Showing posts with label Kim Deitch. Show all posts
Showing posts with label Kim Deitch. Show all posts

Friday, September 14, 2012

Review: Steven Heller's COMICS SKETCHBOOKS

COMICS SKETCHBOOKS: The Private Worlds of Today’s Most Creative Talents
THAMES & HUDSON, INC. – @thamesandhudson

AUTHOR: Steven Heller
DESIGNER: Ashley Olsson
ISBN: 978-0-500-28994-5; paperback
352pp, Color and Black and White; $44.95 U.S., $47.50 CAN

Steven Heller is co-chair of the MFA/Designer as Author + Entrepreneur program at New York’s School of Visual Arts. He is the author, editor, and co-editor of over one hundred books on design and popular culture. His works include Handwritten: Expressive Lettering in the Digital Age (with Mirko Ilic) and New Modernist Type (with Gail Anderson).

His latest book is Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents. A massive book (365 pages, 8.65 x 11.5), Comics Sketchbooks contains sketches, doodles, drawings, roughs, thumbnails, and even comics from some of the world’s most cutting edge and innovative artists and also some emerging talents. Over 80 artists open up their private sketchbooks and notebooks, from which Heller culled the hundreds drawings and samples that fill this fat (and phat) book. Even some artists who do not keep sketchbooks provided roughs and studies for this book.

Readers get a chance to see the thinking and planning and the experimentation, practice, and play behind the work and style of such artists as Charles Burns, Lilli Carré, Drew Friedman, David Mazzucchelli, Gary Panter, and Carol Tyler, to name a few. Readers can see into the sketchbooks of such legends as R. Crumb, Bill Griffith, Victor Moscoso, Bill Plympton, and Arnold Roth. Not every artist in this collection is specifically a comics artists, but according to Heller (in his introduction), all of them make comics as either their primary occupation or as part of their larger body of work.

Admirers, fans, and students of alternative comics and cartoonists will like Comics Sketchbooks. Still, some, like myself, may find this book missing things they wanted, which is a bit ungrateful. Why do I want more?

Obviously, Heller could not get every drawing that he wanted included in this book, for various reasons. One of the reasons is that some artists are self-conscious about opening their sketchbooks. Another reason is that some artists only actively sketch to prepare for upcoming projects, and may, in fact, discard such preliminary drawings and preparatory material once projects are completed.

So, the two pages of David Mazzucchelli just don’t seem like enough, although the sample of his typographical skills almost makes up for that. There are four pages of R. Crumb, but since Crumb has been publishing his sketchbooks and sketchbook material for four decades, the illustrations here won’t seem like anything new.

My minor quibbles aside, there is some spectacular material in Comics Sketchbooks from some major talents, known and little known. The six pages of sketches by Carol Tyler are a doorway into the wonderland that is the talent of this unheralded artist. The offerings from political cartoonist, Ann Telnaes, include several superb sketches of President Barack Obama caricatures. There is no way to prepare for the six pages of Joseph Lambert, which are crammed with drawings. I couldn’t help but return to his section several times.

It would be impractical for me to try to describe all the drawings in this book, all of it good, some of it even stunning, and even a few pieces that are (dare I say it) great. I will tempt some of you by saying that there are a few sketches in here that were proposals for covers for the magazine, The New Yorker, including one by the always fabulous Drew Friedman. This is a good book. Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents should be on comics fans’ wish lists. Steven Heller deserves some awards recognition, and certainly, at least, an Eisner nomination next year.

A

Reviewed by Leroy Douresseaux

www.thamesandhudsonusa.com

The artist and cartoonists included in Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents:

Sotos Anagnos, Chris Battle, Lou Beach, Kaye Blegvad, Peter Blegvad, Russ Braun, Steve Brodner, Charles Burns, Chris Capuozzo, Lilli Carré, Seymour Chwast, Colonel Moutarde, R. Crumb, John Cuneo, Vanessa Davis, Kim Deitch, Julie Delporte, Eric Drooker, Drew Friedman, Manuel Gomez Burns, Bill Griffith, Robert Grossman, Benoit Guillaume, Cyril Guru, David Heatley, Rian Hughes, Kevin Huizenga, Nathan Jurevicius, Ben Katchor, Denis Kitchen, Jakob Klemencic, Thomas Knowler, Matej Kocjan, Nora Krug, Olivier Kugler, Peter Kuper, Joseph Lambert, Brendan Leach, Etienne Lecroart, Matthias Lehmann, Martin Lemelman, David Libens, Sebastien Lumineau, Patrick McHale, Matt Madden, Javier Mariscal, David Mazzucchelli, Rutu Modan, Saxton Moore, Victor Moscoso, Joanna Neborsky, Josh Neufeld, Mark Newgarden, Vladan Nikolic, Gary Panter, Bill Plympton, Max De Radigues, Laren Redniss, Arnold Roth, Marcel Ruijters, Johnny Ryan, David Sandlin, Seth, Peter De Seve, Robert Sikoryak, Posy Simmonds, Mark Alan Stamaty, Jim Steranko, James Sturm, Joost Swarte, Takeshi Tadatsu, Ann Telnaes, Simon Tofield, Jeremy Traum, Carol Tyler, Andres Vera Martinez, Lauren Weinstein, Tracy White, Signe Wilkinson, Run Wrake, Derek Yaniger, and Danijel Zezelj



Thursday, June 3, 2010

Kim Deitch and Megan Kelso at The Strand Bookstore in NYC

KIM DEITCH AND MEGAN KELSO CELEBRATE THEIR NEW GRAPHIC NOVELS AT THE STRAND ON JUNE 24

Fantagraphics Books and New York's The Strand Bookstore are proud to present an evening with acclaimed graphic novelists Kim Deitch and Megan Kelso on June 24, talking about and signing their new graphic novels THE SEARCH FOR SMILIN' ED (by Deitch) and ARTICHOKE TALES (by Kelso).

Kelso will be making a rare return to New York since moving back to her hometown of Seattle, WA a few years ago. She will give a multimedia talk called "Big and Small": How do you construct a story that includes the big wide world, history, culture, sweeping events like war and political change, but that also includes personal, intimate character-driven things like friendship, family relationships, love, sex, babies and dying? How do you meld the two together into a believable whole? How do you humanize important historical players, kings, queens and presidents, and also show how the personal lives of ordinary people are affected by grand events that take place outside their doors? This are the essential questions that Kelso asked herself throughout the creation of Artichoke Tales, and she answers them through examples of her own work, as well as other artists who are engaged with similar issues, from Joe Sacco to Lynda Barry.

Meanwhile, underground comix and New York legend Deitch will present a visual tour through his "universe," which features a a sprawling, multi-generational cast of characters both fictional and real, spanning comics and animation history of the 1920’s and 30’s through the present day, with a particular focus on his latest epic, The Search for Smilin' Ed. Deitch will explicate his incredibly intricate yet organic page and panel constructions, which he employs with unparalleled excellence in the creation of structurally complex narratives concerning equally complex characters.

These lively talks will be followed by a question and answer session with the audience and book signing.

Listing information:
WHO: Megan Kelso and Kim Deitch
WHAT: Multimedia talk and book signing
WHERE: The Strand Bookstore, 12th & Broadway, New York, NY
WHEN: Thursday, June 24, 7PM

ARTICHOKE TALES is the long-awaited graphic novel from Megan Kelso, a six-years-in-the-making family saga spanning three generations and an entire continent. This coming-of-age story is about a young girl named Brigitte whose family is caught between the two warring sides of a civil war, taking place in a world that echoes our own, but whose people have artichoke leaves instead of hair. Influenced in equal parts by Little House on the Prairie, The Thorn Birds, Dharma Bums, and Cold Mountain, Kelso weaves a moving story about family amidst war. Kelso’s visual storytelling, uniquely combining delicate linework with rhythmic, musical page compositions, creates a dramatic tension between intimate, ruminative character studies and the unflinching depiction of the consequences of war and carnage, lending cohesion and resonance to a generational epic. This is Kelso’s first new work in four years; the widespread critical reception of her previous work, THE SQUIRREL MOTHER, makes Artichoke Tales one of the most eagerly anticipated graphic novels of 2010.

THE SEARCH FOR SMILIN' ED is the latest of Kim Deitch’s graphic novels to showcase his obsessive burrowing into the nooks and crannies of vintage American popular culture. A long-gone children’s show host propels Deitch into a pop-culture investigation.

Where Deitch's earlier books focused on the earliest days of the animation industry (in THE BOULEVARD OF BROKEN DREAMS), the history of comic strips (ALIAS THE CAT), and vintage movie serials (SHADOWLAND), THE SEARCH FOR SMILIN' ED explores the surreal landscape of children’s TV shows. Launched on his latest investigation by a remark from his brother about a shared childhood favorite (“Y’know, I heard that when Smilin’ Ed died... his body was never found!”), Deitch begins to uncover some mysterious things about the kiddie-show host and his malevolent sidekick, Froggy the Gremlin. Ranging across the entire twentieth century, replete with flashbacks and stories within stories, The Search for Smilin’ Ed! is a narrative whirligig that shows Deitch at his wildest and woolliest.


Monday, March 29, 2010

Kim Deitch in Baltimore


CARTOONIST KIM DEITCH TO SPEAK AT JOHNS HOPKINS APRIL 26

The Homewood Art Workshops wraps up its 35th anniversary celebration with a slide talk by legendary cartoonist Kim Deitch on Monday, April 26. Deitch’s talk, “The Search for Smilin’ Ed and Other Tales,” will begin at 5:30 p.m. in Room 101 of the F. Ross Jones Building, Mattin Center, on the Homewood campus at 3400 N. Charles St. in Baltimore.

Along with Robert Crumb, Bill Griffith and Art Spiegelman, Deitch transformed the art of cartooning in the psychedelic late 1960s. Combining a love of early 20th century comic strips and animation with the media-savvy satire of mid-century MAD Magazine, these artists gave a raucously subversive jolt to a nearly moribund medium.

Deitch, 65, began doing comic strips for the New York underground newspaper, the East Village Other, in 1967. Since then, his work has appeared in dozens of publications, including RAW, Pictopia, Details, Nickelodeon Magazine, and Little Lit. Among his groundbreaking comic books and graphic novels are Hollywoodland, The Mishkin Files, A Shroud for Waldo, The Boulevard of Broken Dreams and Alias the Cat! His latest book, The Search for Smilin’ Ed, will be published by Fantagraphics in June. Deitch will sign advance copies of Smilin’ Ed at the Johns Hopkins Barnes & Noble, 3330 St. Paul Street, on Sunday, April 25, from 4 to 6 p.m.

Deitch has been recognized with the comics industry’s highest honors, including an Eisner Award, an Inkpot Award and a retrospective exhibition at the Museum of Comic and Cartoon Art in 2008. He lives in New York City with his wife, Pam.

“The Search for Smilin’ Ed and Other Tales” is co-sponsored by Homewood Art Workshops and Homewood Arts Programs. Visitor parking on campus is available in the South Garage, 3101 Wyman Park Drive, Baltimore, Md. 21211. Admission is free and open to the public. For more information, call 410-516-6705.