Showing posts with label Blond. Show all posts
Showing posts with label Blond. Show all posts

Wednesday, May 21, 2014

I Reads You Review: SUICIDE SQUAD: Amanda Waller #1

SUICIDE SQUAD: AMANDA WALLER #1
DC COMICS – @DCComics

WRITER: Jim Zub
PENCILS: André Coelho
INKS: Scott Hanna
COLORS: Andrew Dalhouse
LETTERS: Carlos M. Mangual
COVER: Giuseppe Camuncoli with Blond
48pp, Color, $4.99 U.S.

Rating “T+” Teen Plus

Amanda Waller created by John Ostrander and John Byrne

“Sacrifice in the Storm”

Dr. Amanda Blake Waller, or simply, “Amanda Waller,” is a DC Comics character.  Waller first appeared in Legends #1 (1986) and was created by John Ostrander and John Byrne.  [Ostrander plotted the series, while Len Wein wrote the script.]  Waller does not possess super-powers, but she has been and is a powerful ally/antagonist of the DC Comics superheroes, as well as being an antihero.

In The New 52, the restart of the DC Comics Universe, Waller is the commander of the Suicide Squad (or “Task Force X”), a team of super-villains.  Members of the squad take on risky missions in exchange for time served.  The team’s base of operations is Belle Reve Penitentiary, a special prison for meta-humans and super-villains located in Terrebonne Parish, Louisiana.  Waller chooses the Suicide Squad’s membership and basically has the power of life and death over those members.  The New 52 Amanda Waller is a slim, attractive young woman, whereas the original version of her was a portly, older African-American woman.

Suicide Squad: Amanda Waller #1 is a one-shot comic book set after the events depicted in Suicide Squad #24 (The New 52 series, of course).  Entitled “Sacrifice in the Storm,” the story finds Amanda Waller confronting a super-powered attacker and focuses on the decisions she has to make in order to save some lives.

The story opens with Waller traveling aboard a U.S. Air Force plane with a military escort.  She is negotiating the cooperation of Dr. Algot Issen, who has developed genetic testing equipment that not only classifies super-powered beings, but also offers the opportunity to control them.  However, an entity from Dr. Issen’s past, called Kriger-3, has come back for some payback.  Now, Waller has to make the tough decisions that will decide who dies and who survives … if anyone survives.

When a young actor is hot… well, let’s be honest… When a young white male actor starts getting hot, the major Hollywood studios/corporations (Warner Bros., FOX, Universal, etc.) will find a “star vehicle” for this hot stuff.  A “star vehicle” is some kind of action movie or comedy with an uncomplicated plot, but has an interesting idea (once called a “high concept”).  Basically, it’s a chance for YWM (young white male) to showcase whatever it is about him that might make him a movie star.

The movie will feature a young (usually) white actress as a sidekick slash arm candy slash girl who probably gives him some booty (off-screen or on-screen, depending on the rating).  This film will have a mixture of respected older actors, venerable character actors, and actors (regardless of age) who specialize in playing such supporting characters as best friends, sassy friend-girls, kooky coworkers, etc.

Disturbia was a star vehicle for Shia LaBeouf.  Most of the films in Channing Tatum’s filmography of the last six or seven years are star vehicles.  Enemy of the State was a star vehicle for Will Smith (one of the Negro exceptions in Hollywood).

Suicide Squad: Amanda Waller #1 could be seen as a star vehicle for a fictional character.  To be honest, I only picked up this comic book because I am a fan of writer Jim Zub’s work on IDW Publishing’s Samurai Jack comic book.  [And Black Jesus knows DC Comics acts as if it would kill them to hire a Black writer to write about a Black character.]

Anyway, I think Amanda Waller makes an excellent choice to star in her own series or occasional miniseries, one-shot, or original graphic novel, especially if Jim Zub were the writer.  Zub’s story focuses on Waller, but is also told in the context of Suicide Squad’s central idea – imprisoning super-villains and sending them on deadly missions no one else would take and Waller’s part in that.

Zub sends Waller on a mission that is dangerous in every sense of the word.  To live, she has to make some brutal choices, and no, I won’t spoil the story by listing them.  I can say that to stay alive, Waller has to go to the heart of darkness and his cousin, ugly.  I am not saying that this is great work.  In some ways, it is merely professionally executed – nothing particularly special.  However, this story does mix internal character conflict and explosive superhero action quite well.

The art by André Coelho (pencils), Scott Hanna (inks) and Andrew Dalhouse (colors) is good.  The colors heighten the drama and beauty of the compositions with its clean line and “exacto” inking.  The storytelling, however, rests on Jim Zub’s efforts, so I hope we get more Suicide Squad: Amanda Waller, with the right storyteller.

B+

Reviewed by Leroy Douresseaux

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.



Thursday, December 27, 2012

Albert Avilla Reviews: Red Hood and the Outlaws #13

Red Hood and the Outlaws #13
DC Comics

Reviewed by Albert Avilla

Writer: Scott Lobdell
Art: Timothy Green II
Cover: Kenneth Rocafort and Blond

(Spoilers)
First, the cover has nothing to do with the story, unless I completely missed the boat, but damn, that is a nice cover.

The Tamaran War with the Blight comes to a smashing conclusion. The story focuses on the heroic efforts of Starfire to defeat the Blight. Arsenal is telling the story which gives an insight into the characters. Starfire does not disappoint on any level. She is a true hero willing to sacrifice for the greater good, fight with a warrior's heart, and love abundantly. She is what Red Hood and Arsenal need in their struggle with their baser sides. The team's powerhouse is also one of the most beautiful characters in comics. What more can we ask for?

Lobdell lets her go all out on the Blight which he does not do very often; the power she wields is awesome to behold. When we think that Starfire is going to wreck another level and violence on the Blight Lord, she instead kills him with love. With Lobdell it’s not all about the main characters; he allows peripheral characters to contribute to the story. The plotline involving the Dominator DePalo is another opportunity for Lobdell to develop Starfire's character. Lobdell makes us care about a member of one of the vilest races in the DC Universe. That's the way to end a story arc with hard hitting action and a little foreshadowing.

The art is a visual delight. It carries its share of the story load. Blackfire's battlesuit is slamming. The scene when DePalo is remembering Starfire leaving to come to Earth is effective. The colors are muted in contrast to the bright colors in the rest of the story, giving the feel of a memory.

I rate Red Hood and the Outlaws 13 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking


Sunday, October 2, 2011

The New 52 Review: DC COMICS PRESENTS # 1

"Alive, again"

DC COMICS PRESENTS # 1
DC COMICS

WRITER: Paul Jenkins
ARTIST: Bernard Chang
COLORS: Blond
LETTERS: Dave Sharpe
COVER: Ryan Sook
32pp, Color, $2.99 U.S.

Deadman is a DC Comics character that first appeared in Strange Adventures #205 (cover date October 1967). Created by writer Arnold Drake and artist Carmine Infantino, Deadman is the ghost of circus trapeze artist, Boston Brand, who performed under the name Deadman, a stage persona in which he wore a red costume and white corpse makeup. After he is murdered, Brand’s spirit is given the power to possess any living being by a Hindu goddess named Rama Kushna (a DC Comics version of Rama-Krishna), in order to search for his murderer and obtain justice.

With the re-launch of DC Comics’ superhero line, “The New 52,” the classic 1970s and 80s series, DC Comics Presents (1978-1986) returns. In this new series, it is DC Comics Presents Deadman in “Twenty Questions,” a new storyline.

DC Comics Presents #1 gives a recap of Deadman’s origin, a flashback to Boston Brand, the arrogant trapeze artist shot down mid-performance. We see how he met Rama, essentially his patron goddess who points him down the path to redemption and balance. Now, Deadman has to enter the body of Johnny Foster, injured war vet, but Deadman has plans that may shock Rama, but will certainly shock us.

This first issue of DC Comics Presents is one of the wordier first issues of a comic book that I’ve read in some time. Bruthas and sistas, if you still don’t know what Deadman is about after reading this, you’ll never get it. Writer Paul Jenkins provides a detailed introduction to Deadman that he deftly ties into Deadman’s first “client,” the tragic war vet. And Jenkins does this without taking a big crap on Deadman’s history, keeping the character intact without committing some ridiculous re-imagining that completely changes an already-interesting character.

Not to forget the artist: Bernard Chang visually and graphically recalls classic 1960s and 70s Deadman without having to copy Neal Adams. The robotic coloring by Blond often gives Chang’s drawings surreal or ghostly touches, making Chang’s striking images even more striking. There is a combat flashback scene at the top of a page near the middle of this issue. It is such an arresting series of images that it is still on mind. I would say that sequence makes this issue or art team Eisner and Harvey Awards nomination worthy.

A

September 21st
BATMAN #1
http://ireadsyou.blogspot.com/2011/09/batman-1.html
BLUE BEETLE #1
http://ireadsyou.blogspot.com/2011/10/blue-beetle-1.html
CATWOMAN #1
http://ireadsyou.blogspot.com/2011/09/catwoman-1.html
GREEN LANTERN CORPS #1
http://ireadsyou.blogspot.com/2011/10/green-lantern-corps-1.html
NIGHTWING #1
http://ireadsyou.blogspot.com/2011/09/nightwing-1.html
RED HOOD AND THE OUTLAWS #1
http://ireadsyou.blogspot.com/2011/09/red-hood-and-outlaws-1.html
SUPERGIRL #1
http://ireadsyou.blogspot.com/2011/10/supergirl-1.html
WONDER WOMAN #1
http://ireadsyou.blogspot.com/2011/09/wonder-woman-1.html

Wednesday, September 28, 2011

The New 52 Review: RED HOOD AND THE OUTLAWS #1

"OEL DC"

RED HOOD AND THE OUTLAWS #1
DC COMICS

WRITER: Scott Lobdell
ARTIST: Kenneth Rocafort
COLORS: Blond
LETTERS: Carlos M. Mangual
32pp, Color, $2.99 U.S.

The Red Hood is an alias used by various adversaries of Batman. Before the Joker was the Joker, he was the Red Hood in Detective Comics #168 (February 1951). Jason Todd, the second Robin, became the Red Hood after being resurrected. Todd was in fact killed by the Joker in the famous storyline, Batman: A Death in the Family (Batman #426-429).

As part of “The New 52,” DC Comics’ re-launch of its superhero line, Jason Todd gets his own comic book, Red Hood and the Outlaws, with Todd leading a group of antiheroes. As Red Hood and the Outlaws #1 (“I Fought the Law and Kicked its Butt!”) opens, Red Hood undertakes a mission to rescue Roy Harper AKA Arsenal from a prison in the Middle Eastern country of Qurac.

They later join fellow Outlaw, Koriand’r AKA Starfire, the former Teen Titan, on the island of St. Martinique. While Roy and Kori… frolic, Jason gets a visit and dark news from Essence. What has happened to the All Caste?

Visually, Red Hood and the Outlaws mostly looks like an OEL manga (original English language) from TOKYOPOP (or maybe even Del Rey Manga). When it comes to drawing Starfire, artist Kenneth Rocafort offers pretty much what those Top Cow pin-up comic books did in the mid-1990s Barbie doll mixed with Pamela Anderson proportions and weird hair. The art and coloring is at its worst during the opening sequence, where the inking creates a hodge podge of ugly line work and confusing textures.

As for the story, writer Scott Lobdell spins a yarn that is no better or worse than early Image Comics – an action comic book focusing on babes, boobs, and shootouts. It’s not bad; it’s just nothing special. Too many of “The New 52” are like this, and when a publisher is making a big push like this, there should be as little mediocrity as possible.

C+

September 21st
BATMAN #1
http://ireadsyou.blogspot.com/2011/09/batman-1.html
WONDER WOMAN #1
http://ireadsyou.blogspot.com/2011/09/wonder-woman-1.html