I Reads You Review: ALL-NEW X-MEN #2

ALL-NEW X-MEN #2
MARVEL COMICS

WRITER: Brian Michael Bendis
PENCILS: Stuart Immonen
INKS: Wade von Grawbadger
COLORS: Marte Gracia
LETTERS: VC’s Cory Petit
28pp, Colors, $3.99 U.S.

Rated T+

The Marvel Comics event, Marvel NOW, is a re-launch, re-vamp, or re-something. It means lots of new first issues and restarts. One new title has shockingly (to me) and totally captured my imagination and attention. That title is All-New X-Men by writer Brian Michael Bendis and artist Stuart Immonen. I have not been this excited about an X-Men title since John Byrne’s X-Men: The Hidden Years and Grant Morrison and Frank Quitely’s New X-Men.

All-New X-Men has started with a series of bangs. Cyclops/Scott Summers, one of the original X-Men, has become a highly controversial figure. Cyclops is the public face of a new mutant revolution. He and his teammates: Magneto, the White Queen, and Majick, are gathering new mutants as fast as they appear.

Meanwhile, the X-Men at the Jean Grey School for Higher Learning: Storm, Wolverine, Beast, Iceman, and Kitty Pryde fear that Cyclops’ activities will trigger a mutant apocalypse. In a desperate bid to stop this from happening, the Beast/Hank McCoy goes back in time to ask the original X-Men for help.

As All-New X-Men #2 opens, the Beast confronts the original X-Men: Cyclops, Marvel Girl, Angel, Iceman, and his younger-and-lacking-blue-fur self, the Beast. He wants them to return to the future with him so that perhaps, younger Scott, seeing the way older Scott is acting, will change things. But if the original X-Men decide to help, who says they won’t do it their own way?

Why is All-New X-Men so good? It’s simple. Brian Michael Bendis’ thoughtful, occasionally dense, and character-centric writing, which focuses on Marvel’s mutants, both as people and heroes, is ideal for an X-Men comic book. This opening storyline (“Here Comes Yesterday”) allows Bendis to define personalities and ambitions and aspirations. These are the things that drive the conflict within each individual and within the team, as well as within the larger mutant community and the larger world.

Stuart Immonen’s pencil art delivers compositions that capture the intimate moments and the superhero melodrama of Bendis’ script. It tells the story in a compelling and dramatic way that makes each moment and each panel necessary to the story. Inker Wade von Grawbadger gives the story even more dramatic heft, adding a dark overtone while also making the art eye candy. Immonen and von Grawbadger present some of the best graphical storytelling that X-Men comics have delivered in a decade, as far as I’m concerned.

A+

Reviewed by Leroy Douresseaux

Albert Avilla Reviews: Uncanny Avengers 002

Uncanny Avengers 002
Marvel Comics

Reviewed by Albert Avilla

Writer: Rick Remender
Artist: John Cassaday
Cover: John Cassaday and Laura Martin
Variant Cover: Milo Manara

(Spoilers!)
There is a battle going on for my comic book dollars, and the number one contender is the Uncanny Avengers. I’ve already put it on my pull list. The number one reason is Remender’s writing.

When I saw that the Red Skull was going to be the first adversary of the Uncanny Avengers, I thought, oh boy, some of the same old same-old. I’m wrong so often it’s easy for me to admit when I am wrong. Remender handles the Skull well; he has a good insight into who the Skull is. Who better to use as the catalyst to further incite the humans’ hatred of the mutants than the former henchman of Adolf Hitler.

Remender’s writing exposes the evil that the Skull is. He uses our desire to find something to blame for what is not right in the world and amplifies it into a maniacal hatred. He is a master of human psychology; this is vividly illustrated in his attempt to recruit the Scarlet Witch. With his powers, Professor Xavier was able to subdue Wanda, using psychological weaknesses from her father issues to her own concern about being a powerful mutant. The Skull is always able to find minions whom he can convert to his cause and who are willing to sacrifice their humanity to serve him. They are just tools to help accomplish his goals, to be disposed of once used.

At the same time, Remender gives us examples of good. The first is when Xavier takes a stand against the other X-Men when he first accepted Rogue into the X-Men. This was a pivotal moment in the young woman’s life, saving her from a fall into the darkness. Rogue has been a warrior who has turned battles in the favor of the X-Men. Another is the Uncanny X-Men helping clean up the site that Avalanche destroyed. That’s good people when they party with you all night long and help you clean up the mess afterward.

Another thing that I like about Remender is he does not forget the characters’ past; he builds on them. Remender gives everybody their moment in the story; no one character is more important to the story than the other. Thor is nothing but hero. He could be chilling in Asgard, but he’s on Earth taking up the mutant cause with Cap [Captain America, of course – Ed.]. He is giving the Scarlet Witch more of an edge and a sense that she is superior to others. The Skull has the power of Charles Xavier. He was hell before; now what kind of mischief will our little red goblin get into?

The art is “wow” at every turn. Every panel is a masterpiece of sequential art. Sometimes, I get the feeling that the dialogue is interfering with my enjoyment of good art. Can we get Thor a spa day or a godly makeover; the dude is looking rough in his work clothes. What ever happened to godly raiment?

I rate Uncanny Avengers 002 Recommend it to a Friend. Highest ranking on the Al-O-Meter

Albert Avilla Reviews: Avengers #1

Avengers #1
Marvel Comics

Reviewed by Albert Avilla

Writer: Jonathan Hickman
Artist: Jerome Opena
Cover: Dustin Weaver and Justin Ponsor
Variant Covers: Steve McNiven and Justin Ponsor; Esad Ribic

“Avenger’s World” (Spoilers!)
Now, I know why the #1 on the cover is so big. Sometimes you like something, but you don’t know why. This is one of those times for me. I can’t say that the action was on a grand scale; The Avengers got their butts beat down.

The villains do seem to be interesting, but they are not beyond what we have come to expect. They are very powerful, and they took the Avengers out in a minute; they will be a challenge for the Avengers to defeat. They are new and fresh, and they are the worst kind of villains, beings who think that humans are primitives and that they are working for the good of mankind.

The dialogue is good stuff, but it’s just basic characters interacting with each other. Jonathan Hickman gives the events of this story a sense of historic significance. We get the feel that this is a major turning point in the history of the Universe. The Avengers are presented as legendary heroes whose myths go beyond their actual deeds. These are modern day George Washingtons and Geronimos whose legends have outgrown the real people. This is the beginning of an epic story. Hickman has set the stage for greatness; I hope that he is able to deliver.

Jerome Opena’s art is signature. It stands out in the crowd. Iconic characters and iconic scenes are found throughout the book. The art adds to the grandiose quality of the story.

I rate Avenger # 1 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking.

Albert Avilla Reviews: X-Men Legacy #1

X-Men Legacy #1
Marvel Comics

Reviewed by Albert Avilla

Writer: Simon Spurrier
Pencils: Tan Eng
Inks: Craig Yeung

“Prodigal” (Spoilers!)
The story begins in the mind of David Haller, where he has set up a prison system to control his alternate personalities. Apparently, the system had been working until one of the inmates, Ksenia Panov, notices a weakness. David returns to the real world, where he is working with Merzah the Mystic to deal with his insanity. David seems to be doing well, even healing others from their mental illnesses. He has a moment when he loses his concentration and Panov attacks at this time. David gets his control back and Panov is put back in her brain cell.

At that moment in the real world, David deals with a group of restless natives; by the time he’s finished, they want to worship him. Then all heck breaks loose when David feels the death of Xavier. The prison in his mind is destroyed, and the compound and the surrounding areas in the real world are also destroyed. We are left with two ominous battles looming: (1.) David fighting the X-Men and ( 2.) David fighting his evil alternate personalities.

As a set up issue, this is not a bad story, but if the coming battles are not awesome, then I’ll feel that this was lost money. I want to judge an issue on its own merits, but that is hard to do when it is a part of a story arc. With a character as powerful as Legion, the challenges that he faces must be more powerful than he is. We need to see our heroes face insurmountable challenges. Mr. Spurrier has his own challenge of beginning to create stories where Legion will be challenged on a consistent level. Having Legion on the edge of loosing his sanity and going ballistic will always maintain a certain intensity in any story.

I respect the talent of artists, but I have taken on the role of reviewing books for the public. I have to have the integrity to say blah when I feel blah. The art in this book makes me feel blah. The faces are blah. The characters are blah. The backgrounds are blah. The details are blah. It might be the reason that X-Men Legacy does not put the wow in Marvel Now.

I rate X-Men Legacy #1 Read a Friend’s Copy. #3 (of 5) on Al-O-Meter Ranking

Albert Avilla Reviews: Captain America #1 (Marvel NOW)

Captain America # 1
Marvel Comics

Reviewed by Albert Avilla

Writer: Rick Remender
Pencils: John Romita
Inks: Klaus Janson
Colors: Dean White

Castaway in Dimension Z (Spoilers!)
When I first saw the promos for the new Captain America title, I wasn't looking forward to the Dimension Z storyline. That's my P.C. way of saying they are about to filty-farn up my favorite character. Don't be like me; don't judge the story before you read it. Once I start reading, I do so with an open mind.

This seems to be the beginning of a good story arc. The story begins with a flashback to Steve Rogers' boyhood, where his father is abusing his mother. We learn that Cap gets his courage from his mother. Remender makes a contribution to the legacy of Captain America in the first issue. We quickly get into some action as Cap battles an eco-terrorist, the Green Skull; he should know better to call Cap out like that. Cap saves Manhattan from destruction, just another day at the office.

Shocker, Sharon Carter proposes to Cap. Cap should have made Sharon a respectable woman years ago. People got married back in Steve's day. Cap is a proponent of old fashioned values; well, it’s time to step up to the plate. He should have started his family years ago. Who would be a better father and husband than Captain America? Sharon knows a good man is hard to find, and she is not letting this one get away.

Then, Cap is going on a mission without any intel, the perfect formula for surprise. No sooner than Cap gets on the secret subway, he's captured and drugged. Cap wakes up in a lab to find himself in the hands of Arnim Zola. Zola wants the super-soldier serum, and he's taking it the hard way. Zola wants the serum for his daughter and his well-designed son. Of course, Cap escapes in the most thrilling way possible and saves or kidnaps the baby, depending on your point of view. Cap finds himself trapped in Dimension Z with an infant to care for; that's what you get for doing what's right before you think it through. Cap gets a proposal and now, he has a baby to care for. Where is Mr. Remender leading Cap? I know it's the first issue, but this new direction has me hyped. Change is not always a bad thing, when it's done right.

Marvel is going top shelf with Romita Jr. doing the art. The visual aspect of the comic is astounding. Romita Jr. delivers quality no matter the setting; he rises to the challenge.

I rate Captain America # 1 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking