#IReadsYou Movie Review: MADAME WEB

Madame Web (2024)

Running time:  117 minutes (1 hour, 57 minutes)

MPA – PG-13 for violence/action and language

DIRECTOR:  S.J. Clarkson

WRITERS:  Matt Sazama & Burk Sharpless and Claire Parker & S.J. Clarkson; from a story by Matt Sazama & Burk Sharpless and Kerem Sanga (based on the Marvel Comics)

PRODUCER:  Lorenzo di Bonaventura

CINEMATOGRAPHER:  Mauro Fiore (D.o.P.)

EDITOR:  Leigh Folsom Boyd

COMPOSER:  Johan Soderqvist

SUPERHERO/FANTASY/HORROR/ACTION

Starring:  Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar Rahim, Adam Scott, Emma Roberts, Kerry Bishé, Zosia Mamet, José María Yazpik, and Mike Epps

Madame Web is a 2024 superhero fantasy, horror, and action film directed by S.J. Clarkson.  The movie is based on the Marvel Comics character, Madame Webb/Cassandra Webb, that was created by writer Denny O'Neil and artist John Romita Jr. and first appeared in The Amazing Spider-Man #210 (cover dated: November 1980).  This is also the fourth film in “Sony's Spider-Man Universe” (SSU) series.  Madame Web the movie focuses on a NYC paramedic who starts having visions of a shadowy figure hunting three young women.

Madame Web opens in 1973 in the jungles of Peru.  There, scientist Constance Webb (Kerry Bishe) searches for a rare spider deep in the Amazon.  At her side is her assistant, Ezekiel Sims (Tahar Rahim), who has plans of his own.  They are also surrounded by legends and rumors of “Las Arañas,” a secret Peruvian tribe in which its members have spider powers.  In the end, discovery leads to betrayal, death, and birth.

Thirty years later, New York City, 2003, Constance's daughter, Cassandra “Cassie” Webb (Dakota Johnson) is a paramedic.  An accident causes Cassie to start having strange visions, which she comes to believe are clairvoyant.  These visions of the future feature three young women:  Julia Cornwall (Sydney Sweeney), Anya Corazon (Isabela Merced), and Mattie Franklin (Celeste O'Connor) being hunted by a mysterious figure.  This man wears a costume; he has enhanced strength and speed; and he can crawl on walls and ceilings like a spider.  Forced to confront her past and her psychic abilities, Cassie must safeguard these three young women before this deadly adversary murders them.

Madame Web is fourth film in Sony's Spider-Man Universe following Venom (2018), Venom: Let There Be Carnage (2021), and Morbius (2022).  In my estimation, dear readers, Madame Webb is the second best of the quartet behind only the original Venom.

In fact, Madame Webb isn't the “worst film ever,” “absolutely horrible,” or any of the over-the-top things haters and trolls are saying on social media.  It isn't a great film, but Madame Web is quite entertaining.  However, I have ideas about why this new film is getting so much hate.  One reason is that there is a corner of social media that is dedicated to dissing films that are largely led by women characters.  We saw this in the vitriol and invective directed at the 2016 Ghostbusters film and Marvel Studios' recent target, The Marvels.  There are also some structural and narrative reasons that might irritate some viewers, and in order to talk about them, I will have to give you, dear readers, a...

SPOILERS WARNING:  Madame Web is a hybrid of superheroes, dark fantasy, horror, action, and mysticism.  On the superhero end, only the adversary trying to kill the three young women wears a costume.  Sometime in the future of Madame Web's timeline, Julia Cornwall, Anya Corazon, and Mattie Franklin will each be a version of the hero, Spider-Woman, but now they are not.  We only see them in their respective costumes in Cassie's visions of the future.  Still, in the main body of the story, each actress plays her respective character as if she takes her role seriously.  The trio is fun and rebellious, and their energy makes this film hop when it starts to drag.

On the action end, Madame Web has car chases and crashes and eye-crossing fights.  The film's mystical angle comes across as a bit hokey, especially when Cassie talks about her powers.  However, when Cassie's visions kick-in, they are trippy, confusing, and disorienting; they come and go in so many alternate versions with horror movie intensity.

Madame Web certainly could have been a better film had the main male characters had more development.  Screen time isn't the issue.  Adam Scott's Ben Parker, to whom you should pay attention, is more errand boy than friend, and the bad guy often comes across as a stock villain.

That said Madame Web is an entertaining film, and Dakota Johnson is good as Cassie Webb, considering neither her character nor this film in general has the benefit of a strong screenplay.  Madame Webb is a slightly above-average comic book movie, and it should entertain most fans of superhero movies... except those with culture war agendas.

B

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: KILLADELPHIA #28

KILLADELPHIA #28

IMAGE COMICS

STORY: Rodney Barnes

LAYOUTS: Jason Shawn Alexander

PENCILS: Germán Erramouspe

INKS: Jason Shawn Alexander with Robert Melendrez

COLORS: Lee Loughridge

LETTERS: Marshall Dillon

EDITOR: Greg Tumbarello

COVER: Jason Shawn Alexander

VARIANT COVER ARTIST: Chris Anthony

32pp, Colors, 3.99 U.S. (February 2023)

Rated “M/ Mature”

Killadelphia created by Rodney Barnes and Jason Shawn Alexander

“There's No Place Like Home” Part IV: “Death of the Dream”

Killadelphia is an apocalyptic vampire and dark fantasy comic book series from writer Rodney Barnes and artist Jason Shawn Alexander.  Published by Image Comics, it centers on a conspiracy in which vampires attempt to rule Philadelphia.  The series is currently written by Barnes and drawn by Alexander and Germán Erramouspe.  Colorist Lee Loughridge and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr., a ragtag team of fighters, and a menagerie of gods and monsters on one side or the other or both in the vampire invasion of Philadelphia.  Of note are a special young vampire (Tevin Thompkins a.k.a. “See Saw”), Anansi the Spider-God, and the infamous rebel leader turned monster hunter, Toussaint Louverture, and his army of killers.

As Killadelphia #28 (“Death of the Dream”) opens, immortal (vampire) Thomas Jefferson mourns the destruction of his compatriot-turned-immortal, George Washington.  But why can't eternally young old Tom Jefferson show real love to the man who has loved him like he was blood, his slave turned vampire, Jupiter?

Plus, See Saw suffers an existential crisis.  What has really changed in Philly since the vampire infestation, he wonders?  Is shit the same in Killadelphia?  Meanwhile, Anansi, a trickster god, tries to trick the great deceiver himself.

THE LOWDOWN:  We are at the middle point of Killadelphia's fifth story arc, “There's No Place Like Home.”  Before this arc debuted, creators Rodney Barnes and Jason Shawn Alexander warned readers that they were not prepared for what was coming in the arc – which has proven to be true, very true.

I'm not sure what to say about Killadelphia #28, although I can say that love it … to death.  Some of it reads like an enthralling, fiery Black Panther Party tract that throws jet fuel on a gasoline fire.  Other parts read like a hypnotic revenge fantasy inspired by “The 1619 Project.”

In my recent reviews of comic books written by Mark Millar (such as Nemesis Reloaded), I talked about how they recall the craziness and rebellion of 1980s comic books.  Killadelphia is beautifully crazy.  If Fox News and other conservative, right wing, reactionary, KKK media organizations knew about Killadelphia, they would dog Rodney Barnes' name they do Nikole Hannah-Jones.

If such criticism and negativity were to become a reality, however, they would ask you a simple question, dear readers.  If you aren't reading Killadelphia, then, why isn't your dumb ass reading Killadelphia?

NOTE: Killadelphia #28 is also available in a “Noir Edition,” featuring black-and-white line art interiors.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can buy KILLADELPHIA VOL. 5 at Amazon.

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#IReadsYou Review: CHILLING ADVENTURES PRESENTS... Welcome to Riverdale #1

WELCOME TO RIVERDALE #1

ARCHIE COMIC PUBLICATIONS, INC./Archie Horror

STORY: Amy Chase

ART: Liana Kangas

COLORS: Ellie Wright

LETTERS: Jack Morelli

EDITORS: Jamie Lee Rotante

EiC: Mike Pellerito

COVER: Liana Kangas

VARIANT COVER ARTIST: Marguerite Sauvage

32pp, Color, $3.99 U.S. (December 2023); on sale in comic book shops October 11, 2023

Rating: Teen+

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character.  In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

But Archie Comics has a dark side, as seen in the imprint “Archie Horror,” which has been around for a decade.  Part of the Archie Horror imprint is a series of one-shot comic books under the title Chilling Adventures Presents...  The latest is Welcome to Riverdale No. 1.  It is written by Amy Chase; drawn by Liana Kangas; colored by Ellie Wright; and lettered by Jack Morelli.  Riverdale, the hometown of Archie and its pals, is the creepy setting for this new tale.

Chilling Adventures Presents...  Welcome to Riverdale No. 1 opens as fun-loving teen, Ginger Snapp, arrives in Riverdale at the invitation of her friend, Nancy Woods.  Living in Hilldale, Ginger has read a lot about Riverdale, but she is still amazed by how wholesome and welcoming the town truly is.  But the overwhelming happiness and endless smiles do feel a bit uncanny, and meeting Riverdale's Mayor Glibb does not help Ginger shake her feelings of unease.

How can everyone in Riverdale be so nice and kind?  Well, there is a dark secret to Riverdale, and it is dark enough to earn the term “toxic positivity.”

THE LOWDOWN:   I have been reading comic books, on and off, for decades.  I have sporadically read Archie Comics titles over that time, including some Archie Horror titles, especially Chilling Adventures of Sabrina.  Over the last few years, Archie's marketing department has been sending PDF copies of some of their titles for review.  Welcome to Riverdale No. 1 is the latest.

Welcome to Riverdale No. 1 is a really good, but not great one-shot, but I do think it could be the beginning of something great if the story continues in the future.  For those of you who don't know, Ginger Snapp was a 1950s Archie Comics character that had her own book and was meant to be a female Archie Andrews-type.  Apparently, the publisher's hope was that the book, entitled Ginger, would replicate the success of the flagship Archie title.  Ginger ran for ten issues from 1951 to 1954.

Amy Chase's story for Welcome to Riverdale No. 1 is intriguing and is an engaging read.  However, the storytelling by artist Liana Kangas is a bit muddled in several places; it is as if she is trying to use surreal elements to give the story more depth.  It isn't so much a question of style as it is execution, and the Ellie Wright's coloring – uninspired as it seems – doesn't help.  None of this is bad work; as I said, it is intriguing, and it certainly has potential.

So, there is something to build upon in Welcome to Riverdale No. 1 – if someone is willing to put more thought behind it.

I READS YOU RECOMMENDS:  Fans of Archie Comics' “Archie Horror” imprint will want Welcome to Riverdale No. 1.

[This comic book includes a two-page section on the making of Welcome to Riverdale No. 1.]

B

★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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#IReadsYou Review: CONAN THE BARBARIAN #1

CONAN THE BARBARIAN #1 (2023)

TITAN COMICS/Heroic Signatures

STORY: Jim Zub

ART: Roberto de la Torre

COLORS: José Villarrubia

LETTERS: Richard Starkings of Comicraft

EDITOR: Phoebe Hedges

COVER: Dan Panosian

VARIANT COVER ARTISTS: Roberto de la Torre; Artgerm; Patch Zircher; Mike Mignola; E.M. Gist, Dan Panosian; Jae Lee; Colleen Doran; Chris Jones; Dave Wilkins; Mark Schultz; Junggeon Yoon; Ian Nicholls; Eric Ray; Jay Anacleto; Chris Ehnot

32pp, Color, $3.99 U.S. (August 2023)

Suggested for mature readers

“Bound in Black Stone” Part I: “Scourge of the Dead”

Conan the Cimmerian was born in the pulp fiction of Robert E. Howard (REH), first appearing in the magazine, Weird Tales (1932).  In 1970, Marvel Comics brought Conan to the world of comic books via the title, Conan the Barbarian. With only a few pauses, Conan comic books have been published for the better part of five decades.

Titan Comics and Heroic Signatures are the new producers of Conan comic books, and they start with a new Conan the Barbarian series.  It is written by Jim Zub; drawn by Roberto de la Torre; colored by José Villarrubia; and lettered by Richard Starkings.  The new series finds Conan returned to his homeland of Cimmeria just when it faces a terrible new threat.

Conan the Barbarian #1 (“Scourge of the Dead”) opens in Northern Aquilonia, specifically at the outpost known as “Hauler's Roam.”  Recently arrived, Conan the Cimmerian is the closest that he has been to his homeland of Cimmeria in eight years.  But first, he must extricate himself from “the Bleeders,” the band of mercenaries of which he has been a part.

A weary Conan has returned to his homeland to seek rest and solitude, but a mysterious scout, Brissa, rides into Haurler's Roam” with a warning of an imminent threat on the march from the Pictish wilderness.  Will Conan and his new ally be able to hold off this new horde of invaders?

THE LOWDOWN:  Titan Comics has been providing me with PDF copies of their publications for review for several years now.  Their debut Conan title, Conan the Barbarian #1, is the latest.

When Marvel Comics resumed publishing Conan the Barbarian comic books in 2019 – for the first time since the late 1990s – I was somewhat exited.  I read a few issue, and while they did recall some of the best of classic Marvel Conan for me, I saw no reason to keep reading past the first six months of the revival.

Titan Comics and Heroic Signatures' debut Conan the Barbarian #1 seems a bit edgier than Marvel Comics' 2019 Conan the Barbarian... at least, in hindsight to me.  Part of it may be that writer Jim Zub's introductory story fits itself in with some of the literary Conan chronologies.  For instance, “Scourge of the Dead” references the “Sack of Venarium,” also known as the “Battle of Venarium,” which is depicted in the 2003 Conan novel, Conan of Venarium, written by Harry Turtledove.

Conan is apparently 14 or 15 at the time of the battle, but Zub may be setting his age at 16.  Eight years later, this story, “Scourge of the Dead” begins, and Zub references Conan's “twenty-four summers.”  In an interview, Zub said that this story takes place after the original Robert E. Howard Conan short story, “The Frost-Giant's Daughter.”  In some Conan chronologies, Conan is almost 30 at this point.

That said, by firmly planting Conan in a literary tradition, Zub makes this story feel like something substantial in the catalog of Conan fiction and storytelling.  This is something more than just another licensed comic book tie-in.  Also, having Conan face a seemingly unstoppable horde of ravenous killers also gives the story a kick.

The art and storytelling by artist Roberto de la Torre is what really sells Zub's script.  De la Torre's art here resembles of mix of the late John Buscema's Conan the Barbarian comic books and the late Joe Kubert's Tor comics.  De la Torre makes me feel the blood, violence, and the heat of bone-breaking, and he creates a sense of foreboding and then, terror when the horde strikes.

The art looks even more gorgeous under the colors of José Villarubia, one of the best and most skilled comic book colorists working in American comic books over the last three decades.  Richard Starkings' lettering is the cherry on top of this excellent graphics package.

Will I lose interest in this new series?  There is a good chance that I will, eventually, but I may stick around for longer than I did with the Marvel relaunch.  This new series is not standard Conan the Barbarian, and I like Conan enough to have watched three Conan films:  Conan the Barbarian (1982), Conan the Destroyer (1984), and Conan the Barbarian (2011), many times.

I READS YOU RECOMMENDS:  Fans of Conan comic books will want to try Titan Comics and Heroic Signatures' Conan the Barbarian.

[This comic book includes the essay, “Robert E. Howard and His Ages Undreamed Of,” by Jeffrey Shanks.]

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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