Review: MARVEL LEGACY #1

MARVEL LEGACY No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Jason Aaron
ART: Esad Ribic with Steve McNiven
COLORS: Matthew Wilson
LETTERS: VC's Cory Petit
ADDITIONAL ARTISTS: Chris Samnee; Russell Dauterman; Alex Maleev; Ed McGuinness; Stuart Immonen and Wade von Grawbadger; Pepe Larraz; Jim Cheung; Daniel Acuña; Greg Land and Jay Leisten; Mike Deodato, Jr.; David Marquez
COVER: Joe Quesada and Kevin Nowlan with Richard Isanove
VARIANT COVERS: Alex Ross; Mark Brooks; John Tyler Christopher; Mike Deodato, Jr.; Terry Dodson and Rachel Dodson; Greg Land with Frank D'Armata; Amy Reeder; Skottie Young
64pp, Color, $5.99 U.S. (November 2017)

Rated T+

Marvel Legacy #1 is a new one-shot comic book from Marvel Comics.  I don't really know its purpose, other than what I read on the Internet.  After a year of reportedly falling sales of its comic books, Marvel does what it and DC Comics normally do:  initiate a reboot or a re-launch or hit-the-refresh/restart button, etc.  Such a rehash... I mean such a refresh is usually preceded by some kind of large scale publishing event, as it was here.  I guess that was the Secret Empire miniseries and the corresponding tie-ins and spin-offs.

SO I'LL SAVE YOU SOME TIME:  Marvel Legacy #1 has a few entertaining moments, with the best being the Wolverine reveal.  Some of it piqued my interest, but most it fell flat for me.  If you are looking for something exceptional, great, memorable, etc., Marvel Legacy #1 is not it, and it certainly is not worth the $5.99 cover price.  That said, you only need to keep reading this review if you usually enjoy my ramblings...

So here we go again; Marvel Legacy #1 launches the next big start-over.  I have read a lot of web commentary in which people compare this comic book to DC Comics' DC Universe Rebirth from last year.  I don't see the resemblance, and Rebirth has purpose and direction (at least to me), whereas Marvel Legacy #1 reads like a bunch of teasing and anticipation balled up together.

Marvel Legacy #1 has an omniscient narrator, Valeria Richards, the second child of Reed Richards and Sue Storm of the Fantastic Four.  She talks about legacies and begins her narration “One Million Years Ago.”  Something happened back then; that something plus some more bad stuff is coming back today.  Get ready.

Yep, that's it – something wicked this way comes, eventually.  The main story is written by Jason Aaron and drawn mainly by Esad Ribic, with some of it drawn by Steve McNiven.  Interspersed between segments of the main story are some one and two-page excerpts from upcoming Legacy launches – like Mark Waid and Chris Samnee's upcoming run on Captain America (Steve Rogers).

That's what this is all about, right?  A return to original i.e. traditional i.e. “white” characters.  Some believe that Marvel angered its aging white male fan base by recasting too many of its characters as black, Latino, Asian, female or some combination thereof.  Here's an anecdote for you.  For years, white male comic book readers told me that they did not want white comic books or black comic books, but they wanted good comic books.  Okay... Black male Spider-Man, Black female Iron Man, White female Hawkeye, Pan-Asian Muslim Ms. Marvel, White lady Thor are the leads of some very well written comic book series.  I know that because I read them.  But whiny White comic book retailers, clueless comic book corporate middle management, and fans who don't read books they complain about are driving this need for Marvel Comics to reset.

But the real villains here are Marvel Comics' shitty editorial decisions, arrogant management, piss-poor publishing plans, and virtually non-existent marketing.  Marvel Legacy #1 exists for the same reasons Marvel NOW, All-New Marvel NOW, and Marvel Now & Laters existed – all of the above and Marvel's addiction to the sales bump it gets from #1 issues.

Marvel Comics publishes too many comic books and has been doing so for 30 years.  Many of those comic books exist because Marvel will throw a lot of money at “star creators” to produce comics; or because someone will come up with some cute gimmick; or simply to grab more market share; or because a hit Marvel Studios movie will mean launching 10 new comic books directly, indirectly, vaguely, and/or even tangentially related to the movie.  Baby Groot the comic book series, y'all.

Too many titles frustrate readers for various readers, but especially because they cannot keep up with all those new comic books.  Marvel Legacy #1 is another pretend fix for symptoms that arise from Marvel's poor decision making.  That decision making needs a cure; the symptoms will go away after the cure.  For all Marvel's talk of a return to classic Marvel storytelling, next year it will do something like recast all its characters as Buddhists golden retrievers.

Marvel Comics' real legacy is that, no matter who owned Marvel, they never appreciated the artists and writers who really created the characters and stories that made Marvel a business and cultural force.  They held on tightly to Spider-Man, the X-Men, the Fantastic Four, Iron Man, and more while being dismissive of the talent, Jack Kirby and Steve Ditko, that drew those characters into existence.  Did it ever occur to those bosses how many more great characters and stories creators like Kirby and Ditko would have created for Marvel had the bosses acknowledged them financially and personally in a manner befitting people who multi-million dollar franchises?

So Marvel Legacy #1 epitomizes Marvel's real legacy – the short-sighted, self-serving choices instead of the long term choices that come with more risk and less immediate gratification.  Plus, Marvel Legacy #1 is just another comic book, fast food hamburger off the corporate conveyor belt – granted that there is some rather nice art inside.

C
4 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: DARTH VADER #1

DARTH VADER No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. Visit the "Star Wars Central" review page here.]

STORY: Charles Soule
PENCILS: Giuseppe Camuncoli
INKS: Cam Smith
COLORS: David Curiel
LETTERS: VC's Joe Caramagna
COVER: Jim Cheung with Matthew Wilson
VARIANT COVERS: John Tyler Christopher; Phil Noto; Mark Brooks; Adi Granov; Skottie Young; David Lopez; Rod Reis
44pp, Color, $4.99 U.S. (August 2017)

Rated T

“The Chosen One” Part I

Of course, you know that The Walt Disney Company owns Marvel Comics, dear readers.  Shortly after acquiring Marvel Entertainment, Disney bought Lucasfilm, Ltd., the owner of all thing Star Wars.  Marvel Comics, the original home of Star Wars comics, is once again publishing Star Wars comics, and this time, these comic book are officially part of the Star Wars canon.

Two years ago, Marvel launched the comic book series, Darth Vader.  Written by Keiron Gillen and drawn by Salvador Larroca, the series was set immediately after the events depicted in the original 1977 film, Star Wars (or Star Wars: Episode IV – A New Hope).  In this comic book, we watched as Darth Vader was forced to work his way back into Emperor Palpatine good graces because the Emperor held Vader responsible for the destruction of his ultimate weapon, the Death Star, by the Rebel Alliance – as seen Star Wars.

Now, there is a new Darth Vader comic book series.  It is written by Charles Soule; drawn by Giuseppe Camuncoli (pencils) and Cam Smith (inks); colored by David Curiel; and lettered by Joe Caramagna.  This series is set after the events depicted in the 2005 film, Star Wars: Episode III – Revenge of the Sith, although some of it recounts events that took place at the end of that film.

Darth Vader #1 opens as Anakin Skywalker awakens as the monster in a suit of cybernetic armor, Darth Vader.  He is filled with pain and rage over the death of his wife, Padmé Amidala.  After Emperor Palpatine brings his new dog, Vader, to heel, he begins the task of making the new Sith Lord prove that he can help him in the task of building and defending a Galactic Empire.  First task: Vader must build a lightsaber worthy of a Sith.

A Star Wars comic book has to be really bad or pretty average to get a grade of less than B+ from me.  I am a decades-long Star Wars fan and get a kick out of reading Star Wars comic books.  I am giving this new Darth Vader #1 a grade of B+, although I don't much care for Giuseppe Camuncoli's art.  This opening chapter is okay, but it does set up the possibility of some really exciting chapters to come.

So, go get this new Darth Vader #1, Star Wars fan.

B+

[This comic book includes the bonus story, “No Good Deed...” by Chris Eliopoulos with Jordie Bellaire.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

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Review: BLACK WIDOW #1

BLACK WIDOW No. 1 (2016)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITERS: Chris Samnee and Mark Waid
ART: Chris Samnee
COLORS: Matthew Wilson
LETTERS: VC's Joe Caramagna
COVER: Chris Samnee with Matthew Wilson
VARIANT COVERS: John Tyler Christopher; Stephanie Hans; Tula Lotay; Phil Noto; Kevin Wada; Skottie Young
28pp, Color, $3.99 U.S. (May 2016)

Rated “T+”

Black Widow is a Marvel Comics female superhero.  She was created by editor-plotter Stan Lee, scripter Don Rico, and artist Don Heck and first appeared in Tales of Suspense No. 52 (cover dated: April 1964).  When she was first introduced, Black Widow was Natasha Romanova, a Russian spy who did not wear a superhero costume.  She was an antagonist of Iron Man, but later defected to the United States, where she became an agent of the spy agency S.H.I.E.L.D., and a member of the Avengers, becoming, of course, a superhero.

The All-New, All-Different Marvel presents a new comic book featuring Ms. Romanova, entitled (of course), Black Widow.  The series is written by Chris Samnee and Mark Waid; drawn by Samnee; colored by Matthew Wilson; and lettered by Joe Caramagna.

Black Widow #1 opens with the title character fighting her way through an office section of the S.H.I.E.L.D. Helicarrier.  Black Widow has gone rogue and is fighting former colleagues.  She is now S.H.I.E.L.D. public enemy #1.  Why?

I have never read a single issue of Mark Waid and Chris Samnee's Eisner Award-winning run on Daredevil, but I keep planning on doing so.  I did read their thrilling IDW Publishing miniseries, The Rocketeer: Cargo of Doom, which I quite enjoyed (Encore! Encore!).

I'm curious about Black Widow because I am a fan of actress Scarlett Johanson's portrayal of the character in several Marvel Studio films.  So now I'm all like, let's read some Black Widow comics.  Well, this new Black Widow #1 is comprised of a long action sequence.  It is neither imaginative nor thrilling.  At the end of the book, Waid, Samnee, and editor Jake Thomas swear that we are in for something really good.  Just wait until the next issue... or the one after that... or the one after that...  [Just wait for the trade!]

This first issue is but a taste... OK.  So I'll give Black Widow #1 a grade of “B-” with the hope of a better grade on layaway.

B-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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I Reads You Review: THOR #1

THOR (2014) #1
MARVEL COMICS – @Marvel

WRITER: Jason Aaron
ART: Russell Dauterman
COLORS: Matthew Wilson
LETTERS: VC's Joe Sabino
COVER:  Russell Dauterman with Frank Martin
VARIANT COVERS:  Sara Pichelli with Laura Martin; Esad Ribic, Andrew Robinson; Alex Ross; Fiona Staples; Skottie Young
28pp, Color, $3.99 U.S. (December 2014)

Rated “T+”

Marvel Comics' version of Thor is, of course, based on the Norse mythological deity of the same name.  Marvel's the mighty Thor is the Asgardian god of thunder; possesses the enchanted hammer, Mjolnir; and is also a superhero, as well as being a member of The Avengers.

Thor first appeared in Journey into Mystery #83 (cover dated August 1962) and was created by editor-plotter Stan Lee, scripter Larry Lieber, and penciller Jack Kirby.  For most of his 52 years of existence, Thor has possessed Mjolnir, which, among other superhuman attributes, grants him the ability of flight and of weather manipulation.

Thor has possessed that “enchanted hammer” for most of his comic book existence, but there have been times when Thor:  the Prince of Asgard, the one true God of Thunder, and the Odinson, has not possessed Mjolnir.  One famous example of another being wielding Mjolnir was Beta Ray Bill, a character that debuted in The Mighty Thor #337 (cover dated: November 1983), the first issue of Walter Simonson's acclaimed run as writer-artist of The Mighty Thor.

Now, another new era of Thor begins.  Thor will be the “Goddess of Thunder.”  As part of Marvel Comics' “Avengers NOW!” initiative, there is a new ongoing Thor comic book series written by Jason Aaron, drawn by Russell Dauterman, colored by Matthew Wilson, and lettered by Joe Sabino.

Thor #1 (“If He be Worthy”) opens in the Norwegian Sea at the Roxxon Seabase.  It is about to be visited by some monstrous denizens of the deep, spurred on by an old adversary of Thor's.  Meanwhile, on the moon, Thor finds that no matter how hard or how often he tries, he cannot lift Mjolnir.  His father, Odin the All-Father, has returned and is not helping the troubling situation.  His wife and Thor's mother, Freyja the All-Mother, seems to have accepted this sudden wave of change.  The attack on the sea base makes Thor remember that he still has to be a superhero.  How will that work out for him without Mjolnir?

This year, I have been reading more Marvel Comics number-one issues than I have in a long time.  That's why I picked up the new Thor #1.  I am glad that I did; it's an exciting first issue.  I didn't think Thor in a state of ultimate humiliation could be such an enthralling character and compelling situation.  I didn't think I could yearn so much for him to be healed, but Jason Aaron's script is a thing of wonders.  Every scene hits the notes it needs to in order to make this new state of Thor work.

Now, I can't say that I am equally enthralled with Russell Dauterman's art.  I liked him more as the artist on the current Cyclops comic book series.  Dauterman is not bad here; maybe, the art just needs time to grow on me.  I'm curious to see what the second issue is like.  I think that's where the real force of change will be felt.  In the meantime, I recommend that readers at least try the first issue of this new Thor.

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: NIGHTCRAWLER #1

NIGHTCRAWLER (2014) #1
MARVEL COMICS – @Marvel

WRITER: Chris Claremont
ARTIST: Todd Nauck
COLORS: Rachelle Rosenberg
LETTERS: VC’s Cory Petit
COVER: Chris Samnee with Matthew Wilson
VARIANT COVERS: Chris Samnee with Matthew Wilson; Humberto Ramos with Edgar Delgado
28pp, Color, $3.99 U.S. (June 2014)

Rated T+

Nightcrawler (also known as Kurt Wagner) is a Marvel Comics superhero character and is best known as a member of the X-Men.  Nightcrawler was created by writer Len Wein and the late artist Dave Cockrum, and the character debuted in Giant-Size X-Men #1 (cover dated: May 1975).

Nightcrawler is a mutant and his most obvious power is the ability to teleport across short or long distances.  He also possesses superhuman agility and adhesive three-fingered hands and two-toed feet.  He has indigo or blue-colored fur (which allows him to blend into shadows), yellow eyes, pointed ears, and a prehensile tail.

Nightcrawler has appeared in numerous X-Men and related publications, including the 1980s and 90’s series, Excalibur.  He has been the star of two miniseries and a short-lived ongoing series.  Nightcrawler was killed off in X-Force (Vol. 3) #26 (cover dated:  April 2010), which was part of the X-Men: Second Coming crossover publishing event.

Nightcrawler recently returned to the Marvel Comics land of the living.  Now, there is a new Nightcrawler ongoing comic book series from the creative team of writer Chris Claremont, artist Todd Nauck, colorist Rachelle Rosenberg and letterer Cory Petit.

Nightcrawler #1 opens at the Jean Grey School of Higher Learning.  In the Danger Room, where the X-Men hone their skills, Nightcrawler engages Wolverine in a fierce one-on-one battle session.  Storm, Beast, and Dr. Cecelia Reyes watch.  Nightcrawler is also having a difficult time with his new surroundings, especially a school full of strange, new mutant students.  Nightcrawler travels to Manhattan to visit his longtime girlfriend, the witch Amanda Sefton.  But a normal romantic evening is not to be – not for an X-Man.

Chris Claremont is not credited as a creator of Nightcrawler.  He has written the character longer than anyone else, and he was the first to write the character extensively.  So Claremont is practically Nightcrawler’s father and co-creator, but you could not tell that judging by Nightcrawler #1 alone.

It is not a bad read.  This is just mostly nothing.  It is as if Claremont’s creative engine has not only run out of fuel, but has also simply worn down from overuse.  Even if it could be re-energized, I wonder if Claremont’s imagination could ever deliver the X-Men stories he once did.  Lord, how I hope that I am wrong.

I cannot explain exactly, but I think that Nightcrawler #1 would be different if Marvel were not publishing so many X-Men comic book series.  I think Claremont would have more leeway in what he could do with this character and this series without having to work around all the other X-books.  I hope for better because I really looked forward to this new Nightcrawler comic book series.  I love the character, and I love Claremont writing the X-Men.

Even Todd Nauck’s art is uninspired.  It is like a step down from what he has done before now.  My review grade is generous.

C+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

The New 52 Review: WONDER WOMAN #1

WONDER WOMAN #1
DC COMICS

WRITER: Brian Azzarello
ARTIST: Cliff Chiang
COLORS: Matthew Wilson
LETTERS: Jared K. Fletcher
COVER: Cliff Chiang
32pp, Color, $2.99 U.S.

Created by William Moulton Marston, Wonder Woman is perhaps the best known female superhero. She first appeared in All Star Comics #8 (cover date December 1941). Wonder Woman is a Princess of the Amazons (based upon the Amazons of Greek mythology) from Paradise Island, now known as Themyscira. Her powers include flight and super-strength, -speed, -stamina, and -agility, as well as being highly proficient in hand-to-hand combat.

With the exception of most of 1986, Wonder Woman has continuously appeared in her own comic book series for seven decades. As part of “The New 52,” DC Comics’ re-launch of its superhero line, Wonder Woman returns in a new comic book series. Wonder Woman #1 (“The Visitation”) finds a young woman named Zola under assault by creatures from Greek mythology. Hermes sends her to Wonder Woman (she prefers “Diana’) for help, but Zola’s problems are bigger than anyone (on Earth) imagines.

The word here is “efficiency,” which results in one of the best of “The New 52.” As of this writing, I’d put it in the top three. Brian Azzarello’s story is smooth in its intensity with a script that moves the action through different locales as it brings together several characters and subplots into one might conspiracy.

It’s the same with the art by Cliff Chiang. The art captures the intensity of the story and its fast pace, but with solid composition and storytelling that belies the story’s anxious pace. Chiang’s Wonder Woman is a slim, athletic dynamo, and his figure drawing will make you believe that an Amazon is a real thing.

Wonder Woman is a comic book I want to read again.

A