I read Tokyo Ghoul, Vol. 5
I posted a review at the ComicBookBin. Follow me on Twitter and Tumblr or Grumble. Support me on Patreon.
[“We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.”]
Monday, February 29, 2016
Tokyo Ghoul: Vs. The Gourmet
Labels:
Comic Book Bin,
Joe Yamazaki,
Joel Enos,
manga,
Sui Ishida,
VIZ Media,
VIZ Signature
Sunday, February 28, 2016
Review: ALL-NEW WOLVERINE #1
ALL-NEW WOLVERINE #1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
WRITER: Tom Taylor
ART: David Lopez and David Navarrot
COLORS: Nathan Fairbairn
LETTERS: VC's Cory Petit
COVER: Bengal
VARIANT COVERS: David Lopez; Art Adams with Peter Steigerwald; David Marquez with Marte Gracia; Keron Grant (Hip Hop variant cover)
36pp, Color, $4.99 U.S. (January 2016)
Parental Advisory
Laura Kinney is a Marvel Comics character. She is best known as X-23, a female clone of classic X-Men character, Wolverine. X-23 was originally created by writer Craig Kyle for the Saturday morning animated television series, “X-Men: Evolution” (Season 2, Episode 11). X-23 made her first appearance in Marvel Comics in the comic book, NYX #3 (cover dated: February 2004).
Like Wolverine, X-23 has a healing factor, superhuman strength, senses, speed, agility, and reflexes. She also has retractable, adamantium-coated bone claws in her hands (two per hand rather than the three per hand that Wolverine has) and also in her feet.
After Marvel's Secret Wars event miniseries, X-23 succeeded Logan/Wolverine as the star of the current ongoing Wolverine comic book series. That new series is entitled All-New Wolverine and is written by Tom Taylor, drawn by David Lopez and David Navarrot, colored by Nathan Fairbairn, and lettered by Cory Petit.
All-New Wolverine #1 finds Laura and her boyfriend, the X-Men's Angel (the young, time-displaced Warren Worthington, III), in Paris trying to stop an assassination. Their showdown with the assassins takes them to the Eiffel Tower. Laura's opponents are formidable, but the identity of one of them shocks Laura, but does not necessarily surprise her.
The first issue of All-New Wolverine is fairly straight-forward: stop the assassination. Everything else is just set-up for future issues. Still, All-New Wolverine #1 is an enjoyable read, an old-fashioned action-adventure, superhero fight comic. Tom Taylor does not dazzle readers with character drama the way he did in the short-lived, but excellent Superior Iron Man.
The art by David Lopez and David Navarrot is fast-paced and kinetic; the graphical storytelling really sells the action, but also captures the intimacy of a flashback featuring Logan and Laura. I did not plan on reading this series beyond the first issue, but I think that I will keep reading it for a bit.
B+
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
WRITER: Tom Taylor
ART: David Lopez and David Navarrot
COLORS: Nathan Fairbairn
LETTERS: VC's Cory Petit
COVER: Bengal
VARIANT COVERS: David Lopez; Art Adams with Peter Steigerwald; David Marquez with Marte Gracia; Keron Grant (Hip Hop variant cover)
36pp, Color, $4.99 U.S. (January 2016)
Parental Advisory
Laura Kinney is a Marvel Comics character. She is best known as X-23, a female clone of classic X-Men character, Wolverine. X-23 was originally created by writer Craig Kyle for the Saturday morning animated television series, “X-Men: Evolution” (Season 2, Episode 11). X-23 made her first appearance in Marvel Comics in the comic book, NYX #3 (cover dated: February 2004).
Like Wolverine, X-23 has a healing factor, superhuman strength, senses, speed, agility, and reflexes. She also has retractable, adamantium-coated bone claws in her hands (two per hand rather than the three per hand that Wolverine has) and also in her feet.
After Marvel's Secret Wars event miniseries, X-23 succeeded Logan/Wolverine as the star of the current ongoing Wolverine comic book series. That new series is entitled All-New Wolverine and is written by Tom Taylor, drawn by David Lopez and David Navarrot, colored by Nathan Fairbairn, and lettered by Cory Petit.
All-New Wolverine #1 finds Laura and her boyfriend, the X-Men's Angel (the young, time-displaced Warren Worthington, III), in Paris trying to stop an assassination. Their showdown with the assassins takes them to the Eiffel Tower. Laura's opponents are formidable, but the identity of one of them shocks Laura, but does not necessarily surprise her.
The first issue of All-New Wolverine is fairly straight-forward: stop the assassination. Everything else is just set-up for future issues. Still, All-New Wolverine #1 is an enjoyable read, an old-fashioned action-adventure, superhero fight comic. Tom Taylor does not dazzle readers with character drama the way he did in the short-lived, but excellent Superior Iron Man.
The art by David Lopez and David Navarrot is fast-paced and kinetic; the graphical storytelling really sells the action, but also captures the intimacy of a flashback featuring Logan and Laura. I did not plan on reading this series beyond the first issue, but I think that I will keep reading it for a bit.
B+
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Art Adams,
David Lopez,
David Marquez,
Keron Grant,
Marte Gracia,
Marvel,
Nathan Fairbairn,
Peter Steigerwald,
Review,
Tom Taylor,
Wolverine
Saturday, February 27, 2016
Kamisama Kiss: The Shriden Maiden
I read Kamisama Kiss, Vol. 20
I posted a review at the ComicBookBin. Follow me on Twitter and Tumblr or Grumble. Support me on Patreon.
I posted a review at the ComicBookBin. Follow me on Twitter and Tumblr or Grumble. Support me on Patreon.
Labels:
Comic Book Bin,
manga,
shojo,
Shojo Beat,
Tomo Kimura,
VIZ Media,
yokai
Friday, February 26, 2016
Review: STRANGE FRUIT #2
STRANGE FRUIT No. 2 (OF 4)
BOOM! Studios – @boomstudios
[This review was originally posted on Patreon.]
WRITERS: J.G. Jones and Mark Waid
ARTIST: J.G. Jones
LETTERS: Deron Bennett
COVER: J.G. Jones
24pp, Colors, $3.99 U.S. (October 2015)
Suggested for mature readers
Strange Fruit is a four-issue comic book miniseries from comics creators, Mark Waid (Daredevil; Kingdom Come) and J.G. Jones (Wanted; Y: The Last Man). According to publicity released by publisher BOOM! Studios, Strange Fruit is “a deeply personal passion project” and is a “provocative examination of the heroic myth confronting the themes of racism, cultural legacy, and human nature through a literary lens, drawing from Southern folklore and tradition.”
Strange Fruit is set in and around Chatterlee, Mississippi. It is April 1927, during what would become known as the “Great Mississippi Flood of 1927.” The Mississippi River is rising, threatening to break open the levees and destroy Chatterlee, after already washing away other “God-fearing” towns. The race to shore up the levees is also threatening to break open the racial and social divisions of Chatterlee and the surrounding area. Into this roiling situation, a mysterious Black man falls from the sky.
As Strange Fruit #2 opens, the mysterious (and tall and muscular) Black man enters Chatterlee, where he immediately scares all the White women and angers most of the White men. Eventually, he finds residence in the town jail, where he is reunited with the agitatin' young Black man, Sonny, who has named the strapping mystery man, “Johnson.” Meanwhile, another Black outsider believes that Johnson can save the town from the “mighty Mississippi.”
J.G. Jones is producing some of the most beautiful comic book art that I have ever seen, and until I see otherwise, I am calling his work on Strange Fruit the best of this year. His cartooning of the human face is breathtaking, and his ability to give each and every character a different and unique face is something that is rare in comic books. Jones' dexterity in portraying a variety of expressions, moods, emotions, etc. for each character further demonstrates that he is a master comic book artist and also a masterful graphical storyteller.
Overall, the series remains in a teasing mode about everything: the mystery Black man, the missing boy, and especially some of the characters. I wish this story settled on who the leads are, so that the narrative would seem a little less unsettled like the roiling river that threatens Chatterlee. I'll toss those complaints aside for now because I cannot get enough of Jones and Waid's emerging masterpiece.
A
www.boom-studios.com
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
BOOM! Studios – @boomstudios
[This review was originally posted on Patreon.]
WRITERS: J.G. Jones and Mark Waid
ARTIST: J.G. Jones
LETTERS: Deron Bennett
COVER: J.G. Jones
24pp, Colors, $3.99 U.S. (October 2015)
Suggested for mature readers
Strange Fruit is a four-issue comic book miniseries from comics creators, Mark Waid (Daredevil; Kingdom Come) and J.G. Jones (Wanted; Y: The Last Man). According to publicity released by publisher BOOM! Studios, Strange Fruit is “a deeply personal passion project” and is a “provocative examination of the heroic myth confronting the themes of racism, cultural legacy, and human nature through a literary lens, drawing from Southern folklore and tradition.”
Strange Fruit is set in and around Chatterlee, Mississippi. It is April 1927, during what would become known as the “Great Mississippi Flood of 1927.” The Mississippi River is rising, threatening to break open the levees and destroy Chatterlee, after already washing away other “God-fearing” towns. The race to shore up the levees is also threatening to break open the racial and social divisions of Chatterlee and the surrounding area. Into this roiling situation, a mysterious Black man falls from the sky.
As Strange Fruit #2 opens, the mysterious (and tall and muscular) Black man enters Chatterlee, where he immediately scares all the White women and angers most of the White men. Eventually, he finds residence in the town jail, where he is reunited with the agitatin' young Black man, Sonny, who has named the strapping mystery man, “Johnson.” Meanwhile, another Black outsider believes that Johnson can save the town from the “mighty Mississippi.”
J.G. Jones is producing some of the most beautiful comic book art that I have ever seen, and until I see otherwise, I am calling his work on Strange Fruit the best of this year. His cartooning of the human face is breathtaking, and his ability to give each and every character a different and unique face is something that is rare in comic books. Jones' dexterity in portraying a variety of expressions, moods, emotions, etc. for each character further demonstrates that he is a master comic book artist and also a masterful graphical storyteller.
Overall, the series remains in a teasing mode about everything: the mystery Black man, the missing boy, and especially some of the characters. I wish this story settled on who the leads are, so that the narrative would seem a little less unsettled like the roiling river that threatens Chatterlee. I'll toss those complaints aside for now because I cannot get enough of Jones and Waid's emerging masterpiece.
A
www.boom-studios.com
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
About Race,
BOOM Studios,
Deron Bennett,
J.G. Jones,
Mark Waid,
Review
Thursday, February 25, 2016
One Piece: Smile
I read One Piece, Vol. 77
I posted a review at the ComicBookBin. Follow me on Twitter and Tumblr or at Grumble. Support me on Patreon.
I posted a review at the ComicBookBin. Follow me on Twitter and Tumblr or at Grumble. Support me on Patreon.
Labels:
Comic Book Bin,
Eiichiro Oda,
manga,
One Piece,
shojo,
Shojo Beat,
Stephen Paul,
VIZ Media
Wednesday, February 24, 2016
Review: HUCK #1
HUCK No. 1
IMAGE COMICS – @ImageComics
[This review originally appeared on Patreon.]
WRITER: Mark Millar – @mrmarkmillar
ARTIST: Rafael Albuquerque
COLORS: Dave McCaig
LETTERS: Nate Piekos of Blambot
COVER: Rafael Albuquerque
VARIANT COVER: Rafael Albuquerque
28pp, Color, $3.50 U.S. (November 2015)
Rated T / Teen
Huck is a new comic book series created by writer Mark Millar (Kick-Ass, Chrononauts) and artist Rafael Albuquerque (American Vampire). The series focuses on a young man who essentially performs acts of super-heroism anonymously in a small town.
Huck #1 opens in rural Maine. In a quiet seaside town, there are picket fences, farms, old-fashioned gas stations, and everyone knows everyone. Life is a good, and it is made better by Huck, a young man of mysterious origins. He humbly works at a gas station, but he has special gifts and physical abilities. Each day, he uses his gifts, such as super-strength, to do a good deed. His neighbors return his favors by keeping Huck's abilities a secret, but newcomers to the town see money in telling secrets.
When one considers writer Mark Millar's previous work on comic books like The Authority and his creation of such comics as Wanted and Kick-Ass, it not unreasonable to be shocked that Millar could write a first issue like Huck #1. By turns sweet and sentimental, Huck #1 is like a retelling of the early years of Clark Kent, but by way of Mayberry instead of Metropolis. Millar tries to create the spirit of genuine Americana, and maybe he can pull it off in a way two boys from Cleveland could not.
I have mixed feelings about artist Rafael Albuquerque's work in Huck #1. Albuquerque is both a distinctive stylist and storyteller, but you could not tell that from the flat work he delivers in this debut issue. Here and there, some moments stand out visually or graphically. I hope that Albuquerque can do something special here, and perhaps, he will later in the series. I get the feeling, however, that there are several comic book artists who could have done Huck #1 as good as or better than Albuquerque.
B+
http://www.millarworld.tv/
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
IMAGE COMICS – @ImageComics
[This review originally appeared on Patreon.]
WRITER: Mark Millar – @mrmarkmillar
ARTIST: Rafael Albuquerque
COLORS: Dave McCaig
LETTERS: Nate Piekos of Blambot
COVER: Rafael Albuquerque
VARIANT COVER: Rafael Albuquerque
28pp, Color, $3.50 U.S. (November 2015)
Rated T / Teen
Huck is a new comic book series created by writer Mark Millar (Kick-Ass, Chrononauts) and artist Rafael Albuquerque (American Vampire). The series focuses on a young man who essentially performs acts of super-heroism anonymously in a small town.
Huck #1 opens in rural Maine. In a quiet seaside town, there are picket fences, farms, old-fashioned gas stations, and everyone knows everyone. Life is a good, and it is made better by Huck, a young man of mysterious origins. He humbly works at a gas station, but he has special gifts and physical abilities. Each day, he uses his gifts, such as super-strength, to do a good deed. His neighbors return his favors by keeping Huck's abilities a secret, but newcomers to the town see money in telling secrets.
When one considers writer Mark Millar's previous work on comic books like The Authority and his creation of such comics as Wanted and Kick-Ass, it not unreasonable to be shocked that Millar could write a first issue like Huck #1. By turns sweet and sentimental, Huck #1 is like a retelling of the early years of Clark Kent, but by way of Mayberry instead of Metropolis. Millar tries to create the spirit of genuine Americana, and maybe he can pull it off in a way two boys from Cleveland could not.
I have mixed feelings about artist Rafael Albuquerque's work in Huck #1. Albuquerque is both a distinctive stylist and storyteller, but you could not tell that from the flat work he delivers in this debut issue. Here and there, some moments stand out visually or graphically. I hope that Albuquerque can do something special here, and perhaps, he will later in the series. I get the feeling, however, that there are several comic book artists who could have done Huck #1 as good as or better than Albuquerque.
B+
http://www.millarworld.tv/
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Dave McCaig,
Image Comics,
Mark Millar,
Millarworld,
Rafael Albuquerque,
Review
Tuesday, February 23, 2016
DC Comics from Diamond Distributors for February 24, 2016
DC COMICS
DEC150221 AQUAMAN #49 $3.99
DEC150358 ART OPS #5 (MR) $3.99
DEC150277 BATMAN AND ROBIN ETERNAL #21 $2.99
OCT150246 BATMAN ARKHAM KNIGHT HC VOL 02 $22.99
NOV150276 BIRDS OF PREY TP VOL 02 $19.99
DEC150224 CYBORG #8 $2.99
NOV150155 DARK KNIGHT III MASTER RACE #3 $5.99
DEC150315 DC COMICS ESSENTIALS BATMAN AND ROBIN #1 $1.00
DEC150227 DEATHSTROKE #15 $2.99
NOV150272 DEATHSTROKE TP VOL 02 GODKILLER $14.99
DEC150231 FLASH #49 $3.99
DEC150283 GRAYSON #17 $3.99
DEC150305 HE MAN THE ETERNITY WAR #15 $2.99
DEC150360 JACKED #4 (MR) $3.99
NOV150171 JUSTICE LEAGUE #48 $3.99
DEC150235 JUSTICE LEAGUE 3001 #9 $2.99
OCT150282 KILL YOUR BOYFRIEND VINAMARAMA DELUXE ED HC (MR) $19.99
DEC150362 LAST GANG IN TOWN #3 (MR) $3.99
DEC150310 MAD MAGAZINE #538 $5.99
NOV150264 MARTIAN MANHUNTER TP VOL 01 THE EPIPHANY $14.99
DEC150240 SUICIDE SQUAD MOST WANTED DEADSHOT KATANA #2 $4.99
DEC150267 SUPERMAN #49 $3.99
DEC150269 SUPERMAN LOIS AND CLARK #5 $3.99
DEC150213 SUPERMAN THE COMING OF THE SUPERMEN #1 $3.99
DEC150264 SUPERMAN WONDER WOMAN #26 $3.99
DEC150248 TEEN TITANS #17 $2.99
DEC150291 WE ARE ROBIN #9 $3.99
DEC150221 AQUAMAN #49 $3.99
DEC150358 ART OPS #5 (MR) $3.99
DEC150277 BATMAN AND ROBIN ETERNAL #21 $2.99
OCT150246 BATMAN ARKHAM KNIGHT HC VOL 02 $22.99
NOV150276 BIRDS OF PREY TP VOL 02 $19.99
DEC150224 CYBORG #8 $2.99
NOV150155 DARK KNIGHT III MASTER RACE #3 $5.99
DEC150315 DC COMICS ESSENTIALS BATMAN AND ROBIN #1 $1.00
DEC150227 DEATHSTROKE #15 $2.99
NOV150272 DEATHSTROKE TP VOL 02 GODKILLER $14.99
DEC150231 FLASH #49 $3.99
DEC150283 GRAYSON #17 $3.99
DEC150305 HE MAN THE ETERNITY WAR #15 $2.99
DEC150360 JACKED #4 (MR) $3.99
NOV150171 JUSTICE LEAGUE #48 $3.99
DEC150235 JUSTICE LEAGUE 3001 #9 $2.99
OCT150282 KILL YOUR BOYFRIEND VINAMARAMA DELUXE ED HC (MR) $19.99
DEC150362 LAST GANG IN TOWN #3 (MR) $3.99
DEC150310 MAD MAGAZINE #538 $5.99
NOV150264 MARTIAN MANHUNTER TP VOL 01 THE EPIPHANY $14.99
DEC150240 SUICIDE SQUAD MOST WANTED DEADSHOT KATANA #2 $4.99
DEC150267 SUPERMAN #49 $3.99
DEC150269 SUPERMAN LOIS AND CLARK #5 $3.99
DEC150213 SUPERMAN THE COMING OF THE SUPERMEN #1 $3.99
DEC150264 SUPERMAN WONDER WOMAN #26 $3.99
DEC150248 TEEN TITANS #17 $2.99
DEC150291 WE ARE ROBIN #9 $3.99
Labels:
Batman,
comics news,
DC Comics News,
Diamond Distributors,
Grant Morrison,
Justice League,
MAD,
Neal Adams,
Superman,
Teen Titans,
Vertigo,
Wonder Woman
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