a manner that is offbeat. The reader does not exactly get the expected story of a guy who returns to his small Southern hometown for some payback.
Luke McBain Vol. 1 isn't a great work of Southern gothic or Southern crime, but Tischman and Chamberlain keep it interesting by never giving us the expected. Ultimately, the resolution is surprising and satisfying in a way that makes me think Luke McBain has more stories in him.
7 out of 10
[This book also includes a selection of back matter that reprints Brian Stelfreeze's cover art for the series and Kody Chamberlain's character sketches for the series.]
https://www.12gaugecomics.com/luke-mcbain
https://twitter.com/12GaugeComics
ttps://www.facebook.com/12gaugecomics
https://twitter.com/KodyChamberlain
https://www.facebook.com/KodyChamberlainCreative/
https://www.instagram.com/kodychamberlain/
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.
-------------------------
12-GAUGE COMICS – @12gaugecomics
[This review was originally posted on Patreon.]
STORY: David Tischman
ART: Kody Chamberlain – @KodyChamberlain
COLORS: Kody Chamberlain
LETTERS: Ed Dukeshire
EDITOR: Keven Gardner
COVER: Brian Stelfreeze
ISBN: 978-098369372-7; paperback – 6.5 x 0.3 x 10 inches (July 21, 2012)
112pp., Colors, $14.99 U.S.
Trace Adkins is a Grammy-nominated singer and also an actor. A decade ago, Adkins joined 12-Gauge Comics president, Keven Gardner; comic book writer, David Tischman; and comic book artist-designer, Kody Chamberlain, to bring to life a new comic book hero, Luke McBain.
The character appeared in the 2009-10, four-issue miniseries, Luke McBain. It was written by David Tischman; drawn and colored by Kody Chamberlain; lettered by Ed Dukeshire, with cover art provided by Brian Stelfreeze. In 2012, the miniseries was collected in the trade paperback, Luke McBain Vol. 1. The series focuses on the title character who returns to his small Southern hometown after a long stint in prison and confronts his powerful family.
Luke McBain is set in the small town of Eden, Louisiana, (population 14,983). Eden is where Luke McBain returns after a 14-year hitch in prison for a crime he did not commit. Luke's brother, Paul, is running the family business, McBain Timber Mill. The mill is the town; it controls the town. People either work there or work in jobs that depend on the business.
By the time Luke returns, Paul has made himself rich. He has modernized the mill, which means fewer jobs for the town. With jobs gone, the result has been that local shops have closed. Closed shops and fewer jobs have made the people of Eden angry and scared. No one can do anything about that... except Luke, the only one who knows Paul’s secret. Reunited with his beautiful ex-girlfriend, Callie Flack, Luke McBain does what he has always done, fight for what is right. The hardest choice Luke McBain will have to make, however, is just how far he will go to stop Paul.
Honestly, I had never heard of Luke McBain, neither the miniseries nor its trade collection. I recently attended the Lafayette edition of the Louisiana Comic Con 2019 and visited local comic book creator and artist Kody Chamberlain's table. I wanted to buy something, and I spotted Luke McBain Vol. 1 and bought a copy, which Kody autographed for me. [When I first bought this comic book, I thought it was a recent publication.]
Luke McBain reminds me of the character, “Robert “Gator” McKlusky,” which the late actor, Burt Reynolds, played in one of my all time favorite films, White Lightning (1973). Like “Gator,” McBain is the kind of guy who can navigate the contentious social-economic byways of the small Southern town, and he can fight his way past the dangerous hired thugs that seem to populate such places (at least in Southern-set crime fiction). Like Gator, McBain ain't afraid of the local law, personified in Eden by Eden's Sheriff Chris Morrison.
Although Luke McBain has only appeared in one comic book series thus far, David Tischman, plays him as an emerging figure, as if the best is yet to come. I think one thing that will surprise readers, as it did me, is how restrained McBain can be, although he never really backs down from a fight.
In the hands of Kody Chamberlain, Luke McBain, story and title character, are a quite storm, a force of nature that blows into a town that could use a sandblasting. This comic book reminds me of Larry Watson's 1993 novella, Montana 1948, which was published as a hardcover book, in the way it plays with the dark secrets within a family that has two strong-willed and estranged brothers.
Chamberlain makes Luke McBain dark and edgy, like Watson's story, with his highly-stylized, but also photo-realistic illustrative style. Chamberlain also brings flexibility to Luke McBain. The concept can come across as a standard Southern crime-action story with a hero that is more type that character. In the rhythm of the narrative and with his coppery-noir coloring, Chamberlain tells the story in a manner that is offbeat. The reader does not exactly get the expected story of a guy who returns to his small Southern hometown for some payback.
Luke McBain Vol. 1 isn't a great work of Southern gothic or Southern crime, but Tischman and Chamberlain keep it interesting by never giving us the expected. Ultimately, the resolution is surprising and satisfying in a way that makes me think Luke McBain has more stories in him.
7 out of 10
[This book also includes a selection of back matter that reprints Brian Stelfreeze's cover art for the series and Kody Chamberlain's character sketches for the series.]
https://www.12gaugecomics.com/luke-mcbain
https://twitter.com/12GaugeComics
ttps://www.facebook.com/12gaugecomics
https://twitter.com/KodyChamberlain
https://www.facebook.com/KodyChamberlainCreative/
https://www.instagram.com/kodychamberlain/
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.
-------------------------
Labels:
Brian Stelfreeze,
Kody Chamberlain,
Review
Tuesday, May 7, 2019
Review: THE IMMORTAL MEN #1
THE IMMORTAL MEN No. 1
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: James Tynion IV
PENCILS: Jim Lee and Ryan Benjamin
INKS: Scott Williams and Richard Friend
COLORS: Jeremiah Skipper and Alex Sinclair
LETTERS: Carolos M. Mangual
COVER: Jim Lee and Scott Williams with Alex Sinclair
32pp, Color, $2.99 U.S. (June 2018)
Rated “T” for Teen
The Immortal Men created by James Tynion IV and Jim Lee
“The End of Forever” Part 1
DC Comics has launched a new superhero comics initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries. This line of comic books will consist of eight new comic book series: The Curse of Brimstone, Damage, New Challengers, Sideways, The Silencer, The Terrifics, The Unexpected, and the subject of this review, The Immortal Men.
The Immortal Men is created by James Tynion IV and Jim Lee. The series is written by Tynion; drawn by Lee and Ryan Benjamin (pencils) and Scott Williams and Richard Friend (inks); colored by Jeremiah Skipper and Alex Sinclair; and lettered by Carlos M. Mangual. The series focuses on a young man who is an emerging metahuman and who may also be the last hope for the survival of a group of immortal heroes.
The Immortal Men #1 introduces Ghost Fist, Reload, Stray, and Timber. They are the last of the “Immortal Men,” protecting humanity from the shadows since the dawn of time. The Infinite Woman, The Hunt, and the “Bloodless,” are in the process of destroying everything about the Immortal Men. Their most important target just may be the Immortal Men's savior, Caden Park, a young man plagued by visions of another world.
The problem with DC Comics' “The New Age of Heroes,” is that while some of the writers and artists involved in this new line are some of the most popular comic book creators, they are not necessarily the most imaginative and inventive. Sorry, dear readers, to inform you of this. I love Jim Lee's art, but he has built a career out of drawing some of the most popular comic book characters ever created: X-Men and The Punisher for Marvel and Superman, Batman, Wonder Woman, Justice League, etc. for DC Comics – all created by other people. When Lee created his own “universe” of comic book creations, the result, the “Wildstorm Universe,” was mixed, with characters that are not iconic or legendary... or particularly popular, for that matter.
The grade of “B-” that I am giving The Immortal Men #1 is generous because I am a fan of both Lee and this series co-artist, Ryan Benjamin. However, this concept is mediocre material that is a rehash of other people's work, ideas, and concepts – Warren Ellis and John Cassaday's Planetary and Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen, for example.
Yet, I am intrigued by The Immortal Men. I hope that James Tynion IV can deliver a better script than what is in this issue; he is certainly capable of it, as I have enjoyed quite a bit of his writing. The problem is that in a distressed market, as the comic book Direct Market currently is, star creators put their names on comic book product that they would not accept for publication from unknown or new comic book creators – such as The Immortal Men.
5.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
--------------------
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: James Tynion IV
PENCILS: Jim Lee and Ryan Benjamin
INKS: Scott Williams and Richard Friend
COLORS: Jeremiah Skipper and Alex Sinclair
LETTERS: Carolos M. Mangual
COVER: Jim Lee and Scott Williams with Alex Sinclair
32pp, Color, $2.99 U.S. (June 2018)
Rated “T” for Teen
The Immortal Men created by James Tynion IV and Jim Lee
“The End of Forever” Part 1
DC Comics has launched a new superhero comics initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries. This line of comic books will consist of eight new comic book series: The Curse of Brimstone, Damage, New Challengers, Sideways, The Silencer, The Terrifics, The Unexpected, and the subject of this review, The Immortal Men.
The Immortal Men is created by James Tynion IV and Jim Lee. The series is written by Tynion; drawn by Lee and Ryan Benjamin (pencils) and Scott Williams and Richard Friend (inks); colored by Jeremiah Skipper and Alex Sinclair; and lettered by Carlos M. Mangual. The series focuses on a young man who is an emerging metahuman and who may also be the last hope for the survival of a group of immortal heroes.
The Immortal Men #1 introduces Ghost Fist, Reload, Stray, and Timber. They are the last of the “Immortal Men,” protecting humanity from the shadows since the dawn of time. The Infinite Woman, The Hunt, and the “Bloodless,” are in the process of destroying everything about the Immortal Men. Their most important target just may be the Immortal Men's savior, Caden Park, a young man plagued by visions of another world.
The problem with DC Comics' “The New Age of Heroes,” is that while some of the writers and artists involved in this new line are some of the most popular comic book creators, they are not necessarily the most imaginative and inventive. Sorry, dear readers, to inform you of this. I love Jim Lee's art, but he has built a career out of drawing some of the most popular comic book characters ever created: X-Men and The Punisher for Marvel and Superman, Batman, Wonder Woman, Justice League, etc. for DC Comics – all created by other people. When Lee created his own “universe” of comic book creations, the result, the “Wildstorm Universe,” was mixed, with characters that are not iconic or legendary... or particularly popular, for that matter.
The grade of “B-” that I am giving The Immortal Men #1 is generous because I am a fan of both Lee and this series co-artist, Ryan Benjamin. However, this concept is mediocre material that is a rehash of other people's work, ideas, and concepts – Warren Ellis and John Cassaday's Planetary and Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen, for example.
Yet, I am intrigued by The Immortal Men. I hope that James Tynion IV can deliver a better script than what is in this issue; he is certainly capable of it, as I have enjoyed quite a bit of his writing. The problem is that in a distressed market, as the comic book Direct Market currently is, star creators put their names on comic book product that they would not accept for publication from unknown or new comic book creators – such as The Immortal Men.
5.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
--------------------
Labels:
Alex Sinclair,
DC Comics,
James Tynion IV,
Jim Lee,
Review,
Richard Friend,
Ryan Benjamin,
Scott Williams
Monday, May 6, 2019
BOOM! Studios from Diamond Distributors for May 8, 2019
BOOM! STUDIOS
MAR191307 BY NIGHT #11 (OF 12) MAIN LARSEN CVR $3.99
MAR191308 BY NIGHT #11 (OF 12) PREORDER STERN VAR $3.99
MAR191287 EMPTY MAN #7 MAIN $3.99
MAR191288 EMPTY MAN #7 PREORDER HERVAS VAR $3.99
MAR191295 JIM HENSON STORYTELLER SIRENS #2 MAIN CVR $3.99
MAR191296 JIM HENSON STORYTELLER SIRENS #2 PREORDER CHAU VAR $3.99
FEB198784 RONIN ISLAND #1 (2ND PTG) $3.99
FEB198785 RONIN ISLAND #2 (2ND PTG) $3.99
FEB198786 RONIN ISLAND #3 FOC ANKA VAR $3.99
MAR191274 RONIN ISLAND #3 MAIN $3.99
MAR191275 RONIN ISLAND #3 PREORDER YOUNG VAR $3.99
OCT181246 WAVES ORIGINAL GN HC $14.99
JAN191369 WOODS YEARBOOK ED TP VOL 01 $29.99
MAR191307 BY NIGHT #11 (OF 12) MAIN LARSEN CVR $3.99
MAR191308 BY NIGHT #11 (OF 12) PREORDER STERN VAR $3.99
MAR191287 EMPTY MAN #7 MAIN $3.99
MAR191288 EMPTY MAN #7 PREORDER HERVAS VAR $3.99
MAR191295 JIM HENSON STORYTELLER SIRENS #2 MAIN CVR $3.99
MAR191296 JIM HENSON STORYTELLER SIRENS #2 PREORDER CHAU VAR $3.99
FEB198784 RONIN ISLAND #1 (2ND PTG) $3.99
FEB198785 RONIN ISLAND #2 (2ND PTG) $3.99
FEB198786 RONIN ISLAND #3 FOC ANKA VAR $3.99
MAR191274 RONIN ISLAND #3 MAIN $3.99
MAR191275 RONIN ISLAND #3 PREORDER YOUNG VAR $3.99
OCT181246 WAVES ORIGINAL GN HC $14.99
JAN191369 WOODS YEARBOOK ED TP VOL 01 $29.99
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