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BOOKS
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Monday, January 15, 2018
Comics, Magazines and Books from Diamond Distributors for January 17, 2018
Labels:
AfterShock,
Archie Comics,
Art Book,
B Krigstein,
Book News,
comics news,
Diamond Distributors,
Disney,
Dynamite Entertainment,
EC Comics,
Fantagraphics Books,
manga news,
Titan Publishing,
TOKYOPOP
Sunday, January 14, 2018
Review: INVINCIBLE IRON MAN #1 (2017)
INVINCIBLE IRON MAN No. 1 (2017)
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
WRITER: Brian Michael Bendis
ART: Stefano Caselli
COLORS: Marte Gracia
LETTERS: VC's Clayton Cowles
COVER: Stefano Caselli with Marte Gracia
VARIANT COVERS: Jeff Dekal; Adi Granov; Mike McKone with Jason Keith; Tom Raney with Frank D'Armata; Skottie Young; John Tyler Christopher
28pp, Color, $3.99 U.S. (January 2017)
Rated “T+”
Iron Man created by Stan Lee, Larry Lieber, Don Heck, and Jack Kirby
It seems just like yesterday I was reviewing a new Iron Man comic book series (Invincible Iron Man) and just a few days before that I was reviewing an earlier new Iron Man series (Superior Iron Man). Each one came as part of a new Marvel Comics publishing initiative.
Speak of the Marvel devil, there is a new Marvel publishing event/initiative, NOW!, and that comes with the new Invincible Iron Man comic book. The series is written by Brian Michael Bendis; drawn by Stefano Caselli; colored by Marte Gracia; and lettered by Clayton Cowles. And there is a new Iron Man, she is teenage wunderkind, Riri Williams, the first African-American female to wear an Iron Man uniform. She is Ironheart!
Invincible Iron Man #1 finds Riri putting her self-made Iron Man armor to the test against an embittered mutant, Animax. We also take a trip into Riri's past and get to witness the curious return of someone who has been watching Riri for some time.
I have high hopes for this latest version of Invincible Iron Man because of writer Brian Michael Bendis. Over the last several years, Bendis has done amazing work with an African-American character, Miles Morales, the “Ultimate” Spider-Man. In Morales, Bendis created a fully-realized Black male comic book character, and he wrote Miles as such an engaging and intriguing young fellow that I was often more interested in Miles as Miles than Miles as Spider-Man.
I don't know if Bendis will make Riri Williams more interesting as Riri than as Iron Heart, but right from this first issue, it is clear that Riri is the kind of character who will charm this comic book reader. Once again, Brian Michael Bendis proves to me why he is the best writer of superhero comic books over the last 20 years.
B+
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
WRITER: Brian Michael Bendis
ART: Stefano Caselli
COLORS: Marte Gracia
LETTERS: VC's Clayton Cowles
COVER: Stefano Caselli with Marte Gracia
VARIANT COVERS: Jeff Dekal; Adi Granov; Mike McKone with Jason Keith; Tom Raney with Frank D'Armata; Skottie Young; John Tyler Christopher
28pp, Color, $3.99 U.S. (January 2017)
Rated “T+”
Iron Man created by Stan Lee, Larry Lieber, Don Heck, and Jack Kirby
It seems just like yesterday I was reviewing a new Iron Man comic book series (Invincible Iron Man) and just a few days before that I was reviewing an earlier new Iron Man series (Superior Iron Man). Each one came as part of a new Marvel Comics publishing initiative.
Speak of the Marvel devil, there is a new Marvel publishing event/initiative, NOW!, and that comes with the new Invincible Iron Man comic book. The series is written by Brian Michael Bendis; drawn by Stefano Caselli; colored by Marte Gracia; and lettered by Clayton Cowles. And there is a new Iron Man, she is teenage wunderkind, Riri Williams, the first African-American female to wear an Iron Man uniform. She is Ironheart!
Invincible Iron Man #1 finds Riri putting her self-made Iron Man armor to the test against an embittered mutant, Animax. We also take a trip into Riri's past and get to witness the curious return of someone who has been watching Riri for some time.
I have high hopes for this latest version of Invincible Iron Man because of writer Brian Michael Bendis. Over the last several years, Bendis has done amazing work with an African-American character, Miles Morales, the “Ultimate” Spider-Man. In Morales, Bendis created a fully-realized Black male comic book character, and he wrote Miles as such an engaging and intriguing young fellow that I was often more interested in Miles as Miles than Miles as Spider-Man.
I don't know if Bendis will make Riri Williams more interesting as Riri than as Iron Heart, but right from this first issue, it is clear that Riri is the kind of character who will charm this comic book reader. Once again, Brian Michael Bendis proves to me why he is the best writer of superhero comic books over the last 20 years.
B+
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------
Labels:
Brian Michael Bendis,
Frank D'Armata,
Iron Man,
Jason Keith,
John Tyler Christopher,
Marte Gracia,
Marvel,
Review,
Skottie Young
Saturday, January 13, 2018
Review: INVINCIBLE IRON MAN #593
INVINCIBLE IRON MAN No. 593
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
WRITER: Brian Michael Bendis
ART: Stefano Caselli; Alex Maleev
COLORS: Marte Gracia; Alex Maleev
LETTERS: VC's Clayton Cowles
COVER: Adi Granov
VARIANT COVERS: Alan Davis and Mark Farmer with Matt Yackey; John Tyler Christopher with Stefano Caselli and Marte Gracia; Mike McKone with Rachelle Rosenberg; Chip Zdarsky; Jack Kirby with Frank Giacola
28pp, Color, $3.99 U.S. (December 2017)
Rated “T+”
Iron Man created by Stan Lee, Larry Lieber, Don Heck, and Jack Kirby
“The Search for Tony Stark” Part One
One could be forgiven for thinking that there was a new Iron Man #1 comic book of some type every year, and that would not be far from the truth. I think that going back to 1999, there have been close to 10 Iron Man #1's of one type or another, if not more.
Thanks to Marvel Comics' new “Legacy” initiative, Iron Man goes back to its original numbering (plus several relaunch numbers) and the result is Invincible Iron Man #593. The creative team behind the most recent Invincible Iron Man relaunch (which was just a year ago) remains for the “Legacy” launch. That would be writer Brian Michael Bendis; artist Stefano Caselli; colorist Marte Gracia; and letterer Clayton Cowles, with International Iron Man and Infamous Iron Man artist/colorist, Alex Maleev joining the team.
With Tony Stark out of commission (following events depicted in Civil War II), Riri Williams, a teenage girl and genius, and Victor Von Doom, formerly the super-villain Doctor Doom, have taken on the mantle of Iron Man. Riri does so as the armored hero, Ironheart.
As Invincible Iron Man #593 opens, Tony Stark's comatose body has disappeared. Riri joins Amanda Armstrong (Tony's birth mother); Mary Jane Watson (chosen by Tony to run Stark Industries); and Friday (an artificial intelligence Tony created to help him) in the search for Tony Stark. They better hurry! Stark Industries' Board of Directors is making bold moves. Meanwhile, the Infamous Iron Man Victor von Doom has to find some escaped prisoners.
I had high hopes for the 11-issue run of Invincible Iron Man starring Riri Williams, and writer Brian Michael Bendis delivered. Riri is the most fascinating female character of color in superhero comic books since the X-Men's Storm, specifically during the first decade of Storm's existence as written by Chris Claremont. Riri is a well-developed character, and would be fascinating even if she were not in a superhero comic book. Her imagination and inquisitiveness are infectious; I want to learn with her and be by her side inventing stuff.
But many of the white dudes that read comics and control the means of production (allegedly) ain't having it. It is time to bring the white Iron Man back. Seriously, Brian Bendis writing about Riri the armored character “Ironheart” in Invincible Iron Man and about Victor von Doom trying to be good guy as Iron Man in Infamous Iron Man did some stellar work. In my decades as a Marvel Comics reader, I have never read better Iron Man comic books than what Bendis wrote, and he was doing it twice a month.
Bendis recently announced that he has signed as an exclusive creator with DC Comics, leaving Marvel after nearly 20 years. I don't know who will replace him on Iron Man, and I don't think the new writer (who will obviously be a white male) can match Bendis. If he does, I doubt he can do it on two monthly books.
So this first issue of “The Search for Tony Stark,” which is probably Bendis' last Iron Man story arc (for a while at least), is a nice start, and the ending of this issue is quite intriguing.
A
8 out of 10
Thursday, December 21, 2017
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-------------------------
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
WRITER: Brian Michael Bendis
ART: Stefano Caselli; Alex Maleev
COLORS: Marte Gracia; Alex Maleev
LETTERS: VC's Clayton Cowles
COVER: Adi Granov
VARIANT COVERS: Alan Davis and Mark Farmer with Matt Yackey; John Tyler Christopher with Stefano Caselli and Marte Gracia; Mike McKone with Rachelle Rosenberg; Chip Zdarsky; Jack Kirby with Frank Giacola
28pp, Color, $3.99 U.S. (December 2017)
Rated “T+”
Iron Man created by Stan Lee, Larry Lieber, Don Heck, and Jack Kirby
“The Search for Tony Stark” Part One
One could be forgiven for thinking that there was a new Iron Man #1 comic book of some type every year, and that would not be far from the truth. I think that going back to 1999, there have been close to 10 Iron Man #1's of one type or another, if not more.
Thanks to Marvel Comics' new “Legacy” initiative, Iron Man goes back to its original numbering (plus several relaunch numbers) and the result is Invincible Iron Man #593. The creative team behind the most recent Invincible Iron Man relaunch (which was just a year ago) remains for the “Legacy” launch. That would be writer Brian Michael Bendis; artist Stefano Caselli; colorist Marte Gracia; and letterer Clayton Cowles, with International Iron Man and Infamous Iron Man artist/colorist, Alex Maleev joining the team.
With Tony Stark out of commission (following events depicted in Civil War II), Riri Williams, a teenage girl and genius, and Victor Von Doom, formerly the super-villain Doctor Doom, have taken on the mantle of Iron Man. Riri does so as the armored hero, Ironheart.
As Invincible Iron Man #593 opens, Tony Stark's comatose body has disappeared. Riri joins Amanda Armstrong (Tony's birth mother); Mary Jane Watson (chosen by Tony to run Stark Industries); and Friday (an artificial intelligence Tony created to help him) in the search for Tony Stark. They better hurry! Stark Industries' Board of Directors is making bold moves. Meanwhile, the Infamous Iron Man Victor von Doom has to find some escaped prisoners.
I had high hopes for the 11-issue run of Invincible Iron Man starring Riri Williams, and writer Brian Michael Bendis delivered. Riri is the most fascinating female character of color in superhero comic books since the X-Men's Storm, specifically during the first decade of Storm's existence as written by Chris Claremont. Riri is a well-developed character, and would be fascinating even if she were not in a superhero comic book. Her imagination and inquisitiveness are infectious; I want to learn with her and be by her side inventing stuff.
But many of the white dudes that read comics and control the means of production (allegedly) ain't having it. It is time to bring the white Iron Man back. Seriously, Brian Bendis writing about Riri the armored character “Ironheart” in Invincible Iron Man and about Victor von Doom trying to be good guy as Iron Man in Infamous Iron Man did some stellar work. In my decades as a Marvel Comics reader, I have never read better Iron Man comic books than what Bendis wrote, and he was doing it twice a month.
Bendis recently announced that he has signed as an exclusive creator with DC Comics, leaving Marvel after nearly 20 years. I don't know who will replace him on Iron Man, and I don't think the new writer (who will obviously be a white male) can match Bendis. If he does, I doubt he can do it on two monthly books.
So this first issue of “The Search for Tony Stark,” which is probably Bendis' last Iron Man story arc (for a while at least), is a nice start, and the ending of this issue is quite intriguing.
A
8 out of 10
Thursday, December 21, 2017
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-------------------------
Labels:
Adi Granov,
Alan Davis,
Alex Maleev,
Brian Michael Bendis,
Chip Zdarsky,
Iron Man,
Jack Kirby,
John Tyler Christopher,
Mark Farmer,
Marte Gracia,
Marvel,
Matt Yackey,
Rachelle Rosenberg,
Review
Friday, January 12, 2018
Review: THE AMAZING SPIDER-MAN #789
THE AMAZING SPIDER-MAN No. 789
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Dan Slott
PENCILS: Stuart Immonen
INKS: Wade von Grawbadger
COLORS: Marte Gracia
LETTERS: VC's Joe Caramagna
COVER: Alex Ross
VARIANT COVERS: Alex Ross (based on art by John Romita); Steve Ditko with Michael Kelleher
32pp, Color, $9.99 U.S. (December 2017)
Rated “T”
Spider-Man created by Steve Ditko and Stan Lee
“Fall of Parker” Part 1 – “Top to Bottom”
In a previous review, I stated that there were were three comic book series to start with the title and issue number, The Amazing Spider-Man #1, beginning with the original in 1962. I wrote that as I began my review of the fourth regular comic book to have that title and issue number – the third in 16 years and the second in three years. Two years later, facing reportedly plummeting sales, Marvel Comics has launched its “Legacy” initiative, which would bring Marvel titles back to their original issue numbering.
So we come to The Amazing Spider-Man #789 (“Top to Bottom”) and the beginning of a “back to basics” story arc, entitled “Fall of Parker.” It is written by Dan Slott; drawn by Stuart Immonen (pencils) and Wade von Grawbadger (inks); colored by Marte Gracia; and lettered by Joe Caramagna; with cover art by Alex Ross. Before we move on with this review, I don't think The Amazing Spider-Man #789 is any different from what The Amazing Spider-Man #33 (2015) would have been.
The Amazing Spider-Man #789 opens in the aftermath of the fall of Spider-Man/Peter Parker's behemoth tech company, Parker Industries. Parker is basically living on a couch in the apartment of Bobbi Morse, who is the superhero, Mockingbird. Everyone, mainly the general public and customers of Parker Industries tech and software, hates Peter Parker. Then, Parker decides that being the friendly neighborhood Spider-Man will cure his ills, but nothing every really works out perfectly for puny Parker and Spidey.
The recent movie Spider-Man: Homecoming makes it clear that high school Peter Parker/Spider-Man is such an attracting and lovable character. After all, that is the original version of the character that creators Steve Ditko and Stan Lee gave us back in 1962. Post-high school Spider-Man is also immensely likable, but, over the decades, that Peter Parker has been such a mixed bag, entirely the fault of various writers.
Adult Peter Parker, as depicted by writer Dan Slott, has been interesting, mostly. However, the last two years, Slott has played Peter Parker as less the lovable loser, hard-luck guy and more like Tony Stark. That, in turn, has made Spider-Man a kind of tech-driven, Iron Man-like hero. Stark-ish Parker is cute as a novelty. Spider-Man as a jet-setting, international hero is also nice – as a novelty.
Spider-Man is a regular guy superhero. Yes, the character has extraordinary and weird powers, but the civilian Peter Parker is the guy who looks out for his family and protects and serves his family. While Parker has always been depicted as a scientific genius, playing hero-by-gadget isn't Spider-Man, who has always seemed to be about service and personal sacrifice.
So, what about The Amazing Spider-Man #789? It's just a run-of-the-mill story which suggests or hints at nothing but the status quo. More accurately, it is just another first chapter in an eventual trade paperback collection. While “Fall of Parker” could turn out to be an exceptional story arc (which I doubt), the first chapter in The Amazing Spider-Man #789 represents the mediocrity that has unfortunately also been part of the Marvel recent “Legacy.”
[This comic book includes a Spider-Man “Legacy” overview short story written by Robbie Thompson; drawn by Mark Bagley (pencils) and John Dell (inker); colored by Dan Brown; and lettered by VC's Joe Caramagna.]
C
4 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------------
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Dan Slott
PENCILS: Stuart Immonen
INKS: Wade von Grawbadger
COLORS: Marte Gracia
LETTERS: VC's Joe Caramagna
COVER: Alex Ross
VARIANT COVERS: Alex Ross (based on art by John Romita); Steve Ditko with Michael Kelleher
32pp, Color, $9.99 U.S. (December 2017)
Rated “T”
Spider-Man created by Steve Ditko and Stan Lee
“Fall of Parker” Part 1 – “Top to Bottom”
In a previous review, I stated that there were were three comic book series to start with the title and issue number, The Amazing Spider-Man #1, beginning with the original in 1962. I wrote that as I began my review of the fourth regular comic book to have that title and issue number – the third in 16 years and the second in three years. Two years later, facing reportedly plummeting sales, Marvel Comics has launched its “Legacy” initiative, which would bring Marvel titles back to their original issue numbering.
So we come to The Amazing Spider-Man #789 (“Top to Bottom”) and the beginning of a “back to basics” story arc, entitled “Fall of Parker.” It is written by Dan Slott; drawn by Stuart Immonen (pencils) and Wade von Grawbadger (inks); colored by Marte Gracia; and lettered by Joe Caramagna; with cover art by Alex Ross. Before we move on with this review, I don't think The Amazing Spider-Man #789 is any different from what The Amazing Spider-Man #33 (2015) would have been.
The Amazing Spider-Man #789 opens in the aftermath of the fall of Spider-Man/Peter Parker's behemoth tech company, Parker Industries. Parker is basically living on a couch in the apartment of Bobbi Morse, who is the superhero, Mockingbird. Everyone, mainly the general public and customers of Parker Industries tech and software, hates Peter Parker. Then, Parker decides that being the friendly neighborhood Spider-Man will cure his ills, but nothing every really works out perfectly for puny Parker and Spidey.
The recent movie Spider-Man: Homecoming makes it clear that high school Peter Parker/Spider-Man is such an attracting and lovable character. After all, that is the original version of the character that creators Steve Ditko and Stan Lee gave us back in 1962. Post-high school Spider-Man is also immensely likable, but, over the decades, that Peter Parker has been such a mixed bag, entirely the fault of various writers.
Adult Peter Parker, as depicted by writer Dan Slott, has been interesting, mostly. However, the last two years, Slott has played Peter Parker as less the lovable loser, hard-luck guy and more like Tony Stark. That, in turn, has made Spider-Man a kind of tech-driven, Iron Man-like hero. Stark-ish Parker is cute as a novelty. Spider-Man as a jet-setting, international hero is also nice – as a novelty.
Spider-Man is a regular guy superhero. Yes, the character has extraordinary and weird powers, but the civilian Peter Parker is the guy who looks out for his family and protects and serves his family. While Parker has always been depicted as a scientific genius, playing hero-by-gadget isn't Spider-Man, who has always seemed to be about service and personal sacrifice.
So, what about The Amazing Spider-Man #789? It's just a run-of-the-mill story which suggests or hints at nothing but the status quo. More accurately, it is just another first chapter in an eventual trade paperback collection. While “Fall of Parker” could turn out to be an exceptional story arc (which I doubt), the first chapter in The Amazing Spider-Man #789 represents the mediocrity that has unfortunately also been part of the Marvel recent “Legacy.”
[This comic book includes a Spider-Man “Legacy” overview short story written by Robbie Thompson; drawn by Mark Bagley (pencils) and John Dell (inker); colored by Dan Brown; and lettered by VC's Joe Caramagna.]
C
4 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------------
Labels:
Alex Ross,
Dan Brown,
Dan Slott,
John Dell,
John Romita,
Mark Bagley,
Marte Gracia,
Marvel,
Review,
Spider-Man,
Steve Ditko,
Stuart Immonen,
Wade Von Grawbadger
Thursday, January 11, 2018
Review: SWEET BLUE FLOWERS Volume 2
SWEET BLUE FLOWERS, VOL. 2
VIZ MEDIA – @VIZMedia
Leroy's Amazon Comics and Graphic Novels Page
MANGAKA: Takako Shimura
TRANSLATION/ENGLISH ADAPTATION: John Werry
LETTERS: Monalisa De Asis
EDITOR: Pancha Diaz
ISBN: 978-1-4215-9299-2; paperback (December 2017); Rated “T+” for “Older Teen”
360pp, B&W, $24.99 U.S., $33.99 CAN, £16.99 UK
Sweet Blue Flowers is a yuri manga from creator Takako Shimura. “Yuri” is “girls' love” manga, a genre which depicts romantic situations between female characters. Sweet Blue Flowers is a coming-of-age manga that depicts love and friendship between two girls, Akira Okudaira and Fumi Manjome, attending separate high schools.
As Sweet Blue Flowers, Vol. 2 (Part 3: Chapters 14 to 18; Part 4: Chapters 19 to 25) begins, Kyoko Ikumi invites a group of her friends to join them at the summer home of her fiance, Ko Sawanoi's family. There is camping, ghost stories, and horseback riding, and there is time for Fumi to confirm her romantic feelings for Akira.
Later, Akira and her drama club prepare to perform a play at her high school, Fujigaya Women's Academy High School. Now, a freshman girl, Haruka Ono, wants Fumi to play a part... because she is probably in love with Fumi.
[This volume includes an afterword and the following “Little Women” bonus stories: “Kuri and Komako, Part 1,” “Orie and Hinako,” and Kuri and Komako, Part 2,” and Shinako and Kaoruki.”]
I have not read many yuri manga titles. The Sweet Blue Flowers manga is the second yuri manga that I've read, following creator Yuhta Nishio's After Hours (also published in English by VIZ Media).
Sweet Blue Flowers Graphic Novel Volume 2 is, like the previous volume, filled with so many young female characters. It can be hard to keep up with them, but creator Takako Shimura makes each one so vivacious and engaging. Also, rather than be catty and completely melodramatic, the characters are full of budding romance and yearnings. Yes, this can sometimes be teen-soapy, but mostly it is full of interesting characters.
A
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-----------------------------
VIZ MEDIA – @VIZMedia
Leroy's Amazon Comics and Graphic Novels Page
MANGAKA: Takako Shimura
TRANSLATION/ENGLISH ADAPTATION: John Werry
LETTERS: Monalisa De Asis
EDITOR: Pancha Diaz
ISBN: 978-1-4215-9299-2; paperback (December 2017); Rated “T+” for “Older Teen”
360pp, B&W, $24.99 U.S., $33.99 CAN, £16.99 UK
Sweet Blue Flowers is a yuri manga from creator Takako Shimura. “Yuri” is “girls' love” manga, a genre which depicts romantic situations between female characters. Sweet Blue Flowers is a coming-of-age manga that depicts love and friendship between two girls, Akira Okudaira and Fumi Manjome, attending separate high schools.
As Sweet Blue Flowers, Vol. 2 (Part 3: Chapters 14 to 18; Part 4: Chapters 19 to 25) begins, Kyoko Ikumi invites a group of her friends to join them at the summer home of her fiance, Ko Sawanoi's family. There is camping, ghost stories, and horseback riding, and there is time for Fumi to confirm her romantic feelings for Akira.
Later, Akira and her drama club prepare to perform a play at her high school, Fujigaya Women's Academy High School. Now, a freshman girl, Haruka Ono, wants Fumi to play a part... because she is probably in love with Fumi.
[This volume includes an afterword and the following “Little Women” bonus stories: “Kuri and Komako, Part 1,” “Orie and Hinako,” and Kuri and Komako, Part 2,” and Shinako and Kaoruki.”]
I have not read many yuri manga titles. The Sweet Blue Flowers manga is the second yuri manga that I've read, following creator Yuhta Nishio's After Hours (also published in English by VIZ Media).
Sweet Blue Flowers Graphic Novel Volume 2 is, like the previous volume, filled with so many young female characters. It can be hard to keep up with them, but creator Takako Shimura makes each one so vivacious and engaging. Also, rather than be catty and completely melodramatic, the characters are full of budding romance and yearnings. Yes, this can sometimes be teen-soapy, but mostly it is full of interesting characters.
A
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-----------------------------
Labels:
Girls' Love,
John Werry,
manga,
Review,
Shimura Takako,
VIZ Media,
Yuri
Wednesday, January 10, 2018
I Reads You Review: SCOOBY-DOO, Where Are You? #89
SCOOBY-DOO, WHERE ARE YOU? No. 89
DC COMICS – @DCComics
STORY: Rob M. Worley; Brett Lewis
PENCILS: Scott Gross; Anthony Lewis
INKS: Scott Gross; Dan Davis
COLORS: Scott Gross; Paul Becton
LETTERS: Saida Temofonte; Ryan Cline
COVER: Scott Gross
32pp, Color, $2.99 U.S. (March 2018)
Rated “E” for “Everyone”
Let's continue to enjoy the fruits of the renewal of my subscription to the Scooby-Doo, Where Are You? comic book series. I recently received the fourth issue of that renewed subscription.
Scooby-Doo, Where Are You? #89 opens with “Panic at the Pizza Palace” (written by Rob M. Morley and drawn by Scott Gross). Scooby-Doo, Shaggy, Fred, Daphne, and Velma are in New York City and have stopped at “Poldo's Pizza Palace,” which Shaggy declares has the best pie in all of NYC.
Things have changed, however; siblings Franco and Sabry are now the owners, and Franco prefers to serve a new kind of pizza with different toppings. Franco says that modern pizza toppings, like banana and kale, are the new art form. The ghost of the pizzeria's original owner, Gerolamo Piredda, hates this new art pizza and is threatening to burn Poldo's to the ground.
The second story is “Good Ghost Haunting” (written by Brett Lewis and drawn by Anthony Williams and Dan Davis), a story originally published in Scooby-Doo #42 (cover dated: January 2001). The story finds Mystery Inc. at Plymouth Institute of Technology for its annual technology fair, where students compete for scholarships and research grants. Fred, Daphne, Velma, Shaggy, and Scooby-Doo are attending the fair, hoping to find new technologies to help them in their crime fighting. The problem is that the ghostly “Salem Witch Hunter” is stealing at the fair, and so it is another ghostly mystery for the gang to solve.
“Panic at the Pizza Palace” is drawn by one of the great modern Scooby-Doo comic book artists, Scott Gross (who also provides the cover art for this issue), and it is actually a pretty good story. I think the reason it resonates with me is that the mystery turns on family strife to which many of us, especially those dealing with inheritance, can relate. Plus, I just love that Scott Gross art.
“Good Ghost Hunting” also deals with the “rightful owners” theme. The crooks' method of operation is clever, although many readers will solve the mystery of that ghost pretty quickly.
And it happens again. Scooby-Doo, Where Are You? #89 makes me excited about the next issue. I really enjoy reading this series. I think I need to find some back issues.
A-
7.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Leroy's Amazon Comics and Graphic Novels Page
---------------------------------
DC COMICS – @DCComics
STORY: Rob M. Worley; Brett Lewis
PENCILS: Scott Gross; Anthony Lewis
INKS: Scott Gross; Dan Davis
COLORS: Scott Gross; Paul Becton
LETTERS: Saida Temofonte; Ryan Cline
COVER: Scott Gross
32pp, Color, $2.99 U.S. (March 2018)
Rated “E” for “Everyone”
Let's continue to enjoy the fruits of the renewal of my subscription to the Scooby-Doo, Where Are You? comic book series. I recently received the fourth issue of that renewed subscription.
Scooby-Doo, Where Are You? #89 opens with “Panic at the Pizza Palace” (written by Rob M. Morley and drawn by Scott Gross). Scooby-Doo, Shaggy, Fred, Daphne, and Velma are in New York City and have stopped at “Poldo's Pizza Palace,” which Shaggy declares has the best pie in all of NYC.
Things have changed, however; siblings Franco and Sabry are now the owners, and Franco prefers to serve a new kind of pizza with different toppings. Franco says that modern pizza toppings, like banana and kale, are the new art form. The ghost of the pizzeria's original owner, Gerolamo Piredda, hates this new art pizza and is threatening to burn Poldo's to the ground.
The second story is “Good Ghost Haunting” (written by Brett Lewis and drawn by Anthony Williams and Dan Davis), a story originally published in Scooby-Doo #42 (cover dated: January 2001). The story finds Mystery Inc. at Plymouth Institute of Technology for its annual technology fair, where students compete for scholarships and research grants. Fred, Daphne, Velma, Shaggy, and Scooby-Doo are attending the fair, hoping to find new technologies to help them in their crime fighting. The problem is that the ghostly “Salem Witch Hunter” is stealing at the fair, and so it is another ghostly mystery for the gang to solve.
“Panic at the Pizza Palace” is drawn by one of the great modern Scooby-Doo comic book artists, Scott Gross (who also provides the cover art for this issue), and it is actually a pretty good story. I think the reason it resonates with me is that the mystery turns on family strife to which many of us, especially those dealing with inheritance, can relate. Plus, I just love that Scott Gross art.
“Good Ghost Hunting” also deals with the “rightful owners” theme. The crooks' method of operation is clever, although many readers will solve the mystery of that ghost pretty quickly.
And it happens again. Scooby-Doo, Where Are You? #89 makes me excited about the next issue. I really enjoy reading this series. I think I need to find some back issues.
A-
7.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Leroy's Amazon Comics and Graphic Novels Page
---------------------------------
Labels:
children's comics,
DC Comics,
Hanna-Barbera,
Review,
Scott Gross
Monday, January 8, 2018
DC Comics from Diamond Distributors for January 10, 2018
DC COMICS
NOV170219 ACTION COMICS #995 $2.99
NOV170220 ACTION COMICS #995 VAR ED $2.99
NOV170229 BATGIRL AND THE BIRDS OF PREY #18 $3.99
NOV170230 BATGIRL AND THE BIRDS OF PREY #18 VAR ED $3.99
OCT170358 BATMAN BEYOND TP VOL 02 RISE OF THE DEMON (REBIRTH) $16.99
OCT170364 BATMAN SHADOW OF THE BAT TP VOL 03 $24.99
OCT170366 BLACK LIGHTNING YEAR ONE TP NEW ED $14.99
JUL170499 DC DESIGNER SER SUPERMAN BY NEAL ADAMS STATUE $150.00
NOV170251 DEADMAN #3 (OF 6) $3.99
NOV170255 DETECTIVE COMICS #972 $2.99
NOV170256 DETECTIVE COMICS #972 VAR ED $2.99
NOV170260 FLASH #38 $2.99
NOV170261 FLASH #38 VAR ED $2.99
NOV170253 GOTHAM CITY GARAGE #7 $2.99
NOV170271 HAL JORDAN AND THE GREEN LANTERN CORPS #36 $2.99
NOV170272 HAL JORDAN AND THE GREEN LANTERN CORPS #36 VAR ED $2.99
OCT170271 HARLEY QUINN #34 $2.99
OCT170272 HARLEY QUINN #34 VAR ED $2.99
SEP170352 HARLEY QUINN BE CAREFUL WHAT YOU WISH FOR #1 SPC $4.99
SEP170353 HARLEY QUINN BE CAREFUL WHAT YOU WISH FOR #1 SPC VAR ED $4.99
OCT170360 HARLEY QUINN TP VOL 04 SURPRISE SURPRISE (REBIRTH) $16.99
OCT170370 INJUSTICE GODS AMONG US YEAR THREE COMP COLL TP $24.99
NOV170290 JUSTICE LEAGUE OF AMERICA #22 $2.99
NOV170291 JUSTICE LEAGUE OF AMERICA #22 VAR ED $2.99
NOV170294 MISTER MIRACLE #6 (OF 12) (MR) $3.99
NOV170295 MISTER MIRACLE #6 (OF 12) VAR ED (MR) $3.99
NOV170296 NEW SUPER MAN #19 $3.99
NOV170297 NEW SUPER MAN #19 VAR ED $3.99
NOV170298 RAGMAN #4 (OF 6) $2.99
NOV170314 RED HOOD AND THE OUTLAWS #18 $3.99
NOV170315 RED HOOD AND THE OUTLAWS #18 VAR ED $3.99
NOV170347 SCOOBY APOCALYPSE #21 $3.99
NOV170348 SCOOBY APOCALYPSE #21 VAR ED $3.99
NOV170351 SCOOBY DOO WHERE ARE YOU #89 $2.99
NOV170310 SUICIDE SQUAD #33 $2.99
NOV170311 SUICIDE SQUAD #33 VAR ED $2.99
NOV170316 SUPERGIRL #17 $3.99
NOV170317 SUPERGIRL #17 VAR ED $3.99
OCT170377 SUPERGIRL TP VOL 04 DAUGHTER OF NEW KRYPTON $19.99
NOV170318 SUPERWOMAN #18 $3.99
NOV170319 SUPERWOMAN #18 VAR ED $3.99
NOV170322 TITANS #19 $3.99
NOV170323 TITANS #19 VAR ED $3.99
NOV170332 WILDSTORM MICHAEL CRAY #4 $3.99
NOV170333 WILDSTORM MICHAEL CRAY #4 VAR ED $3.99
NOV170326 WONDER WOMAN #38 $2.99
NOV170327 WONDER WOMAN #38 VAR ED $2.99
NOV170219 ACTION COMICS #995 $2.99
NOV170220 ACTION COMICS #995 VAR ED $2.99
NOV170229 BATGIRL AND THE BIRDS OF PREY #18 $3.99
NOV170230 BATGIRL AND THE BIRDS OF PREY #18 VAR ED $3.99
OCT170358 BATMAN BEYOND TP VOL 02 RISE OF THE DEMON (REBIRTH) $16.99
OCT170364 BATMAN SHADOW OF THE BAT TP VOL 03 $24.99
OCT170366 BLACK LIGHTNING YEAR ONE TP NEW ED $14.99
JUL170499 DC DESIGNER SER SUPERMAN BY NEAL ADAMS STATUE $150.00
NOV170251 DEADMAN #3 (OF 6) $3.99
NOV170255 DETECTIVE COMICS #972 $2.99
NOV170256 DETECTIVE COMICS #972 VAR ED $2.99
NOV170260 FLASH #38 $2.99
NOV170261 FLASH #38 VAR ED $2.99
NOV170253 GOTHAM CITY GARAGE #7 $2.99
NOV170271 HAL JORDAN AND THE GREEN LANTERN CORPS #36 $2.99
NOV170272 HAL JORDAN AND THE GREEN LANTERN CORPS #36 VAR ED $2.99
OCT170271 HARLEY QUINN #34 $2.99
OCT170272 HARLEY QUINN #34 VAR ED $2.99
SEP170352 HARLEY QUINN BE CAREFUL WHAT YOU WISH FOR #1 SPC $4.99
SEP170353 HARLEY QUINN BE CAREFUL WHAT YOU WISH FOR #1 SPC VAR ED $4.99
OCT170360 HARLEY QUINN TP VOL 04 SURPRISE SURPRISE (REBIRTH) $16.99
OCT170370 INJUSTICE GODS AMONG US YEAR THREE COMP COLL TP $24.99
NOV170290 JUSTICE LEAGUE OF AMERICA #22 $2.99
NOV170291 JUSTICE LEAGUE OF AMERICA #22 VAR ED $2.99
NOV170294 MISTER MIRACLE #6 (OF 12) (MR) $3.99
NOV170295 MISTER MIRACLE #6 (OF 12) VAR ED (MR) $3.99
NOV170296 NEW SUPER MAN #19 $3.99
NOV170297 NEW SUPER MAN #19 VAR ED $3.99
NOV170298 RAGMAN #4 (OF 6) $2.99
NOV170314 RED HOOD AND THE OUTLAWS #18 $3.99
NOV170315 RED HOOD AND THE OUTLAWS #18 VAR ED $3.99
NOV170347 SCOOBY APOCALYPSE #21 $3.99
NOV170348 SCOOBY APOCALYPSE #21 VAR ED $3.99
NOV170351 SCOOBY DOO WHERE ARE YOU #89 $2.99
NOV170310 SUICIDE SQUAD #33 $2.99
NOV170311 SUICIDE SQUAD #33 VAR ED $2.99
NOV170316 SUPERGIRL #17 $3.99
NOV170317 SUPERGIRL #17 VAR ED $3.99
OCT170377 SUPERGIRL TP VOL 04 DAUGHTER OF NEW KRYPTON $19.99
NOV170318 SUPERWOMAN #18 $3.99
NOV170319 SUPERWOMAN #18 VAR ED $3.99
NOV170322 TITANS #19 $3.99
NOV170323 TITANS #19 VAR ED $3.99
NOV170332 WILDSTORM MICHAEL CRAY #4 $3.99
NOV170333 WILDSTORM MICHAEL CRAY #4 VAR ED $3.99
NOV170326 WONDER WOMAN #38 $2.99
NOV170327 WONDER WOMAN #38 VAR ED $2.99
Labels:
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DC Comics News,
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Hanna-Barbera,
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Neal Adams,
Superman,
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Marvel Comics from Diamond Distributors for January 10, 2018
MARVEL COMICS
SEP178147 AVENGERS #675 LAUNCH PARTY POSTERS (BUNDLE OF 25) (Net) $PI
OCT170809 AVENGERS LH #675 LEG $4.99
NOV171011 CABLE #153 LEG $3.99
OCT171023 CABLE NEMESIS CONTRACT TP $34.99
NOV170966 DAREDEVIL #597 LEG $3.99
OCT171022 DEADPOOL BY POSEHN & DUGGAN TP VOL 01 COMPLETE COLLECTION $34.99
NOV171012 DESPICABLE DEADPOOL #292 LEG $3.99
OCT171010 DOCTOR STRANGE TP VOL 05 SECRET EMPIRE $17.99
NOV170987 GWENPOOL #24 LEG $3.99
OCT171020 INCREDIBLE HULK EPIC COLLECTION TP FALL OF PANTHEON $39.99
OCT170997 MARVELS BLACK PANTHER PRELUDE TP $15.99
JUL171204 MMW DAREDEVIL HC VOL 12 $75.00
JUL171205 MMW DAREDEVIL HC VOL 12 DM VAR ED 254 $75.00
NOV170989 MS MARVEL #26 LEG $3.99
NOV170921 OLD MAN HAWKEYE #1 (OF 12) LEG $3.99
NOV171090 OLD MAN HAWKEYE BY CHECCHETTO POSTER $8.99
OCT178516 OLD MAN LOGAN #31 2ND PTG STEWART VAR LEG $3.99
NOV171004 OLD MAN LOGAN #33 LEG $3.99
NOV170893 PHOENIX RESURRECTION RETURN JEAN GREY #3 (OF 5) HUGO CONNECT $3.99
NOV170895 PHOENIX RESURRECTION RETURN JEAN GREY #3 (OF 5) LEE JEAN GRE $3.99
NOV170892 PHOENIX RESURRECTION RETURN JEAN GREY #3 (OF 5) LEG $3.99
NOV170970 PUNISHER #220 LEG $3.99
NOV171091 RISE OF THE BLACK PANTHER BY STELFREEZE POSTER $8.99
NOV171022 RUNAWAYS #5 $3.99
NOV170992 SECRET WARRIORS #12 LEG $3.99
NOV170948 SHE-HULK #161 LEG $3.99
OCT171009 SHE-HULK TP VOL 02 LET THEM EAT CAKE $15.99
NOV170962 SPIDER-MAN DEADPOOL #26 LEG $3.99
NOV171035 STAR WARS DARTH VADER #10 $3.99
OCT171013 THOR BY WALTER SIMONSON TP VOL 02 NEW PTG $24.99
NOV170975 UNBEATABLE SQUIRREL GIRL #28 LEG $3.99
NOV170952 VENOM #160 LEG $3.99
OCT170993 VISION HC $39.99
NOV170998 X-MEN BLUE #19 LEG $3.99
NOV170995 X-MEN GOLD ANNUAL #1 LEG $4.99
NOV171092 X-MEN RED BY CHAREST POSTER $8.99
SEP178147 AVENGERS #675 LAUNCH PARTY POSTERS (BUNDLE OF 25) (Net) $PI
OCT170809 AVENGERS LH #675 LEG $4.99
NOV171011 CABLE #153 LEG $3.99
OCT171023 CABLE NEMESIS CONTRACT TP $34.99
NOV170966 DAREDEVIL #597 LEG $3.99
OCT171022 DEADPOOL BY POSEHN & DUGGAN TP VOL 01 COMPLETE COLLECTION $34.99
NOV171012 DESPICABLE DEADPOOL #292 LEG $3.99
OCT171010 DOCTOR STRANGE TP VOL 05 SECRET EMPIRE $17.99
NOV170987 GWENPOOL #24 LEG $3.99
OCT171020 INCREDIBLE HULK EPIC COLLECTION TP FALL OF PANTHEON $39.99
OCT170997 MARVELS BLACK PANTHER PRELUDE TP $15.99
JUL171204 MMW DAREDEVIL HC VOL 12 $75.00
JUL171205 MMW DAREDEVIL HC VOL 12 DM VAR ED 254 $75.00
NOV170989 MS MARVEL #26 LEG $3.99
NOV170921 OLD MAN HAWKEYE #1 (OF 12) LEG $3.99
NOV171090 OLD MAN HAWKEYE BY CHECCHETTO POSTER $8.99
OCT178516 OLD MAN LOGAN #31 2ND PTG STEWART VAR LEG $3.99
NOV171004 OLD MAN LOGAN #33 LEG $3.99
NOV170893 PHOENIX RESURRECTION RETURN JEAN GREY #3 (OF 5) HUGO CONNECT $3.99
NOV170895 PHOENIX RESURRECTION RETURN JEAN GREY #3 (OF 5) LEE JEAN GRE $3.99
NOV170892 PHOENIX RESURRECTION RETURN JEAN GREY #3 (OF 5) LEG $3.99
NOV170970 PUNISHER #220 LEG $3.99
NOV171091 RISE OF THE BLACK PANTHER BY STELFREEZE POSTER $8.99
NOV171022 RUNAWAYS #5 $3.99
NOV170992 SECRET WARRIORS #12 LEG $3.99
NOV170948 SHE-HULK #161 LEG $3.99
OCT171009 SHE-HULK TP VOL 02 LET THEM EAT CAKE $15.99
NOV170962 SPIDER-MAN DEADPOOL #26 LEG $3.99
NOV171035 STAR WARS DARTH VADER #10 $3.99
OCT171013 THOR BY WALTER SIMONSON TP VOL 02 NEW PTG $24.99
NOV170975 UNBEATABLE SQUIRREL GIRL #28 LEG $3.99
NOV170952 VENOM #160 LEG $3.99
OCT170993 VISION HC $39.99
NOV170998 X-MEN BLUE #19 LEG $3.99
NOV170995 X-MEN GOLD ANNUAL #1 LEG $4.99
NOV171092 X-MEN RED BY CHAREST POSTER $8.99
Labels:
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comics news,
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IDW Publishing from Diamond Distributors for January 10, 2018
IDW PUBLISHING
OCT170447 GI JOE A REAL AMERICAN HERO #247 CVR A DIAZ $3.99
OCT170448 GI JOE A REAL AMERICAN HERO #247 CVR B ARTIST ED GALLANT $3.99
NOV170522 GI JOE A REAL AMERICAN HERO TP VOL 19 $17.99
NOV170450 JEM & THE HOLOGRAMS INFINITE TP $19.99
JUL170673 LIMBO LOUNGE HC $29.99
OCT170538 SATELLITE FALLING TP $17.99
AUG170516 SAUCER STATE #6 (OF 6) CVR A KELLY $3.99
AUG170517 SAUCER STATE #6 (OF 6) CVR B VEREGGE $3.99
NOV170410 STAR WARS ADV FORCES OF DESTINY REY CVR A $3.99
NOV170411 STAR WARS ADV FORCES OF DESTINY REY CVR B $3.99
NOV170536 SWORD OF AGES #2 CVR A RODRIGUEZ $3.99
NOV170537 SWORD OF AGES #2 CVR B RODRIGUEZ $3.99
NOV170470 TMNT ONGOING #78 CVR A COUCEIRO $3.99
NOV170471 TMNT ONGOING #78 CVR B EASTMAN $3.99
NOV170468 X-FILES (2016) TP VOL 04 $15.99
OCT170447 GI JOE A REAL AMERICAN HERO #247 CVR A DIAZ $3.99
OCT170448 GI JOE A REAL AMERICAN HERO #247 CVR B ARTIST ED GALLANT $3.99
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NOV170450 JEM & THE HOLOGRAMS INFINITE TP $19.99
JUL170673 LIMBO LOUNGE HC $29.99
OCT170538 SATELLITE FALLING TP $17.99
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SEP170037 HELLBOY AND THE BPRD 1954 TP $19.99
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SEP170037 HELLBOY AND THE BPRD 1954 TP $19.99
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NOV170665 COWBOY NINJA VIKING DLX ED TP (MR) $19.99
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COMICS & GRAPHIC NOVELS
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MAGAZINES
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OCT171791 MISS KOBAYASHIS DRAGON MAID KANNA DAILY LIFE GN VOL 01 $12.99
NOV171146 MONSTRO MECHANICA #2 $3.99
NOV172006 NINJAK VS VU #1 (OF 4) CVR A SUAYAN $3.99
NOV172007 NINJAK VS VU #1 (OF 4) CVR B CAFU $3.99
NOV172008 NINJAK VS VU #1 (OF 4) CVR C PHOTO $3.99
NOV172009 NINJAK VS VU #1 (OF 4) CVR D BLANK CVR $3.99
AUG172023 NORMANDY GOLD #5 CVR A IANNICIELLO (MR) $3.99
AUG172024 NORMANDY GOLD #5 CVR B SCOTT (MR) $3.99
SEP171350 OVER GARDEN WALL ONGOING TP VOL 03 $14.99
SEP171888 PANDORA IN THE CRIMSON SHELL GHOST URN GN VOL 09 (MR) $12.99
SEP171093 PESTILENCE #6 $3.99
MAY171370 RED TEN #10 (OF 10) $4.99
NOV171365 ROCKOS MODERN LIFE #2 $3.99
OCT178605 ROCKOS MODERN LIFE #2 FOC LOOK AND FIND BACHAN VAR $3.99
NOV171366 ROCKOS MODERN LIFE #2 SUBSCRIPTION MERCADO VAR $3.99
OCT171194 SHRUGGED VOL 2 #5 (OF 6) CVR A MARKS (RES) $3.99
OCT171195 SHRUGGED VOL 2 #5 (OF 6) CVR B GUNNELL (RES) $3.99
OCT171797 SPIRIT CIRCLE GN VOL 02 $12.99
NOV171295 SPONGEBOB COMICS #76 $3.99
NOV171863 STABBITY BUNNY #1 $3.99
NOV171204 STARGATE ATLANTIS HEARTS & MINDS #1 LAROCQUE SIGNED CVR $19.99
NOV171292 TALES FROM THE HYPERVERSE (ONE SHOT) $8.00
OCT171390 TAROT WITCH OF THE BLACK ROSE #101 STUDIO DLX ED (MR) $19.99
OCT171137 THREE STOOGES TV TIME TRIPLE SIGNED PEOPY CVR $24.99
OCT171650 TRUMPS TITANS VS MARK ZUCKERBERG #1 CVR A ZUCKERBERG OUTNUMB $4.99
OCT171651 TRUMPS TITANS VS MARK ZUCKERBERG #1 CVR B IVANKA UNBOUND $9.99
NOV171258 WORLD OF ARCHIE JUMBO COMICS DIGEST #75 $6.99
NOV171896 WORLDS GREATEST FIRST LOVE GN VOL 09 (MR) $12.99
NOV171309 WWE ROYAL RUMBLE 2018 SPECIAL #1 $7.99
OCT178583 WWE ROYAL RUMBLE 2018 SPECIAL #1 FOC INCV GUILLORY VAR $7.99
MAGAZINES
JUN172329 FAMOUS MONSTERS OF FILMLAND #283 WOLFINGER STAR WARS VAR $9.99
JUL172497 FAMOUS MONSTERS OF FILMLAND #288 SIX MILLION DOLLAR MAN VAR $9.99
NOV172235 MONSTER BASH MAGAZINE #32 $8.99
NOV172246 STAR TREK MAGAZINE #65 NEWSSTAND ED $9.99
NOV172247 STAR TREK MAGAZINE #65 PX ED $9.99
BOOKS
JUL172482 ART OF DESTINY 2 HC $45.00
NOV172180 BLACK PANTHER YOUNG PRINCE YA NOVEL $16.99
JUN161582 FRANK THORNE GHITA EROTIC TREASURY ARCHIVAL ED VOL 01 $129.99
JUN161583 FRANK THORNE GHITA EROTIC TREASURY ARCHIVAL LTD SGN ED VOL 0 $159.99
JUL172127 HAMMER GLAMOUR HC (TITAN ED) $29.95
NOV172206 J.K. ROWLINGS WIZARDING WORLD MOVIE MAGIC VOL 02 CURIOUS CRE $29.99
NOV171688 LITTLE SID HC PICTURE BOOK $17.99
NOV172164 RUNAWAYS YA NOVEL SC $10.99
NOV172201 SORCERERS APPRENTICE CLASSIC MICKEY MOUSE HC $10.99
NOV172222 STAR WARS FORCES OF DESTINY DARING ADV LEIA SC $5.99
NOV171659 TRUMPS ABC HC $12.99
Labels:
AfterShock,
Archie Comics,
Art Book,
Black Panther,
Book News,
BOOM Studios,
comics news,
Diamond Distributors,
Disney,
Dynamite Entertainment,
manga news,
Star Trek,
Star Wars,
Valiant Comics
Friday, January 5, 2018
Review: BLACK LIGHTNING: Cold Dead Hands #1
BLACK LIGHTNING: COLD DEAD HANDS No. 1 (OF 6)
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
WRITER: Tony Isabella
ART: Clayton Henry
COLORS: Pete Pantazis
LETTERS: Josh Reed
COVER: Clayton Henry with Tomeu Morey
VARIANT COVER: Ken Lashley with Juan Fernandez
32pp, Color, $3.99 U.S. (January 2018)
Rated “T” for “Teen”
Black Lightning created by Tony Isabella and Trevor Von Eeden
Cold Dead Hands Part One: “Ready to Do It All Over”
Black Lightning is a DC Comics superhero. Also known by his civilian identity, Jefferson Pierce, the character was one of the first major African American superheroes to appear in DC Comics. Pierce debuted in Black Lightning #1 (cover dated: April 1977), and was created by writer Tony Isabella and artist Trevor Von Eeden.
Black Lightning returns in a new six-issue miniseries, entitled Black Lighting: Cold Dead Hands. It is written by Tony Isabella; drawn by Clayton Henry; colored by Pete Pantazis; and lettered by Josh Reed.
Black Lightning: Cold Dead Hands #1 (“Ready to Do It All Over”) finds Jefferson Pierce back in Cleveland, already having to play superhero. On the plus side, Pierce has been learning to maximize his electricity-based powers, and in his first battle back, Black Lightning takes down members of “The Weathermen,” street thieves in the possession of advanced weaponry.
His success is tempered, however, by the state of affairs in Cleveland. The local police do not want what they see as superhero interference, and some of them may be willing to shoot Black Lightning to make their point. Also, Black Lightning's take down of “The Weathermen” has earned him the ire of a very powerful and very bad man.
First, Black Lightning: Cold Dead Hands #1 looks dazzling from the art, graphics, and design perspective. Clayton Henry's art features strong composition and dynamic layout and design. Pete Pantazis posts layers of color that are luscious like flowing cake frosting. The color effects on the energy blasts from weapons, the arcs of Black Lightning's electricity, and the gold of Lightning's goggles are radiant.
Josh Reed's lettering is quite effecting; at least to me, it seems that the word balloons were placed for maximum effect. Reed's work never intrudes; instead, he creates a rhythm that builds a sense of rising tension and also suggests that Black Lightning is in an increasingly precarious position.
Isabella's story is also quite good. He should write more comic books. I like the way that he creates a sense of tension around Black Lightning, which gives the story edge and latent hostility. Remember, 12-year-old Tamir Rice, shot to death by a Cleveland police officer, was described as “menacing,” by those who made disingenuous arguments in support of his killing? That is basically what Black Lightning faces; he is a superhero in a place inclined to think of him as a menace. We, the readers (at least, some of us) do not think of him as a menace. Isabella creates a scenario in which many distrust Black Lightning, to one extent or another, so as the narrative precedes, the hero finds himself under a spreading malaise.
Isabella increases the obstacles against his hero and that makes a compelling story that will, in turn, make readers want to come back for more. I want to come back for more.
A
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
---------------------
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
WRITER: Tony Isabella
ART: Clayton Henry
COLORS: Pete Pantazis
LETTERS: Josh Reed
COVER: Clayton Henry with Tomeu Morey
VARIANT COVER: Ken Lashley with Juan Fernandez
32pp, Color, $3.99 U.S. (January 2018)
Rated “T” for “Teen”
Black Lightning created by Tony Isabella and Trevor Von Eeden
Cold Dead Hands Part One: “Ready to Do It All Over”
Black Lightning is a DC Comics superhero. Also known by his civilian identity, Jefferson Pierce, the character was one of the first major African American superheroes to appear in DC Comics. Pierce debuted in Black Lightning #1 (cover dated: April 1977), and was created by writer Tony Isabella and artist Trevor Von Eeden.
Black Lightning returns in a new six-issue miniseries, entitled Black Lighting: Cold Dead Hands. It is written by Tony Isabella; drawn by Clayton Henry; colored by Pete Pantazis; and lettered by Josh Reed.
Black Lightning: Cold Dead Hands #1 (“Ready to Do It All Over”) finds Jefferson Pierce back in Cleveland, already having to play superhero. On the plus side, Pierce has been learning to maximize his electricity-based powers, and in his first battle back, Black Lightning takes down members of “The Weathermen,” street thieves in the possession of advanced weaponry.
His success is tempered, however, by the state of affairs in Cleveland. The local police do not want what they see as superhero interference, and some of them may be willing to shoot Black Lightning to make their point. Also, Black Lightning's take down of “The Weathermen” has earned him the ire of a very powerful and very bad man.
First, Black Lightning: Cold Dead Hands #1 looks dazzling from the art, graphics, and design perspective. Clayton Henry's art features strong composition and dynamic layout and design. Pete Pantazis posts layers of color that are luscious like flowing cake frosting. The color effects on the energy blasts from weapons, the arcs of Black Lightning's electricity, and the gold of Lightning's goggles are radiant.
Josh Reed's lettering is quite effecting; at least to me, it seems that the word balloons were placed for maximum effect. Reed's work never intrudes; instead, he creates a rhythm that builds a sense of rising tension and also suggests that Black Lightning is in an increasingly precarious position.
Isabella's story is also quite good. He should write more comic books. I like the way that he creates a sense of tension around Black Lightning, which gives the story edge and latent hostility. Remember, 12-year-old Tamir Rice, shot to death by a Cleveland police officer, was described as “menacing,” by those who made disingenuous arguments in support of his killing? That is basically what Black Lightning faces; he is a superhero in a place inclined to think of him as a menace. We, the readers (at least, some of us) do not think of him as a menace. Isabella creates a scenario in which many distrust Black Lightning, to one extent or another, so as the narrative precedes, the hero finds himself under a spreading malaise.
Isabella increases the obstacles against his hero and that makes a compelling story that will, in turn, make readers want to come back for more. I want to come back for more.
A
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
---------------------
Labels:
Black Superheroes,
Clayton Henry,
DC Comics,
Ken Lashley,
Neo-Harlem,
Pete Pantazis,
Review,
Tomeu Morey,
Tony Isabella
Thursday, January 4, 2018
Review: STAR WARS: ROGUE ONE Graphic Novel Adaptation
STAR WARS: ROGUE ONE GRAPHIC NOVEL ADAPTATION
IDW PUBLISHING – @IDWPublishing
[This review was originally posted on Patreon. and please, visit the "Star Wars Central" review page here.]
WRITER: Alessandro Ferrari (Manuscript Adaptation)
ART: Igor Chimisso (character studies); Matteo Piana (layout)
INKS: Igor Chimisso, Stefano Simeone
PAINT: Davide Turotti (background and settings); Kawaii Creative Studio (characters)
COVER: Eric Jones
ISBN: 978-1-68405-220-2; paperback, 6 3/4” x 9” (December 2017)
80pp, Color, $9.99 U.S., $12.99 CAN (December 12, 2017)
IDW Publishing is currently publishing an all-ages Star Wars comic book, entitled Star Wars Adventures. Announced at Star Wars Celebration (April 2017) in Orlando, Florida, Star Wars Adventures is geared toward readers ages 7 to 10 and features one and two part stories that are not steeped in Star Wars continuity.
In addition, IDW Publishing is also publishing U.S. editions of Star Wars graphic novels drawn by a group of Disney artists, apparently based in Italy. This group's art is intended to bridge the gap between Star Wars and traditional Disney animation, making these Star Wars comics more attractive for younger audiences that are probably familiar with Disney style art in Disney comic books and illustrated books.
This group also produced an adaption of Rogue One: A Star Wars Story, the eighth live-action Star Wars film. Released in 2016, Rogue One is a stand-alone film, meaning it is not part of the original, prequel, or sequel trilogies. Rogue One's story is set immediately before the events depicted in the original Star Wars (1977). IDW is now releasing that Rogue One graphic novel as Star Wars: Rogue One Graphic Novel Adaptation. It is written by Alessandro Ferrari, who has adapted numerous Walt Disney and Pixar films into the graphic novel format and has also written many comics for Disney Worldwide Publishing.
In Star Wars: Rogue One Graphic Novel Adaptation, the Death Star, the Galactic Empire’s ultimate weapon, looms large. Its near-completion means doom for the Rebel Alliance. Enter Jyn Erso, daughter of the Death Star’s reluctant creator, Galen Erso; she desperately seeks to save her father from Imperial control. For this quest, Jyn will join forces with Rebel spy, Cassian Andor; his reprogrammed Imperial droid, K-2SO, and a small band of rebels. Aboard a ship one of them dubs “Rogue One,” they will attempt to steal the Death Star’s plans and keep hope for the Rebellion alive.
At 64 pages of actual comics, IDW's Star Wars: Rogue One Graphic Novel Adaptation is half the size of Marvel Comics' six-issue miniseries, Star Wars: Rogue One Adaptation. Writer Alessandro Ferrari has to excise chunks out of many scenes and sequences, yet he makes the most of the narrative space he has. Ferrari's Rogue One adaptation runs hot and the dialogue is passionate. The threat that looms above the Rebel Alliance, the Death Star, seem genuine and larger than life. It reads as if it were a behemoth bearing down upon the rebels even when it is nowhere near them.
The art is gorgeous. The character drawings convey the dark personalities of the characters and the intensity of their emotions and the grittiness of their determination. The backgrounds and settings are wonderfully painted. You would think the painters were doing this high-quality work for an animated film project, but no, they are turning out this sumptuous painting for a kids' comic book!
The screenplay for the Rogue One film was written by Chris Weitz and Tony Gilroy (from a story by John Knoll and Gary Whitta), and Alessandro Ferrari and the artists of Star Wars: Rogue One Graphic Novel Adaptation have done these writers proud. I hope this creative team gets the chance to do a graphic novel adaptation of Star Wars: The Last Jedi, and I am sure I am not the only one waiting to see what they can do with this new Star Wars film.
A
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------------
IDW PUBLISHING – @IDWPublishing
[This review was originally posted on Patreon. and please, visit the "Star Wars Central" review page here.]
WRITER: Alessandro Ferrari (Manuscript Adaptation)
ART: Igor Chimisso (character studies); Matteo Piana (layout)
INKS: Igor Chimisso, Stefano Simeone
PAINT: Davide Turotti (background and settings); Kawaii Creative Studio (characters)
COVER: Eric Jones
ISBN: 978-1-68405-220-2; paperback, 6 3/4” x 9” (December 2017)
80pp, Color, $9.99 U.S., $12.99 CAN (December 12, 2017)
IDW Publishing is currently publishing an all-ages Star Wars comic book, entitled Star Wars Adventures. Announced at Star Wars Celebration (April 2017) in Orlando, Florida, Star Wars Adventures is geared toward readers ages 7 to 10 and features one and two part stories that are not steeped in Star Wars continuity.
In addition, IDW Publishing is also publishing U.S. editions of Star Wars graphic novels drawn by a group of Disney artists, apparently based in Italy. This group's art is intended to bridge the gap between Star Wars and traditional Disney animation, making these Star Wars comics more attractive for younger audiences that are probably familiar with Disney style art in Disney comic books and illustrated books.
This group also produced an adaption of Rogue One: A Star Wars Story, the eighth live-action Star Wars film. Released in 2016, Rogue One is a stand-alone film, meaning it is not part of the original, prequel, or sequel trilogies. Rogue One's story is set immediately before the events depicted in the original Star Wars (1977). IDW is now releasing that Rogue One graphic novel as Star Wars: Rogue One Graphic Novel Adaptation. It is written by Alessandro Ferrari, who has adapted numerous Walt Disney and Pixar films into the graphic novel format and has also written many comics for Disney Worldwide Publishing.
In Star Wars: Rogue One Graphic Novel Adaptation, the Death Star, the Galactic Empire’s ultimate weapon, looms large. Its near-completion means doom for the Rebel Alliance. Enter Jyn Erso, daughter of the Death Star’s reluctant creator, Galen Erso; she desperately seeks to save her father from Imperial control. For this quest, Jyn will join forces with Rebel spy, Cassian Andor; his reprogrammed Imperial droid, K-2SO, and a small band of rebels. Aboard a ship one of them dubs “Rogue One,” they will attempt to steal the Death Star’s plans and keep hope for the Rebellion alive.
At 64 pages of actual comics, IDW's Star Wars: Rogue One Graphic Novel Adaptation is half the size of Marvel Comics' six-issue miniseries, Star Wars: Rogue One Adaptation. Writer Alessandro Ferrari has to excise chunks out of many scenes and sequences, yet he makes the most of the narrative space he has. Ferrari's Rogue One adaptation runs hot and the dialogue is passionate. The threat that looms above the Rebel Alliance, the Death Star, seem genuine and larger than life. It reads as if it were a behemoth bearing down upon the rebels even when it is nowhere near them.
The art is gorgeous. The character drawings convey the dark personalities of the characters and the intensity of their emotions and the grittiness of their determination. The backgrounds and settings are wonderfully painted. You would think the painters were doing this high-quality work for an animated film project, but no, they are turning out this sumptuous painting for a kids' comic book!
The screenplay for the Rogue One film was written by Chris Weitz and Tony Gilroy (from a story by John Knoll and Gary Whitta), and Alessandro Ferrari and the artists of Star Wars: Rogue One Graphic Novel Adaptation have done these writers proud. I hope this creative team gets the chance to do a graphic novel adaptation of Star Wars: The Last Jedi, and I am sure I am not the only one waiting to see what they can do with this new Star Wars film.
A
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------------
Labels:
Alessandro Ferrari,
Disney,
Eurocomics,
Film Adaptation,
IDW,
OGN,
Review,
Star Wars,
Star Wars Review,
Walt Disney Italy
Wednesday, January 3, 2018
Review: ELENORA MANDRAGORA: Daughter of Merlin
ELENORA MANDRAGORA: DAUGHTER OF MERLIN
IDW PUBLISHING/EuroComics – @IDWPublishing
[This review was originally posted on Patreon.]
STORY: Severine Gauthier
ART: Thomas Labourot
TRANSLATION: Edward Gauvin
COLORS: Grelin & Thomas Labourot
LETTERS: Ron Estevez
COVER: Thomas Labourot
EDITORS: Justin Eisinger and Alonzo Simon
ISBN: 978-1-68405-008-6; hardcover – 8¼” x 10¾” (November 8, 2017)
60pp, Color, $14.99 U.S., $19.99 CAN
Age 10-17; Grades 5-12
Elenora Mandragora: Daughter of Merlin is a full color, hardcover graphic novel recently published by IDW Publishing. Written by Severine Gauthier and drawn by Thomas Labourot, Elenora Mandragora: Daughter of Merlin is French comic book originally published as a graphic album, entitled Aliénor Mandragore – Merlin est mort, vive Merlin! by Paris-based publisher, Rue de Sèvres. The IDW edition has a trim size of 8¼” x 10¾” and comes in at 60-pages long.
Elenora Mandragora: Daughter of Merlin focuses on Elenora, the daughter of Merlin the wizard. Merlin is the greatest druid in the forest of Broceliande, and he spends most of his time in his “Mushroomery,” a dank and dark place in the woods where a variety of mushrooms grow. Elenora lives with her father, but the impish and undisciplined girl has no interest in “druiding,” which her father insists on teaching her. Elanora has no talent for magic.
That all changes one day when Elenora does something that kills her father. However, Merlin's ghost is determined not to stay dead, and it falls on Elenora to befriend the one person who may have the ability to revive Merlin. That would be her father's greatest rival, Morgana the fairy magician and sorceress.
IDW's press materials for Elenora Mandragora: Daughter of Merlin compares this graphic novel to the work of legendary creators of stories for children: author Roald Dahl; animated filmmaker, Hayao Miyazki; and American legend and mogul, Walt Disney. I am quite versed in Miyazaki and Disney, but I have only read two Dahl books (that I remember), and with that experience, I can still say that IDW is not far off with such comparisons.
Elenora Mandragora: Daughter of Merlin is a fantastic comic book and original graphic novel. I think middle school students who read fantasy literary will likely enjoy this. I think older teens and high school students familiar with comic books will also enjoy this graphic novel.
It is not perfect; there are some oddly extraneous characters in the story, characters I am assuming will be important in later Elenora Mandragora adventures. However, the three core characters: Elenora, Merlin, and Morgana form a solid trinity of motivations, desires, conflicts, rivalries, back story, and endearment. They are the powerful engine that drive this engaging and magical story of fathers and daughters and mentors and students. This is a love triangle, of sorts, that propels this wonderfully inventive comic book.
Elenora Mandragora: Daughter of Merlin is infused with a sense of magic, and the setting is a place to which you will want to return, even if only in your dreams. And the characters – you will want to visit with them again... and again.
9 out of 10
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
----------------------------------
Labels:
children's comics,
Eurocomics,
IDW,
OGN,
Review
Monday, January 1, 2018
DC Comics from Diamond Distributors for January 3, 2017
DC COMICS
SEP170440 AMERICAN WAY THOSE ABOVE AND BELOW #5 (OF 6) (MR) $3.99
OCT170363 AQUAMAN THE WATERBEARER TP NEW EDITION $19.99
NOV170231 BATMAN #38 $2.99
NOV170232 BATMAN #38 VAR ED $2.99
NOV170210 BATMAN AND THE SIGNAL #1 (OF 3) (RES) $3.99
NOV170211 BATMAN AND THE SIGNAL #1 (OF 3) VAR ED (RES) $3.99
OCT178177 BATMAN ANNUAL #2 2ND PTG $4.99
NOV170239 BATMAN WHITE KNIGHT #4 (OF 8) $3.99
NOV170240 BATMAN WHITE KNIGHT #4 (OF 8) VAR ED $3.99
NOV170243 BLACK LIGHTNING COLD DEAD HANDS #3 (OF 6) $3.99
NOV170244 BOMBSHELLS UNITED #9 $2.99
OCT170367 CAPTAIN ATOM THE FALL AND RISE OF CAPTAIN ATOM TP $16.99
NOV170246 CYBORG #20 $3.99
NOV170247 CYBORG #20 VAR ED $3.99
NOV170339 DASTARDLY AND MUTTLEY #5 (OF 6) $3.99
NOV170340 DASTARDLY AND MUTTLEY #5 (OF 6) VAR ED $3.99
JUL170498 DC BOMBSHELLS STARFIRE STATUE $125.00
NOV170248 DEATHSTROKE #27 $3.99
NOV170249 DEATHSTROKE #27 VAR ED $3.99
NOV170217 EXIT STAGE LEFT THE SNAGGLEPUSS CHRONICLES #1 (OF 6) $3.99
NOV170218 EXIT STAGE LEFT THE SNAGGLEPUSS CHRONICLES #1 (OF 6) VAR ED $3.99
NOV170265 GREEN ARROW #36 $3.99
NOV170266 GREEN ARROW #36 VAR ED $3.99
NOV170267 GREEN LANTERNS #38 $2.99
NOV170268 GREEN LANTERNS #38 VAR ED $2.99
OCT170359 HAL JORDAN & THE GLC TP VOL 04 FRACTURE (REBIRTH) $19.99
NOV170279 HARLEY & IVY MEET BETTY & VERONICA #4 (OF 6) $3.99
NOV170280 HARLEY & IVY MEET BETTY & VERONICA #4 (OF 6) VAR ED $3.99
NOV170283 INJUSTICE 2 #17 $2.99
NOV170343 JETSONS #3 $3.99
NOV170344 JETSONS #3 VAR ED $3.99
NOV170286 JUSTICE LEAGUE #36 $2.99
NOV170287 JUSTICE LEAGUE #36 VAR ED $2.99
NOV170299 NIGHTWING #36 $2.99
NOV170300 NIGHTWING #36 VAR ED $2.99
OCT170374 SUICIDE SQUAD THE SILVER AGE TP $29.99
OCT170375 SUPERBOY TP BOOK 01 TROUBLE IN PARADISE $24.99
NOV170304 SUPERMAN #38 SONS OF TOMORROW $2.99
NOV170305 SUPERMAN #38 VAR ED SONS OF TOMORROW $2.99
SEP170440 AMERICAN WAY THOSE ABOVE AND BELOW #5 (OF 6) (MR) $3.99
OCT170363 AQUAMAN THE WATERBEARER TP NEW EDITION $19.99
NOV170231 BATMAN #38 $2.99
NOV170232 BATMAN #38 VAR ED $2.99
NOV170210 BATMAN AND THE SIGNAL #1 (OF 3) (RES) $3.99
NOV170211 BATMAN AND THE SIGNAL #1 (OF 3) VAR ED (RES) $3.99
OCT178177 BATMAN ANNUAL #2 2ND PTG $4.99
NOV170239 BATMAN WHITE KNIGHT #4 (OF 8) $3.99
NOV170240 BATMAN WHITE KNIGHT #4 (OF 8) VAR ED $3.99
NOV170243 BLACK LIGHTNING COLD DEAD HANDS #3 (OF 6) $3.99
NOV170244 BOMBSHELLS UNITED #9 $2.99
OCT170367 CAPTAIN ATOM THE FALL AND RISE OF CAPTAIN ATOM TP $16.99
NOV170246 CYBORG #20 $3.99
NOV170247 CYBORG #20 VAR ED $3.99
NOV170339 DASTARDLY AND MUTTLEY #5 (OF 6) $3.99
NOV170340 DASTARDLY AND MUTTLEY #5 (OF 6) VAR ED $3.99
JUL170498 DC BOMBSHELLS STARFIRE STATUE $125.00
NOV170248 DEATHSTROKE #27 $3.99
NOV170249 DEATHSTROKE #27 VAR ED $3.99
NOV170217 EXIT STAGE LEFT THE SNAGGLEPUSS CHRONICLES #1 (OF 6) $3.99
NOV170218 EXIT STAGE LEFT THE SNAGGLEPUSS CHRONICLES #1 (OF 6) VAR ED $3.99
NOV170265 GREEN ARROW #36 $3.99
NOV170266 GREEN ARROW #36 VAR ED $3.99
NOV170267 GREEN LANTERNS #38 $2.99
NOV170268 GREEN LANTERNS #38 VAR ED $2.99
OCT170359 HAL JORDAN & THE GLC TP VOL 04 FRACTURE (REBIRTH) $19.99
NOV170279 HARLEY & IVY MEET BETTY & VERONICA #4 (OF 6) $3.99
NOV170280 HARLEY & IVY MEET BETTY & VERONICA #4 (OF 6) VAR ED $3.99
NOV170283 INJUSTICE 2 #17 $2.99
NOV170343 JETSONS #3 $3.99
NOV170344 JETSONS #3 VAR ED $3.99
NOV170286 JUSTICE LEAGUE #36 $2.99
NOV170287 JUSTICE LEAGUE #36 VAR ED $2.99
NOV170299 NIGHTWING #36 $2.99
NOV170300 NIGHTWING #36 VAR ED $2.99
OCT170374 SUICIDE SQUAD THE SILVER AGE TP $29.99
OCT170375 SUPERBOY TP BOOK 01 TROUBLE IN PARADISE $24.99
NOV170304 SUPERMAN #38 SONS OF TOMORROW $2.99
NOV170305 SUPERMAN #38 VAR ED SONS OF TOMORROW $2.99
Labels:
Batman,
comics news,
DC Comics News,
DC Direct,
Diamond Distributors,
Green Lantern,
Hanna-Barbera,
Justice League,
Superman,
Vertigo
Marvel Comics from Diamond Distributors for January 3, 2017
MARVEL COMICS
NOV170908 ASTONISHING X-MEN #7 LEG $3.99
NOV170991 BLACK BOLT #9 LEG $3.99
OCT171002 BLACK PANTHER ADVENTURES DIGEST TP $9.99
OCT170998 BLACK PANTHER BY HUDLIN TP VOL 02 COMPLETE COLLECTION $39.99
NOV170938 CAPTAIN AMERICA #697 LEG WW $3.99
OCT171001 COLOR YOUR OWN BLACK PANTHER TP $9.99
JUL171192 DEADPOOL & CO OMNIBUS HC $125.00
JUL171190 DEADPOOL WORLDS GREATEST HC VOL 03 $34.99
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