Friday, May 5, 2023

#IReadsYou Movie Review: "GUARDIANS OF THE GALAXY VOL. 3"

Guardians of the Galaxy Vol. 3 (2023)

Running time:  150 minutes (2 hours, 30 minutes)
MPAA – PG-13 for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements
DIRECTOR:  James Gunn
WRITER:  James Gunn (based on the Marvel Comics characters)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  Henry Braham (D.o.P.)
EDITORS:  Fred Raskin and Greg D'Auria
COMPOSER:  John Murphy

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Chukwudi Iwuji, Sean Gunn, Will Poulter, Nico Santos, Miriam Shor, Elizabeth Debicki, Sylvester Stallone, Nathan Fillion, Michael Rooker, Gregg Henry, and the voices of Linda Cardellini, Seth Green, Maria Bakalova, Bradley Cooper, and Vin Diesel

Guardians of the Galaxy Vol. 3 is a 2023 science fiction, comedy, and action-adventure film written and directed by James Gunn and produced by Marvel Studios.  It is the third film in Marvel's Guardians of the Galaxy film series, following 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2.  It is also the 32nd film in the Marvel Cinematic Universe (MCU).  Vol. 3 finds the Guardians fighting to save one of their members from his creator, a mission that may destroy the Guardians whether they are successful or not.

Guardians of the Galaxy Vol. 3 opens on Knowhere, the strange space station where the Guardians of the Galaxy have established their headquarters.  Their leader, Peter Quill/Star-Lord (Chris Pratt), mourns the loss of his girlfriend, Gamora (Zoe Saldana).  The alien warlord, Thanos, killed Gamora (as seen in Avengers: Infinity War), but an alternate universe version of her appeared (as seen in Avengers: Endgame).  This new Gamora does not love Peter, and she associates with The Ravagers, which was once essentially Peter's surrogate family.

The group has bigger troubles ahead.  The Guardians are being targeted by the “Sovereign” empress Ayesha (Elizabeth Debicki), someone with a grudge against them (as seen in Vol. 2).  She sends her son, Adam Warlock (Will Poulter), to attack the Guardians, and he grievously wounds Rocket (voice of Bradley Cooper).  To save Rocket, Peter and his fellow Guardians:  Drax the Destroyer (Dave Bautista), Groot (voice of Vin Diesel), Mantis (Pom Klementieff), Nebula (Karen Gillan), and a reluctant Gamora, must confront The High Evolutionary (Chukwudi Iwuji), the Counter-Earth scientist who created Rocket.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Vol. 2 was a fun sci-fi-action movie and a surprisingly thoughtful character melodrama.  Guardians of the Galaxy Vol. 3 does everything the first two films did well and amplifies that.  Vol. 3 is the series' funniest film, and I found myself laughing throughout it.  That still surprises me because this movie has some pretty dark moments, especially concerning The High Evolutionary, who is superbly played with volcanic intensity and unremitting cruelty by the most excellent Chuckwudi Iwuji.

Guardians of the Galaxy Vol. 3 is one of Marvel Studios' best films in years.  I think it works for three reasons.  First, the film's production values and special effects are impressive.  The CGI-created environments, backdrops, sets (interiors and exteriors), space-ways, worlds, etc. are so dazzling in scope, color, and imagination that they surpass the impressive work of the first two films, especially the second film.  The entire entire “Orgoscope” sequence is an eye-popping collection of inventiveness.  Even the menagerie of people, creatures, and robots exceeds the first two film, probably combined.

The acting is quite good, and that makes me want to engage the characters even more.  Chris Pratt gives his best tern as Peter Quill/Star-Lord – drama, pathos, big emotions, and the sarcasm and quips are still here – but with edginess.  This is the first time that I really hoped that Star-Lord would be a long term MCU character.  It is so shocking that Zoe Saldana can convince me that she is a different Gamora.  Karen Gillan as Nebula and Pom Klementieff as Mantis do superb work with the character arcs that the story gives them.  As Drax the Destroyer, Dave Bautista makes the character seem not extraneous for the first time.  Vin Diesel and Bradley Cooper as always are winning in their voice roles as Groot and Rocket, respectively, with Diesel bringing some extra to Groot this time.

The third reason Guardians of the Galaxy Vol. 3 is so damn good is writer-director James Gunn.  This is Gunn at the peak of his powers.  Honestly, I liked Vol. 2 so much that I didn't think he could top himself, but he does with this third film.  I did find Vol. 3 a little dry and too dark in the beginning, but once it grabbed me, it would not let go.

This film has a heart – a center that is about the struggle to help a friend or family member no matter how bad his or her troubles might be or even if he or she resists and rejects the help.  In Vol. 3, Gunn makes all the characters unique individuals with wants, needs, goals, conflicts, and melodrama.  However, the best thing that Gunn does is accept that even the most intense relationships change, so he lets some of the characters move on.  The result is a last act for the ages and a closing sequence that recalls the beginning of the original film and leaves the viewer with the warmest feelings.

Guardians of the Galaxy Vol. 3 opens in the U.S. today, May 5, 2023.  That is 15 years and a few days after the release of the first MCU film, Iron Man (2008).  Vol. 3 exemplifies something that I just realize runs throughout Marvel Studios' film.  In almost all of them, a dominant theme is the formation of surrogate families.  Friends, enemies, heroes, and sometimes even the villains come together in a unit that is more than just a group of friends; they are family.  In Guardians of the Galaxy Vol. 3, James Gunn gives us the end of one version of the family as it evolves into something larger.  What makes Guardians of the Galaxy Vol. 3 an amazing film is that it is as heartwarming as it is exciting and thrilling.  Yes, there are big, mesmerizing action set pieces, but by the end, I really believe that these guys love one another.  I could watch it forever.

9 of 10
★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Thursday, May 4, 2023

#IReadsYou Review: KILLADELPHIA #22

KILLADELPHIA #22
IMAGE COMICS

STORY: Rodney Barnes
ART: Jason Shawn Alexander with Germán Erramouspe and Nicole Palmquist
COLORS: Luis Nct
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
VARIANT COVER ARTIST: Elia Bonetti
28pp, Colors, 3.99 U.S. (May 2022)

Rated “M/ Mature”

Killadelphia and Elysium Gardens created by Rodney Barnes and Jason Shawn Alexander

“The End of All” Part IV: “The Conversation”


Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander and is published by Image Comics.  At the center of this series is a police officer caught in a lurid conspiracy in which vampires attempt to rule Philadelphia, “the City of Brotherly Love.”  Colorist Luis Nct and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr. and his father, revered Philadelphia homicide detective, James Sangster, Sr., thought to be dead.  He is actually a vampire.  Now father and son lead a ragtag team comprised of a medical examiner (Jose Padilla), a dead president, and a rebellious, but special young vampire (Tevin Thompkins a.k.a. “See Saw”) in a bid to save Philly from an ambitious and murderous former First Lady, Abigail Adams.

As Killadelphia #22 (“The Conversation”) opens, Abigail and her coven are having an unpleasant conversation among themselves.  It gets more unpleasant when (vampire) George Washington, See Saw, and Aelio arrive for a deeper conversation.  It seems that these different factions must come together because the one true vampire king has returned to claim his throne and to lay waste to America.

Meanwhile, Jimmy and Tituba, the Stregherian witch, are still searching for See Saw.  They may have to throw more light on the situation than they expected... and they are also due for some conversation.

THE LOWDOWN:  We have entered the second half of Killadelphia's fourth story arc, “The End of All.”  It is an outta sight arc, and individually, so is Chapter Four, which resides under Jason Shawn Alexander's sexy-back cover.

Writer Rodney Barnes is a writer and executive producer on HBO's event series, “Winning Time: The Rise of the Lakers Dynasty.”  Reading Killadelphia is also a winning time because pretty much every issue introduces something entirely new that is entirely consequential, and totally amazing.  Killadelphia #22 is a basket of dark fantasy delights, featuring characters that could carry their own series, especially Tituba.  Here, what makes the characters rich is not so much their personalities as it is what they want.

Killadelphia #22 may also be the first time that I realized how artist Jason Shawn Alexander and colorist Luis Nct have managed to create such a menagerie of vampires and individual characters.  The characters with speaking roles have a unique look, and the coloring gives each one a visual and graphic personality.  It is a feast for the eyes and for the imagination.

Killadelphia #22 makes me feel like I have rediscovered the series, in a way.  Dear readers, I want you to discover it, also.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

A+

Reviewed by Leroy Douressesaux a.k.a. "I Reads You"


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Tuesday, May 2, 2023

#IReadsYou Review: X-MEN GOD LOVES, MAN KILLS Extended Cut #1

X-MEN: GOD LOVES, MAN KILLS EXTENDED CUT #1 (OF 2)
MARVEL COMICS

STORY: Christopher Claremont
ART: Brent Eric Anderson
COLORS: Steve Oliff
LETTERS: Tom Orzechowski
EDITOR: Louise Jones (original); Jennifer Grunwald (extended cut)
EiC: Jim Shooter (original); Akira Yoshida a.k.a. C.B. Cebulski (extended cut)
COVER: Salvador Larroca with Guru-eFX
VARIANT COVER ARTISTS: Brent Anderson; Rod Reis; Giuseppe Camuncoli and Erick Arciniega
44pp, Color, $4.99 U.S. (June 2020)

Rated T+

The X-Men created by Stan Lee and Jack Kirby


The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  In The X-Men #1 (cover dated: September 1963), readers were introduced to a professor who was also team-leader to his students.  Each student had unique powers and abilities because he or she was a “mutant.”

X-Men: God Loves, Man Kills (Marvel Graphic Novel #5) was an original graphic novel published in 1982 by Marvel Comics.  It was written by Christopher Claremont and illustrated by Brent Eric Anderson.  Colorist Steve Oliff and letterer Tom Orzechowski completed the graphic novel's creative team.  The story pits the X-Men and their longtime enemy, Magneto, against a fanatical religious leader bent on exterminating “mutantkind.”  The graphic novel went on to become one of the most popular and beloved X-Men stories of all time.  Elements of the God Loves, Man Kills were used in the 2003 X-Men, film, X2: X-Men United.

Back in 2020, Marvel republished X-Men: God Loves, Man Kills as a two-issue miniseries, entitled X-Men: God Loves, Man Kills Extended Cut.  The series divides the story in two parts and brackets it with a new ten-page framing sequence or story produced by the original story's creating team.  The first issue of this “extended cut” opens with five pages of the framing sequence and the second issue ends with the other five pages.

In this new sequence, the member of the X-Men known as Kitty Pryde and her pet dragon, Lockheed, are in southwest Texas.  There, Kitty visits a young woman named Kate who met Erik Lehnsherr a.k.a. “Magneto.”  Kitty has decided to tell the young woman the story that is X-Men: God Loves, Man Kills.

X-Men: God Loves, Man Kills Extended Cut #1 opens in the “Gold Star Cafe,” somewhere in southwest Texas.  There, Kitty Pryde of the X-Men meets Kate, a friend of Magneto, and decides to tell her the story of a time when Kitty was new to the X-Men and was known by the code name, Ariel.

Once upon a time, there was a popular and fanatical religious leader named William Stryker who led a religious organization called the “Stryker Crusade.”  Under the guise of evangelical Christianity, Stryker hatched a plot to destroy all mutants on Earth.  To begin, Stryker targeted Charles Xavier a.k.a. Professor X, the lynch pin to his plot.

To get to Xavier, Stryker will have to go through the X-Men:  Cyclops, Storm, Wolverine, Colossus, Nightcrawler, and Kitty Pryde/Ariel.  To fight the X-Men, Stryker had a strike force, a form of armor-wearing men he called the “Purifiers.”

Professor X and his X-Men were unaware of the danger to their lives.  Colossus' younger sister, Illyana, was also living with the team.  After Professor X and two of his X-Men are captured, the X-Men begin to fight back, but they will find themselves needing help from the greatest enemy, Magneto.

THE LOWDOWN:  I read X-Men: God Loves, Man Kills several times in my youth, but prior to reading this reprint series, I don't think that I had read it in decades.  I didn't read the sequel to it that Chris Claremont wrote for his former X-Men comic book series, X-Treme X-Men (2001-04).  Entitled “God Love, Man Kills Part II, it ran from X-Treme X-Men #25 (July 2003) to X-Treme X-Men #30 (October 2003).  The entire story line was collected in the trade paperback, X-Treme X-Men Vol. 5: God Love, Man Kills (October 2003).

It turns out that I had forgotten quite a bit of “God Loves, Man Kills.”  That includes the action-packed final battle against the Purifiers and that final debate with William Stryker at the “Stryker Building.”  I also had forgotten that Claremont has Kitty Pryde use the term “nigger-lover” in anger at Stevie Hunter.  An African-America woman, Stevie was a recurring, non-mutant character, who mostly appeared in The Uncanny X-Men and New Mutants in the early 1980s.  Four decades later, I have to say that I don't like that scene very much and I'm not happy about the use of that term.  I'm not surprised that Marvel did not remove it, but I am sure that it would not be used today in a scene of a similar context.

X-Men: God Loves, Man Kills is a pivotal point in the publication history of the X-Men.  I believe that the X-Men began as a group of costume adventurers and superheroes who were defined by the fact that they were mutants and who faced prejudice because of it.  However, the original X-Men comic book series also focused on the action and was essentially an adventure serial.

After the debut of the “new X-Men” in 1974, writer Chris Claremont wrote the X-Men comic book as a serialized soap opera, although the X-Men team of the time traveled around the world having adventures and facing one peril after another.  Under Claremont, the X-Men and mutants, in general, became outcasts because of their mutant status.  No matter what they did as superheroes, being a mutant overshadowed or defined their actions.

Eventually, the X-Men, which was eventually re-titled “Uncanny X-Men,” became a comic book in which the narrative focused on prejudice, bigotry, racism, and hate.  The X-Men's struggles were a metaphor for the struggles of persecuted and hated minority groups fighting to be accepted by the wider society.  What made them different did not make them “less human” was a recurring theme, even as the traveled around the world and off it.

X-Men: God Loves, Man Kills was the point of no return.  Never again would the The Uncanny X-Men and its various spin-off series really be about adventure.  Past, present, and future – even future-past – would be about the mutant struggle and what forms the struggle would take.  Eventually, the X-Men would become a franchise that was insular and redundant.  I think that is why over time the Uncanny X-Men went from being a bestselling comic book franchise to being in the shadow of titles like Avengers, Batman, and Justice League, to name a few.

The mutant struggle became repetitive and tired and it began with a really memorable story, X-Men: God Loves, Man Kills.  The X-Men were once mutants who really wanted to prove that they could be the kind of superheroes who protected both mutants and humans and fought to save a world upon which both shared.  Then, the X-Men became just mutants.

Apparently, individual issues of comic books that are reprints of other individual comic books have been popular with buyers for more than a decade.  That is the only reason to reprint X-Men: God Loves, Man Kills Extended Cut.  The X-Men are not as relevant as they once were, and the original X-Men: God Loves, Man Kills was rendered irrelevant by repetition of its themes long ago.

As for the new framing sequence:  there is a kernel of something relevant in Claremont's scenario.  And Brent Anderson's art reminds us that he is still an important artist in the history of X-Men publications despite his small output in the franchise.  If one of the themes of X-Men: God Loves, Man Kills was and still is “hope,” then, X-Men: God Loves, Man Kills Extended Cut, at least for me, suggests that there is hope for the X-Men  It is hope that the franchise can be more than what it is now – a consumer product, an intellectual property (IP), and for some, a fetish.

I READS YOU RECOMMENDS:  Fans of the original X-Men: God Loves, Man Kills will want to give X-Men: God Loves, Man Kills Extended Cut a try.

[This comic book includes two interviews, one with Chris Claremont and one with Brent Anderson.]

A-
★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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Monday, May 1, 2023

BOOM! Studios from Diamond Distributors for May 3, 2023

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