CHILLING ADVENTURES OF SABRINA #4
ARCHIE COMICS – @ArchieComics @ArchieHorror
STORY: Roberto Aguirre-Sacasa
ART: Robert Hack
LETTERS: Jack Morelli
COVER/VARIANT COVER: Robert Hack
32pp, Color, $3.99 U.S. (September 2015)
“The Crucible” Chapter Four: “Harvey Horrors”
Rated Teen + (Violence and mature content)
When writer George Gladir and artist Dan DeCarlo created Sabrina the Teen-Age Witch and her world in the early 1960s, did they imagine or could they have imagined how much it would all change decades later? It's a chilling thought.
The comic book series, Afterlife with Archie, is a re-imagining of the world of Archie Comics as a zombie apocalypse, and it is a hit with readers. Last year, Sabrina the Teen-Age Witch, a traditionally lighthearted, Archie Comics publication, also received a horror comics makeover. Now, we have Chilling Adventures of Sabrina, written by Roberto Aguirre-Sacasa, drawn by Robert Hack, and lettered by Jack Morelli. It is a genuine and genuinely good horror comic book. Say what!
This darker series is set in the 1960s, with the current story line largely taking place in 1967. Sabrina Spellman is a 15-year-old who lives in Greendale with her aunts, Hilda and Zelda (two witches of the Satan-serving variety), and her cousin, Ambrose (a warlock).
Chilling Adventures of Sabrina #4 (“The Crucible” Chapter Four: “Harvey Horrors”) opens after Sabrina's interrupted “Unholy Baptism,” in which she was preparing to accept the life of a witch. Now, Sabrina's boyfriend, Harvey Kinkle, a fellow student and football stud at Greendale High School, is running for his life.
In the tragic aftermath, Sabrina struggles to accept what seems like fate. In the meantime, her aunts warn her that she must face the coven. However, a sympathetic teacher at Greendale High, Evangeline Porter a.k.a. Madam Satan, may have a way to make things better for Sabrina.
Roberto Aguirre-Sacasa and Robert Hack have created a horror comic book that it is so good that they could make it work without using a well-known Archie Comics character. That they have re-imagined Sabrina the Teen-Age Witch simply makes the book that much more wickedly divine and salacious.
The bucolic 1960s setting is appropriate as this comic book has the occult and ominous vibe of such 1970s occult films like Carrie, The Omen, Race the Devil, and Rosemary's Baby, among others. Every time I read this comic book, I also think about Rob Zombie's recent half-ridiculous/half-brilliant, Satanic art movie, The Lords of Salem.
Chilling Adventures of Sabrina is mad and brilliant. If EC Comics and the 1950s copy-cat horror comics that the publisher influenced had created graphic novels, they would look like this first story arc of Chilling Adventures of Sabrina, “The Crucible.” Sometimes, the witchery is so shocking in this comic book, I think that Roberto Aguirre-Sacasa and Robert Hack might need some inquisition face-time, or perhaps to be dunked a time or two.
[This issue includes a bonus Sabrina the Teen-Age Witch story, “Double Date,” from writer by Dick Malmgren and artist Dan DeCarlo.]
A
http://archiehorror.com/
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
[“We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.”]
Friday, July 31, 2015
Thursday, July 30, 2015
Food Wars: Memories of Battle
I read Food Wars!, Vol. 6
I posted a review at the ComicBookBin. Follow me on Twitter or at Grumble. Support my work at Patreon.
I posted a review at the ComicBookBin. Follow me on Twitter or at Grumble. Support my work at Patreon.
Labels:
Adrienne Beck,
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shonen,
Shonen Jump Advanced,
Shun Saeki,
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Yuto Tsukuda
Wednesday, July 29, 2015
Review: WAYWARD #10
WAYWARD #10
IMAGE COMICS – @ImageComics
STORY: Jim Zub – @jimzub
ART: Steve Cummings – @stekichikun
COLORS: Tamra Bonvillain – @TBonvillain
LETTERS: Marshall Dillon – @MarshallDillon
COVER: Steve Cummings with Tamra Bonvillain
VARIANT COVER: Hanzo Steinbach
28pp, Color, $3.50 U.S.
Wayward, the comic book series from writer Jim Zub and artist Steve Cummings, is about to take a three-month break from publishing. Before that break, Wayward #10, which is the concluding issue of the series' second story arc, has arrived.
Published by Image Comics, Wayward is set in Japan and features those creatures and spirits of Japanese folklore, yokai. Wayward focuses on Rori Lane, a half-Irish/half-Japanese teen girl, who is trying to start a new life in Japan. Instead, Rori and a small band of fellow magically-touched folks battle a secret war of magic in the shadows of Tokyo.
Ohara Emi was a quite school girl until she started manifesting strange powers. Now, she is the narrator of the current story arc, and she manipulates matter and transmutes man-made materials. As Wayward #10 (“Chapter Ten”) opens, Ohara, Nikaido, and Ayane have team up with Tsuchigumo. These are supernatural spiders that are fighting their yokai brethren.
Now, humans and mystical spiders attack the Fudo Temples, but their tengu guardians are determined to fight back. Do Ohara and her friends know the entire story of this fight, however? Meanwhile, Rori and Shirai, thought to be dead, prepare to reemerge.
Wayward writer/co-creator, Jim Zub, sent out advanced review PDF copies of Wayward #10 (which the ComicBookBin received). This is a pivotal issue. Not only is issue #10 the closing chapter of the series second story arc, but it also essentially the end of series introductions. Now, the series is prepared to get on with the big story, as Zub says in an afterword to this issue.
Zub's script does not disappoint, and co-creator Steve Cummings brings the script to life as magical graphical storytelling that remains grounded at the same time it brings the supernatural to life with imagination and inventiveness. Colorist Tamra Bonvillain delivers striking colors that make the magical energy pop. Also, integral Wayward contributor, Zack Davisson, delivers two essays (instead of the usual one) that explain the mythology and culture in which Wayward travels. I think the next 10 issues will blow our minds.
A
[Wayward #10 contains two engrossing essays, “Circle of Protection Tokyo! The Goshiki Fudo” and “Sokushinbutsu – Buddhas of the Living World,” by Zack Davisson (@ZackDavisson).]
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
IMAGE COMICS – @ImageComics
STORY: Jim Zub – @jimzub
ART: Steve Cummings – @stekichikun
COLORS: Tamra Bonvillain – @TBonvillain
LETTERS: Marshall Dillon – @MarshallDillon
COVER: Steve Cummings with Tamra Bonvillain
VARIANT COVER: Hanzo Steinbach
28pp, Color, $3.50 U.S.
Wayward, the comic book series from writer Jim Zub and artist Steve Cummings, is about to take a three-month break from publishing. Before that break, Wayward #10, which is the concluding issue of the series' second story arc, has arrived.
Published by Image Comics, Wayward is set in Japan and features those creatures and spirits of Japanese folklore, yokai. Wayward focuses on Rori Lane, a half-Irish/half-Japanese teen girl, who is trying to start a new life in Japan. Instead, Rori and a small band of fellow magically-touched folks battle a secret war of magic in the shadows of Tokyo.
Ohara Emi was a quite school girl until she started manifesting strange powers. Now, she is the narrator of the current story arc, and she manipulates matter and transmutes man-made materials. As Wayward #10 (“Chapter Ten”) opens, Ohara, Nikaido, and Ayane have team up with Tsuchigumo. These are supernatural spiders that are fighting their yokai brethren.
Now, humans and mystical spiders attack the Fudo Temples, but their tengu guardians are determined to fight back. Do Ohara and her friends know the entire story of this fight, however? Meanwhile, Rori and Shirai, thought to be dead, prepare to reemerge.
Wayward writer/co-creator, Jim Zub, sent out advanced review PDF copies of Wayward #10 (which the ComicBookBin received). This is a pivotal issue. Not only is issue #10 the closing chapter of the series second story arc, but it also essentially the end of series introductions. Now, the series is prepared to get on with the big story, as Zub says in an afterword to this issue.
Zub's script does not disappoint, and co-creator Steve Cummings brings the script to life as magical graphical storytelling that remains grounded at the same time it brings the supernatural to life with imagination and inventiveness. Colorist Tamra Bonvillain delivers striking colors that make the magical energy pop. Also, integral Wayward contributor, Zack Davisson, delivers two essays (instead of the usual one) that explain the mythology and culture in which Wayward travels. I think the next 10 issues will blow our minds.
A
[Wayward #10 contains two engrossing essays, “Circle of Protection Tokyo! The Goshiki Fudo” and “Sokushinbutsu – Buddhas of the Living World,” by Zack Davisson (@ZackDavisson).]
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Image Comics,
Jim Zub,
Review,
Steven Cummings,
Tamra Bonvillain,
yokai
Tuesday, July 28, 2015
DC Comics from Diamond Distributors for July 29, 2015
DC COMICS
MAY158259 BATGIRL #41 2ND PTG $2.99
MAY150194 BATGIRL #42 $2.99
MAY150195 BATGIRL ANNUAL #3 $4.99
APR150299 CATWOMAN TP VOL 06 KEEPER OF THE CASTLE $16.99
MAY150142 DEATHSTROKE ANNUAL #1 $4.99
MAY150149 FLASH ANNUAL #4 $4.99
MAY150209 GOTHAM BY MIDNIGHT ANNUAL #1 $4.99
MAR150274 GREEN LANTERN BY GEOFF JOHNS OMNIBUS HC VOL 02 $99.99
MAY150228 HE MAN THE ETERNITY WAR #8 $2.99
MAY150132 JLA GODS AND MONSTERS SUPERMAN #1 $3.99
MAY150159 LOBO ANNUAL #1 $4.99
MAY158260 MAD MAX FURY ROAD FURIOSA #1 2ND PTG (MR) $4.99
APR150297 RED LANTERNS TP VOL 06 FORGED IN BLOOD $14.99
MAY150256 SANDMAN OVERTURE #5 SPECIAL EDITION (MR) $4.99
MAY150181 SUPERMAN #42 $3.99
APR150325 SWAMP THING THE ROOT OF ALL EVIL TP (MR) $19.99
MAY158259 BATGIRL #41 2ND PTG $2.99
MAY150194 BATGIRL #42 $2.99
MAY150195 BATGIRL ANNUAL #3 $4.99
APR150299 CATWOMAN TP VOL 06 KEEPER OF THE CASTLE $16.99
MAY150142 DEATHSTROKE ANNUAL #1 $4.99
MAY150149 FLASH ANNUAL #4 $4.99
MAY150209 GOTHAM BY MIDNIGHT ANNUAL #1 $4.99
MAR150274 GREEN LANTERN BY GEOFF JOHNS OMNIBUS HC VOL 02 $99.99
MAY150228 HE MAN THE ETERNITY WAR #8 $2.99
MAY150132 JLA GODS AND MONSTERS SUPERMAN #1 $3.99
MAY150159 LOBO ANNUAL #1 $4.99
MAY158260 MAD MAX FURY ROAD FURIOSA #1 2ND PTG (MR) $4.99
APR150297 RED LANTERNS TP VOL 06 FORGED IN BLOOD $14.99
MAY150256 SANDMAN OVERTURE #5 SPECIAL EDITION (MR) $4.99
MAY150181 SUPERMAN #42 $3.99
APR150325 SWAMP THING THE ROOT OF ALL EVIL TP (MR) $19.99
Labels:
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Diamond Distributors,
Flash,
Geoff Johns,
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Superman,
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Marvel Comics from Diamond Distributors for July 29, 2015
MARVEL COMICS
MAY150712 1602 WITCH HUNTER ANGELA #2 SWA $3.99
MAY150657 AGE OF ULTRON VS MARVEL ZOMBIES #2 SWA $3.99
MAY150653 BLACK WIDOW #20 SWA $3.99
MAY150793 DAREDEVIL #17 $3.99
MAY150762 DEADPOOLS SECRET SECRET WARS #3 SWA $3.99
MAY150807 DEATHLOK #10 $3.99
MAY150792 GUARDIANS TEAM-UP #8 $3.99
OCT140937 HAWKEYE TP VOL 04 RIO BRAVO $17.99
MAY158177 HOWARD THE DUCK #3 QUINONES 2ND PTG VAR $3.99
MAY150823 INHUMAN TP VOL 03 LINEAGE $12.99
MAY150829 MAGNETO TP VOL 03 SHADOW GAMES $15.99
MAY150803 MARVEL UNIVERSE ULT SPIDER-MAN WEB WARRIORS #9 $2.99
MAY150837 MILES MORALES ULTIMATE SPIDER-MAN ULTIMATE COLL TP BOOK 01 $34.99
MAY150750 MODOK ASSASSIN #3 SWA $3.99
MAY158178 MRS DEADPOOL AND HOWLING COMMANDOS #1 BROWN 2ND PTG VAR SWA $3.99
JAN150879 POWERS #4 (MR) $3.99
MAY150805 SHIELD #8 $3.99
MAY150775 STAR WARS #7 $3.99
MAY150655 THORS #2 SWA $3.99
MAY150825 UNCANNY AVENGERS TP VOL 05 AXIS PRELUDE $19.99
MAY150730 X-MEN 92 #2 SWA $4.99
MAY150712 1602 WITCH HUNTER ANGELA #2 SWA $3.99
MAY150657 AGE OF ULTRON VS MARVEL ZOMBIES #2 SWA $3.99
MAY150653 BLACK WIDOW #20 SWA $3.99
MAY150793 DAREDEVIL #17 $3.99
MAY150762 DEADPOOLS SECRET SECRET WARS #3 SWA $3.99
MAY150807 DEATHLOK #10 $3.99
MAY150792 GUARDIANS TEAM-UP #8 $3.99
OCT140937 HAWKEYE TP VOL 04 RIO BRAVO $17.99
MAY158177 HOWARD THE DUCK #3 QUINONES 2ND PTG VAR $3.99
MAY150823 INHUMAN TP VOL 03 LINEAGE $12.99
MAY150829 MAGNETO TP VOL 03 SHADOW GAMES $15.99
MAY150803 MARVEL UNIVERSE ULT SPIDER-MAN WEB WARRIORS #9 $2.99
MAY150837 MILES MORALES ULTIMATE SPIDER-MAN ULTIMATE COLL TP BOOK 01 $34.99
MAY150750 MODOK ASSASSIN #3 SWA $3.99
MAY158178 MRS DEADPOOL AND HOWLING COMMANDOS #1 BROWN 2ND PTG VAR SWA $3.99
JAN150879 POWERS #4 (MR) $3.99
MAY150805 SHIELD #8 $3.99
MAY150775 STAR WARS #7 $3.99
MAY150655 THORS #2 SWA $3.99
MAY150825 UNCANNY AVENGERS TP VOL 05 AXIS PRELUDE $19.99
MAY150730 X-MEN 92 #2 SWA $4.99
Labels:
Avengers,
Brian Michael Bendis,
comics news,
Diamond Distributors,
Marvel,
Miles Morales,
Star Wars,
Thor,
X-Men
IDW Publishing from Diamond Distributors for July 29, 2015
IDW PUBLISHING
MAY150378 DONALD DUCK #3 $3.99
MAY150365 GHOSTBUSTERS GET REAL #2 $3.99
MAY150399 JEM & THE HOLOGRAMS #5 $3.99
MAY150419 MAXX MAXXIMIZED HC VOL 04 $24.99
MAY150458 PUNKY BREWSTER TP VOL 01 $12.99
MAY150318 SHRINKING MAN #1 $3.99
MAY150388 SKYLANDERS #11 LIGHT IN THE DARK $3.99
MAY150339 THUNDER AGENTS 50TH ANNV SPECIAL $7.99
APR150397 TMNT ANIMATED TP VOL 06 VENGEANCE IS MINE $7.99
MAY150362 TMNT ONGOING #48 $3.99
MAY150331 TRANSFORMERS COMBINER HUNTERS SPEC (ONE SHOT) $3.99
MAY150323 TRANSFORMERS MORE THAN MEETS EYE #43 $3.99
FEB150389 TRANSFORMERS VS GI JOE #8 $3.99
MAY150326 TRANSFORMERS WINDBLADE #5 $3.99
MAY150456 WEIRD LOVE #8 $3.99
MAY150402 X-FILES ANNUAL 2015 $7.99
MAY150378 DONALD DUCK #3 $3.99
MAY150365 GHOSTBUSTERS GET REAL #2 $3.99
MAY150399 JEM & THE HOLOGRAMS #5 $3.99
MAY150419 MAXX MAXXIMIZED HC VOL 04 $24.99
MAY150458 PUNKY BREWSTER TP VOL 01 $12.99
MAY150318 SHRINKING MAN #1 $3.99
MAY150388 SKYLANDERS #11 LIGHT IN THE DARK $3.99
MAY150339 THUNDER AGENTS 50TH ANNV SPECIAL $7.99
APR150397 TMNT ANIMATED TP VOL 06 VENGEANCE IS MINE $7.99
MAY150362 TMNT ONGOING #48 $3.99
MAY150331 TRANSFORMERS COMBINER HUNTERS SPEC (ONE SHOT) $3.99
MAY150323 TRANSFORMERS MORE THAN MEETS EYE #43 $3.99
FEB150389 TRANSFORMERS VS GI JOE #8 $3.99
MAY150326 TRANSFORMERS WINDBLADE #5 $3.99
MAY150456 WEIRD LOVE #8 $3.99
MAY150402 X-FILES ANNUAL 2015 $7.99
Labels:
comics news,
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IDW,
Sam Keith,
THUNDER Agents
Dark Horse Comics from Diamond Distributors for July 29, 2015
DARK HORSE COMICS
MAR150078 CONAN RED SONJA HC $19.99
MAY150071 CONAN THE AVENGER #16 $3.50
MAR150097 EC ARCHIVES WEIRD SCIENCE HC VOL 04 $49.99
MAR158379 GRINDHOUSE MIDNIGHT TP VOL 03 SLAY RIDE & BLOOD LAGOON (MR) $17.99
MAY150062 HALO ESCALATION #20 $3.99
MAY150085 LOBSTER JOHNSON A CHAIN FORGED IN LIFE ONE SHOT $3.50
MAY150026 MULAN REVELATIONS #2 $3.99
MAR150100 OH MY GODDESS OMNIBUS TP VOL 01 $19.99
MAY150016 PASTAWAYS #5 $3.99
MAY150027 RESIDENT ALIEN SAM HAIN MYSTERY #3 $3.99
MAY150064 TOMB RAIDER #18 $3.99
MAR150078 CONAN RED SONJA HC $19.99
MAY150071 CONAN THE AVENGER #16 $3.50
MAR150097 EC ARCHIVES WEIRD SCIENCE HC VOL 04 $49.99
MAR158379 GRINDHOUSE MIDNIGHT TP VOL 03 SLAY RIDE & BLOOD LAGOON (MR) $17.99
MAY150062 HALO ESCALATION #20 $3.99
MAY150085 LOBSTER JOHNSON A CHAIN FORGED IN LIFE ONE SHOT $3.50
MAY150026 MULAN REVELATIONS #2 $3.99
MAR150100 OH MY GODDESS OMNIBUS TP VOL 01 $19.99
MAY150016 PASTAWAYS #5 $3.99
MAY150027 RESIDENT ALIEN SAM HAIN MYSTERY #3 $3.99
MAY150064 TOMB RAIDER #18 $3.99
Labels:
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Image Comics from Diamond Distributors for July 29, 2015
IMAGE COMICS
JAN150673 CASANOVA ACEDIA #3 (MR) $3.99
MAY150489 COPPERHEAD #9 $3.50
MAY150513 GOD HATES ASTRONAUTS #10 CVR A BROWNE (MR) $3.50
MAY150514 GOD HATES ASTRONAUTS #10 CVR B SEELEY (MR) $3.50
MAY150555 INVISIBLE REPUBLIC #5 (MR) $2.99
APR150649 LAZARUS #18 (MR) $3.50
MAY150557 LOW #8 (MR) $3.50
MAY158325 MANHATTAN PROJECTS SUN BEYOND THE STARS #1 2ND PTG $3.50
FEB150616 MANHATTAN PROJECTS SUN BEYOND THE STARS #2 $3.50
MAY150558 MATERIAL #3 (MR) $3.50
MAY150561 MYTHIC #3 (MR) $2.99
MAY158263 MYTHIC #3 CVR B FEGREDO (MR) $2.99
MAY150563 RASPUTIN #7 (MR) $3.50
APR150554 SEX CRIMINALS #11 (MR) $3.50
MAY150528 SOUTHERN BASTARDS #10 (MR) $3.50
MAR150608 SPARKS NEVADA MARSHAL ON MARS #4 $3.50
APR150675 SPAWN #254 $2.99
MAY150566 TITHE #4 CVR A EKEDAL $3.99
MAY150567 TITHE #4 CVR B EKEDAL $3.99
MAY150569 WAYWARD #10 CVR A CUMMINGS & BONVILLAIN (MR) $3.50
MAY150570 WAYWARD #10 CVR B STEINBACH (MR) $3.50
MAY150576 WITCHBLADE #178 SMASHCON EX CVR $10.00
MAY150571 ZERO TP VOL 04 WHO BY FIRE (MR) $14.99
IMAGE COMICS/MCFARLANE TOYS
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JAN150673 CASANOVA ACEDIA #3 (MR) $3.99
MAY150489 COPPERHEAD #9 $3.50
MAY150513 GOD HATES ASTRONAUTS #10 CVR A BROWNE (MR) $3.50
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MAY150555 INVISIBLE REPUBLIC #5 (MR) $2.99
APR150649 LAZARUS #18 (MR) $3.50
MAY150557 LOW #8 (MR) $3.50
MAY158325 MANHATTAN PROJECTS SUN BEYOND THE STARS #1 2ND PTG $3.50
FEB150616 MANHATTAN PROJECTS SUN BEYOND THE STARS #2 $3.50
MAY150558 MATERIAL #3 (MR) $3.50
MAY150561 MYTHIC #3 (MR) $2.99
MAY158263 MYTHIC #3 CVR B FEGREDO (MR) $2.99
MAY150563 RASPUTIN #7 (MR) $3.50
APR150554 SEX CRIMINALS #11 (MR) $3.50
MAY150528 SOUTHERN BASTARDS #10 (MR) $3.50
MAR150608 SPARKS NEVADA MARSHAL ON MARS #4 $3.50
APR150675 SPAWN #254 $2.99
MAY150566 TITHE #4 CVR A EKEDAL $3.99
MAY150567 TITHE #4 CVR B EKEDAL $3.99
MAY150569 WAYWARD #10 CVR A CUMMINGS & BONVILLAIN (MR) $3.50
MAY150570 WAYWARD #10 CVR B STEINBACH (MR) $3.50
MAY150576 WITCHBLADE #178 SMASHCON EX CVR $10.00
MAY150571 ZERO TP VOL 04 WHO BY FIRE (MR) $14.99
IMAGE COMICS/MCFARLANE TOYS
MAY150639 WALKING DEAD TV SERIES 7 AF WV2 PI
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MAY150640 WALKING DEAD TV SERIES 7 AF WV2 RICK PI
Comics, Magazines and Books from Diamond Distributors for July 29, 2015
PREVIEWS PUBLICATIONS
MAY150009 PREVIEWS BACKLIST CATALOG 2015 $1.50
COMICS & GRAPHIC NOVELS
MAY151068 ACCELERATORS MOMENTUM #3 (MR) $3.99
MAY151479 AUTEUR SISTER BAMBI #3 (MR) $3.99
APR151539 BABY SITTERS CLUB COLOR ED GN HC VOL 02 TRUTH ABOUT STACEY $24.99
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MAY151194 CAPTAIN CANUCK 2015 ONGOING #3 $3.99
APR150989 COMIC FANDOM QUARTERLY #2 $5.95
MAR158553 COMPLETE CHI SWEET HOME TP VOL 01 $24.95
MAY150886 CONDITIONS ON THE GROUND HC $29.95
MAY151022 CROSSED BADLANDS #81 ART DECO LTD ED CVR (MR) $9.99
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JUN151026 CROSSED BADLANDS #82 ART DECO LTD ED CVR (MR) $9.99
JUN151027 CROSSED BADLANDS #82 C DAY WORLDWIDE CVR (MR) $3.99
JUN151024 CROSSED BADLANDS #82 TORTURE CVR (MR) $3.99
JUN151025 CROSSED BADLANDS #82 WRAP CVR (MR) $3.99
MAY151131 DEEP STATE #8 $3.99
APR151505 DEMONS & ANGELS HC VOL 02 CLAY WILSON (MR) $34.99
MAY151422 DENGUE HC (MR) $19.95
APR151674 DEVLIN WAUGH RED TIDE TP $29.99
MAY151353 DF AMAZING SPIDER-MAN RENEW YOUR VOWS #1 STAN LEE SGN $699.99
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MAY151141 ESCAPE FROM NEW YORK #8 MAIN CVRS $3.99
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Labels:
Archie Comics,
Art Book,
Book News,
comics news,
Diamond Distributors,
Dynamite Entertainment,
manga news,
Neil Gaiman,
Peanuts,
Star Trek,
Star Wars,
Valiant Comics
Monday, July 27, 2015
Assassination Classroom: Time to Face the Unbelievable
I read Assassination Classroom, Vol. 4
I posted a review at the ComicBookBin. Follow me on Twitter or at Grumble. Support me on Patreon.
I posted a review at the ComicBookBin. Follow me on Twitter or at Grumble. Support me on Patreon.
Labels:
Annette Roman,
Bryant Turnage,
Comic Book Bin,
manga,
shonen,
Shonen Jump,
Tetsuichiro Miyaki,
VIZ Media,
Yusei Matsui
Sunday, July 26, 2015
Review: INJECTION #1
INJECTION #1
IMAGE COMICS – @ImageComics
[This review originally appeared on Patreon.]
WRITER: Warren Ellis
ARTIST: Declan Shalvey
COLORS: Jordie Bellaire
LETTERS: Fonografiks
20pp, Color, $2.99 U.S. (May 2015)
Injection is a new comic book series published by Image Comics. Injection is created by writer Warren Ellis and artist Declan Shalvey; the book is colored by Jordie Bellaire. Ellis, Shalvey, and Bellaire were the creative team behind Marvel Comics' 2014 relaunch of its Moon Knight comic book, producing the first six issues. According to publicity material for this series, Injection is apparently about five people who have to save the world from being too weird to support human life, a situation they apparently created.
Injection #1 opens at Sawling Hospital. There, we meet Professor Maria Kilbride, who is being castigated by a stern older woman. Through a flashback, we learn that Kilbride was part of something called the “Cultural Cross-Contamination Unit.” We meet Kilbride's colleagues: Robin Morel, Simeon Winters, Vivek Headland, and Brigid Roth. Back to the present, it is time to start to learn how these five individuals “poisoned the 21st Century.”
At a slim 20 pages, Injection is all about set-up and vague introductions. Am I intrigued? Well, hell, every first issue of a Warren Ellis comic book intrigues me, but that doesn't mean I'll keep reading past the first issue.
However, I am reluctant to bail on Injection. I was decidedly underwhelmed by the first issue of Ellis, Shalvey, and Bellaire's Moon Knight, but that turned out to be an especially enjoyable and unique reading experience. The series actually got better and proved to be more imaginative with each issue. Ellis and company leaving after six issues was probably a good thing; eventually, they could not have kept up that pace of originality.
Besides, whatever vagueness Ellis' story presents in Injection is topped by Shalvey and Bellaire's eye-grabbing, attention-trapping graphical storytelling. The weird practically popped off the page in order to get inside me and to demand that I get at least one more Injection. I would say that fans of Ellis' non-superhero work will certainly want to try an issue or two of Injection.
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
IMAGE COMICS – @ImageComics
[This review originally appeared on Patreon.]
WRITER: Warren Ellis
ARTIST: Declan Shalvey
COLORS: Jordie Bellaire
LETTERS: Fonografiks
20pp, Color, $2.99 U.S. (May 2015)
Injection is a new comic book series published by Image Comics. Injection is created by writer Warren Ellis and artist Declan Shalvey; the book is colored by Jordie Bellaire. Ellis, Shalvey, and Bellaire were the creative team behind Marvel Comics' 2014 relaunch of its Moon Knight comic book, producing the first six issues. According to publicity material for this series, Injection is apparently about five people who have to save the world from being too weird to support human life, a situation they apparently created.
Injection #1 opens at Sawling Hospital. There, we meet Professor Maria Kilbride, who is being castigated by a stern older woman. Through a flashback, we learn that Kilbride was part of something called the “Cultural Cross-Contamination Unit.” We meet Kilbride's colleagues: Robin Morel, Simeon Winters, Vivek Headland, and Brigid Roth. Back to the present, it is time to start to learn how these five individuals “poisoned the 21st Century.”
At a slim 20 pages, Injection is all about set-up and vague introductions. Am I intrigued? Well, hell, every first issue of a Warren Ellis comic book intrigues me, but that doesn't mean I'll keep reading past the first issue.
However, I am reluctant to bail on Injection. I was decidedly underwhelmed by the first issue of Ellis, Shalvey, and Bellaire's Moon Knight, but that turned out to be an especially enjoyable and unique reading experience. The series actually got better and proved to be more imaginative with each issue. Ellis and company leaving after six issues was probably a good thing; eventually, they could not have kept up that pace of originality.
Besides, whatever vagueness Ellis' story presents in Injection is topped by Shalvey and Bellaire's eye-grabbing, attention-trapping graphical storytelling. The weird practically popped off the page in order to get inside me and to demand that I get at least one more Injection. I would say that fans of Ellis' non-superhero work will certainly want to try an issue or two of Injection.
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Declan Shalvey,
Image Comics,
Jordie Bellaire,
Review,
Warren Ellis
Saturday, July 25, 2015
Yaoi Manga Review: LOVE STAGE Volume 1
LOVE STAGE!!, VOL. 1
SUBLIME MANGA– @SuBLimeManga
STORY: Eiki Eiki
ART: Taishi Zaou
TRANSLATION: Adrienne Beck
LETTERS: Wally
EDITOR: Jennifer LeBlanc
ISBN: 978-1-4215-7991-7; paperback (May 2015); Rated “M” for “Mature”
186pp, B&W, $12.99 U.S., $14.99 CAN, £8.99 UK
Love Stage!! is a boys' love (BL) manga from the creative team of writer Eiki Eiki and artist Taishi Zaou that was serialized in Asuka Ciel magazine beginning in July 2010. SuBLime Manga began publishing Love Stage!! in an English-language edition in graphic novel form back in May.
Boys' love manga depicts amorous situations between male romantic leads, with its subset, yaoi (which Love Stage!! is), being more explicit. Love Stage!! is about an average guy from a family of celebrities who becomes romantically entangled with one of Japan's most popular young male celebrities and idols.
Love Stage!!, Vol. 1 (Chapter 1 to 5) opens in the past. A small boy is dressed as a girl for a commercial shoot. His costar believes that the girl is really a girl, and he never forgets her... him. Ten years later, the boy who dressed like a girl is Izumi Sena, now a beginning college student. He is an unrepentant otaku (fanboy) and wants to be a mangaka (a creator of manga). The rest of his family is in show business, and they want Izumi to join the family business.
Meanwhile, Izumi's costar in that long-ago commercial is Ryoma Ichijo, a hot young actor and idol. The commercial in which he starred 10 years ago is going to get an anniversary sequel, but Ryoma will not return unless that “girl” from the original reprises her role. What will he do when he finds out that she is really a he?
While the Love Stage!! manga is a romantic comedy, the early chapters are more comedy than romance. Love Stage!! Volume 1 is not just funny; it's delightfully funny. In fact, it is so comedy oriented that when some... heaving petting suddenly occurs, the change in tone is quite jarring.
Writer Eiki Eiki is a master of BL and similar genres, as well as shojo manga. Artist Taishi Zaou has a beautiful drawing style that is perfect for shojo manga and makes her boys' love manga exceptionally pretty. Together, they create something unique, manga that transcends genre. That is Love Stage!!, cute and funny and popping with energy and I think the best is yet to come.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
SUBLIME MANGA– @SuBLimeManga
STORY: Eiki Eiki
ART: Taishi Zaou
TRANSLATION: Adrienne Beck
LETTERS: Wally
EDITOR: Jennifer LeBlanc
ISBN: 978-1-4215-7991-7; paperback (May 2015); Rated “M” for “Mature”
186pp, B&W, $12.99 U.S., $14.99 CAN, £8.99 UK
Love Stage!! is a boys' love (BL) manga from the creative team of writer Eiki Eiki and artist Taishi Zaou that was serialized in Asuka Ciel magazine beginning in July 2010. SuBLime Manga began publishing Love Stage!! in an English-language edition in graphic novel form back in May.
Boys' love manga depicts amorous situations between male romantic leads, with its subset, yaoi (which Love Stage!! is), being more explicit. Love Stage!! is about an average guy from a family of celebrities who becomes romantically entangled with one of Japan's most popular young male celebrities and idols.
Love Stage!!, Vol. 1 (Chapter 1 to 5) opens in the past. A small boy is dressed as a girl for a commercial shoot. His costar believes that the girl is really a girl, and he never forgets her... him. Ten years later, the boy who dressed like a girl is Izumi Sena, now a beginning college student. He is an unrepentant otaku (fanboy) and wants to be a mangaka (a creator of manga). The rest of his family is in show business, and they want Izumi to join the family business.
Meanwhile, Izumi's costar in that long-ago commercial is Ryoma Ichijo, a hot young actor and idol. The commercial in which he starred 10 years ago is going to get an anniversary sequel, but Ryoma will not return unless that “girl” from the original reprises her role. What will he do when he finds out that she is really a he?
While the Love Stage!! manga is a romantic comedy, the early chapters are more comedy than romance. Love Stage!! Volume 1 is not just funny; it's delightfully funny. In fact, it is so comedy oriented that when some... heaving petting suddenly occurs, the change in tone is quite jarring.
Writer Eiki Eiki is a master of BL and similar genres, as well as shojo manga. Artist Taishi Zaou has a beautiful drawing style that is perfect for shojo manga and makes her boys' love manga exceptionally pretty. Together, they create something unique, manga that transcends genre. That is Love Stage!!, cute and funny and popping with energy and I think the best is yet to come.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Adrienne Beck,
Boys' Love,
Eiki Eiki,
Jennifer LeBlanc,
manga,
Review,
SuBLime,
Taishi Zaou,
VIZ Media,
Yaoi
Friday, July 24, 2015
Review: BATMITE #1
BAT-MITE #1
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Dan Jurgens
PENCILS: Corin Howell
INKS: Corin Howell and Andres Ponce
COLORS: Mike Atiyeh
LETTERS: Tom Napolitano
COVER: Corin Howell with Mike Atiyeh
32pp, Color, $2.99 U.S. (August 2015)
“Transplant”
Bat-Mite is a DC Comics character that is part of the Batman line of comics. Bat-Mite was created by writer Bill Finger and artist Sheldon Moldoff and first appeared in Detective Comics #267 (cover dated:May 1959) in the story, “Batman Meets Bat-Mite.”
Bat-Mite is an “Imp” character that is similar to Superman's adversary, “Mister Mxyzptlk.” However, Bat-Mite idolizes Batman, but is a nuisance to Batman because of his impish activities. Bat-Mite's appearance is that of a small, child-like man, and he possesses seemingly near-infinite magical power.
Now, DC Comics has a new thang going on, and it is a publishing initiative called “DC You.” It's all about us, the readers... actually, the fans. June 2015 alone sees the launch of over 20 new titles. One of them is a new comic book feature Bat-Mite. It written by Dan Jurgens, drawn by Corin Howell and Andres Ponce, colored by Mike Atiyeh, and lettered by Tom Napolitano.
Bat-Mite #1 (“Transplant”) begins with the banishment of Bat-Mite, presumably from his home dimension. When next we see him, Bat-Mite is interfering...err... helping Batman foil two criminals. Things aren't what they seem, as Bat-Mite learns when he meets Doctor Trauma. And Doc Trauma's latest Frankenstein-like scheme is positively... savage.
I laughed in derision when I read that DC was launching a Bat-Mite comic book, but I have to admit that I was curious about this new series. I have loved Bat-Mite since I first encountered the character on “The New Adventures of Batman” Saturday morning cartoon series (Filmation, 1977). I was later surprised to see that this new Bat-Mite comic book was only a six-issue miniseries, which makes sense, I guess. I doubt that Bat-Mite is a character that can support an ongoing series.
Now, I won't be fake and claim that Bat-Mite 2015 is a great comic book, but I do like it a lot. Dan Jurgens is an underrated comics creator. Someone once described Jurgens as the kind of creator whose steady output of professional work kept the comics business operating in between brief but outstanding bursts of greatness that guys like Frank Miller dropped in to offer once a year or so (not the writer's exact words).
Well, Dan Jurgens – Mr. Professional – strikes the right tone for Bat-Mite as a character. He is a pest, a confidant nerd. He is funny because of his know-it-all superiority and sarcasm, but not necessarily because he is silly. That is why I think that Jurgens could do much with this character if he were given the chance to produce a series of Bat-Mite miniseries.
Corin Howell and Andres Ponce make a good art team. Howell's storytelling strikes the right tone because she maximizes physical comedy, especially facial expressions. Howell makes Bat-Mite a character with believable motivation, attitude, and personality. That is not necessarily easy. Bat-Mite is always on the edge of being nothing more than a plush toy.
So, I am in with Bat-Mite for the long haul, or whatever kind of haul six issues make.
A-
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Dan Jurgens
PENCILS: Corin Howell
INKS: Corin Howell and Andres Ponce
COLORS: Mike Atiyeh
LETTERS: Tom Napolitano
COVER: Corin Howell with Mike Atiyeh
32pp, Color, $2.99 U.S. (August 2015)
“Transplant”
Bat-Mite is a DC Comics character that is part of the Batman line of comics. Bat-Mite was created by writer Bill Finger and artist Sheldon Moldoff and first appeared in Detective Comics #267 (cover dated:May 1959) in the story, “Batman Meets Bat-Mite.”
Bat-Mite is an “Imp” character that is similar to Superman's adversary, “Mister Mxyzptlk.” However, Bat-Mite idolizes Batman, but is a nuisance to Batman because of his impish activities. Bat-Mite's appearance is that of a small, child-like man, and he possesses seemingly near-infinite magical power.
Now, DC Comics has a new thang going on, and it is a publishing initiative called “DC You.” It's all about us, the readers... actually, the fans. June 2015 alone sees the launch of over 20 new titles. One of them is a new comic book feature Bat-Mite. It written by Dan Jurgens, drawn by Corin Howell and Andres Ponce, colored by Mike Atiyeh, and lettered by Tom Napolitano.
Bat-Mite #1 (“Transplant”) begins with the banishment of Bat-Mite, presumably from his home dimension. When next we see him, Bat-Mite is interfering...err... helping Batman foil two criminals. Things aren't what they seem, as Bat-Mite learns when he meets Doctor Trauma. And Doc Trauma's latest Frankenstein-like scheme is positively... savage.
I laughed in derision when I read that DC was launching a Bat-Mite comic book, but I have to admit that I was curious about this new series. I have loved Bat-Mite since I first encountered the character on “The New Adventures of Batman” Saturday morning cartoon series (Filmation, 1977). I was later surprised to see that this new Bat-Mite comic book was only a six-issue miniseries, which makes sense, I guess. I doubt that Bat-Mite is a character that can support an ongoing series.
Now, I won't be fake and claim that Bat-Mite 2015 is a great comic book, but I do like it a lot. Dan Jurgens is an underrated comics creator. Someone once described Jurgens as the kind of creator whose steady output of professional work kept the comics business operating in between brief but outstanding bursts of greatness that guys like Frank Miller dropped in to offer once a year or so (not the writer's exact words).
Well, Dan Jurgens – Mr. Professional – strikes the right tone for Bat-Mite as a character. He is a pest, a confidant nerd. He is funny because of his know-it-all superiority and sarcasm, but not necessarily because he is silly. That is why I think that Jurgens could do much with this character if he were given the chance to produce a series of Bat-Mite miniseries.
Corin Howell and Andres Ponce make a good art team. Howell's storytelling strikes the right tone because she maximizes physical comedy, especially facial expressions. Howell makes Bat-Mite a character with believable motivation, attitude, and personality. That is not necessarily easy. Bat-Mite is always on the edge of being nothing more than a plush toy.
So, I am in with Bat-Mite for the long haul, or whatever kind of haul six issues make.
A-
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Batman,
Dan Jurgens,
DC Comics,
Michael Atiyeh,
Review
Thursday, July 23, 2015
Review: RESIDENT EVIL: The Marhawa Desire Volume 5
RESIDENT EVIL: THE MARHAWA DESIRE, VOL. 5
VIZ MEDIA – @VIZMedia
CARTOONIST: Naoki Serizawa
CONCEPT: Capcom
TRANSLATION: Joe Yamazaki
ENGLISH ADAPTATION: Stan!
LETTERING: John Clark
ISBN: 978-1-4215-7376-2; paperback (July 2015); Rated “M” for “Mature”
168pp, B&W, $12.99 U.S., $14.99 CAN, £8.99 UK
VIZ Media's publication of the seinen manga, Resident Evil: The Marhawa Desire, has come to an end with the publication of the fifth volume or graphic novel in the series. An adult horror manga, Resident Evil: The Marhawa Desire, serves as a comic book prequel to the story line of CAPCOM’s bestselling video game, Resident Evil® 6. This iteration of Resident Evil introduces the highly virulent C-virus, and the manga explores the origins of this new outbreak.
The story begins with Doug Wright. He is a professor in the Department of Sciences and Engineering at Bennett University, and he specializes in bacteriology. He receives a letter from Mother Gracia, headmistress of Marhawa Academy, Asia's largest and most prestigious school. Wright, who had a past relationship with Gracia, rushes to the school, with his nephew, 20-year-old Ricky Tozawa, in tow. Deep in the jungle, Marhawa Academy is located within a giant, self-contained and self-sufficient complex. There, Prof. Wright and Ricky find themselves caught in a deadly and growing tragedy that is an epidemic of zombie proportions.
Resident Evil: The Marhawa Desire, Vol. 5 (Chapters 33 to 39 – Final Chapter) opens as the remaining humans in the Marhawa Academy complex make their last stand against a legion of students, faculty, and staff turned zombies. Ricky has joined a three-person team from the B.S.A.A. (Bioterrorism Security Assessment Alliance): Chris Redfield (team leader), Merah Biji, and Piers Nivens.
They believe that they have found a way to escape the campus, but before they do that, they must fight their way not only through zombies, but also through monsters. The bio-organic weapon (B.O.W.), Nanan Yoshihara, swings her horrible tentacles when she isn't spewing deadly virus gas, and Bendi Bergara has undergone a horrible transformation. Meanwhile, the Hooded Woman lurks in the background, carrying the truth behind the Marhawa Incident.
[This volume includes a “Special Epilogue.”]
Sigh. The Resident Evil: The Marhawa Desire manga has come to an end. I want more. No, I have never played any Resident Evil video games, nor do I play video games in general. I have not read previous Resident Evil comics, but I am a fan of the Resident Evil live-action film franchise that began with the 2002 film, Resident Evil. I enjoyed reading the manga more than I have enjoyed watching the films, which I have, for the most part, found entertaining.
Resident Evil: The Marhawa Desire Volume 5 offers a satisfying ending, relatively speaking. Zombie apocalyptic fiction has to break your heart for every time it gives you a good outcome. Writer-artist Naoki Serizawa gleefully poured on the gore and violence, and he gave us some attractive characters, so that he could use some of them to break our hearts. He put the reader right in the middle of the action. I felt that I had to run every time the heroes did, and I felt like every page was about a fight for my life, just as the heroes were fighting for their lives.
Yeah, you might say that this is “just” a Resident Evil comic, so it can't be that good. Well, it is just a great Resident Evil comic, and it is that good because it is classic monster comics. Read it by flashlight, under a bed sheet, while something scratches at your window. Fans of horror manga and zombie comics will want the VIZ Signature title, Resident Evil: The Marhawa Desire.
A
Reviewed by Leroy Douresseaux (Support Leroy on Patreon)
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
VIZ MEDIA – @VIZMedia
CARTOONIST: Naoki Serizawa
CONCEPT: Capcom
TRANSLATION: Joe Yamazaki
ENGLISH ADAPTATION: Stan!
LETTERING: John Clark
ISBN: 978-1-4215-7376-2; paperback (July 2015); Rated “M” for “Mature”
168pp, B&W, $12.99 U.S., $14.99 CAN, £8.99 UK
VIZ Media's publication of the seinen manga, Resident Evil: The Marhawa Desire, has come to an end with the publication of the fifth volume or graphic novel in the series. An adult horror manga, Resident Evil: The Marhawa Desire, serves as a comic book prequel to the story line of CAPCOM’s bestselling video game, Resident Evil® 6. This iteration of Resident Evil introduces the highly virulent C-virus, and the manga explores the origins of this new outbreak.
The story begins with Doug Wright. He is a professor in the Department of Sciences and Engineering at Bennett University, and he specializes in bacteriology. He receives a letter from Mother Gracia, headmistress of Marhawa Academy, Asia's largest and most prestigious school. Wright, who had a past relationship with Gracia, rushes to the school, with his nephew, 20-year-old Ricky Tozawa, in tow. Deep in the jungle, Marhawa Academy is located within a giant, self-contained and self-sufficient complex. There, Prof. Wright and Ricky find themselves caught in a deadly and growing tragedy that is an epidemic of zombie proportions.
Resident Evil: The Marhawa Desire, Vol. 5 (Chapters 33 to 39 – Final Chapter) opens as the remaining humans in the Marhawa Academy complex make their last stand against a legion of students, faculty, and staff turned zombies. Ricky has joined a three-person team from the B.S.A.A. (Bioterrorism Security Assessment Alliance): Chris Redfield (team leader), Merah Biji, and Piers Nivens.
They believe that they have found a way to escape the campus, but before they do that, they must fight their way not only through zombies, but also through monsters. The bio-organic weapon (B.O.W.), Nanan Yoshihara, swings her horrible tentacles when she isn't spewing deadly virus gas, and Bendi Bergara has undergone a horrible transformation. Meanwhile, the Hooded Woman lurks in the background, carrying the truth behind the Marhawa Incident.
[This volume includes a “Special Epilogue.”]
Sigh. The Resident Evil: The Marhawa Desire manga has come to an end. I want more. No, I have never played any Resident Evil video games, nor do I play video games in general. I have not read previous Resident Evil comics, but I am a fan of the Resident Evil live-action film franchise that began with the 2002 film, Resident Evil. I enjoyed reading the manga more than I have enjoyed watching the films, which I have, for the most part, found entertaining.
Resident Evil: The Marhawa Desire Volume 5 offers a satisfying ending, relatively speaking. Zombie apocalyptic fiction has to break your heart for every time it gives you a good outcome. Writer-artist Naoki Serizawa gleefully poured on the gore and violence, and he gave us some attractive characters, so that he could use some of them to break our hearts. He put the reader right in the middle of the action. I felt that I had to run every time the heroes did, and I felt like every page was about a fight for my life, just as the heroes were fighting for their lives.
Yeah, you might say that this is “just” a Resident Evil comic, so it can't be that good. Well, it is just a great Resident Evil comic, and it is that good because it is classic monster comics. Read it by flashlight, under a bed sheet, while something scratches at your window. Fans of horror manga and zombie comics will want the VIZ Signature title, Resident Evil: The Marhawa Desire.
A
Reviewed by Leroy Douresseaux (Support Leroy on Patreon)
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Joe Yamazaki,
manga,
Naoki Serizawa,
Review,
Stan,
videogame adaptations,
VIZ Media,
VIZ Signature,
zombies
Wednesday, July 22, 2015
Review: TO KILL A MOCKINGBIRD
TO KILL A MOCKINGBIRD
HARPCOLLINS/HarperPerennial – @HarperCollins
AUTHOR: Harper Lee
ISBN: 978-0-06-093546-7; paperback (July 5, 2015)
336pp, B&W, $14.99 U.S., $18.50 CAN
First published in 1960, To Kill a Mockingbird is a novel from author Harper Lee. The book won the Pulitzer Prize for Fiction in 1961. It was adapted into a film drama, To Kill a Mockingbird (1962), directed by Robert Mulligan and written for the screen by Horton Foote. The film would go on to receive eight Academy Award nominations and win three at the 35th Academy Awards ceremony on April 8, 1963, including a best actor Oscar for Gregory Peck as Atticus Finch.
Harper Lee's second novel, Go Set a Watchmen, was recently published. Because it features many characters from To Kill a Mockingbird, Go Set a Watchmen is being described as a sequel or follow-up to the 1960 novel. As I understand it, however, Go Set a Watchmen was Harper Lee's first draft of the novel that would become To Kill a Mockingbird. A few months ago, HarperCollins offered book reviewers on its contact lists a copy of To Kill a Mockingbird in preparation for the release of Go Set a Watchmen. I read To Kill a Mockingbird almost 20 years ago, and as I wanted to read it again, I accepted a copy for review.
To Kill a Mockingbird is set in the Deep South of the early 1930s, and, if my “figurin'” is right, it opens in 1932 or thereabouts. The location is the small town of Maycomb, Alabama, the county seat of Maycomb County. The narrator of the book is the presumably adult Jean Louise Finch, who was called “Scout,” as a child. Jean Louise's story is a coming-of-age tale about a particular time in her childhood. The story begins when Jean Louise/Scout is six and ends when she is 10.
Scout lives with her widower father, Atticus Finch, an attorney and Alabama state legislator; and her older brother (by three years), Jeremy Atticus Finch, called “Jem.” They have a live-in housekeeper and caretaker, an African-American woman named Calpurnia. Scout and Jem befriend Charles Baker Harris, called “Dill,” a boy who is a year older than Scout and is from Mississippi. Dill visits every summer, staying with an aunt, Miss Rachel Haverford, who lives in Maycomb.
The trio of Scout, Jem, and Dill spend their summers playing and having adventures. Their biggest obsession is discovering the mystery of a next-door neighbor, Arthur “Boo” Radley. Their determination to get a look at “Boo,” who has rarely left his home in years, takes up much of the early part of the book.
The turning point comes when Scout and Jem's father, Atticus, is appointed the public defender of a young Black man, Tom Robinson, who is unjustly accused of and criminally charged with raping a young white woman. The trial occurs in the summer of 1935, and Scout witnesses the quite heroism of her father, as he struggle for justice in a courtroom where the weight of history and also irrational hate are bigger obstacles than the prosecution.
After 50+ years of praise and of being a “beloved classic,” To Kill a Mockingbird does not need to be reviewed... one would think. However, I believe that this book should never be forgotten. It should be discussed not only in schools and in other academic settings, but also in the larger world of people who pay attention to books and to their importance.
To Kill a Mockingbird is filled with wisdom, but not the homespun kind that is little more than an old adage. What this novel has to say, one has to engage; the reader has to think about it and to ruminate on its passages and lessons. For instance, there is the following passage in which Atticus informs his children: “Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.”
I never realized until my second reading that Tom Robinson, accused of rape by a pitiable white trash teenage girl and her cowardly, lazy, shiftless white trash father, is this story's mockingbird. You see, all a mockingbird does is sing, while other birds might be pests. The mockingbird is innocent, and it is a sin to kill an innocent – a truth so plain that most people are blind and ignorant to it.
I had a English lit instructor (who may have been a professor) who said that society hid dangerous books away in the children's literature section. She used Lord of the Flies, as well as To Kill a Mockingbird as examples. I think To Kill a Mockingbird is a dangerous novel. The reason is simple. This novel's depiction of injustice and blind and violent hate in the Deep South; its portrayal of honor and quite heroism; and its examination, measure for measure, of the irrationality of the White adults of Maycomb's attitudes toward race and class are all seen through the eyes of child, Scout's.
Jean Louise tells the story through her younger self, Scout, and Scout sees the world in a matter of fact way, innocently free of the dressings of subterfuge and hypocrisy. Of course, it takes a child to catch an adult saying one thing and meaning another. Late in the novel, Scout attends a tea party held by her Aunt Alexandra (Atticus' sister, who moves in with the family). One of the women attending mentions how horrible it is that Adolf Hitler is having Jewish citizens arrested and imprisoned simply for being Jewish. A child whose father is defending a wrongly accused Black man, without guile, will wonder why that same woman cannot see the plight of her Black neighbors with sympathy.
This is why To Kill a Mockingbird is a dangerous book. Harper Lee's narrator is a child who views the beauty of the world as plainly as she sees the lies, inequities, violence, hatred, and racism. Unlike an adult, Scout won't try to justify injustice the way adults do so that they can live with themselves. Any American who reads books must read To Kill a Mockingbird at least twice in their adulthood.
A+
Reviewed by Leroy Douresseaux (Support Leroy on Patreon)
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
HARPCOLLINS/HarperPerennial – @HarperCollins
AUTHOR: Harper Lee
ISBN: 978-0-06-093546-7; paperback (July 5, 2015)
336pp, B&W, $14.99 U.S., $18.50 CAN
First published in 1960, To Kill a Mockingbird is a novel from author Harper Lee. The book won the Pulitzer Prize for Fiction in 1961. It was adapted into a film drama, To Kill a Mockingbird (1962), directed by Robert Mulligan and written for the screen by Horton Foote. The film would go on to receive eight Academy Award nominations and win three at the 35th Academy Awards ceremony on April 8, 1963, including a best actor Oscar for Gregory Peck as Atticus Finch.
Harper Lee's second novel, Go Set a Watchmen, was recently published. Because it features many characters from To Kill a Mockingbird, Go Set a Watchmen is being described as a sequel or follow-up to the 1960 novel. As I understand it, however, Go Set a Watchmen was Harper Lee's first draft of the novel that would become To Kill a Mockingbird. A few months ago, HarperCollins offered book reviewers on its contact lists a copy of To Kill a Mockingbird in preparation for the release of Go Set a Watchmen. I read To Kill a Mockingbird almost 20 years ago, and as I wanted to read it again, I accepted a copy for review.
To Kill a Mockingbird is set in the Deep South of the early 1930s, and, if my “figurin'” is right, it opens in 1932 or thereabouts. The location is the small town of Maycomb, Alabama, the county seat of Maycomb County. The narrator of the book is the presumably adult Jean Louise Finch, who was called “Scout,” as a child. Jean Louise's story is a coming-of-age tale about a particular time in her childhood. The story begins when Jean Louise/Scout is six and ends when she is 10.
Scout lives with her widower father, Atticus Finch, an attorney and Alabama state legislator; and her older brother (by three years), Jeremy Atticus Finch, called “Jem.” They have a live-in housekeeper and caretaker, an African-American woman named Calpurnia. Scout and Jem befriend Charles Baker Harris, called “Dill,” a boy who is a year older than Scout and is from Mississippi. Dill visits every summer, staying with an aunt, Miss Rachel Haverford, who lives in Maycomb.
The trio of Scout, Jem, and Dill spend their summers playing and having adventures. Their biggest obsession is discovering the mystery of a next-door neighbor, Arthur “Boo” Radley. Their determination to get a look at “Boo,” who has rarely left his home in years, takes up much of the early part of the book.
The turning point comes when Scout and Jem's father, Atticus, is appointed the public defender of a young Black man, Tom Robinson, who is unjustly accused of and criminally charged with raping a young white woman. The trial occurs in the summer of 1935, and Scout witnesses the quite heroism of her father, as he struggle for justice in a courtroom where the weight of history and also irrational hate are bigger obstacles than the prosecution.
After 50+ years of praise and of being a “beloved classic,” To Kill a Mockingbird does not need to be reviewed... one would think. However, I believe that this book should never be forgotten. It should be discussed not only in schools and in other academic settings, but also in the larger world of people who pay attention to books and to their importance.
To Kill a Mockingbird is filled with wisdom, but not the homespun kind that is little more than an old adage. What this novel has to say, one has to engage; the reader has to think about it and to ruminate on its passages and lessons. For instance, there is the following passage in which Atticus informs his children: “Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.”
I never realized until my second reading that Tom Robinson, accused of rape by a pitiable white trash teenage girl and her cowardly, lazy, shiftless white trash father, is this story's mockingbird. You see, all a mockingbird does is sing, while other birds might be pests. The mockingbird is innocent, and it is a sin to kill an innocent – a truth so plain that most people are blind and ignorant to it.
I had a English lit instructor (who may have been a professor) who said that society hid dangerous books away in the children's literature section. She used Lord of the Flies, as well as To Kill a Mockingbird as examples. I think To Kill a Mockingbird is a dangerous novel. The reason is simple. This novel's depiction of injustice and blind and violent hate in the Deep South; its portrayal of honor and quite heroism; and its examination, measure for measure, of the irrationality of the White adults of Maycomb's attitudes toward race and class are all seen through the eyes of child, Scout's.
Jean Louise tells the story through her younger self, Scout, and Scout sees the world in a matter of fact way, innocently free of the dressings of subterfuge and hypocrisy. Of course, it takes a child to catch an adult saying one thing and meaning another. Late in the novel, Scout attends a tea party held by her Aunt Alexandra (Atticus' sister, who moves in with the family). One of the women attending mentions how horrible it is that Adolf Hitler is having Jewish citizens arrested and imprisoned simply for being Jewish. A child whose father is defending a wrongly accused Black man, without guile, will wonder why that same woman cannot see the plight of her Black neighbors with sympathy.
This is why To Kill a Mockingbird is a dangerous book. Harper Lee's narrator is a child who views the beauty of the world as plainly as she sees the lies, inequities, violence, hatred, and racism. Unlike an adult, Scout won't try to justify injustice the way adults do so that they can live with themselves. Any American who reads books must read To Kill a Mockingbird at least twice in their adulthood.
A+
Reviewed by Leroy Douresseaux (Support Leroy on Patreon)
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
About Race,
Book Review,
HarperCollins,
Review
Tuesday, July 21, 2015
DC Comics from Diamond Distributors for July 22, 2015
DC COMICS
APR150287 AMERICA VS THE JUSTICE SOCIETY OF AMERICA TP $14.99
MAY150134 AQUAMAN #42 $3.99
APR150285 ARKHAM MANOR TP VOL 01 $14.99
MAY150206 BATMAN 66 #25 $2.99
MAR150277 BATMAN GOTHIC DELUXE EDITION HC $24.99
APR150291 BATWOMAN TP VOL 06 THE UNKNOWNS $16.99
MAY150122 CYBORG #1 $2.99
MAY150140 DEATHSTROKE #8 $2.99
MAY150261 EFFIGY #7 (MR) $3.99
APR150316 FABLES TP VOL 22 (MR) $17.99
MAY150147 FLASH #42 $3.99
APR150322 GIRL WHO KICKED THE HORNETS NEST HC (MR) $29.99
MAY150207 GOTHAM BY MIDNIGHT #7 $2.99
MAY150212 GRAYSON #10 $3.99
MAY150216 HARLEY QUINN & POWER GIRL #2 $3.99
MAY150155 INJUSTICE GODS AMONG US YEAR FOUR #6 $2.99
MAY150130 JLA GODS AND MONSTERS BATMAN #1 $3.99
MAY150156 JUSTICE LEAGUE 3001 #2 $2.99
JAN150381 JUSTICE SOCIETY OF AMERICA A CELEBRATION OF 75 YEARS HC $39.99
MAR150284 LEGENDS OF THE DARK KNIGHT NORM BREYFOGLE HC $49.99
MAY150170 PREZ #2 $2.99
MAY150178 SENSATION COMICS FEATURING WONDER WOMAN #12 $3.99
MAY150225 SINESTRO #13 $2.99
MAY150166 TEEN TITANS #10 $2.99
APR150304 TRINITY OF SIN TP VOL 01 THE WAGES OF SIN $14.99
APR150315 VERTIGO CMYK TP (MR) $19.99
MAY150219 WE ARE ROBIN #2 $3.99
MAY150179 WONDER WOMAN #42 $3.99
DC COMICS/DC COLLECTIBLES
MAR158513 BATMAN BLACK & WHITE HC VOL 1 BOOK & DVD BLU RAY SET PI
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JAN150421 DC COMICS COVER GIRLS WONDER WOMAN STATUE $99.95
DEC140437 DC COMICS NEW 52 THE JOKER AF $24.95
MAR158509 DEATH OF SUPERMAN HC DVD & BLU RAY SET PI
MAR158507 JLA EARTH 2 HC BOOK & DVD BLU RAY SET PI
MAR158508 JUSTICE LEAGUE VOL 1 HC ORIGIN BOOK & DVD BLU RAY SET PI
MAR158510 WONDER WOMAN GODS & MORTAL HC BOOK & DVD BLU RAY SET PI
APR150287 AMERICA VS THE JUSTICE SOCIETY OF AMERICA TP $14.99
MAY150134 AQUAMAN #42 $3.99
APR150285 ARKHAM MANOR TP VOL 01 $14.99
MAY150206 BATMAN 66 #25 $2.99
MAR150277 BATMAN GOTHIC DELUXE EDITION HC $24.99
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MAY150122 CYBORG #1 $2.99
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MAY150147 FLASH #42 $3.99
APR150322 GIRL WHO KICKED THE HORNETS NEST HC (MR) $29.99
MAY150207 GOTHAM BY MIDNIGHT #7 $2.99
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JAN150381 JUSTICE SOCIETY OF AMERICA A CELEBRATION OF 75 YEARS HC $39.99
MAR150284 LEGENDS OF THE DARK KNIGHT NORM BREYFOGLE HC $49.99
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MAR158513 BATMAN BLACK & WHITE HC VOL 1 BOOK & DVD BLU RAY SET PI
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JAN150421 DC COMICS COVER GIRLS WONDER WOMAN STATUE $99.95
DEC140437 DC COMICS NEW 52 THE JOKER AF $24.95
MAR158509 DEATH OF SUPERMAN HC DVD & BLU RAY SET PI
MAR158507 JLA EARTH 2 HC BOOK & DVD BLU RAY SET PI
MAR158508 JUSTICE LEAGUE VOL 1 HC ORIGIN BOOK & DVD BLU RAY SET PI
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APR150928 DAREDEVIL TP VOL 03 DAREDEVIL YOU KNOW $15.99
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MAR150346 ERIC POWELLS THE GOON CHINATOWN ARTIST ED HC PI
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Dark Horse Comics from Diamond Distributors for July 22, 2015
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MAR150031 ADV OF DR MCNINJA TP VOL 03 KING RADICAL $19.99
MAY150033 ARCHIE VS PREDATOR #4 MAIN CVR $3.99
MAY150088 BTVS SEASON 10 #17 MAIN CVR $3.99
MAY150066 ELFQUEST FINAL QUEST #10 $3.50
MAY150019 FIGHT CLUB 2 #3 MAIN CVR $3.99
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MAR150099 GANTZ TP VOL 36 (MR) $13.99
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MAR150020 MIND MGMT HC VOL 05 THE ERASER $19.99
MAR150101 OREIMO KURONEKO TP VOL 02 $10.99
MAR150031 ADV OF DR MCNINJA TP VOL 03 KING RADICAL $19.99
MAY150033 ARCHIE VS PREDATOR #4 MAIN CVR $3.99
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MAY150066 ELFQUEST FINAL QUEST #10 $3.50
MAY150019 FIGHT CLUB 2 #3 MAIN CVR $3.99
MAY150087 FRANKENSTEIN UNDERGROUND #5 $3.50
MAR150099 GANTZ TP VOL 36 (MR) $13.99
MAY150015 MIND MGMT #35 $3.99
MAR150020 MIND MGMT HC VOL 05 THE ERASER $19.99
MAR150101 OREIMO KURONEKO TP VOL 02 $10.99
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IMAGE COMICS
MAY150531 68 LAST RIGHTS #1 CVR A JONES & FOTOS (MR) $3.99
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FEB150595 COWL #11 (MR) $3.99
MAY150470 DEAD AT 17 TP VOL 07 BLASPHEMY THRONE $19.99
MAY150575 DIGITAL ART TUTORIALS ADV DIGITAL COLORING VOL 01 $29.99
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MAY150572 DIGITAL ART TUTORIALS SKETCH TO PAINT $29.99
MAY150573 DIGITAL ART TUTORIALS SPECIAL EFFECTS $29.99
MAY150535 DREAM MERCHANT TP (MR) $15.99
MAR150563 EGOS #8 $2.99
DEC140732 FIVE GHOSTS #17 $3.50
FEB150496 IXTH GENERATION #4 CVR A SEJIC $3.99
FEB150497 IXTH GENERATION #4 CVR B SEJIC $3.99
JAN150635 LIL DEPRESSED BOY TP VOL 05 $14.99
MAY150501 RUNLOVEKILL #4 (MR) $2.99
MAY150525 SAVAGE DRAGON CHANGES TP $19.99
SEP140752 SIDEKICK #11 CVR A MANDRAKE & HIFI (MR) $2.99
SEP140753 SIDEKICK #11 CVR B JERRY & RACHEL ORDWAY (MR) $2.99
MAY150543 SONS OF THE DEVIL #3 (MR) $2.99
APR158733 SONS OF THE DEVIL #3 CVR B CHANG (MR) $2.99
APR158734 SONS OF THE DEVIL #3 CVR C BUCCELLATO (MR) $2.99
APR150676 STRAY BULLETS SUNSHINE & ROSES #6 (MR) $3.50
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MAY150550 WOLF #1 (MR) $4.99
MAY150531 68 LAST RIGHTS #1 CVR A JONES & FOTOS (MR) $3.99
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Comics, Magazines and Books from Diamond Distributors for July 22, 2015
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JUN150001 PREVIEWS #323 AUGUST 2015 $3.99
JUN150004 PREVIEWS #323 AUGUST 2015 CUSTOMER ORDER FORM PI
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MAY151679 A CERTAIN MAGICAL INDEX GN VOL 02 $13.00
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MAY151155 ADVENTURE TIME #42 $3.99
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MAY151682 BLACK BUTLER TP VOL 20 $13.00
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MAY151531 BLACKLIST #1 SUBSCRIPTION PHOTO $3.99
MAY151595 BOOK OF DEATH FALL OF BLOODSHOT #1 CVR A SANDOVAL (ONE SHOT) $3.99
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MAY151145 BURNING FIELDS #6 $3.99
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Labels:
Archie Comics,
Art Book,
Book News,
comics news,
Diamond Distributors,
Dynamite Entertainment,
manga news,
Star Wars,
Titan Publishing,
VIZ Media
Monday, July 20, 2015
Kimi Ni Todoke: White Day
I read Kimi ni Todoke: From Me to You, Vol. 21
I posted a review at the ComicBookBin. Follow me on Twitter or at Grumble. Support my work at Patreon.
I posted a review at the ComicBookBin. Follow me on Twitter or at Grumble. Support my work at Patreon.
Labels:
Ari Yasuda,
Comic Book Bin,
HC Language Solutions Inc,
Hope Donovan,
Karuho Shiina,
manga,
shojo,
Shojo Beat,
VIZ Media
Sunday, July 19, 2015
Review: BARB WIRE Volume 2 #1
BARB WIRE, VOL. 2 #1
DARK HORSE COMICS – @DarkHorseComics
[Originally posted on Patreon.]
WRITER: Chris Warner
PENCILS: Patrick Olliffe
INKS: Tom Nguyen
COLORS: Gabe Eltaeb
LETTERS: Michael Heisler
COVER: Adam Hughes
VARIANT COVER: Adam Hughes
EDITOR: Scott Allie
28pp, Color, $3.99 U.S. (July 2015)
Steel Harbor Blues Part 1
Barbara Kopetski a.k.a “Barb Wire,” is a Dark Horse Comics character. She made her first appearance two decades ago in Comics Greatest World: Steel Harbor Week 1 and was created by Chris Warner, apparently with the assistance of something called “Team CGW” (Mike Richardson, Randy Stradley, Barbara Kesel, Jerry Prosser, Chris Warner).
Barb is a bar owner and works as a part-time bounty hunter in order to pay the bills for her bar (“The Hammerhead”). She lives in Steel Harbor, which is the kind of crime-ridden, gang-infested, bombed-out, wreck of a town that is a good setting for storytelling.
Dark Horse is bring Barb Wire back to comic books in Barb Wire Volume 2. The new series is written by creator Chris Warner, penciled by Patrick Olliffe, inked by Tom Nguyen, colored by Gabe Eltaeb, and lettered by Michael Heisler, with covers by Adam Hughes.
Barb Wire Volume 2 #1 (“Steel Harbor Blues Part 1”) opens with Barb playing bail enforcement agent to bring in a character named Amos Lomas. Back at The Hammerhead, there is the kind of trouble that leads to difficulties and destruction and the need for more money for bar repairs. However, Barb's troubles are moving past rowdy patrons and gang disputes. Steel Harbor's new mayor, Victoria Castle, wants to clean up the city, and Barb's treasures may face a bulldozer.
Barb Wire Volume 2 #1 is one of the most low-key first issues that I have ever read. It is not at all a poorly produced comic book. The art team of Patrick Olliffe and Tom Nguyen deliver some impressive compositions with pleasing page designs. The storytelling, however, lacks spark because the script from which the artists work is competent, but would never be mistakenly described as “explosive.” Still, I must admit to being impressed that Chris Warner is making gentrification and class the impetus for conflict in this story.
I can't see anyone beside fans of Barb Wire and people who look to try first issues buying Barb Wire Volume 2 #1. The first trade paperback will probably be a good read, but, as first issues go, this first issue is just too much set-up and is also too damn nonchalant.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
DARK HORSE COMICS – @DarkHorseComics
[Originally posted on Patreon.]
WRITER: Chris Warner
PENCILS: Patrick Olliffe
INKS: Tom Nguyen
COLORS: Gabe Eltaeb
LETTERS: Michael Heisler
COVER: Adam Hughes
VARIANT COVER: Adam Hughes
EDITOR: Scott Allie
28pp, Color, $3.99 U.S. (July 2015)
Steel Harbor Blues Part 1
Barbara Kopetski a.k.a “Barb Wire,” is a Dark Horse Comics character. She made her first appearance two decades ago in Comics Greatest World: Steel Harbor Week 1 and was created by Chris Warner, apparently with the assistance of something called “Team CGW” (Mike Richardson, Randy Stradley, Barbara Kesel, Jerry Prosser, Chris Warner).
Barb is a bar owner and works as a part-time bounty hunter in order to pay the bills for her bar (“The Hammerhead”). She lives in Steel Harbor, which is the kind of crime-ridden, gang-infested, bombed-out, wreck of a town that is a good setting for storytelling.
Dark Horse is bring Barb Wire back to comic books in Barb Wire Volume 2. The new series is written by creator Chris Warner, penciled by Patrick Olliffe, inked by Tom Nguyen, colored by Gabe Eltaeb, and lettered by Michael Heisler, with covers by Adam Hughes.
Barb Wire Volume 2 #1 (“Steel Harbor Blues Part 1”) opens with Barb playing bail enforcement agent to bring in a character named Amos Lomas. Back at The Hammerhead, there is the kind of trouble that leads to difficulties and destruction and the need for more money for bar repairs. However, Barb's troubles are moving past rowdy patrons and gang disputes. Steel Harbor's new mayor, Victoria Castle, wants to clean up the city, and Barb's treasures may face a bulldozer.
Barb Wire Volume 2 #1 is one of the most low-key first issues that I have ever read. It is not at all a poorly produced comic book. The art team of Patrick Olliffe and Tom Nguyen deliver some impressive compositions with pleasing page designs. The storytelling, however, lacks spark because the script from which the artists work is competent, but would never be mistakenly described as “explosive.” Still, I must admit to being impressed that Chris Warner is making gentrification and class the impetus for conflict in this story.
I can't see anyone beside fans of Barb Wire and people who look to try first issues buying Barb Wire Volume 2 #1. The first trade paperback will probably be a good read, but, as first issues go, this first issue is just too much set-up and is also too damn nonchalant.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Adam Hughes,
Dark Horse,
Gabe Eltaeb,
Review,
Scott Allie,
Tom Nguyen
Saturday, July 18, 2015
Review: 07-GHOST Volume 17
07-GHOST, VOL. 17
VIZ MEDIA – @VIZMedia
MANGAKA: Yuki Amemiya and Yukino Ichihara
TRANSLATION: Satsuki Yamashita
LETTERING: Vanessa Satone
EDITOR: Hope Donovan
ISBN: 978-1-4215-7794-4; paperback (July 2015); Rated “T” for “Teen”
216pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
07-Ghost, the debut manga from creators, Yuki Amemiya and Yukino Ichihara, has come to an end. The series is set in the Barsburg Empire and focuses on a slave boy who will save the world from a rogue god.
Once upon a time, the Barsburg Empire destroyed the Raggs Kingdom. Teito Klein is a slave and a cadet at the Barsburg Empire Military Academy. He discovers that his father was the late Weldeschtein Krom Raggs, the murdered King of Raggs. Teito escapes to the Barsburg Church of District 7, where three bishops and seven legendary ghosts attempt to guide his destiny. Teito hopes to uncover the secrets of the world's murky past, as well as his own.
As 07-Ghost, Vol. 17 (Chapters 96 to 99) opens, Teito tries to find a way to free himself and Bishop Frau from the scythe of Verloren the death god. Teito's final confrontation with the death god will pit him against the personification of Verloren, his nemesis and former tormentor at Barsburg Military Academy, Chief Ayanami. To save the world, however, Teito may have to make the ultimate sacrifice.
[This final volume contains the bonus story, “Seven Ghosts.”]
I read the first volume of the 07-Ghost manga in November of 2012. A little more than two-and-a-half years later, the series has come to an end. Series creators, Yuki Amemiya and Yukino Ichihara, have rewarded those who followed the series from the beginning with answers and a resolution.
Please, allow me to be the fly in the ointment. 07-Ghost Volume 17 is quite satisfactory, but I am usually ambivalent about the final volume and final chapters of a manga. I find that the ends often feel incomplete, and 07-Ghost ends, with the hint that there is more. In fact, those are the last words of the final chapter. So I accept this closure and wait to see what comes next... if something comes next.
B+
Reviewed by Leroy Douresseaux (Support on Patreon)
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
VIZ MEDIA – @VIZMedia
MANGAKA: Yuki Amemiya and Yukino Ichihara
TRANSLATION: Satsuki Yamashita
LETTERING: Vanessa Satone
EDITOR: Hope Donovan
ISBN: 978-1-4215-7794-4; paperback (July 2015); Rated “T” for “Teen”
216pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
07-Ghost, the debut manga from creators, Yuki Amemiya and Yukino Ichihara, has come to an end. The series is set in the Barsburg Empire and focuses on a slave boy who will save the world from a rogue god.
Once upon a time, the Barsburg Empire destroyed the Raggs Kingdom. Teito Klein is a slave and a cadet at the Barsburg Empire Military Academy. He discovers that his father was the late Weldeschtein Krom Raggs, the murdered King of Raggs. Teito escapes to the Barsburg Church of District 7, where three bishops and seven legendary ghosts attempt to guide his destiny. Teito hopes to uncover the secrets of the world's murky past, as well as his own.
As 07-Ghost, Vol. 17 (Chapters 96 to 99) opens, Teito tries to find a way to free himself and Bishop Frau from the scythe of Verloren the death god. Teito's final confrontation with the death god will pit him against the personification of Verloren, his nemesis and former tormentor at Barsburg Military Academy, Chief Ayanami. To save the world, however, Teito may have to make the ultimate sacrifice.
[This final volume contains the bonus story, “Seven Ghosts.”]
I read the first volume of the 07-Ghost manga in November of 2012. A little more than two-and-a-half years later, the series has come to an end. Series creators, Yuki Amemiya and Yukino Ichihara, have rewarded those who followed the series from the beginning with answers and a resolution.
Please, allow me to be the fly in the ointment. 07-Ghost Volume 17 is quite satisfactory, but I am usually ambivalent about the final volume and final chapters of a manga. I find that the ends often feel incomplete, and 07-Ghost ends, with the hint that there is more. In fact, those are the last words of the final chapter. So I accept this closure and wait to see what comes next... if something comes next.
B+
Reviewed by Leroy Douresseaux (Support on Patreon)
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Hope Donovan,
Review,
Satsuki Yamashita,
VIZ Media,
Yuki Amemiya,
Yukino Ichihara
Friday, July 17, 2015
2015 Harvey Award Nominees Announced for Over 20 Categories
2015 Harvey Awards Nominees Announced
Visit www.harveyawards.org for Ballots & Submission Details
BALTIMORE, MARYLAND - The 2015 Harvey Awards Nominees have been announced with the release of the final ballot, presented by the Executive Committees of the Harvey Awards and the Baltimore Comic-Con. Named in honor of the late Harvey Kurtzman, one of the industry's most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. They will be presented September 26, 2015 in Baltimore, MD, in conjunction with the Baltimore Comic-Con.
Nominations for the Harvey Awards are selected exclusively by creators - those who write, draw, ink, letter, color, design, edit, or are otherwise involved in a creative capacity in the comics field. They are the only industry awards both nominated and selected by the full body of comic book professionals. Thank you to all that have already participated by submitting a nomination ballot. Final ballots are due to the Harvey Awards by Monday, August 31, 2015. Full submission instructions can be found on the final ballot.
Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available at www.harveyawards.org. Those who prefer paper ballots may e-mail harveys@baltimorecomiccon.com.
This will be the tenth year for the Harvey Awards in Baltimore, MD. Look for more details soon as to how you can attend the Harvey Awards dinner.
This year's Baltimore Comic-Con will be held September 25-27, 2015. The ceremony and banquet for the 2015 Harvey Awards will be held Saturday night, September 26th.
Without further delay, the 2014 Harvey Award Nominees:
BEST LETTERER
____ Aubrey Aiese, LUMBERJANES, BOOM! Box (BOOM! Studios)
____ Deron Bennett, HACKTIVIST, Archaia Black Label (BOOM! Studios)
____ Ed Dukeshire, THE WOODS, BOOM! Studios
____ Jack Morelli, AFTERLIFE WITH ARCHIE, Archie Comic Publications
____ Josh Reed, DAMSELS IN EXCESS, Aspen
BEST COLORIST
____ Elizabeth Breitweiser, VELVET, Image Comics
____ Jordie Bellaire, MOON KNIGHT, Marvel Comics
____ Laura Martin, ARMOR HUNTERS, Valiant Entertainment
____ Dave Stewart, HELLBOY IN HELL, Dark Horse Comics
____ Matthew Wilson, THE WICKED + THE DIVINE, Image Comics
BEST SYNDICATED STRIP or PANEL
____ DICK TRACY, Joe Staton and Mike Curtis, Tribune Media Services
____ DILBERT, Scott Adams, Universal Uclick
____ FOX TROT, Bill Amend, Universal Uclick
____ GET FUZZY, Darby Conley, Universal Uclick
____ MUTTS, Patrick McDonnell, King Features Syndicate
BEST ONLINE COMICS WORK
____ ALBERT THE ALIEN, Trevor Mueller and Gabriel Bautista, albertthealien.com
____ BATTLEPUG, Mike Norton, battlepug.com
____ GIRLS WITH SLINGSHOTS, Danielle Corsetto, girlswithslingshots.com
____ SPACE MULLET, Daniel Warren Johnson, space-mullet.com
____ THE PRIVATE EYE, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente, panelsyndicate.com
BEST AMERICAN EDITION of FOREIGN MATERIAL
____ BEAUTIFUL DARKNESS, Drawn & Quarterly
____ BLACKSAD: AMARILLO, Dark Horse
____ CORTO MALTESE: UNDER THE SIGN OF CAPRICORN, EuroComics/IDW
____ THE COLLECTOR, Archaia/BOOM! Studios
____ THE KILLER OMNIBUS VOL. 2, Archaia/BOOM! Studios
BEST INKER
____ Roger Langridge, JIM HENSON'S THE MUSICAL MONSTERS OF TURKEY HOLLOW, Archaia/BOOM! Studios
____ Danny Miki, BATMAN, DC Comics
____ Mark Pennington, ARMOR HUNTERS: BLOODSHOT, Valiant Entertainment
____ Joe Rivera, THE VALIANT, Valiant Entertainment
____ Wade Von Grawbadger, ALL NEW X-MEN, Marvel Comics
BEST NEW SERIES
____ BITCH PLANET, Image Comics
____ LUMBERJANES, BOOM! Box (BOOM! Studios)
____ MS. MARVEL, Marvel Comics
____ SOUTHERN BASTARDS, Image Comics
____ THE WICKED + THE DIVINE, Image Comics
MOST PROMISING NEW TALENT
____ Steve Bryant, ATHENA VOLTAIRE COMPENDIUM, Dark Horse Comics
____ Daniel Warren Johnson, GHOST FLEET, Dark Horse Comics
____ Chad Lambert, "KILL ME" FROM DARK HORSE PRESENTS, Dark Horse Comics
____ Babs Tarr, BATGIRL, DC Comics
____ Jen Van Meter, THE DEATH-DEFYING DOCTOR MIRAGE, Valiant Entertainment
SPECIAL AWARD FOR HUMOR IN COMICS
____ James Asmus, QUANTUM AND WOODY, Valiant Entertainment
____ James Asmus & Fred Van Lente, THE DELINQUENTS, Valiant Entertainment
____ Ryan Browne, GOD HATES ASTRONAUTS, Image Comics
____ Fred Van Lente, ARCHER AND ARMSTRONG, Valiant Entertainment
____ Chip Zdarsky, SEX CRIMINALS, Image Comics
BEST ORIGINAL GRAPHIC PUBLICATION FOR YOUNGER READERS
____ JIM HENSON'S THE MUSICAL MONSTERS OF TURKEY HOLLOW, Archaia/BOOM! Studios
____ LUMBERJANES, BOOM! Box (BOOM! Studios)
____ SISTERS, Scholastic-Graphix
____ SPONGEBOB COMICS, United Plankton Pictures
____ THIS ONE SUMMER, First Second Books
BEST GRAPHIC ALBUM PREVIOUSLY PUBLISHED
____ HIT: 1955 TP, BOOM! Studios
____ MOUSE GUARD: BALDWIN THE BRAVE AND OTHER TALES HC, Archaia/BOOM! Studios
____ RAI VOL. 1: WELCOME TO NEW JAPAN TP, Valiant Entertainment
____ SIX-GUN GORILLA TP, BOOM! Studios
____ THE LOVE BUNGLERS, Fantagraphics
BEST ANTHOLOGY
____ DARK HORSE PRESENTS, Dark Horse Comics
____ IN THE DARK: A HORROR ANTHOLOGY, IDW
____ LITTLE NEMO: DREAM ANOTHER DREAM, Locust Moon Press
____ MASTERFUL MARKS: CARTOONISTS WHO CHANGED THE WORLD, Simon & Schuster
____ WILD OCEAN, Fulcrum Publishing
BEST DOMESTIC REPRINT PROJECT
____ HARVEY KURTZMAN'S JUNGLE BOOK: ESSENTIAL KURTZMAN VOLUME 1, Kitchen Sink Books/Dark Horse Books
____ STERANKO NICK FURY AGENT OF S.H.I.E.L.D. ARTIST'S EDITION, IDW
____ THE COMPLETE QUANTUM AND WOODY CLASSIC OMNIBUS, Valiant Entertainment
____ VALIANT MASTERS: H.A.R.D. CORPS VOL. 1 - SEARCH & DESTROY, Valiant Entertainment
____ WALT DISNEY DONALD DUCK AND UNCLE SCROOGE: THE SON OF THE SUN (DON ROSA LIBRARY VOL. 1), Fantagraphics
BEST COVER ARTIST
____ Mike Del Mundo, ELEKTRA, Marvel Comics
____ Francesco Francavilla, AFTERLIFE WITH ARCHIE, Archie Comic Publications
____ Jenny Frison, REVIVAL, Image Comics
____ Chris Samnee, DAREDEVIL, Marvel Comics
____ Fiona Staples, SAGA, Image Comics
BEST BIOGRAPHICAL, HISTORICAL, or JOURNALISTIC PRESENTATION
____ BACK ISSUES, Comic Pop
____ COMIC BOOK CREATOR, TwoMorrows Publications
____ HEROES OF THE COMICS: PORTRAITS OF THE LEGENDS OF COMIC BOOKS, Drew Friedman, Fantagraphics
____ MASTERFUL MARKS: CARTOONISTS WHO CHANGED THE WORLD, Monte Beauchamp, Simon & Schuster
____ TEENAGE MUTANT NINJA TURTLES: THE ULTIMATE VISUAL HISTORY, Andrew Farago, Insight Editions
SPECIAL AWARD for EXCELLENCE IN PRESENTATION
____ ARMOR HUNTERS, Josh Johns and Warren Simons, Valiant Entertainment
____ HARVEY KURTZMAN'S JUNGLE BOOK: ESSENTIAL KURTZMAN VOLUME 1, John Lind and Philip R. Simon, Kitchen Sink Books/Dark Horse Books
____ LITTLE NEMO: DREAM ANOTHER DREAM, Andrew Carl, Josh O'Neill, and Chris Stevens, Locust Moon Press
____ JIM HENSON'S THE MUSICAL MONSTERS OF TURKEY HOLLOW, Scott Newman, Archaia/BOOM! Studios
____ THE VALIANT, Kyle Andrukiewicz and Warren Simons, Valiant Entertainment
BEST GRAPHIC ALBUM ORIGINAL
____ ATHENA VOLTAIRE COMPENDIUM, Dark Horse Comics
____ JIM HENSON'S THE MUSICAL MONSTERS OF TURKEY HOLLOW, Archaia/BOOM! Studios
____ SECONDS, Ballantine Books
____ THE WRENCHIES, First Second Books
____ THIS ONE SUMMER, First Second Books
BEST CONTINUING OR LIMITED SERIES
____ AFTERLIFE WITH ARCHIE, Archie Comic Publications
____ DAREDEVIL, Marvel Comics
____ SAGA, Image Comics
____ SOUTHERN BASTARDS, Image Comics
____ THE VALIANT, Valiant Entertainment
BEST WRITER
____ Jason Aaron, SOUTHERN BASTARDS, Image Comics
____ Jen Van Meter, THE DEATH-DEFYING DOCTOR MIRAGE, Valiant Entertainment
____ Brian K. Vaughan, SAGA, Image Comics
____ Mark Waid, DAREDEVIL, Marvel Comics
____ G. Willow Wilson, MS. MARVEL, Marvel Comics
BEST ARTIST
____ Clayton Crain, RAI, Valiant Entertainment
____ Roberto de la Torre, THE DEATH-DEFYING DOCTOR MIRAGE, Valiant Entertainment
____ Chris Samnee, DAREDEVIL, Marvel Comics
____ Fiona Staples, SAGA, Image Comics
____ Jillian Tamaki, THIS ONE SUMMER, First Second Books
BEST CARTOONIST
____ Steve Bryant, ATHENA VOLTAIRE COMPENDIUM, Dark Horse Comics
____ Howard Chaykin, BLOODSHOT #25, Valiant Entertainment
____ Farel Dalrymple, THE WRENCHIES, First Second Books
____ Terry Moore, RACHEL RISING, Abstract Studios
____ Dan Parent, KEVIN KELLER, Archie Comic Publications
____ Andy Runton, X-O MANOWAR #25, Valiant Entertainment
BEST SINGLE ISSUE OR STORY
____ ARMOR HUNTERS #1, Valiant Entertainment
____ "Breaking Out", DARK HORSE PRESENTS #35, Dark Horse Comics
____ JIM HENSON'S THE STORYTELLER: WITCHES #4, Archaia/BOOM! Studios
____ MULTIVERSITY: PAX AMERICANA, DC Comics
____ RAI #1, Valiant Entertainment
Congratulations to all of the nominees! If you know a nominee, please pass on the good news using email, Facebook, and Twitter.
Please submit any corrections to harveys@baltimorecomiccon.com. We try our best to list nominees correctly, and want to know if there is an error.
The Harvey Committee and the Baltimore Comic-Con will make every effort to contact all nominees. If you are a nominee and you do not hear from us by July 25, 2015, please contact us at harveys@baltimorecomiccon.com. We would love to discuss your involvement in the ceremony and the Baltimore Comic-Con.
For additional information about Harvey Kurtzman and the Harvey Awards, visit www.harveyawards.org or http://www.facebook.com/theharveyawards.
2015 Eisner Award winners are here.
-----------------------------------
Visit www.harveyawards.org for Ballots & Submission Details
BALTIMORE, MARYLAND - The 2015 Harvey Awards Nominees have been announced with the release of the final ballot, presented by the Executive Committees of the Harvey Awards and the Baltimore Comic-Con. Named in honor of the late Harvey Kurtzman, one of the industry's most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. They will be presented September 26, 2015 in Baltimore, MD, in conjunction with the Baltimore Comic-Con.
Nominations for the Harvey Awards are selected exclusively by creators - those who write, draw, ink, letter, color, design, edit, or are otherwise involved in a creative capacity in the comics field. They are the only industry awards both nominated and selected by the full body of comic book professionals. Thank you to all that have already participated by submitting a nomination ballot. Final ballots are due to the Harvey Awards by Monday, August 31, 2015. Full submission instructions can be found on the final ballot.
Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available at www.harveyawards.org. Those who prefer paper ballots may e-mail harveys@baltimorecomiccon.com.
This will be the tenth year for the Harvey Awards in Baltimore, MD. Look for more details soon as to how you can attend the Harvey Awards dinner.
This year's Baltimore Comic-Con will be held September 25-27, 2015. The ceremony and banquet for the 2015 Harvey Awards will be held Saturday night, September 26th.
Without further delay, the 2014 Harvey Award Nominees:
BEST LETTERER
____ Aubrey Aiese, LUMBERJANES, BOOM! Box (BOOM! Studios)
____ Deron Bennett, HACKTIVIST, Archaia Black Label (BOOM! Studios)
____ Ed Dukeshire, THE WOODS, BOOM! Studios
____ Jack Morelli, AFTERLIFE WITH ARCHIE, Archie Comic Publications
____ Josh Reed, DAMSELS IN EXCESS, Aspen
BEST COLORIST
____ Elizabeth Breitweiser, VELVET, Image Comics
____ Jordie Bellaire, MOON KNIGHT, Marvel Comics
____ Laura Martin, ARMOR HUNTERS, Valiant Entertainment
____ Dave Stewart, HELLBOY IN HELL, Dark Horse Comics
____ Matthew Wilson, THE WICKED + THE DIVINE, Image Comics
BEST SYNDICATED STRIP or PANEL
____ DICK TRACY, Joe Staton and Mike Curtis, Tribune Media Services
____ DILBERT, Scott Adams, Universal Uclick
____ FOX TROT, Bill Amend, Universal Uclick
____ GET FUZZY, Darby Conley, Universal Uclick
____ MUTTS, Patrick McDonnell, King Features Syndicate
BEST ONLINE COMICS WORK
____ ALBERT THE ALIEN, Trevor Mueller and Gabriel Bautista, albertthealien.com
____ BATTLEPUG, Mike Norton, battlepug.com
____ GIRLS WITH SLINGSHOTS, Danielle Corsetto, girlswithslingshots.com
____ SPACE MULLET, Daniel Warren Johnson, space-mullet.com
____ THE PRIVATE EYE, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente, panelsyndicate.com
BEST AMERICAN EDITION of FOREIGN MATERIAL
____ BEAUTIFUL DARKNESS, Drawn & Quarterly
____ BLACKSAD: AMARILLO, Dark Horse
____ CORTO MALTESE: UNDER THE SIGN OF CAPRICORN, EuroComics/IDW
____ THE COLLECTOR, Archaia/BOOM! Studios
____ THE KILLER OMNIBUS VOL. 2, Archaia/BOOM! Studios
BEST INKER
____ Roger Langridge, JIM HENSON'S THE MUSICAL MONSTERS OF TURKEY HOLLOW, Archaia/BOOM! Studios
____ Danny Miki, BATMAN, DC Comics
____ Mark Pennington, ARMOR HUNTERS: BLOODSHOT, Valiant Entertainment
____ Joe Rivera, THE VALIANT, Valiant Entertainment
____ Wade Von Grawbadger, ALL NEW X-MEN, Marvel Comics
BEST NEW SERIES
____ BITCH PLANET, Image Comics
____ LUMBERJANES, BOOM! Box (BOOM! Studios)
____ MS. MARVEL, Marvel Comics
____ SOUTHERN BASTARDS, Image Comics
____ THE WICKED + THE DIVINE, Image Comics
MOST PROMISING NEW TALENT
____ Steve Bryant, ATHENA VOLTAIRE COMPENDIUM, Dark Horse Comics
____ Daniel Warren Johnson, GHOST FLEET, Dark Horse Comics
____ Chad Lambert, "KILL ME" FROM DARK HORSE PRESENTS, Dark Horse Comics
____ Babs Tarr, BATGIRL, DC Comics
____ Jen Van Meter, THE DEATH-DEFYING DOCTOR MIRAGE, Valiant Entertainment
SPECIAL AWARD FOR HUMOR IN COMICS
____ James Asmus, QUANTUM AND WOODY, Valiant Entertainment
____ James Asmus & Fred Van Lente, THE DELINQUENTS, Valiant Entertainment
____ Ryan Browne, GOD HATES ASTRONAUTS, Image Comics
____ Fred Van Lente, ARCHER AND ARMSTRONG, Valiant Entertainment
____ Chip Zdarsky, SEX CRIMINALS, Image Comics
BEST ORIGINAL GRAPHIC PUBLICATION FOR YOUNGER READERS
____ JIM HENSON'S THE MUSICAL MONSTERS OF TURKEY HOLLOW, Archaia/BOOM! Studios
____ LUMBERJANES, BOOM! Box (BOOM! Studios)
____ SISTERS, Scholastic-Graphix
____ SPONGEBOB COMICS, United Plankton Pictures
____ THIS ONE SUMMER, First Second Books
BEST GRAPHIC ALBUM PREVIOUSLY PUBLISHED
____ HIT: 1955 TP, BOOM! Studios
____ MOUSE GUARD: BALDWIN THE BRAVE AND OTHER TALES HC, Archaia/BOOM! Studios
____ RAI VOL. 1: WELCOME TO NEW JAPAN TP, Valiant Entertainment
____ SIX-GUN GORILLA TP, BOOM! Studios
____ THE LOVE BUNGLERS, Fantagraphics
BEST ANTHOLOGY
____ DARK HORSE PRESENTS, Dark Horse Comics
____ IN THE DARK: A HORROR ANTHOLOGY, IDW
____ LITTLE NEMO: DREAM ANOTHER DREAM, Locust Moon Press
____ MASTERFUL MARKS: CARTOONISTS WHO CHANGED THE WORLD, Simon & Schuster
____ WILD OCEAN, Fulcrum Publishing
BEST DOMESTIC REPRINT PROJECT
____ HARVEY KURTZMAN'S JUNGLE BOOK: ESSENTIAL KURTZMAN VOLUME 1, Kitchen Sink Books/Dark Horse Books
____ STERANKO NICK FURY AGENT OF S.H.I.E.L.D. ARTIST'S EDITION, IDW
____ THE COMPLETE QUANTUM AND WOODY CLASSIC OMNIBUS, Valiant Entertainment
____ VALIANT MASTERS: H.A.R.D. CORPS VOL. 1 - SEARCH & DESTROY, Valiant Entertainment
____ WALT DISNEY DONALD DUCK AND UNCLE SCROOGE: THE SON OF THE SUN (DON ROSA LIBRARY VOL. 1), Fantagraphics
BEST COVER ARTIST
____ Mike Del Mundo, ELEKTRA, Marvel Comics
____ Francesco Francavilla, AFTERLIFE WITH ARCHIE, Archie Comic Publications
____ Jenny Frison, REVIVAL, Image Comics
____ Chris Samnee, DAREDEVIL, Marvel Comics
____ Fiona Staples, SAGA, Image Comics
BEST BIOGRAPHICAL, HISTORICAL, or JOURNALISTIC PRESENTATION
____ BACK ISSUES, Comic Pop
____ COMIC BOOK CREATOR, TwoMorrows Publications
____ HEROES OF THE COMICS: PORTRAITS OF THE LEGENDS OF COMIC BOOKS, Drew Friedman, Fantagraphics
____ MASTERFUL MARKS: CARTOONISTS WHO CHANGED THE WORLD, Monte Beauchamp, Simon & Schuster
____ TEENAGE MUTANT NINJA TURTLES: THE ULTIMATE VISUAL HISTORY, Andrew Farago, Insight Editions
SPECIAL AWARD for EXCELLENCE IN PRESENTATION
____ ARMOR HUNTERS, Josh Johns and Warren Simons, Valiant Entertainment
____ HARVEY KURTZMAN'S JUNGLE BOOK: ESSENTIAL KURTZMAN VOLUME 1, John Lind and Philip R. Simon, Kitchen Sink Books/Dark Horse Books
____ LITTLE NEMO: DREAM ANOTHER DREAM, Andrew Carl, Josh O'Neill, and Chris Stevens, Locust Moon Press
____ JIM HENSON'S THE MUSICAL MONSTERS OF TURKEY HOLLOW, Scott Newman, Archaia/BOOM! Studios
____ THE VALIANT, Kyle Andrukiewicz and Warren Simons, Valiant Entertainment
BEST GRAPHIC ALBUM ORIGINAL
____ ATHENA VOLTAIRE COMPENDIUM, Dark Horse Comics
____ JIM HENSON'S THE MUSICAL MONSTERS OF TURKEY HOLLOW, Archaia/BOOM! Studios
____ SECONDS, Ballantine Books
____ THE WRENCHIES, First Second Books
____ THIS ONE SUMMER, First Second Books
BEST CONTINUING OR LIMITED SERIES
____ AFTERLIFE WITH ARCHIE, Archie Comic Publications
____ DAREDEVIL, Marvel Comics
____ SAGA, Image Comics
____ SOUTHERN BASTARDS, Image Comics
____ THE VALIANT, Valiant Entertainment
BEST WRITER
____ Jason Aaron, SOUTHERN BASTARDS, Image Comics
____ Jen Van Meter, THE DEATH-DEFYING DOCTOR MIRAGE, Valiant Entertainment
____ Brian K. Vaughan, SAGA, Image Comics
____ Mark Waid, DAREDEVIL, Marvel Comics
____ G. Willow Wilson, MS. MARVEL, Marvel Comics
BEST ARTIST
____ Clayton Crain, RAI, Valiant Entertainment
____ Roberto de la Torre, THE DEATH-DEFYING DOCTOR MIRAGE, Valiant Entertainment
____ Chris Samnee, DAREDEVIL, Marvel Comics
____ Fiona Staples, SAGA, Image Comics
____ Jillian Tamaki, THIS ONE SUMMER, First Second Books
BEST CARTOONIST
____ Steve Bryant, ATHENA VOLTAIRE COMPENDIUM, Dark Horse Comics
____ Howard Chaykin, BLOODSHOT #25, Valiant Entertainment
____ Farel Dalrymple, THE WRENCHIES, First Second Books
____ Terry Moore, RACHEL RISING, Abstract Studios
____ Dan Parent, KEVIN KELLER, Archie Comic Publications
____ Andy Runton, X-O MANOWAR #25, Valiant Entertainment
BEST SINGLE ISSUE OR STORY
____ ARMOR HUNTERS #1, Valiant Entertainment
____ "Breaking Out", DARK HORSE PRESENTS #35, Dark Horse Comics
____ JIM HENSON'S THE STORYTELLER: WITCHES #4, Archaia/BOOM! Studios
____ MULTIVERSITY: PAX AMERICANA, DC Comics
____ RAI #1, Valiant Entertainment
Congratulations to all of the nominees! If you know a nominee, please pass on the good news using email, Facebook, and Twitter.
Please submit any corrections to harveys@baltimorecomiccon.com. We try our best to list nominees correctly, and want to know if there is an error.
The Harvey Committee and the Baltimore Comic-Con will make every effort to contact all nominees. If you are a nominee and you do not hear from us by July 25, 2015, please contact us at harveys@baltimorecomiccon.com. We would love to discuss your involvement in the ceremony and the Baltimore Comic-Con.
For additional information about Harvey Kurtzman and the Harvey Awards, visit www.harveyawards.org or http://www.facebook.com/theharveyawards.
2015 Eisner Award winners are here.
-----------------------------------
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