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Monday, April 18, 2022
Marvel Comics from Diamond Distributors for April 20, 2022
Comics, Magazines and Books from Diamond Distributors for April 20, 2022
DC Comics from Lunar Distributors for April 19, 2022
Batman Superman World’s Finest #2 (Cover A Dan Mora), $3.99
Batman Superman World’s Finest #2 (Cover B Tim Sale Card Stock Variant), $4.99
Batman Superman World’s Finest #2 (Cover C Pete Woods Card Stock Variant), AR
Batman Superman World’s Finest #2 (Cover D Jorge Jimenez Card Stock Variant), AR
Batman The Knight #4 (Of 10)(Cover A Carmine Di Giandomenico), $4.99
Batman The Knight #4 (Of 10)(Cover B Riccardo Federici Card Stock Variant), $5.99
Blue And Gold #8 (Of 8)(Cover A Ryan Sook), $3.99
Catwoman #42 (Cover A Jeff Dekal), $3.99
Catwoman #42 (Cover B Jenny Frison Card Stock Variant), $4.99
Catwoman #42 (Cover C Sozomaika Card Stock Variant), AR
Catwoman Lonely City #3 (Of 4)(Cover A Cliff Chiang), $6.99
Catwoman Lonely City #3 (Of 4)(Cover B Cliff Chiang), $6.99
Catwoman Lonely City #3 (Of 4)(Cover C Annie Wu), AR
Dark Crisis LED Acetate Poster, $24.99
DCeased Dead Planet TP, $19.99
Earth-Prime #2 (Of 6) Superman & Lois (Cover A Kim Jacinto), $5.99
Earth-Prime #2 (Of 6) Superman & Lois (Cover B Photo Card Stock Variant), $6.99
Flash #781 (Cover A Brandon Peterson & Michael Atiyeh), $3.99
Flash #781 (Cover B Nikola Cizmesija Card Stock Variant), $4.99
Infinite Frontier HC, $39.99
Nice House On The Lake #8 (Of 12)(Cover A Alvaro Martinez Bueno), $3.99
Nice House On The Lake #8 (Of 12)(Cover B Bilquis Evely Card Stock Variant), $4.99
Nightwing #91 (Cover A Bruno Redondo), $3.99
Nightwing #91 (Cover B Jamal Campbell Card Stock Variant), $4.99
Nightwing #91 (Cover C Serg Acuna Card Stock Variant), AR
Refrigerator Full Of Heads #6 (Of 6)(Cover A Mateus Manhanini), $3.99
Refrigerator Full Of Heads #6 (Of 6)(Cover B Juan Ferreyra Card Stock Variant), $4.99
Robins #6 (Of 6)(Cover A Baldemar Rivas), $3.99
Robins #6 (Of 6)(Cover B David Talaski Card Stock Variant), $4.99
Sandman Volume 2 TP (Book Market Edition), $34.99
Sandman Volume 2 TP (Direct Market Edition), $34.99
Scooby-Doo Where Are You #115 (Cover A Derek Fridolfs), $2.99
Trial Of The Amazons Wonder Girl #2 (Of 2)(Cover A Joelle Jones), $3.99
Trial Of The Amazons Wonder Girl #2 (Of 2)(Cover B Babs Tarr Card Stock Variant), $4.99
Wonder Woman Evolution #6 (Of 8)(Cover A Mike Hawthorne), $3.99
Wonder Woman Evolution #6 (Of 8)(Cover B Dave Johnson Card Stock Variant), $4.99
Saturday, April 16, 2022
#IReadsYou Revew: POST AMERICANA #3
IMAGE COMICS
[This review was originally posted on Patreon.]
STORY: Steve Skroce
ARTIST: Steve Skroce
COLORS: Dave Stewart
LETTERS: Fonografiks
28pp, Color, $3.99 U.S. (February 2021)
Rated M / Mature
Post Americana is a six-issue miniseries written and drawn by Steve Skroce and published by Image Comics. Post Americana is set in a dystopian future and focuses on two rebels' attempt to save an area called the “Wasteland” from a rogue President of the United States. Colorist Dave Stewart and letterer Fonografiks complete Post Americana's creative team.
Post Americana has two settings. The first is “The Bubble,” an installation inside the Cheyenne Mountains that is the most sophisticated super-bunker in the world. Inside, Nathaniel Hawksworthe, the new President of the United States, plans to use the bunker's resources to build the “New America” by basically paving over the second setting, the “Wasteland.” Determined to stop Hawksworthe are Mike, a hapless rebel, and Carolyn, a deadly Wasteland girl, who is already hellbent on revenge against the denizens of the Bubble. But Carolyn and Mike will have to survive the Wasteland in order to save the Wasteland.
As Post Americana #3 opens, after surviving “The Followers of the Path,” cannibal blood cult, Caroline and Mike are looking for a safe place. Perhaps, they have found it in the gilded cage of Caroline's surrogate fathers, Eddy and Gene. Plus, we learn the history of Caroline, how she meet Eddy and Gene, and why she seeks to destroy the Bubble. Mike also reveals his history as a rebel and what happened to the world at the end of the 23rd century that led to the creation to the Bubble. Why and how did the rich take over?
THE LOWDOWN: As I wrote in my review of Post Americana #1, I am a fan of writer-artist Steve Skroce's mainstream comics work, especially “Blood Debt” (May 2000 to August 2000), a four-issue story arc he produced for the original Wolverine ongoing comic book series (the one that began in 1988). In my review of Post Americana #2, I expressed joy that Skroce gave readers the fun of a cannibal holocaust-shindig.
Post Americana #3 is the series' most revealing issue yet. I'll call it the “history issue,” and if you like, back story, dear readers, you will love this third issue, as there is a lot of history and back story … and a rather shocking surprise regarding Caroline.
As usual, Skroce gets excellent assistance in creating this fine edition of his latest comic book. That includes superb coloring from Dave Stewart and story-driving lettering from Fonografiks. I can't wait for the fourth issue.
I READS YOU RECOMMENDS: Fans of Steve Skroce's comics and of post-apocalyptic sci-fi will want Post Americana.
A
9 out of 10
[This comic book features a four-page sneak preview of the upcoming comic book, Karmen #1, by Guillem March.]
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
Friday, April 15, 2022
#IReadsYou Review: BLUBBER #6
BLUBBER #6
FANTAGRAPHICS BOOKS
CARTOONIST: Gilbert Hernandez
EDITOR: Eric Reynolds
COVER/BACK COVER: Gilbert Hernandez with Paul Baresh
24pp, B&W, $4.99 U.S. (August 2021)
Blubber is an intermittently published, black and white, alternative comic book series written and drawn by Gilbert Hernandez, cartoonist, comic book creator, and graphic novelist. He is best known for being one-half of the duo referred to as “Los Bros.” Gilbert and his brother, Jaime Hernandez, are Eisner Award (Will Eisner Comics Industry Awards) winners, and they have produced the seminal, alternative comic book series, Love and Rockets (Fantagraphics Books), for the last four-plus decades.
Blubber offers short stories and vignettes featuring a cast of misfits, monsters, and anthropomorphic types. Beto also presents his usual mix of bizarre characters, strange stories, and outlandish sex and sexual acts, all hallmarks of his comic book output going back to the beginning of his early career.
Blubber #6 is comprised of multiple one-pagers and a few short stories. It also opens with a one-page comic inside the front cover (frontispiece) and ends with another story inside the back cover. I'll discuss each story individually, to one extent or another.
THE LOWDOWN: The inside front cover story is entitled “Giving It a Go.” It's about giving a device called the “Fuck-U-Later” a go. Mila gives it a go.
That I don't find this disgusting says a lot about me. That I kinda wish there was such a device...
“Ulu Extreme Productions Present 'Young, Fast and Scientific'”:
Pupusi's ability to take the voluminous ejaculations of Maximiliano a.k.a. “Max” during the filming of the movie, “Young, Fast and Scientific,” impresses people on the set. So Kolchak, Wilfer, Zoe, Ulu, and John Dick (he of the three-foot+ erection) join in on the fuck-tastic fun.
As usual, Beto shows the facility of his pen in drawing exaggerated genitalia. However, he does “stick the landing” by drawing natural looking genitalia on Page 3.
“But is it Pretty?”:
Corazon has breasts that aren't real, but feel real. She does however have a well-endowed member that is real. Well, Mila wants to put that member to use.
All I can say, Beto, is “Wow!”
“The Nahanny”:
Peaky, the athletic trainer who appeared in “Ulu Extreme Productions Present 'Young, Fast and Scientific',” is back in this half-page, five-panel story.” A non-human character wants to suck on her biceps.
I like Beto's design work on the non-human character, whose name may be Kemp or “The Nahanny.” Beto's character designing talent is probably not appreciated enough. I can see the influence of “Silver Age” comic books on this genius in “slick” drawings.
“Kemp”:
Kemp sucks on Zoe's balloon-like breasts, with disastrous results.
This story shares the page with “The Nahanny.” The panels are almost too small to read, but I didn't let that stop me. And I like the characters.
“The Damn Loo!”:
“Tin Man,” the robot character featured on the cover, (sexually) assaults one of Beto's signature cryptids, the “Loo.”
Once again, I am digging the design of the Loo.
“Cisnero's Secret”:
Pipusi spurns the advances of Cristobol and Efren, but she takes it up the bum from Cisnero. Apparently, this action takes place with The Beatles 1967 pop tune, “Strawberry Fields Forever,” playing in the background.
I like that this one-pager deals with something that vex's almost all men.
“Gay Wheeler”:
Gay Wheeler is not gay … but he is willing to perform oral on Max, who says he isn't gay either.
This a cute story, but it gets better when Beto offers us Corazon' ability to bang her own boobs.
“Don't Fuck with the Loo”:
This time the Loo gets the best of Tin Man.
Untitled:
John Dick's penis is so long (and thick) that he has a … hard time finding someone to adequately pleasure him and it. Luckily, Cisnero comes along and tries to offer John a “soothing blowjob.”
It's funny that John says he is not gay, so what Cisnero is doing to him must be a dream. But it is a dream he hopes to have over and over again. Soothing blowjob … I hear ya talkin,' girl.
“The Thighs Have It!”:
Efren takes advantage of Kolchak's thighs, among other sexual delights. Cisnero and “Strawberry Fields Forever” guest star.
All I can say about this one-page is that the thighs do indeed have it. This story also shows off Beto's talent at cartooning the human figure.
“The Fruit of His Loins”:
The story focuses on a young man who is referred to as “Our Man,” but his name may be “Norte.”
This story, about narcissism and sexual hang-ups, showcases Beto's skill at cartooning exaggerated body parts...
“Plunk”:
More porno adventures at “Ulu Extreme Productions,” this time without the cameras.
“Clipper”:
Still more porno adventures at Ulu.
“Plunk” and “Clipper” are indeed true pornographic comics. That's a good thing, and they're kinda nice.
“Dr. Sanz Was What?”:
Dr. Sanz wants to create a stimulant for penis augmentation. After inventing a formula, he tries it on himself. A dream shows him the possibilities of having an augmented member … the bad … and the good.
Beto's drawings of Dr. Sanz's face recalls the similarity of his graphical style to the late writer-artist Darwyn Cooke's. The two collaborated on the odd miniseries, "The Twilight Children" (DC/Vertigo, 2016), and “Dr. Sanz Was What?” makes me think that they did share some aesthetics.
“Wilfer's Way”:
Wilfred likes to bang breasts and finds all other sexual acts to be nonsense. But what if Pupusi could come up with something that was like fun-bag-fun, but not exactly it?
This one pager may be the best story this issue.
“Tamba”:
Peaky is enjoying sex with men, but is she ready for sex with cryptids?
What would Blubber be without multiple sex-with-cryptids stories?
“Fuck the Loo”:
Tin Man and Snowman the cryptid wreck the Loo.
A funny story, especially because we learn that the Loo is a Republican.
“Zoe Loves Her Work!”:
Zoe loves her work – having sex. Cisnero, Mila, and Efren do, too!
What can I say about this story. I love reviewing comic books when it lets me read stories like this.
“Submitted for Your Disapproval”:
Baby meets Corazon … in a way.
I can love this story because Baby is in it.
The inside the back cover story is “Secret Sex.” This story takes place partially in Efren's past and is about a woman he banged 35 years ago. This is a lovingly drawn 20-panel one-page story. I'd like to have the original art for it.
After reading any issue of Blubber, I think that Gilbert Hernandez is the only modern cartoonist doing true modern underground comics. Blubber recalls the classic erotic/porn comics of R. Crumb, but Hernandez's work is more purely surreal. I treasure Blubber #6, as I do every issue, because I see it as a gift from the rebellious spirit of a master of alternative comics. Plus, my mind played “Strawberry Fields Forever” throughout the entire issue.
Blubber is the product of a master who just draws whatever the heck he wants to draw. He submits it for your disapproval, and probably wants you to disapprove, dear readers. But I won't, King Gilbert. I'll always approve.
I READS YOU RECOMMENDS: Fans of Gilbert Hernandez must have Blubber.
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
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Thursday, April 14, 2022
#IReadsYou: Review: Scooby-Doo, Where Are You? #114
SCOOBY-DOO, WHERE ARE YOU? (2010) #114
DC COMICS
STORY: Sholly Fisch; Alex Simmons
PENCILS: Valerio Chiola; Robert Pope
INKS: Valerio Chiola; Scott McRae
COLORS: Valerio Chiola; Heroic Age
LETTERS: Saida Temofonte; Travis Lanham
EDITORS: Courtney Jordan; Michelle Siglain (reprint)
COVER: Derek Fridolfs with Jeremy Lawson
32pp, Color, $2.99 U.S. (April 2022)
Ages 8+
“Jailhouse Shock”
Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010. I continue to renew my subscription so that I can continue to review this series for you, dear readers.
Scooby-Doo, Where Are You? #114 opens with “Jailhouse Shock,” which is written by Sholly Fisch and drawn by Valerio Chiola. The story finds Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma at a local police station, after closing their most recent case involving bank fraud and someone masquerading as a Yeti.
Before they can leave, they learn from Sarge, the head of the station, that the building is being haunted. The haunt is none other than the ghost of the notorious early twentieth century bank robber, Muggsy Derringer, who claims to want revenge. The real Muggsy, however, was hunted down a century ago in Chicago, so why would his ghost be haunting this police station? It is up to the gang to find out?
The second story, “Dead & Let Spy” is, as usual, a reprint story and is written by Alex Simmons and drawn by Robert Pope and Scott McRae. [This story was originally published in Scooby-Doo #106 (cover date: May 2006).] Mystery Inc. is meeting the spymaster “G,” who wants the gang to help his nephew, J.Z. Bang, a teen secret agent.
J.Z. is used to dealing with spies and secret agents, but his latest adversary, a freelance agent called “Cadaver,” uses spooky tricks, such as employing monsters and ghouls. The teen secret agent is trying to gather the ten pieces of a new invention created by the eccentric Dr. Ooh. He needs help fighting off a menagerie of creeps that look as if they are a rogues gallery from a horror film festival. Are the monster-hunting talents of Mystery Inc. just want J.Z. Bang needs?
The funniest thing about “Jailhouse Shock” is that Mystery Inc. knows from the beginning that the ghost of Muggsy Derringer is a fake. Well, at least Shaggy and Scooby-Doo are willing to sell the idea that they are facing a real ghost. While Sholly Fisch's story is funny, I still haven't bought into Valerio Chiola as an appropriate artist for a Scooby-Doo comic book. He draws the Mystery Inc. characters well enough, but all the other character are awkwardly drawn.
“Dead & Let Spy,” the reprint tale, is a better story and it is also drawn by one of the better Scooby-Doo comic book artists, Robert Pope, inked here by Scott McRae. Pope's graphical storytelling is fast paced, from beginning to end, and he offers an impressive menagerie of monsters. The monsters J.Z. Bang faces include the classic Scooby-Doo creep, the Yeti, which first appeared in “Scooby-Doo, Where Are You!” (1969-70) Season One, Episode 17 as the “Snow Ghost.” I think writer Alex Simmons has come up with a scenario that would make a nice Scooby-Doo graphic novel and perhaps, be excellent source material for an animated Scooby-Doo film.
[This comic book includes a six-page preview of the original graphic novel, “Teen Titans Go! DC Super Hero Girls: Exchange Students!” by Amy Wolfram and Agnes Garbowska.]
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
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The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
------------
Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).