Monday, July 25, 2011

Leroy Douresseaux on CONAN: Island of No Return #2

CONAN: ISLAND OF NO RETURN #2 (OF 2)
DARK HORSE COMICS

WRITER: Ron Marz
PENCILS: Bart Sears
INKS: Randy Elliot
COLORS: Mark Roberts
LETTERS: Troy Peteri
COVER: Stjepan Sejic
32pp, Color, $3.50

What do I hate about Conan: Island of No Return? I hate that it’s over. I also love Stjepan Sejic’s cover, which reminds me of the covers for The Savage Sword of Conan, one of my all time favorite comic books,

Conan: Island of No Return is a two-issue miniseries that, according to Dark Horse Comics, will act as an interlude to the main series, Conan: Road of Kings. Island of No Return follows Conan and half-sisters/thieves, Brenna and Venya, to a remote island that is supposedly home to the fabled treasure hoard of late Prince Mikkinos.

As Conan: Island of No Return #2 begins, Conan and the sisters learn that they aren’t the only ones on the island looking for treasure. As the stakes rise, Conan begins to wonder how much not to trust the sisters. If he thinks they’re dangerous, wait until he meets the thing guarding the treasure.

[This comic book includes an episode of “The Adventures of Two-Gun Bob” by Jim and Ruth Keegan.]

THE LOWDOWN: Because the second issue was very enjoyable to read, I can stand by what I said about the first issue of Conan: Island of No Return. Ron Marz has written a fast moving tale that has some of the best things that make Conan great – sword-fighting, sorcery, monsters, lost treasure, and treacherous gorgeous women.

Bart Sears, whose art I enjoyed in the first issue, actually improves. His sinewy pencils capture the sharp edges in both plot and character motivation, but in this issue, the compositions are more robust. They capture Conan’s brawny physique and cat-like grace and give power to the fight scenes. The inking by Randy Elliot, which seemed too heavy over Sears’ pencils in the first issue, actually improves and embellishes the best aspects of the art. I was not really crazy about the colors, but now the colors make this book sparkle and bring to life the ruins, rubble, and caverns that are the setting for this tale.

A


Sunday, July 24, 2011

EC Comics Library Moves to Fantagraphics


FANTAGRAPHICS BOOKS TO PUBLISH THE EC COMICS LIBRARY

Fantagraphics Books President and Co-Publisher Gary Groth announced today at Comic-Con International that it has entered into a publishing agreement with William M. Gaines Agent, Inc. to publish the EC Comics Library, be- ginning in Summer 2012. The announcement teams two of the most storied comics publishers in history and aims to reintroduce the timeless work of EC to contemporary readers.

Fantagraphics will re-package the EC Comics (with the exception of MAD, which is now owned by DC Comics/Time Warner) in a series of handsome hardcovers devoted to specific artists and writers. While virtually all previous EC collections have been published by comic book title, Fantagraphics will collect the comics by artist, allowing fans to finally own single-volume tomes collecting the work of their favorite creators.

“It pleases me greatly to be in partnership with such an influential company as Fantagraphics,” said Cathy Gaines Mifsud, President of William M. Gaines Agent, Inc. “It’s a pleasure to be working with a company that shares similar values, yet retains unique and distinct creativity. I trust them fully to carry on the iconic EC brand.”

Entertaining Comics may have been the greatest mainstream publisher in comics history, with an attention to quality and consistency that has never been rivaled. Under the stewardship of William Gaines (who took over the company from his father, Max Gaines, in 1947), EC’s “New Trend” line employed a Murderer’s Row of writers and artists including Harvey Kurtzman, Wally Wood, Jack Davis, Johnny Craig, Al Feldstein, Reed Crandall, Will Elder, Frank Frazetta, Graham Ingels, Jack Kamen, Bernard Krigstein, John Severin, Al Williamson, Joe Orlando, and many others.

“EC was the most consistently literate and quality-minded publisher in the history of mainstream comics,” said Groth. “Editors Al Feldstein and Harvey Kurtzman were aware that comics was an artistic medium in a way that few editors did, and publisher Bill Gaines was unique in taking a hands-on approach to his comics line, choosing his editors wisely, giving them such editorial freedom and latitude, and taking such personal pride —and responsibility— in his comics. This was simply unheard of in mainstream comics; if more publishers had had Gaines’ integrity, the history of comics would’ve been vastly different.”

Like most of its contemporaries, EC specialized in genre fiction, specifically horror, crime, science-fiction, war, and satire, with several titles that seeped into the public consciousness long after their demise, including Tales from the Crypt, Two-Fisted Tales, Weird Science, and of course MAD. Unlike most of its contemporaries, Gaines and his staff took great pride in crafting socially aware works that transcended their genres. “At a time when comics were consid- ered sub-literate junk by the reading public, Gaines and the EC creators were impressing people like Ray Bradbury with the aesthetic possibilities of the medium. That was no mean feat,” Groth added.

The first four books in the series will be:

• “Corpse on the Imjin” and Other Stories by Harvey Kurtzman. This will reprint all the war stories Kurtzman wrote and drew himself in Two-Fisted Tales and Frontline Combat, including all 23 of his covers — each a masterpiece in its own right. This volume will also include all the war stories that Kurtzman wrote and laid out but were drawn by artists who weren’t regularly featured in his war books: Gene Colan, Joe Kubert, Alex Toth, Dave Berg, Ric Estrada, Russ Heath, and others. (The regulars were Jack Davis, John Severin, Wally Wood, and George Evans, each of whom will later be the subject of their own war comics collections). Kurtzman’s war comics are still considered to be the gold standard for the genre, with a devotion not only to historical accuracy but also to resisting any impulse to glamorize wartime; a WWII veteran himself, Kurtzman’s humanistic approach was in stark contrast to the simp- leminded, jingoistic efforts of EC’s rival publishers, and paved the way for other popular media to depict the true face of war.

• “Came the Dawn” and Other Stories by Wally Wood: Though often remembered for his science-fiction work, Wood’s heavy, noirish brushstrokes were perfectly suited for EC’s rough-hewn suspense stories in (the appropriately titled) Shock SuspenStories and this volume will collect them all for the first time.

• Jack Davis’s horror stories (exact title t.b.a.): Jack Davis’s gift for caricature has made him an icon in the advertis- ing world and helped define MAD magazine, but he was also one of the most versatile cartoonists of his generation; after “Ghastly” Graham Ingels, Davis was EC’s most prolific horror artist, appearing in all three of EC’s horror titles — Haunt of Fear, Vault of Horror, and Crypt of Terror. This will collect the entirety of Davis’s horror work, all of which was written by Al Feldstein.

• Al Williamson’s science-fiction stories (exact title t.b.a.): EC published two SF comics — Weird Fantasy and Weird Science — and Williamson was one of the stars, with an illustrative style that carried on the tradition of the great adventure comic strips like Alex Raymond’s Flash Gordon. This volume will compile all 174 pages of Williamson’s SF stories.

“EC featured many of the best artists working at the time — innovators like Kurtzman, Bernie Krigstein, and Johnny Craig, illustrators like Al Williamson and Jack Kamen, and renaissance cartoonists like Wally Wood, Will Elder, and Jack Davis,” said Groth. “Many of these artists did the best work of their careers for EC, and that is directly attributable to the creative environment Gaines created.”

Fantagraphics will be publishing four EC collections a year, beginning in Summer 2012.

“Came the Dawn” and Other Stories
By: Wally Wood, Al Feldstein, et al.
Release Date: July 2012
ISBN: 978-1-60699-546-4
Black & White • Hardcover • 7” x 10”

“Corpse on the Imjin” and Other Stories
By: Harvey Kurtzman et al.
Release Date: July 2012
ISBN: 978-1-60699-545-7
Black & White • Hardcover • 7” x 10”

*The EC Comics bullet logo is a trademark of William M. Gaines Agent, Inc.
**Images © 2011 William M. Gaines Agent, Inc.


The Complete Zap Comix Coming Fall 2012

FANTAGRAPHICS TO PUBLISH THE COMPLETE ZAP COMIX

JULY 23, 2011, SAN DIEGO, CA—Fantagraphics Books President and Co-Publisher Gary Groth announced today at Comic-Con International that the Seattle-based publisher has entered into an agreement to publish The Complete ZAP Comix in Fall of 2012.

ZAP remains the best-known and most influential underground comic of all-time, and in many ways is Ground Zero for the entire field of underground, alternative, literary and art comics that exists today. Created by Robert Crumb, it was one of the defining events in the counterculture of the 1960s and singlehandedly launched the “underground comix” era.

“ZAP took comics from children to adults, crushing The Comics Code Authority in the process,” proclaimed ZAP artist Victor Moscoso.

The Complete ZAP Comix will be published as a two-volume, slipcased hardcover set, printed slightly larger than the original comics, and shot from the original negatives to the comic books, ensuring the finest reproduction ever seen of the material. It will also include the rarely-seen ZAM, a one-shot mini-comic/jam spinoff of ZAP from 1974, as well as other supplementary features, interviews with the artists, and other surprises.

“ZAP may be the most significant series in the history of American comics,” said Fantagraphics President and Co- Publisher Gary Groth. “Its cultural preeminence is the result of artistic merit, not collectibility or economics and that sets it apart from most comics series that have achieved this level of public awareness or notoriety. The artists that Crumb invited into ZAP each proved to be a stylistic virtuoso with a unique point of view and an uncompromising vision. ZAP was the vanguard of a movement that segued into the alternative comics of the ’80s and the graphic novels of the ’00s. We couldn’t be prouder to collect this landmark series in its entirety in a beautifully packaged two-volume set.”

Originally printed by Beat writer Charles Plymell in an edition of around 3,500 copies, ZAP #1 was the first title published by the late Don Donahue under the Apex Novelties imprint, and was infamously sold on the streets of Haight-Ashbury out of a baby stroller pushed by Crumb’s ex-wife, Dana. Over time, the series’ 16 issues have sold millions of copies.

Although R. Crumb had initially created ZAP as a showcase for his own work, the success of the first issue led him to open up the pages of subsequent issues to several other artists. He invited his peers S. Clay Wilson, Robert Wil- liams, “Spain” Rodriguez, Gilbert Shelton, Victor Moscoso and Rick Griffin to join him, effectively creating an artists’ collective that has remained mostly constant in the subsequent decades; when Rick Griffin died in 1991, the artist Paul Mavrides was invited to join the group.

“Fantagraphics’ The Complete ZAP Comix, as designed by Victor Moscoso, will be a classy item for the bookshelves of underground comics fans — those who can afford it, that is,” said ZAP artist Gilbert Shelton. “I imagine most of the original readers wish they still had their copy of the first edition of ZAP # 1, which sells for over ten thousand dollars now, if in perfect condition. But part of the secret of the success of underground comix was that they werecheaply produced and turned yellow and fell apart quickly, and also that they were borrowed and never returned by one’s friends, thereby forcing you to buy another copy. This will not happen with the new collected edition, which will be produced under the most rigorous of quality control.”

“Much as the effect EC’s MAD had on the mid-20th Century, ZAP was equally influential and disruptive to cultural mores at the end of the 20th Century, but without the hindrance of the old comic book code that cramped graphic novel expression for 40 years,” said ZAP artist Robert Williams. “I’m very pleased that Fantagraphics will release this long-awaited compendium of ZAP Comix.”

“When Robert Crumb started ZAP in 1968, no one had any idea that it would still be alive 45 years later,” Shelton added. “This exercise in anarchy — there were never any rules, restrictions, or editorial policy — is still the flagship of the underground comics movement. I tried, and failed, to get my fellow ZAPsters to correct their spelling errors, but they would not be subjected to such editorial tyranny. I also wanted to let other artists into the group, but it was decided to restrict the number of contributors to seven. So be it. Spell free or die, I now say.”

Fantagraphics will be publishing the The Complete ZAP Comix in Fall of 2012.

The Complete ZAP Comix
By: R. Crumb, S. Clay Wilson, Robert Williams, Spain Rodriguez, Gilbert Shelton, Victor Moscoso, Rick Griffin, & Paul Mavrides
Release Date: Fall 2012
Page Count: 800 PP
B & W + Full Color • Two-Volume, Slipcased Hardcover Set

---------------------------


Announcing VIZManga.com

VIZ MEDIA LAUNCHES VIZMANGA.COM

Extension of VIZ Media’s Digital Platform Expands Manga Audience to All Web Users in U.S. and Canada

San Francisco and San Diego, CA, July 22, 2011 – VIZ Media, the largest distributor and licensor of anime and manga in the North America, announced the launch of VIZManga.com at their 25th Anniversary Party in San Diego during the annual Comic-Con International convention. The website joins VIZ Media’s existing digital manga platform and launched with 40 series currently available on the VIZ MANGA App for iOS devices, including the wildly popular titles NARUTO, BLEACH, BLUE EXORCIST, OURAN HIGH SCHOOL HOST CLUB and VAMPIRE KNIGHT. With this expansion of the platform, fans can browse and access their digital manga from VIZManga.com and through the VIZ Manga Apps for the iPad™ and iPhone™/iPod™ touch. With one account, registered users will be able to view their purchases across even more devices than ever.

“Our digital publishing team wants manga to be available to as many fans as possible, no matter what device or digital experience people prefer,” said Brian Piech, Vice President, Digital Publishing. “Making our extensive library of the best titles direct from Japan available on VIZManga.com is a natural extension of our current VIZ MANGA apps available on all iOS devices. One purchase can now be read across multiple devices.”

VIZ Media’s digital manga platform allows for universal access for fans from their iPhone, iPod touch, iPad, or now, VIZManga.com. Pricing for manga titles on the web will be identical to the VIZ MANGA app. The first chapter of all manga titles will be available as a free preview. Through July 31st, all Volume 1 manga titles will be 40% off.

The VIZ Media digital platform now has an online destination for reading manga on desktop/laptop computers and on Android-powered devices with built-in web browsers. The VIZ Manga App continues to be the top app for reading manga on iOS devices and features a rapidly growing library of the most popular manga series in the world, currently offering 40 series and over 300 volumes, with new additions and free Chapter 1 previews added weekly.

For more information, visit http://www.vizmanga.com/ or www.VIZ.com/apps.

Saturday, July 23, 2011

Captain America: The First Avenger Reviewed

I saw Captain America: The First Avenger yesterday.  It wasn't a dud like I worried.  It was actually fun.  I posted a review at Negromancer.

Leroy Douresseaux on CITIZEN REX HC

CITIZEN REX
DARK HORSE COMICS

WRITER: Mario Hernandez
ARTIST: Gilbert Hernandez
PIN-UP: Jaime Hernandez
EXTRA ART: Mario Hernandez, Gilbert Hernandez
ISBN: 978-1-59582-556-8; hardcover
144pp, B&W, $19.99 U.S., $21.99 CAN

I love Love and Rockets and its creators, Los Bros., Gilbert Hernandez and his brother, Jaime Hernandez. There is a third brother, Mario Hernandez, who created Love and Rockets with his better known brothers, but who doesn’t produce comix as much as Beto and Xaime do.

Citizen Rex was a six-issue miniseries from Mario and Gilbert Hernandez published by Dark Horse Comics in 2009. The recently released Citizen Rex HC collects the original six issues with new text material from Mario and sketchbook drawings from both Mario and Gilbert. There is also frontispiece art by Jaime.

Citizen Rex revolves around two characters. The first is Sergio Bauntin, a gossip blogger also known as “Bloggo.” Sergio writes a web column titled, “The 3 O’Clock” that debunks urban legends and also takes shots at the elite.

The second primary character is CTZ-RX-1, who is also called “Citizen Rex” or just Rex. Rex is the most famous life-like robot in the world. 20 years before this story is set, Rex was involved in a scandalous affair with socialite, Renata Skink. This affair is what brought Rex’s popularity down and led to his deactivation.

Now, Rex is back, but why no one seems to know. Maybe, his return is tied to the simmering robot rights movement. Perhaps, it involves the recent activities of his creator, robot developer, GRA. Whatever the reason, Sergio is drawn into a conspiracy that involves his father, his uncles, his aunts, and even Renata Skink’s daughter, Sigi. There are also plenty of powerful people, including scientists and criminals, that don’t want the truth coming out regarding their dark past and their darker plans for the future.

Practically all of Gilbert Hernandez’s comix, from his soap operatic, generations-spanning, Luba stories to his quirky B-movie-style, science fiction and weird fiction tales. When Mario acts as Gilbert’s collaborator, specifically as the writer, the two create comix that are like Gilbert’s, but are more linear in the storytelling. The Mario-Gilbert stories are less nonsensical, but are no less inventive and imaginative.

Citizen Rex is set in a bizarre, sexy future, but that world is familiar in terms of people’s desires, political machinations, and corporate crimes. The characters, large or small, are as interesting as they are quirky, and Gilbert’s ability to make each character unique gives each character a sense of individuality.

As a work of science fiction, Citizen Rex is both thoughtful and plausible. It makes salient points about the conflict between humans and advancing technology and also what it means to be human. In fact, Citizen Rex does that better than science fiction movies about artificial intelligence that only pretend to be thoughtful, but are really all about action scenes and set pieces.

Of course, Citizen Rex has plenty of melodrama, and there are indeed several big action set pieces. At the heart of this book, however, is the theme of the inscrutable nature of humans and, in this case, robots.

The Citizen Rex HC sketchbook material and extras are generous and extensive, so readers will get a detailed look at the behind-the-scenes creation of this graphic novel. Apparently Neil Gaiman, as guest editor, selected this to be in Houghton Mifflin’s Best American Comics 2010. Citizen Rex deserves inclusion; it is one of the really quality science fiction comic books of this new century.

A-


Friday, July 22, 2011

Digital Manga Launches Project-H (H as in Hentai)

Project-H Launches in August!

Gardena, CA (July 20, 2011) - Digital Manga inc. is proud to announce the launch of our latest imprint: PROJECT-H!

Project-H is a special publishing imprint, http://www.projecth-books.com/, powered by 801 Media. The titles are explicit Seinen Hentai manga with the age rating M 18+. The first three titles to be released are Riosuke Yasui’s Shocking Pink! (Aug 24th), Hiroshi Itaba’s Three P (Oct 20th), and KUON Michiyoshi’s Embrace and Bloom (Nov23rd)!

Pre-orders for the two books are available now through Akadot Retail, akadot.com, and for wholesale through Digital Manga Direct , http://www.dmd-sales.com/

SHOCKING PINK! written and illustrated by Riosuke Yasui - Rated M (Ages 18+), 5″ x 7.2″, MSRP: $17.95 US, $19.99 CAD, Available: August 24, 2011*Available for Pre-order Now!

When a girl claiming to be the descendent of Lui Bei, the founding emperor of the Shu Han state of the ancient Three Kingdoms of China, approaches you because your name is almost identical to said emperor's chancellor and prize strategist, what is a boy to do? Especially when she is very attractive and really, really, really wants you to become her royal strategist as she carves out her destiny? Join in the romp of course, and enjoy the delights offered along the way!

THREE P written and illustrated by Hiroshi Itaba - Rated M (Ages 18+), 5″ x 7.2″, MSRP: $17.95 US, $19.99 CAD, Available: October 20, 2011 *Available for Pre-order TBA

Come and check out the 3 sizzling hot college co-eds: Reika, Sara and Mizume. Reika – she looks conservative, like a girl next door, but watch out! She’s the wild one! She always gets what she wants! Sara – men just don’t know how to say “no” to her pretty cute face! And Mizume – is the beautiful one and she plays hard-to-get with men. These gal pals have no secrets from each other! They talk about their boyfriend problems, sex problems and compare notes! What would you do if you found out that your boyfriend is cheating on you? Would you be mad or would ask them if you can join them for a threesome? They’ll show you how to have fun! This oneshot contains 9 short stories of these 3 co-eds having lots of naughty sex!

EMBRACE & BLOOM written and illustrated by Kuon Michiyoshi - Rated M (Ages 18+), 5″ x 7.2″, MSRP: $17.95 US, $19.99 CAD, Available: November 23, 2011 *Available for Pre-order TBA

This anthology features works about hot & steamy sexcapade of nine delicious young ladies who aim to please and be pleased. Lots of erotic scenes to get your senses tickled! Come and check out which one of the nine you like the best!

*Pre-orders available through Digital Manga Direct, DMI’s Publisher’s Direct program. Please visit our website at http://www.dmd-sales.com/ to make an account and an order.

Follow us on twitter @projectHbooks
Find us on Facebook: PROJECT-H BOOKS
Contact us at: contact@projecth-books.com


About Digital Manga Publishing
Located in Gardena, CA, Digital Manga Publishing is one of the industry's most unconventional and innovative companies, specializing in building corporate and cultural bridges from Japan to the Western Hemisphere - specifically through the licensing, importation and preparation of anime (Japanese animation), manga (Japanese comic books) and related merchandise for the North American mainstream and subculture markets. In this capacity, DMI serves as a catalyst for the expansion of Japanese pop culture institutions into global arenas. The company's imprint line includes DMP: its mainstream imprint, DMP PLATINUM: its classic manga imprint, JUNE´: its boys love imprint, 801 MEDIA: its adult boys love imprint, DokiDoki: its exclusive co-publishing imprint with Shinshokan Publishing, Project-H: its Seinen Hentai manga imprint powered by 801 Media, and DMG: its own digital distribution initiative.

For more information about Digital Manga Publishing, visit http://www.digitalmanga.com/ as well as:

http://www.emanga.com/
http://twitter.com/digitalmanga
http://www.youtube.com/user/junemanga
http://www.youtube.com/user/801media
http://www.youtube.com/user/digitalmanga
http://www.facebook.com/DigitalMangaInc