Fantagraphics Celebrates 26 Nominations at the 2025 Eisner Awards

2025 EISNER AWARD NOMINATIONS

 

The nominations for the 2025 Will Eisner Comic Industry Awards have been announced. Fantagraphics has received 26 nominations, the most of any publisher.  In a press release, the publisher says, "We are so honored by the recognition for our talented artists, designers, and editors and we have high hopes for some wins."

The winners will be announced on July 25, 2025 at a ceremony held during 2025 San Diego Comic-Con International.

Fantagraphics' nominees:

Category/Name of nominated individual and/or title of nominated work:

Short Story: “Pig” by Stacy Gougoulis, in NOW #13

Short Story: “Anything Sinister,” by Ross Murray, in NOW #13

Short Story: “You Cannot Live on Bread Alone” by Kayla E., in NOW #13

Single Issue/One-Shot: The War on Gaza, by Joe Sacco

Best Reality-Based Work: Suffrage Song: The Haunted History of Gender, Race, and Voting Rights in the U.S., by Caitlin Cass

Best Anthology: Now: The New Comics Anthology #13, edited by Eric Reynolds

Best Graphic Album—New: My Favorite Thing Is Monsters Book Two, by Emil Ferris

Best Graphic Album—New: Sunday, by Olivier Schrauwen

Best U.S. Edition of International Material: Mothballs, by Sole Otero; translated by Andrea Rosenberg

Best U.S. Edition of International Material: Return to Eden, by Paco Roca; translated by Andrea Rosenberg

Best U.S. Edition of International Material: Sunday, by Olivier Schrauwen

Best U.S. Edition of International Material—Asia: Search and Destroy Vol. 1, by Atsushi Kaneko, based on the work of Osamu Tezuka; translated by Ben Applegate

Best Archival Collection/Project—Strips: Frank Johnson, Secret Pioneer of American Comics, vol. 1, edited by Chris Byrne and Keith Mayerson

Best Archival Collection/Project—Strips: Stan Mack’s Real-Life Funnies: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995, by Stan Mack, edited by Gary Groth

Best Archival Collection/Project—Comic Books: The Complete Web of Horror, edited by Dana Marie Andra

Best Archival Collection/Project—Comic Books:  The Farewell Song of Marcel LaBrume, by Attilio Micheluzzi, edited by Gary Groth and Conrad Groth

Best Comics-Related Book: Reading Love and Rockets, by Marc Sobel

Best Comics-Related Book: Tell Me a Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund, by Caitlin McGurk

Best Comics-Related Book: Kate Carew: America's First Great Woman Cartoonist, by Eddie Campbell with Christine Chambers

Best Publication Design: Bill Ward: The Fantagraphics Studio Edition, designed by Kayla E.

Best Writer/Artist: Emil Ferris, My Favorite Thing Is Monsters Book Two

Best Writer/Artist: Paco Roca, Return to Eden

Best Writer/Artist: Olivier Schrauwen, Sunday

Best Writer/Artist: Charles Burns, Kommix (Fantagraphics); Final Cut (Pantheon); Unwholesome Love (co-published with Partners & Son)

Best Painter/Multimedia Artist: Frederic Bremaud & Federico Bertolucci, Donald Duck: Vacation Parade

Best Lettering: Emil Ferris, My Favorite Thing Is Monsters, Book Two.

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#IReadsYou Review: LORD OF THE JUNGLE Volume 3 #6

LORD OF THE JUNGLE VOLUME 3 #6

DYNAMITE ENTERTAINMENT

STORY: Dan Jurgens

ART: Benito Gallego

COLORS: Francesco Segala with Agnes Pozza

LETTERS: Carlos M. Mangual

EDITOR: Matt Idelson

COVER: Philip Tan

32pp, Color, $3.99 U.S. (July 2023)

Rated Teen+

“The Tortured Few”

Tarzan is one of the most famous fictional characters in the world.  Tarzan was an orphan and the archetypal “feral child,” and in this instance, he was raised in the African jungle by great apes.  Tarzan was born a noble, John Clayton, Lord Greystoke, but he rejected civilization and lived in the wilds of Africa as a heroic adventurer.  Tarzan was created by Edgar Rice Burroughs and first appeared in the novel, Tarzan of the Apes, which began serialization in All-Story Magazines in 1912, before it was published in book form in 1914.  Tarzan would go onto to be a multimedia star, appearing in films, on television, and in comic books.

The latest Tarzan comic book is Dynamite Entertainment's Lord of the Jungle Volume 3. It is written by Dan Jurgens; drawn by Benito Gallego; colored by Francesco Segala; and lettered by Carlos M. Mangual.  Tarzan's friend, an African local named Bouanga, recounts an event that occurs in the early years of Tarzan's adventures.  Now, the Lord of the Jungle has returned to right a past wrong no matter what manner of beast or obstacle stands in his way.

Lord of the Jungle Volume 3 #6 (“The Tortured Few”) opens in Africa, in the 1950s.  Tarzan has returned to the Valley of Mists to keep his promise to return the "Diamonds of the Triad," the jewels that were once treasures from the valley.

Bouanga, the narrator, also returns to the past to tell the story of Tarzan's final confrontation with Carson, a white hunter from England who first encountered Tarzan decades earlier.  Will Tarzan defeat Carson? Can he save Bouanga in the 1950s?  And from when and where is this story told?  And what does the future hold for Tarzan?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Lord of the Jungle Volume 3 #6, which is only the sixth issue of a solo Dynamite Tarzan comic book that I have read.

Dan Jurgens has written one of the best Tarzan comic books that I have read in decades.  It is a hugely satisfying mix of redemption, revenge, and reunion, which are among the hallmarks of romantic adventure fiction.  It's safe to say that Lord of the Jungle Volume 3 is a high-point in modern adventure fiction, as well as being one of the best of Jurgen's recent works.

Artist Benito Gallego transforms Jurgen's script into high-adventure storytelling, and Gallego's work remained consistently good throughout this series.  It is some of the most beautifully drawn comic book art being published today.  It is a good thing that Gallego's drawing style resembles that of the late comic book legend, Joe Kubert.  Kubert had a four-year stint (1972-76) as writer-artist and later as writer-only of DC Comics' Tarzan comic book series, considered by some to be among his best work.

Colorist Francesco Segala's lovely colors capture the varied moods of this series finale, both in the three time periods and three locales of this closing chapter.  Letterer Carlos M. Mangual brings a sense of high drama with his stylish, emotive fonts, making sure this story ends with power.

Lord of the Jungle Volume 3 #6, like previous issues, strongly delivers on the potential the first issue promised.  I rarely read Tarzan comic books, but I read this series' entire run with gusto  I highly recommend it to you, dear readers, as a series and as a trade paperback collection.

I READS YOU RECOMMENDS:  Fans of Tarzan comic books will want to read Lord of the Jungle Volume 3.

A+

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The LORD OF THE JUNGLE trade paperback is available at Amazon.

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#IReadsYou Review: ARCHIE & FRIENDS LEVEL UP! #1

ARCHIE & FRIENDS LEVEL UP! #1 (#19)

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Ian Flynn; Hal Smith; George Gladir; Bill Golliher

PENCILS: Steve Butler; Doug Crane; Dan DeCarlo; Sam Schwartz;

INKS: Lily Butler; Scott McRae; Mike Esposito; Rudy Lapick; Samm Schwartz; Dan DeCarlo

COLORS: Glenn Whitmore; Barry Grossman

LETTERS: Jack Morelli; Bill Yoshida

EDITORS: Jamie Lee Rotante; Vincent Lovallo; Stephen Oswald

EiC: Mike Pellerito

COVER: Dan Parent with Rosario “Tito” Peňa

VARIANT COVER: Dan DeCarlo

32pp, Color, $4.99 U.S. (June 2025); on sale in comic book shops April 2, 2025

Rating: All-Ages

“Servers You Right”

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character.  In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics published the series, Archie & Friends, from 1992 to 2012 for 159 issues.  Since 2019, Archie has been publishing a new iteration of Archie & Friends as a series of themed one-shot comic books.  The latest is Archie & Friends (Level Up!) No.1, the nineteenth issue in the series.  It features one new five-page story and five reprint stories.  Entitled “Servers You Right,” the new story is written by Ian Flynn; drawn by Steve Butler (pencils) and Lily Butler (inks); colored by Glenn Whitmore; and lettered by the great Jack Morelli.

Archie and Friends in Level Up! in “Servers You Right”:

Archie and the Gang (Betty, Veronica, and Jughead) come together to play the video game, “Crafty Miners,” an open world video game where you can do anything.  The fun and games turn a little edgier when Veronica decides to be her normal self, and Reggie shows up to do some damage.  Can Dilton, the server administrator, save the day?

THE LOWDOWN:   For several years, Archie's marketing department has been sending me PDF copies of some of their titles for review.  One of the most recent is Archie & Friends Level Up! (which is titled Archie and Friends, No. 1 (#19), in the indicia).

The Archie & Friends series has previously offered movie-themed editions in the past, such as Archie and Friends Hot Summer Movies (cover dated: July 2023), which included the story, “Riverdale Jones and the Burger of Destiny,” a parody of the then upcoming film, Indiana Jones and the Dial of Destiny (2023).  The target for parody this time is the recent smash hit, Warner Bros. film, A Minecraft Movie, which is based on the video game, Minecraft, which debuted in 2011.

I don't have much interest in the movie, but I will likely watch it when it arrives on the Warner Bros. Discovery streaming service, Max, in a few months.  Surprisingly, the script by Ian Flynn offers a rather nice scenario, which could have become a rather nice full-size, standalone story instead of this good five-page story.  I wish Archie would have let Flynn fly on this one.

The art team of Steve Butler (pencils) and Lily Butler (inks) deliver some standout work.  As far as my experience with their Archie Comics work, this is the best looking that I have seen in terms of composition and aesthetics.  And I say this as a fan of their Archie work.  “Servers You Right” has captured my imagination in a way I did not expect.  Glenn Whitmore's colors really serve the art quite well, and, as always, Jack Morelli's lettering hits it hard.

In addition to the main stories, there are five reprint stories.  Two with Archie as the star, and one each with Betty, Jughead, and Sabrina the Teenage Witch as the star. I grew up on classic-style Archie Comics.  So, there is something comforting about seeing Archie, Betty, Veronica, and Jughead in both all-new and classic adventures.  I will always recommend classic-style Archie titles, so I am giving Archie and Friends Level Up! a heartier recommendation than usual because of the Butlers' art.

I READS YOU RECOMMENDS:  Fans of classic-style Archie Comics will want to find a copy of Archie & Friends Level Up!.

B+

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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#IReadsYou Review: UNCANNY X-MEN #1

UNCANNY X-MEN #1 (2024)

MARVEL COMICS

STORY: Gail Simone

ART: David Marquez

COLORS: Matthew Wilson

LETTERS: VC's Clayton Cowles

COVER: David Marquez with Matthew Wilson

EDITOR: Tom Brevoort

VARIANT COVER ARTISTS: Andy Kubert with Brad Anderson; David Marquez with Matthew Wilson; Jim Lee with Alex Sinclair; John Tyler Christopher; Leinil Francis Yu with Sunny Gho; Luciano Vecchio; Pablo Villalobos; Scott Koblish with Rachelle Rosenberg; Stephen Segovia with Jay David Ramos

40pp, Color, $5.99 U.S. (October 2024)

Rated T+

X-Men created by Stan Lee and Jack Kirby

“Red Wave”

The X-Men are a Marvel Comics superhero team.  The team was created by writer Stan Lee and artist Jack Kirby, and first appeared in The X-Men #1 (cover dated:  September 1963).  The X-Men are “mutants,” and Marvel's mutants are humans born with a genetic trait called the “X-gene,” which naturally grants them superhuman abilities.  Being different from normal humans makes mutants the subject of prejudice, discrimination, and violence from humans.  Founded by Professor Charles Xavier a.k.a. “Professor X,” the X-Men fight to protect Earth for both humans and mutants, often battling various “evil mutants” and otherworldly threats.

Over the decades, especially over the last four, there have been countless comic book publications featuring the X-Men.  The X-Men flagship comic book was entitled “The X-Men” beginning with Issue #1 lasting through Issue #141.  With Issue #142, the title official became “Uncanny X-Men.?  Over the last decade Uncanny X-Men has been relaunched a few times, each news series beginning with a new Issue #1.

The latest relaunch began last year (2024) during the late summer.  The 2024 iteration of Uncanny X-Men is written by Gail Simone; drawn by David Marquez; colored by Matthew Wilson; and lettered by VC's Clayton Cowles.  The new series takes place in the wake of the “From the Ashes” crossover publishing event and finds the X-Men without a home and without Professor X.

Uncanny X-Men #1 opens in Westchester County, New York, specifically at the former “Xavier's School for Gifted Youngsters.”  Diabolical forces have taken over the campus and are making plans to transform it from a school into some kind of detention center or prison.

Since the fall of the island-nation slash mutant paradise of Krakoa, mutants have been left adrift across the globe.  Rogue, Gambit, and Wolverine are in Mexico, specifically Teotihuacan, where they will face a dragon.  Next up is “the University of Mississippi Medical Center,” where they engage in a mission of mercy for Nightcrawler and a low-level, dying mutant boy named “Harvey X.”  Before long, the quartet will encounter what may be some new mutants, but is Rogue willing to become the new leader of the X-Men?  Should the X-Men even continue to be a thing? 

THE LOWDOWN:  I am not on any kind of comp list that provides me with review copies – PDF or otherwise – of Marvel Comics publications.  That leaves me free to say what I want without feeling that a bad review could get me excommunicated.  [Despite what the marketing people at publishers say, a slip-up of any kind can get a reviewer removed from a comp list.]

By the time I read this new Uncanny X-Men #1 and began to write the review, this series' first trade collection, Uncanny X-Men Vol. 1: Red Wave, had been in stores for a week and a half.  I am still not going to post detailed spoilers, and I suspect there is a lot to spoil over the entire arc.  I like the vibe that Gail Simone brings to the series.  It is part traditional X-Men, but with an offbeat wild vibe that is similar to what readers found in New X-Men #114 (cover dated:  July 2001).  I don't know how new and original the new mutants presented in this issue are, but Simone seems to be aiming for a new direction in this first issue of her run on this venerable series.  I think she is the first woman to be the regular series writer on Uncanny X-Men, which is disgraceful that it took decades for that to happen.

As for the art by David Marquez:  his work has looked better and the storytelling has been much more potent.  His graphical style was simpler and cleaner in the classic Miles Morales: Ultimate Spider-Man #1 (cover dated: July 2014).  Now, Marquez is more stylish and impressionistic that he has ever been, but the storytelling here substitutes flash action for meaningful drama.  The great Matthew Wilson makes the art pop off the page with his rich, earthy hues.  As usual, letterer Clayton Cowles is solid, but his lettering does not get in the way of the way of the story's action.

So I don't know if I will seek out the trade for this first arc of the new Uncanny X-Men.  This first chapter of “Red Wave” is somewhat intriguing, but I feel like Simone put off too much of the narrative in order to focus on Rogue's melodrama.  I assume the best is yet to come, so I will recommend that X-Men fans give this series a try.

Yes.  You can describe me as ambivalent about this first issue.  I am still curious about X-Men comic books, but my passion for them has cooled over the years.

I READS YOU RECOMMENDS:  Fans of X-Men comic books will always want to see what's going on with the Uncanny X-Men.

[By Marvel's legacy numbering, Uncanny X-Men #1 (2024) is also Issue No. 701.]

B+

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The first trade collection, "Uncanny X-Men by Gail Simone Vol. 1: Red Wave" is now available at Amazon.

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