Showing posts with label Bill Reinhold. Show all posts
Showing posts with label Bill Reinhold. Show all posts

Thursday, January 21, 2021

#IReadsYou Review: THE BADGER #1

BADGER No. 1
DEVIL'S DUE/1FIRST COMICS

[This review was originally posted on Patreon.]

WRITER: Mike Baron
ART: Jim Fern
LETTERS: Willie Schubert
COLORS: Paul Mounts
COVER: Val Mayerik with Andres Esperanza
VARIANT COVERS: Paul Pope; Bill Reinhold
28pp, Color, $3.99 U.S. (February 2016)

Badger created by Mike Baron and Jeff Butler

Rated “M” for mature readers

Badger is a comic book superhero character created by writer Mike Baron and artist Jeff Butler.  Badger first appeared in the comic book, Badger #1 (cover date: July 1983), published by Capital Comics.  After Capital Comics closed, Baron moved Badger to First Comics, where the character appeared in a titular series until 1991.

Badger was mostly set in Madison, Wisconsin.  The lead character was Norbert Sykes, a Vietnam War veteran who suffered from multiple personalities.  Sykes' most dominant personality was “Badger,” a martial arts expert who had mastered untold numbers of “esoteric and arcane” martial arts.  Badger was also a self-styled crime fighter and costumed vigilante.

After First Comics, other Badger comic book titles were published by Dark Horse Comics, Image Comics, and IDW Publishing.  First Comics was recently revived as “1First Comics” and has united with Devil's Due Productions to form a joint publishing unit.  The new 1First Comics has also revived Badger.  The new Badger comic book series is written by Mike Baron; drawn by Jim Fern; colored by Paul Mounts; and lettered by Willie Schubert.

Badger #1 opens as Norbert Sykes enlists in the United States Army.  Eventually, Sykes is placed in the Army's “Explosive Ordinance Disposal” (a “bomb squad”), and is assigned a puppy that he names “Otis” as his partner.  Sykes and Otis eventually become an outstanding insurgent/terrorist-fighting duo, but the traumas and tragedies forces a different side of Norbert Sykes to the surface.

Over the years, I often wondered what happened to Mike Baron, who enjoyed some success as a writer at DC Comics and at Marvel Comics in the late 1980s and into the early 1990s.  After the late 1990s, he seemed to disappear from comic books, except on occasion when Nexus, a comic book series he created with artist Steve Rude, returned.  I think Baron wrote English script adaptations for manga published by Del Rey Manga.

I also occasionally thought about Badger, a comic book character I had enjoyed for a number of years.  Reading this new Badger #1 reminded that what I truly missed was Mike Baron writing Badger.  Baron has merely changed Norbert Sykes from a Vietnam vet to a veteran of the Global War on Terror (or whatever it is called).

Baron offers a Badger #1 that is an easy-to-digest origin issue.  In this gone-on-too-long age of “decompressed” comic book storytelling, Badger #1 is stunningly efficient, giving readers most of what they need to understand Norbert Sykes and to go forward with the series.  A reader could stop here and feel that he read a good single-issue story.  I don't know how long the new 1First Comics will last, but if this new Badger can be as inventive and as offbeat as the long-running 1980s series, we are in for a treat.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Monday, October 21, 2013

Review: The DC Comics Guide to Creating Comics

THE DC COMICS GUIDE TO CREATING COMICS
WATSON-GUPTILL PUBLICATIONS/DC Comics – @CrownPublishing and @dccomics

WRITERS: Carl Potts
COVER:  Jim Lee, Bill Reinhold
ISBN: 978-0-385-34472-2; paperback (October 8, 2013)
192pp, Color, $24.99 U.S., $27.95 CAN

Forward by Jim Lee

Comic book writer, artist, and editor, Carl Potts joined Marvel Comics’ editorial staff in 1983.  Potts co-created Alien Legion, a comic book series published by Marvel’s Epic imprint, and he helped develop The Punisher as the character went from supporting/guest player to title character.

Potts may be best known for working with numerous comic book artists early in their career, including Jon Bogdanove, Whilce Portacio, and Scott Williams, among many.  Potts also helped Jim Lee and Art Adams break into the comics industry.  Potts’ work as an editor and his work with young comic book creators make him the perfect author for books about creating comics.

Potts is the author of The DC Comics Guide to Creating Comics: Inside the Art of Visual Storytelling, the latest book in the DC Comics Guide series.  The series previously focused on drawing comic books:  The DC Comics Guide to Pencilling Comics, The DC Comics Guide to Inking Comics (both authored by Klaus Janson), and The DC Comics Guide to Digitally Drawing Comics (by Freddie Williams II).

With such a pedigree and with so many accomplishments, it should be no surprise that The DC Comics Guide to Creating Comics is not a book for beginners.  It is not that this book is highly technical; it actually goes into great detail about the art and craft of creating comics.  It discusses everything from the goals and principles of “visual sequential storytelling” to how a creator can affect the comics reader’s experience.

To me, at least, the people who can get the most out of The DC Comics Guide to Creating Comics are writers and artists, especially the latter, who have created comics.  Those writers and artists who have some professional experience or who have produced comic books (even if they have had to self-publish) will get the most out of this because they already either already understand comics (either by theory or practice) or have attempted to make comics.

The DC Comics Guide to Creating Comics is generously illustrated book, but this is not about pretty pictures and slick comic book art.  It is about teaching and guiding.  Potts makes his points with covers, whole pages, thumbnails, pencils, inks, details from larger pieces, etc.  I think my favorite part of the book is Chapter Twelve: Watching the Pros Work.  Three artists:  Whilce Portacio, Bill Reinhold, and Phil Jimenez take the same three-page script and provide breakdowns or thumbnails and then, turn those into pencil art.  Seeing how three veteran artists interpret the same script in ways that are both graphically and visually similar and different is a joy for a comic book fan and will likely be of use to someone wanting to learn the DC Comics’ way of drawing comic books.

So readers wanting to learn more about creating superhero comic books will want The DC Comics Guide to Creating Comics: Inside the Art of Visual Storytelling.  Carl Potts is a good teacher, and this is one good looking book.

A-


An incomplete list of the artists and writers whose work appears in this volume:
Arthur Adams, Joe Bennett, W.H. Haden Blackman, Brett Booth, Doug Braithwaite, Rick Bryant, Greg Capullo, Nick Cardy, Tony Daniel, John Dell, Steve Ditko, Jose Luis Garcia-Lopez, Dave Gibbons, Russ Heath, Adam Hughes, Klaus Janson, Phil Jimenez, Geoff Johns, J.G. Jones, Joe Kubert, Andy Lanning, Jim Lee, Francis Manapul, Mike Mignola, Grant Morrison, Kevin Nowlan, Yanick Paquette, George Perez, Whilce Portacio, E. Potts, Bill Reinhold, Ivan Reis, Eduardo Risso, Alex Ross, P. Craig Russell, Walter Simonson, Scott Snyder, Ryan Sook, Ardian Syaf, Bruce Timm, Alex Toth, J.H. Williams III, Scott Williams, and Jorge Zaffino

Reviewed by Leroy Douresseaux





The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.