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Monday, September 7, 2020
Marvel Comics from Diamond Distributors for September 9, 2020
MARVEL COMICS
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Comics, Magazines and Books from Diamond Distributors for September 9, 2020
COMICS & GRAPHIC NOVELS
JUN201238 AGGRETSUKO #6 CVR A AMIN $3.99
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BOOKS
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JUN201656 ARCHDEMONS DILEMMA HOW LOVE ELF BRIDE LIGHT NOVEL SC VOL 06 $14.99
JAN202334 AT NIGHT I BECOME A MONSTER NOVEL SC $13.99
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JUN201657 IF FOR MY DAUGHTER DEFEAT DEMON LORD LIGHT NOVEL SC VOL 09 ( $14.99
JUN201658 INFINITE DENDROGRAM LIGHT NOVEL SC VOL 07 $14.99
FEB202301 INVINCIBLE SHOVEL LIGHT NOVEL SC VOL 01 (MR) $13.99
JUL201018 LITTLE BIG NATE NO NAP BOARD BOOK $7.99
JUL201286 MARVEL STORYBOOK COLLECTION HC $17.99
JUL201352 MARVEL SUPER HERO ADVENTURES TEN MIGHTY HEROES BOARD BOOK (C $12.99
JUN201659 MY NEXT LIFE AS VILLAINESS ROUTES LEAD DOOM SC NOVEL VOL 02 $14.99
Labels:
AfterShock,
Archie Comics,
AWA,
Book News,
comics news,
Diamond Distributors,
Fantagraphics Books,
manga news,
Star Trek,
SuBLime,
VIZ Media
DC Comics from Lunar/UCS Distributors for September 8, 2020
DC COMICS:
Animal Man By Grant Morrison 30th Anniversary Deluxe Edition Volume 2 HC, $39.99
Aquaman Volume 3 Manta Vs Machine TP, $17.99
Basketful Of Heads HC, $24.99
Batman #90 (Jorge Jimenez 3rd Printing Black & White Variant Cover), $3.99
Batman #92 (Cover D Jorge Jimenez Punchline Retailer Appreciation Variant), AR
Batman And The Outsiders #16 (Cover A Tyler Kirkham), $3.99
Batman And The Outsiders #16 (Cover B Michael Golden), AR
Batman Detective Comics Volume 2 Arkham Knight TP, $17.99
Batman The Adventures Continue #1 (Of 6)(Dave Johnson 2nd Printing Variant Cover), $3.99
Batman The Adventures Continue #2 (Of 6)(Sean Murphy 2nd Printing Variant Cover), $3.99
Dark Nights Death Metal Trinity Crisis #1 (One Shot)(Cover A Francis Manapul), $5.99
Dark Nights Death Metal Trinity Crisis #1 (One Shot)(Cover B Kyle Hotz), AR
DC Classics The Batman Adventures #4, $1.99
Flash #761 (Cover A Howard Porter), $3.99
Flash #761 (Cover B In-Hyuk Lee), AR
Green Lantern Season Two #7 (Of 12)(Cover A Liam Sharp), $3.99
Green Lantern Season Two #7 (Of 12)(Cover B Howard Porter), AR
Hawkman #27 (Cover A Mikel Janin), $3.99
Hawkman #27 (Cover B Gerardo Zaffino), AR
Joker Harley Criminal Sanity #5 (Of 9)(Cover A Francesco Mattina), $5.99
Joker Harley Criminal Sanity #5 (Of 9)(Cover B Mico Suayan), AR
Justice League Odyssey #24 (Cover A Jose Ladronn), $3.99
Justice League Odyssey #24 (Cover B Jung-Geun Yoon), AR
Last God #3 (Kai Carpenter 2nd Printing Variant Cover), $4.99
Nightwing #74 (Cover A Travis Moore), AR
Nightwing #74 (Cover B Alan Quah), $3.99
Superman #25 (Cover A Ivan Reis & Joe Prado), $5.99
Superman #25 (Cover B Bryan Hitch), AR
Superman #25 (Cover C Ivan Reis Synmar Card Stock Variant), AR
Wonder Woman #762 (Cover A David Marquez), $3.99
Wonder Woman #762 (Cover B Joshua Middleton Card Stock Variant), AR
Wonder Woman #762 (Cover C Mikel Janin Liar Liar Card Stock Variant), AR
Animal Man By Grant Morrison 30th Anniversary Deluxe Edition Volume 2 HC, $39.99
Aquaman Volume 3 Manta Vs Machine TP, $17.99
Basketful Of Heads HC, $24.99
Batman #90 (Jorge Jimenez 3rd Printing Black & White Variant Cover), $3.99
Batman #92 (Cover D Jorge Jimenez Punchline Retailer Appreciation Variant), AR
Batman And The Outsiders #16 (Cover A Tyler Kirkham), $3.99
Batman And The Outsiders #16 (Cover B Michael Golden), AR
Batman Detective Comics Volume 2 Arkham Knight TP, $17.99
Batman The Adventures Continue #1 (Of 6)(Dave Johnson 2nd Printing Variant Cover), $3.99
Batman The Adventures Continue #2 (Of 6)(Sean Murphy 2nd Printing Variant Cover), $3.99
Dark Nights Death Metal Trinity Crisis #1 (One Shot)(Cover A Francis Manapul), $5.99
Dark Nights Death Metal Trinity Crisis #1 (One Shot)(Cover B Kyle Hotz), AR
DC Classics The Batman Adventures #4, $1.99
Flash #761 (Cover A Howard Porter), $3.99
Flash #761 (Cover B In-Hyuk Lee), AR
Green Lantern Season Two #7 (Of 12)(Cover A Liam Sharp), $3.99
Green Lantern Season Two #7 (Of 12)(Cover B Howard Porter), AR
Hawkman #27 (Cover A Mikel Janin), $3.99
Hawkman #27 (Cover B Gerardo Zaffino), AR
Joker Harley Criminal Sanity #5 (Of 9)(Cover A Francesco Mattina), $5.99
Joker Harley Criminal Sanity #5 (Of 9)(Cover B Mico Suayan), AR
Justice League Odyssey #24 (Cover A Jose Ladronn), $3.99
Justice League Odyssey #24 (Cover B Jung-Geun Yoon), AR
Last God #3 (Kai Carpenter 2nd Printing Variant Cover), $4.99
Nightwing #74 (Cover A Travis Moore), AR
Nightwing #74 (Cover B Alan Quah), $3.99
Superman #25 (Cover A Ivan Reis & Joe Prado), $5.99
Superman #25 (Cover B Bryan Hitch), AR
Superman #25 (Cover C Ivan Reis Synmar Card Stock Variant), AR
Wonder Woman #762 (Cover A David Marquez), $3.99
Wonder Woman #762 (Cover B Joshua Middleton Card Stock Variant), AR
Wonder Woman #762 (Cover C Mikel Janin Liar Liar Card Stock Variant), AR
Labels:
Batman,
Brian Michael Bendis,
comics news,
DC Comics News,
Flash,
Grant Morrison,
Justice League,
Lunar,
Superman,
UCS,
Wonder Woman
Sunday, September 6, 2020
#IReadsYou Review: ONE-PUNCH MAN Volume 17
ONE-PUNCH MAN, VOL. 17
VIZ MEDIA – @VIZMedia
STORY: ONE
ART: Yusuke Murata
TRANSLATION: John Werry
LETTERS: James Gaubatz
EDITORS: Jennifer LeBlanc; John Bae
ISBN: 978-1-9745-0461-4; paperback (August 2019); Rated “T” for “Teen”
216pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
One-Punch Man is a Japanese superhero franchise that began as a webcomic created by the writer-artist ONE. Later, ONE joined artist Yusuke Murata to create a digital manga remake of One-Punch Man, and it began publication on Shueisha's Tonari no Young Jump website in 2012. VIZ Media has been publishing an English-language edition of the digital manga as a paperback graphic novel series under its “Shonen Jump” imprint, beginning in 2015.
One-Punch Man focuses on Saitama, who wants to be a hero. Beginning his superhero training when he is 22-years-old, he becomes a hero when he is 25. He really does not look like a superhero, with his lifeless facial expression, bald head, and unimpressive physique. But he beats the snot out of super-villains with one punch, and he even has his own disciple, the young cyborg, Genos (who really does not need any training).
As One-Punch Man, Vol. 17 (Chapters 88 to 88; entitled “Because I'm the Bald Cape?”) opens, Gara, the so-called “Hero Hunter,” has recovered from the beating he got from the heroes, “Bang” and “Bomb.” Still, Gara's wounds are life-threatening, so he is in need of a rescue. Enter the centipede mega-monster, “Centichoro!” Bang and Bomb are powerless against this kaiju, and even Genos struggles against the creature. Enter the legendary hero, “King,” with his pal, Saitama. Which one will stop Centichoro's unstoppable rampage?
Meanwhile, at Hero Association headquarters, Mr. Nakiri rages that his son, Waganma, the child kidnapped by the Monster Association, remains a captive. But can his “Nakiri Private Force” do more to free his son than the heroes have done?
[This volume includes a bonus manga chapter, “Confidence,” and also bonus illustrations and bonus comics.]
THE LOWDOWN: The One-Punch Man manga remains my favorite superhero comic book. Like the shonen manga, My Hero Academia, it is a Japanese take on the American superhero comic book. As much as I like My Hero Academia, I am crazy in love with One-Punch Man.
One-Punch Man Graphic Novel Volume 17, like Vol. 16, is pure battle manga. However, Vol. 17 contains one of the most exhilarating sequences featuring Saitama in action that this series has ever had. The ten-page “Se-Ri-Ous Punch!” sequence exemplifies artist Yusuke Murata's impressive skill. I'm not sure anyone is as good at drawing fight comics as he is right now.
John Werry's translation for the chapters contained in Vol. 17 reveal the complicated nature of the relationships on both sides of this hero-monster battle. No one is pure to his cause, and many cannot be trusted. Some characters may be more neutral than anything, and Werry brings out the increasingly gray nature of this group of flawed characters. So, yes, this is a joy to read, as both a superhero comic and as a shonen character melodrama.
I READS YOU RECOMMENDS: Fans of shonen battle manga and of superhero comic books will love the “Shonen Jump” title, One-Punch Man.
A
9.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
----------------------------
VIZ MEDIA – @VIZMedia
STORY: ONE
ART: Yusuke Murata
TRANSLATION: John Werry
LETTERS: James Gaubatz
EDITORS: Jennifer LeBlanc; John Bae
ISBN: 978-1-9745-0461-4; paperback (August 2019); Rated “T” for “Teen”
216pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
One-Punch Man is a Japanese superhero franchise that began as a webcomic created by the writer-artist ONE. Later, ONE joined artist Yusuke Murata to create a digital manga remake of One-Punch Man, and it began publication on Shueisha's Tonari no Young Jump website in 2012. VIZ Media has been publishing an English-language edition of the digital manga as a paperback graphic novel series under its “Shonen Jump” imprint, beginning in 2015.
One-Punch Man focuses on Saitama, who wants to be a hero. Beginning his superhero training when he is 22-years-old, he becomes a hero when he is 25. He really does not look like a superhero, with his lifeless facial expression, bald head, and unimpressive physique. But he beats the snot out of super-villains with one punch, and he even has his own disciple, the young cyborg, Genos (who really does not need any training).
As One-Punch Man, Vol. 17 (Chapters 88 to 88; entitled “Because I'm the Bald Cape?”) opens, Gara, the so-called “Hero Hunter,” has recovered from the beating he got from the heroes, “Bang” and “Bomb.” Still, Gara's wounds are life-threatening, so he is in need of a rescue. Enter the centipede mega-monster, “Centichoro!” Bang and Bomb are powerless against this kaiju, and even Genos struggles against the creature. Enter the legendary hero, “King,” with his pal, Saitama. Which one will stop Centichoro's unstoppable rampage?
Meanwhile, at Hero Association headquarters, Mr. Nakiri rages that his son, Waganma, the child kidnapped by the Monster Association, remains a captive. But can his “Nakiri Private Force” do more to free his son than the heroes have done?
[This volume includes a bonus manga chapter, “Confidence,” and also bonus illustrations and bonus comics.]
THE LOWDOWN: The One-Punch Man manga remains my favorite superhero comic book. Like the shonen manga, My Hero Academia, it is a Japanese take on the American superhero comic book. As much as I like My Hero Academia, I am crazy in love with One-Punch Man.
One-Punch Man Graphic Novel Volume 17, like Vol. 16, is pure battle manga. However, Vol. 17 contains one of the most exhilarating sequences featuring Saitama in action that this series has ever had. The ten-page “Se-Ri-Ous Punch!” sequence exemplifies artist Yusuke Murata's impressive skill. I'm not sure anyone is as good at drawing fight comics as he is right now.
John Werry's translation for the chapters contained in Vol. 17 reveal the complicated nature of the relationships on both sides of this hero-monster battle. No one is pure to his cause, and many cannot be trusted. Some characters may be more neutral than anything, and Werry brings out the increasingly gray nature of this group of flawed characters. So, yes, this is a joy to read, as both a superhero comic and as a shonen character melodrama.
I READS YOU RECOMMENDS: Fans of shonen battle manga and of superhero comic books will love the “Shonen Jump” title, One-Punch Man.
A
9.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
----------------------------
Labels:
Jennifer LeBlanc,
John Werry,
manga,
ONE,
Review,
shonen,
Shonen Jump,
VIZ Media,
Yusuke Murata
Saturday, September 5, 2020
#IReadsYou Review: SCOOBY-DOO, Where Are You? #104
SCOOBY-DOO, WHERE ARE YOU? #104 (2010)
DC COMICS – @DCComics
STORY: Sholly Fisch; Scott Cunningham; John Rozum
PENCILS: Scott Jeralds; Karen Matchette; Matt I. Jenkins
INKS: Scott Jeralds; Karen Matchette; Matt I. Jenkins
COLORS: Rock Candy; Heroic Age
LETTERS: Saida Temofonte; Mike Sellers; Rob Clark Jr.
EDITORS: Courtney Jordan; Michael Siglain (reprint); Harvey Richards (reprint)
COVER: Walter Carzon and Horacio Ottolini with Silvana Brys
32pp, Color, $2.99 U.S. (July 2020)
Rated “E” for “Everyone”
“Get on Board”
Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010. I renewed my subscription (for a second time), and this is the sixth issue of my third subscription run that I have received.
Scooby-Doo, Where Are You? #104 opens with “Get on Board,” which is written by Sholly Fisch and drawn by Scott Jeralds. Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma have responded to a call from Toni, a young woman who is running the skateboarding event, the “Z Games” (a stand in for the real-world extreme sports event, “The X-Games”). It seems the games are being haunted by a gremlin with the power to destroy the competitors' skateboards. Can Mystery Inc. put an end to this gremlin and save the games?
The second story, “The Creature from the Rainbow Waterpark,” is, as usual, a reprint and is written by Scott Cunningham and drawn by Karen Matchette. [This story was originally published in Scooby-Doo #121 (cover date: August 2007).] On the road and looking for a chance to get away from the heat of the summer, the gang stops at “Rainbow Waterpark,” and immediately discover that some kind of fish-monster is plaguing the park. The park's owners, “the Rainbow Twins,” brothers Allen and Alfred, blame a rival park. But is there more to this monster attack sabotage?
The third story, “Car-Tastrophe,” is also a reprint story and is written by John Rozum and drawn by Matt I. Jenkins. [This story was originally published in Scooby-Doo #153 (cover date: April 2010).] When Mystery Inc. is on the road and the Mystery Machine blows a gasket, the gang calls into the talk show, “Car Chat,” on the National People's Radio network. Brothers Tim “Cling” Thunk-It and Roy “Clang” Thunk-It dispense the automobile repair advice, and lately, Fred has had to call them quite often. However, when a mysterious caller, naming himself “The Phantom of the Air,” starts haunting them over the air, the Thunk-It brothers turn to Mystery Inc. Can the gang solve this radio mystery and catch a wily phantom?
Scooby-Doo, Where Are You? #104 is probably the best issue of this series that I have read in at least a year. “Get on Board” is not a standout story, although I like the skateboarding competition setting and having the “monster” be a gremlin that dresses like... a “skater boy.” The solution to “The Creature from the Rainbow Waterpark” involves one of those “mazes for kids” puzzles that are includes in some comics and magazines aimed at young readers.
“Car-Tastrophe” is what makes Scooby-Doo, Where Are You? #104 an exceptional entry in this series. The “Car Chat” radio show is a spoof of the real-life “Car Talk” radio show that aired on National Public Radio (NPR) from 1977 to 2012. This story also spoofs NPR with National Peoples Radio, and the “Thunk-It Brothers” spoof Car Talk's “Click and Clack, the Tappet Brothers” (who were really brothers, Tom and Ray Magliozzi). If you, dear readers, remember “Car Talk,” this story will work for you and come across as funny. If you are not familiar with the show, I am not sure that this story will really work for you.
I recommend Scooby-Doo, Where Are You? #104 to fans of Scooby-Doo comic books with a heartier-than-usual recommendation. So, until next time, Scooby-Dooby-Doo!
B+
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
--------------------------
DC COMICS – @DCComics
STORY: Sholly Fisch; Scott Cunningham; John Rozum
PENCILS: Scott Jeralds; Karen Matchette; Matt I. Jenkins
INKS: Scott Jeralds; Karen Matchette; Matt I. Jenkins
COLORS: Rock Candy; Heroic Age
LETTERS: Saida Temofonte; Mike Sellers; Rob Clark Jr.
EDITORS: Courtney Jordan; Michael Siglain (reprint); Harvey Richards (reprint)
COVER: Walter Carzon and Horacio Ottolini with Silvana Brys
32pp, Color, $2.99 U.S. (July 2020)
Rated “E” for “Everyone”
“Get on Board”
Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010. I renewed my subscription (for a second time), and this is the sixth issue of my third subscription run that I have received.
Scooby-Doo, Where Are You? #104 opens with “Get on Board,” which is written by Sholly Fisch and drawn by Scott Jeralds. Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma have responded to a call from Toni, a young woman who is running the skateboarding event, the “Z Games” (a stand in for the real-world extreme sports event, “The X-Games”). It seems the games are being haunted by a gremlin with the power to destroy the competitors' skateboards. Can Mystery Inc. put an end to this gremlin and save the games?
The second story, “The Creature from the Rainbow Waterpark,” is, as usual, a reprint and is written by Scott Cunningham and drawn by Karen Matchette. [This story was originally published in Scooby-Doo #121 (cover date: August 2007).] On the road and looking for a chance to get away from the heat of the summer, the gang stops at “Rainbow Waterpark,” and immediately discover that some kind of fish-monster is plaguing the park. The park's owners, “the Rainbow Twins,” brothers Allen and Alfred, blame a rival park. But is there more to this monster attack sabotage?
The third story, “Car-Tastrophe,” is also a reprint story and is written by John Rozum and drawn by Matt I. Jenkins. [This story was originally published in Scooby-Doo #153 (cover date: April 2010).] When Mystery Inc. is on the road and the Mystery Machine blows a gasket, the gang calls into the talk show, “Car Chat,” on the National People's Radio network. Brothers Tim “Cling” Thunk-It and Roy “Clang” Thunk-It dispense the automobile repair advice, and lately, Fred has had to call them quite often. However, when a mysterious caller, naming himself “The Phantom of the Air,” starts haunting them over the air, the Thunk-It brothers turn to Mystery Inc. Can the gang solve this radio mystery and catch a wily phantom?
Scooby-Doo, Where Are You? #104 is probably the best issue of this series that I have read in at least a year. “Get on Board” is not a standout story, although I like the skateboarding competition setting and having the “monster” be a gremlin that dresses like... a “skater boy.” The solution to “The Creature from the Rainbow Waterpark” involves one of those “mazes for kids” puzzles that are includes in some comics and magazines aimed at young readers.
“Car-Tastrophe” is what makes Scooby-Doo, Where Are You? #104 an exceptional entry in this series. The “Car Chat” radio show is a spoof of the real-life “Car Talk” radio show that aired on National Public Radio (NPR) from 1977 to 2012. This story also spoofs NPR with National Peoples Radio, and the “Thunk-It Brothers” spoof Car Talk's “Click and Clack, the Tappet Brothers” (who were really brothers, Tom and Ray Magliozzi). If you, dear readers, remember “Car Talk,” this story will work for you and come across as funny. If you are not familiar with the show, I am not sure that this story will really work for you.
I recommend Scooby-Doo, Where Are You? #104 to fans of Scooby-Doo comic books with a heartier-than-usual recommendation. So, until next time, Scooby-Dooby-Doo!
B+
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
--------------------------
Labels:
children's comics,
DC Comics,
Hanna-Barbera,
Heroic Age,
Horacio Ottolini,
John Rozum,
Review,
Scott Jeralds,
Sholly Fisch
Friday, September 4, 2020
#IReadsYou Review: KILLADELPHIA #3
KILLADELPHIA #3
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
STORY: Rodney Barnes
ART: Jason Shawn Alexander
COLORS: Luis Nct
LETTERS: Marshal1 Dillon
LOGO/GRAPHIC DESIGN: Brent Ashe
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
VARIANT COVER ARTIST: Matteo Scalera
28pp, Colors, 3.99 U.S.(January 2020)
Rated “M/ Mature”
“Sins of the Father” Part III: “Abaddon”
Killadelphia is a new comic book series from writer Rodney Barnes and artist Jason Shawn Alexander (Empty Zone). The series focuses on a police officer who falls into a lurid mystery, one which reveals that the corrupt, but historical city of Philadelphia is vampire-ridden. Colorist Luis Nct and letterer Marshall Dillon complete Killadelphia's creative team.
James “Jim” Sangster, Jr. is a Baltimore Police Department beat cop who comes home to deal with the final affairs of his recently murdered father, revered Philadelphia homicide detective, James Sangster, Sr. Jimmy hated his father, who is not dead, but is of the undead. Now, they're working together to stop an apocalypse – son and vampire dad!
Killadelphia #3 (“Abaddon”) finds the Sangster boys and Jose Padilla, the chief medical examiner, cleansing the city morgue of its cadavers-turned-vampires. This team-up, however, does not hide the estrangement between Jim, Sr. and Jim, Jr., and Padilla's honeyed words of peace and calmness may not change that.
Meanwhile, John Adams... the second President of the United States and the “Vampire King,” ruminates on his history. He remembers how he came to be what he is and thinks on the evolution of his plans to build a society not defined by money, race, and class. But what happens when you use the same old flawed ideas to build something new... or when your partners decide to go their own way?
Killadelphia #3 remains a thrilling, ass-kicking vampire comic book series, but I like that writer Rodney Barnes turns the narrative inward, as the two fathers, Jim, Sr. and John Adams, are forced to reap what they sow – at least, mentally and philosophically. I like the haves/have-nots dynamic that plays itself out in who gets turned into a vampire and who does the turning. However, I like what I see as Barnes' consideration of the costs people pay because of the hubris and the narcissism of powerful men.
Back in the 1980s, the peak work of comic book artist and illustrator, Bill Sienkiewicz, was some of the best, if not the best painted comic book art. Many of Sienkiewicz's individual pages looked like individual paintings, while still propelling the narrative and also being graphical storytelling.
Jason Shawn Alexander, especially in Killadelphia #3, presents some pages that are like stand-along paintings, each with its own message, while being part of the larger narrative. That would be story-pages 14-15, 19, and 22. Luis Nct's coloring remains electric and alive – like something bad come alive. Marshall Dillon letters rhythmically, creating a melody of blood and history and of sex and death.
In my review of Killadelphia #2, I wrote that if Killadelphia #3 was as good as the first two issues, I would begin to suspect that there was something supernatural about this comic book's creative team. So...
10 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
---------------------------------
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
STORY: Rodney Barnes
ART: Jason Shawn Alexander
COLORS: Luis Nct
LETTERS: Marshal1 Dillon
LOGO/GRAPHIC DESIGN: Brent Ashe
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
VARIANT COVER ARTIST: Matteo Scalera
28pp, Colors, 3.99 U.S.(January 2020)
Rated “M/ Mature”
“Sins of the Father” Part III: “Abaddon”
Killadelphia is a new comic book series from writer Rodney Barnes and artist Jason Shawn Alexander (Empty Zone). The series focuses on a police officer who falls into a lurid mystery, one which reveals that the corrupt, but historical city of Philadelphia is vampire-ridden. Colorist Luis Nct and letterer Marshall Dillon complete Killadelphia's creative team.
James “Jim” Sangster, Jr. is a Baltimore Police Department beat cop who comes home to deal with the final affairs of his recently murdered father, revered Philadelphia homicide detective, James Sangster, Sr. Jimmy hated his father, who is not dead, but is of the undead. Now, they're working together to stop an apocalypse – son and vampire dad!
Killadelphia #3 (“Abaddon”) finds the Sangster boys and Jose Padilla, the chief medical examiner, cleansing the city morgue of its cadavers-turned-vampires. This team-up, however, does not hide the estrangement between Jim, Sr. and Jim, Jr., and Padilla's honeyed words of peace and calmness may not change that.
Meanwhile, John Adams... the second President of the United States and the “Vampire King,” ruminates on his history. He remembers how he came to be what he is and thinks on the evolution of his plans to build a society not defined by money, race, and class. But what happens when you use the same old flawed ideas to build something new... or when your partners decide to go their own way?
Killadelphia #3 remains a thrilling, ass-kicking vampire comic book series, but I like that writer Rodney Barnes turns the narrative inward, as the two fathers, Jim, Sr. and John Adams, are forced to reap what they sow – at least, mentally and philosophically. I like the haves/have-nots dynamic that plays itself out in who gets turned into a vampire and who does the turning. However, I like what I see as Barnes' consideration of the costs people pay because of the hubris and the narcissism of powerful men.
Back in the 1980s, the peak work of comic book artist and illustrator, Bill Sienkiewicz, was some of the best, if not the best painted comic book art. Many of Sienkiewicz's individual pages looked like individual paintings, while still propelling the narrative and also being graphical storytelling.
Jason Shawn Alexander, especially in Killadelphia #3, presents some pages that are like stand-along paintings, each with its own message, while being part of the larger narrative. That would be story-pages 14-15, 19, and 22. Luis Nct's coloring remains electric and alive – like something bad come alive. Marshall Dillon letters rhythmically, creating a melody of blood and history and of sex and death.
In my review of Killadelphia #2, I wrote that if Killadelphia #3 was as good as the first two issues, I would begin to suspect that there was something supernatural about this comic book's creative team. So...
10 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
---------------------------------
Labels:
Black Comics,
Image Comics,
Jason Shawn Alexander,
Luis Nct,
Marshall Dillon,
Neo-Harlem,
Review,
Rodney Barnes,
vampires
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