UNITED STATES VS. MURDER, INC. No. 1
DC COMICS/Jinxworld – @DCComics
[This review was originally posted on Patreon.]
STORY: Brian Michael Bendis
ART: Michael Avon Oeming
COLORS: Taki Soma
LETTERS: Carlos Mangual
EDITOR: Michael McCalister
COVER: Michael Avon Oeming
VARIANT COVERS: David Mack
32pp, Color, $3.99 U.S. (November 2018)
Rated “M” for “Mature”
United States vs. Murder, Inc. created by Brian Michael Bendis and Michael Avon Oeming
United States vs. Murder, Inc. is a new comic book series from writer Brian Michael Bendis and artist Michael Avon Oeming. It is a follow-up to their 2014-15, six-issue miniseries, United States of Murder Inc., which was published by Marvel Comics' Icon imprint. Colorist Taki Soma and letterer Carlos Mangual complete the new series' creative team.
The United States of Murder Inc. imagines an alternate history for the United States in which the American Mafia did not lose its war with the Federal Bureau Investigation (FBI). Instead, the “Five Families” forced the government of the United States to concede most of the Eastern Seaboard of the U.S., the city of Chicago, and parts of Nevada to them. This area controlled by the families is euphemistically called “the territories.” The series focuses on two members of the Bonavese crime family, Valentine Gallo, who recently became a “made man,” and Jagger Rose, a hit-woman for the family, who must uncover a conspiracy for which they have been blamed and marked for death.
United States vs. Murder, Inc. #1 opens in a world in which “the five families” of organized crime still maintain a stranglehold over part of the United States of America. Decades ago, the U.S. government found itself forced to give up part of the country or lose all of it. Now, the unrest between the rest of America and the families has come to a boil. A war between the forces of the American government and the American mafia is about to begin. No one is really ready for that, and newly made man Valentine Gallo and mob hit-woman Jagger Rose must choose sides.
The drama begins with the origin story of Jagger Rose, the first female to become a hit man for the Bonavese crime family.
United States vs. Murder, Inc. #1 has the misfortune of following the six pulse-pounding issues of The Unites States of Murder Inc. The second series, however, turns misfortune into pure gold. I do not want to spoil anything, but I can say that Bendis' story and script are killers. He does not miss a beat, making United States vs. Murder, Inc. #1 seem like the seventh issue of the original series.
Michael Avon Oeming's art is more stylish than ever. Elastic and expressionistic, it moves the story forward, while being intimately connected to the prior work. Taki Soma's two-fisted coloring, especially the reds and blues recreate the sexiness and eroticism of classic Film-Noir cinematography. Letterer Carlos Mangual uses fonts and word balloons to give even the most mundane stories at least a little of that magic that comic books should have. Here, Mangual does not have to rescue the Bendis-Oeming team; he just make the work even more magical.
As you can see, I am all in on this continuation of one of the truly great recent crime comics. Please, give United States vs. Murder, Inc. #1 a try.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------
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Wednesday, June 12, 2019
Tuesday, June 11, 2019
Review: HAWKMAN #1
HAWKMAN No. 1 (2018)
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Robert Venditti
PENCILS: Bryan Hitch
INKS: Andrew Currie and Bryan Hitch
COLORS: Alex Sinclair
LETTERS: Starkings & Comicraft
EDITOR: Marie Javins
COVER: Bryan Hitch with Alex Sinclair
VARIANT COVER: Stejpan Sejic
32pp, Color, $3.99 U.S. (August 2018)
Rated “T” for “Teen”
“Awakening” Part One: “What's Past is Prologue”
Hawkman is a DC Comics superhero. There are multiple versions of the character, and two of them are the best known. The first is the “Golden Age” Hawkman, a human archaeologist named Carter Hall, who is the modern-day reincarnation of an ancient Egyptian prince named Khufu. That character was created by writer Gardner Fox and artist Dennis Neville and first appeared in Flash Comics #1, published in 1940 by All-American Publications (which eventually entered a merger that would form DC Comics' predecessor, National Periodical Publications).
The second is the alien police officer, Katar Hol, from the planet, Thanagar. Created by Gardner Fox and Joe Kubert, Hol first appeared in The Brave and the Bold #34 (cover dated: March-February 1961). The common denominator among the various versions of Hawkman is that they wear large, artificial wings, attached to a harness made from the special Nth metal that allows them to fly.
There is a new comic book series starring the character, entitled Hawkman. It is written by Robert Venditti; drawn by Bryan Hitch (pencils and inks) and Andrew Currie (inks); colored by Alex Sinclair; and lettered by Starkings & Comicraft. The series finds Hawkman/Carter Hall trying to unravel the secrets of his many pasts.
Hawkman #1 (“What's Past is Prologue”) finds the superhero Hawkman flying over an island twelve miles south of Santorini, Greece. Carter Hall is an archaeologist and an explorer of the ancient and unknown, and the greatest unknown seems to be Carter Hall. Hawkman is searching for a relic, “the Nautilus of Revealment.” With the help of Madame Xanadu, Carter will use the Nautilus to make discoveries about his reincarnations and surprisingly, to discover something about his fate.
After reading a few pages of Hawkman #1 2018, I was sure that I would not like it, but by the end of the first issue, I was really liking it. I don't think I need to go through a litany about the creative team. Robert Venditti is an imaginative writer. Bryan Hitch is an influential stylist, and inker Andrew Currie usually captures both the power and grace of Hitch's pencil compositions. Colorist Alex Sinclair is subtly muting his usual vivid coloring here to serve the moodiness of the story. Starkings & Comicraft's lettering shifts fonts and designs and is excellent... of course.
What really stands out is that Hawkman #1 suggests that Hawkman 2018 is trying for something different. Like Carter Hall, this new Hawkman comic book will offer a story that is about exploring the ancient and unknown. There is a sense of mystery and of a little magic. Venditti and Hitch are trying to do something than can truly be described as different. I hope...
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
--------------------------
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Robert Venditti
PENCILS: Bryan Hitch
INKS: Andrew Currie and Bryan Hitch
COLORS: Alex Sinclair
LETTERS: Starkings & Comicraft
EDITOR: Marie Javins
COVER: Bryan Hitch with Alex Sinclair
VARIANT COVER: Stejpan Sejic
32pp, Color, $3.99 U.S. (August 2018)
Rated “T” for “Teen”
“Awakening” Part One: “What's Past is Prologue”
Hawkman is a DC Comics superhero. There are multiple versions of the character, and two of them are the best known. The first is the “Golden Age” Hawkman, a human archaeologist named Carter Hall, who is the modern-day reincarnation of an ancient Egyptian prince named Khufu. That character was created by writer Gardner Fox and artist Dennis Neville and first appeared in Flash Comics #1, published in 1940 by All-American Publications (which eventually entered a merger that would form DC Comics' predecessor, National Periodical Publications).
The second is the alien police officer, Katar Hol, from the planet, Thanagar. Created by Gardner Fox and Joe Kubert, Hol first appeared in The Brave and the Bold #34 (cover dated: March-February 1961). The common denominator among the various versions of Hawkman is that they wear large, artificial wings, attached to a harness made from the special Nth metal that allows them to fly.
There is a new comic book series starring the character, entitled Hawkman. It is written by Robert Venditti; drawn by Bryan Hitch (pencils and inks) and Andrew Currie (inks); colored by Alex Sinclair; and lettered by Starkings & Comicraft. The series finds Hawkman/Carter Hall trying to unravel the secrets of his many pasts.
Hawkman #1 (“What's Past is Prologue”) finds the superhero Hawkman flying over an island twelve miles south of Santorini, Greece. Carter Hall is an archaeologist and an explorer of the ancient and unknown, and the greatest unknown seems to be Carter Hall. Hawkman is searching for a relic, “the Nautilus of Revealment.” With the help of Madame Xanadu, Carter will use the Nautilus to make discoveries about his reincarnations and surprisingly, to discover something about his fate.
After reading a few pages of Hawkman #1 2018, I was sure that I would not like it, but by the end of the first issue, I was really liking it. I don't think I need to go through a litany about the creative team. Robert Venditti is an imaginative writer. Bryan Hitch is an influential stylist, and inker Andrew Currie usually captures both the power and grace of Hitch's pencil compositions. Colorist Alex Sinclair is subtly muting his usual vivid coloring here to serve the moodiness of the story. Starkings & Comicraft's lettering shifts fonts and designs and is excellent... of course.
What really stands out is that Hawkman #1 suggests that Hawkman 2018 is trying for something different. Like Carter Hall, this new Hawkman comic book will offer a story that is about exploring the ancient and unknown. There is a sense of mystery and of a little magic. Venditti and Hitch are trying to do something than can truly be described as different. I hope...
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
--------------------------
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Monday, June 10, 2019
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DC Comics from Diamond Distributors for June 12, 2019
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Dynamite Entertainment from Diamond Distributors for June 12, 2019
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