#IReadsYou Review: Wolverine #1

WOLVERINE #1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Benjamin Percy
ART: Adam Kubert; Viktor Bogdanovic
COLORS: Frank Martin; Matthew Wilson
LETTERS: VC's Cory Petit
EDITOR: Jordan D. White
COVER: Adam Kubert with Frank Martin
VARIANT COVER ARTISTS: Alex Ross; Chip Kidd; Jeehyung Lee; Jim Lee with Jason Keith; Rahzzah; R.B. Silva with Marte Gracia; Skottie Young; Gabriele Dell'Otto
72pp, Color, $7.99 U.S. (April 2020)

Parental advisory

Wolverine created by Roy Thomas, Len Wein, and John Romita, Sr.

“The Flower Cartel” and “Catacombs”

Wolverine is a Marvel Comics character, a member of the superhero team, the X-Men, and one of Marvel's all-time most popular characters.  Wolverine first appeared in the last panel of The Incredible Hulk #180, but his first full appearance was in The Incredible Hulk #181 (cover-dated: Nov. 1974).  Wolverine was created by then Marvel Editor-in-Chief Roy Thomas, writer Len Wein, and then Marvel art director John Romita (Sr.)  Romita designed Wolverine, but the late artist Herb Trimpe drew Wolverine's earliest comic book appearances.

Wolverine first starred in his own solo comic book in the four-issue miniseries simply entitled Wolverine (cover-dated:  September to December 1982), which was famously written by Chris Claremont and drawn by Frank Miller.  Claremont and the late comic book artist, John Buscema, launched Wolverine's first ongoing comic book series with Wolverine #1 (cover-dated: November 1988), the first of many Wolverine ongoing comic book series.

Summer 2019, writer Jonathan Hickman revamped, rebooted, and re-imagined the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October 2019 welcomed “Dawn of X,” the launch of six new X-Men titles.  The new series are Excalibur, Fallen Angels, Marauders, New Mutants, X-Force, and X-Men.

The seventh Wolverine ongoing comic book series headed the “second wave” of “Dawn of X” titles.  Wolverine (2020) is written by Benjamin Percy; drawn by Adam Kubert; colored by Frank Martin; and lettered by Cory Petit.  The first issue of the new series also includes a second story written by Percy; drawn by Viktor Bogdanovic; colored by Matthew Wilson; and lettered by Petit.

Wolverine #1 (“The Flower Cartel”) opens to find Wolverine and his cohorts:  Marvel Girl, Domino, and Kid Omega, in a sorry state.  The story turns to a flashback from several days earlier, with Wolverine on Krakoa, the living island and mutant nation-state that is the home to all mutants on Earth (if those so choose).  At the behest of Kitty Pryde, Wolverine begins an investigation/mission to discover who is selling narcotics based on a Krakoan flower from which medicine is derived.  Wolverine will come across many players in this narcotics trade before finding himself tangling with an entity known as “The Pale Girl.”

In the second story, Wolverine begins another investigation/mission, this time to discover why the homicidal mutant, Omega Red, suddenly showed up on Krakoa in a grievously wounded condition.  Who whipped that ass?  Wolverine vehemently opposes Red being given sanctuary on Krakoa, but he does want to know what happened to him.  Wolverine heads to Paris where he discovers that blood flows freely in the “Catacombs” beneath Paris.

If I had to give a grade only to the opening story, “The Flower Cartel,” I might give it a “B.”  Ten of the 30 story pages simply meander, but when the action kicks into gear, it has quite a kick.  There is nothing here by the creative team that stands out as any of its members' best work, and I am disappointed to say that because I always expect a lot of Adam Kubert.

The real treat in this issue is the second story, “The Catacombs.”  For a grade, I will give it a solid “A.”  I don't want spoil anything, but Benjamin Percy's story reads like a slickly, produced dark fantasy, mystery-thriller.  Viktor Bogdanovic's illustrations and storytelling recall some Marvel stalwarts, like John Romita Jr. and Art Adams, 1980s work.  Matthew Wilson's color is pitch perfect for the tale, and Cory Petit's lettering creates an edgy, but alluring rhythm.

I am inclined to seek out the second issue of this new series to see if the plot of the second story plays out in the next issue.  Beyond that, the fact that Adam Kubert is drawing a Wolverine comic book will keep me curious about it.  The truth is, however, the main story of Wolverine 2020 simply does not stand out as exceptional material.

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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#IReadsYou Review: SQUADRON SUPREME #1

SQUADRON SUPREME No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITERS: James Robinson
PENCILS: Leonard Kirk
INKS: Paul Neary
COLORS: Frank Martin
LETTERS: Travis Lanham
COVER: Alex Ross
VARIANT COVERS: Leonard Kirk with Jesus Aburto; Mike Del Mundo (Hip Hop variant); John Tyler Christopher (action figure variant)
28pp, Color, $3.99 U.S. (February 2016)

The Squadron Supreme is a Marvel Comics superhero team.  Created by writer Roy Thomas and artist John Buscema, the group first appeared in a story arc that was published in Avengers #85–86 (cover dated: February to March 1971).  The Squadron Supreme's membership was initially based on DC Comics' characters.  The core members of the Squadron Supreme were Hyperion (Superman), Nighthawk (Batman), Doctor Spectrum (Green Lantern), Power Princess (Wonder Woman), and the Whizzer (Flash).

Throughout its history, the Squadron Supreme has made sporadic appearances in various Marvel Comics titles.  For a time, the group's most memorable run came in Squadron Supreme, a 12-issue miniseries, published from mid-1985 to mid-1986 and written by the late Mark Gruenwald.

With the advent of the All-New, All-Different Marvel, the Squadron Supreme returns in a new ongoing comic book series, featuring, in some cases, alternate version of the characters that comprised the group's core membership.  Squadron Supreme is written by James Robinson; drawn by Leonard Kirk (pencils) and Paul Neary (inks); colored by Frank Martin; and lettered by Travis Lanham, with covers by Alex Ross.

Squadron Supreme #1 opens eight months after the destruction wrought by events depicted in the nine-issue miniseries, Secret Wars.  Hyperion (Marcus Milton of Earth 13034), Nighthawk (Kyle Richmond of Earth 31916), Doctor Spectrum (of Earth 4290001); Power Princess (Zarda Shelton of Earth 712), and Blur (Jeff Walters of Earth 148611) have gathered as the Squadron Supreme.  Their first move is to exact revenge against the man they hold responsible for the destruction of their worlds, Namor.  Their next move will put many on Earth on edge.

I was a few pages into this comic book when it became obvious that it was not for me.  I knew that it was unlikely that I would read another issue unless someone gave me a hard copy, because I could not see bothering to read a digital copy.  It looks as if writer James Robinson is trying to recreate Warren Ellis' brilliant Wildstorm comic book, The Authority, but without a sense of humor.

There is nothing that inker Paul Neary can do for Leonard Kirk's pencils, which are... average; I don't think another word is more appropriate.  This comic book is not awful.  It's just average – there goes that word again.

C

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.


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Review: SAVAGE AVENGERS #1

SAVAGE AVENGERS No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Gerry Duggan
ART: Mike Deodato, Jr.
COLORS: Frank Martin
LETTERS: VC's Travis Lanham
EDITOR: Tom Brevoort
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. “C.B. Cebulski”
COVER: David Finch with Frank D'Armata
VARIANT COVERS: Simone Bianchi with Simone Peruzzi; Mike Deodato, Jr. with Frank Martin; Moebius; Skottie Young; Leinil Francis Yu with Romulo Fajardo, Jr.
36pp, Color, $4.99 U.S. (July 2019)

Rated “Parental Advisory”

Avengers created by Stan Lee and Jack Kirby

Chapter One: “Once Upon a Time in the City of Sickles”

The Avengers are Marvel Comics' premiere team of superheroes.  Known as “Earth's Mightiest Heroes,” the team made its debut in The Avengers #1 (cover dated:  September 1963) and were created by Stan Lee and Jack Kirby.

Conan the Cimmerian is a “sword and sorcery” character created by Robert E. Howard (REH).  Conan first appeared in the pulp fiction magazine, Weird Tales (1932).  Conan lived in Howard's fictional “Hyborian Age” and was a mercenary, outlaw, pirate, thief, warrior, and eventually a king, but because of his tribal origins, some characters that encountered him thought of Conan as a barbarian.  In 1970, Marvel Comics brought Conan to the world of comic books with the series, Conan the Barbarian.

Conan the Barbarian teams-up with Wolverine, The Punisher, Venom, Elektra and Doctor Voodoo to give the Avengers a savage spin in the new comic book series, Savage Avengers.  This ongoing title is written by Gerry Duggan; drawn by Mike Deodato, Jr.; colored by Frank Martin; and lettered by Travis Lanham.  The premise of this team-up is that these heroes, anti-heroes, and villains must work together to put an end to the machinations of the evil wizards of Conan’s world who have start trading spells with The Hand, the infamous ninja organization.

Savage Avengers #1 (“Once Upon a Time in the City of Sickles”) opens with a famous opera singer who is kidnapped and spirited away to The Savage Land, specifically the “City of Sickles.”  There a menacing man known as the “Cult Leader” kills the opera singer and throws his body into a giant bowl.  This bowl is filled with the bloody and broken corpses of some of mankind's best artists, thinkers, and warriors.  But more is needed if this cult is going to summon a brutal dark god, “Jhoatun Lau, the Marrow God,” who resides on a mysterious planet beyond Pluto.

Meanwhile, Conan, looking for priceless jewel now in the Savage Land, runs into Wolverine.  Suddenly, two of the fiercest, most vicious, and most brutal warriors of two worlds will fight, apparently to the death.  Meanwhile, Frank Castle a.k.a. The Punisher makes a discovery that will summon his dark side.

I was interested in Savage Avengers when I read the first announcement about it, but I was not interested enough to read it right away.  I recently came upon a copy of Savage Avengers #1, and, after putting it off, decided to read it.  Wow, I must say I enjoyed it.  Most of this issue depicts a brutal, hack-and-slash, stab-and-stab-again battle between Conan and Wolverine.  Still, writer Gerry Duggan offers a dark and interesting scenario – a giant bowl containing a pool of blood and ofal – and a scary-sounding dark god.

As usual Mike Deodato, Jr. presents beautiful art.  His art is an illustrated symphony of sharp line work and precision crosshatching.  Deodato's graphical storytelling suggests classic horror comics, and Frank Martin's colors are the perfect accompaniment to Deodato's night music art.  Deodato and Martin's depiction of Jhoatun Lau makes the geek in me holler, Awesome!

Letter Travis Lanham also plays music, the ebb and flow offering different levels of intensity.  Lanham goes from intense and loud (Conan vs. Wolverine) to menacing intensity (the cult).  I'm shocked by how much I like Savage Avengers #1, but I am looking for more issues.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: LUKE CAGE #1

LUKE CAGE No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: David Walker
ARTIST: Nelson Blake II
COLORS: Marcio Menyz
LETTERS: VC's Joe Sabino
COVER: Rahzzah
VARIANT COVERS: Mike Deodato, Jr. with Frank Martin; Andre Leroy Davis; Tim Bradstreet; Neal Adams with Dave McCaig
28pp, Color, $3.99 U.S. (July 2017)

Rated T+

Luck Cage created by Archie Goodwin and John Romita, Sr.

Luke Cage, also known as “Power Man,” is a Marvel Comics superhero.  Cage was created by writer Archie Goodwin and artist John Romita, Sr., and first appeared in Luke Cage, Hero for Hire #1 (cover dated: June 1972).  Cage was imprisoned for a crime he did not commit, but he eventually gained superpowers in the form of durability, unbreakable skin, and superhuman strength.

As Power Man, Cage has been most associated with another superhero, his partner, Iron Fist (Daniel “Danny” Rand), and the duo was featured in the long-running Power Man & Iron Fist comic book series in the 1980s (with a new version being launched last year).  Cage is now also featured in a new solo comic book, Luke Cage.  It is written by David Walker; drawn by Nelson Blake II; colored by Marcio Menyz; and lettered by Joe Sabino.

Luke Cage #1 opens with our titular hero rescuing a very stupid young woman from a really gullible criminal.  Then, Luke gets some awful news.  Dr. Noah Burnstein, the man responsible for giving Luke his powers, has committed suicide, so he travels to New Orleans for Burnstein's funeral.  There, he meets Burnstein's colleague, the sexy Dr. Lenore Mornay, who tells Luke that there is more to Burnstein's death and to his scientific experiments than he may realize.

After the fun of Genndy Tartakovsky's recent four-issue miniseries, Cage!, the darker Luke Cage is a nice follow-up.  The mood is sinister in this comic book, and the threats of adversaries seem to surround the narrative.  Once again, David Walker shows his chops when it comes to writing dark, moody, but intense comic books featuring African-American characters.

Artist Nelson Blake II and colorist Marcio Menyz produced art that is too clean and brightly colored for what promises to be an edgy series.  This is not low quality storytelling by any means, but it does not work for David Walker's storytelling.  We'll see what the second issue looks like.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: BULLSEYE #1

BULLSEYE No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITERS: Ed Brisson; Marv Wolfman
ART: Guillermo Sanna; Alec Morgan
COLORS: Miroslav Mrva; Frank Martin
LETTERS: VC's Clayton Cowles
COVER: Dave Johnson
VARIANT COVERS: Tim Bradstreet; Marco Checchetto; John Tyler Christopher; Bill Sienkiewicz; Chris Stevens; Skottie Young
36pp, Color, $4.99 U.S. (April 2017)

Parental Advisory

“The Colombian Connection” Part 1

Bullseye is a Marvel Comics supervillain.  The character was created by writer Marv Wolfman and artist John Romita, Sr. and first appeared in Daredevil #131 (cover dated: March 1976).  Bullseye is an assassin and he is best known for his personal vendetta against the superhero Daredevil.  Bullseye does not have super-powers but he can turn almost any object into a lethal weapon.

Bullseye is the new comic book miniseries starring this popular villain.  It is written by Ed Brisson; drawn by Guillermo Sanna; colored by Miroslav Mrva; and lettered by Clayton Cowles.

Bullseye #1 opens to find the titular villain/anti-hero active again after being alive, dead, and imprisoned again and again.  Now, he is at the Houghton Residence in Long Island, New York fulfilling an assassination contract.  But, man!  Bullseye is hoping that his next assignment yields both a high body count and buckets of blood.  Desperate gangster Raph Losani may offer that, but a desperate widow just wants to count one body.

Recently, I reviewed the first issue of Kingpin, another comic book seemingly spun out of the world of Marvel Comics' Daredevil.  I was harsh in my review, but not because I thought the writer (Matthew Rosenberg) and the artist (Ben Torres) lacked talent (Rosenberg) or potential (Torres).  The problem is the fact that these two delivered substandard work and the fact that Marvel Comics would consider such unprofessional material worth publishing and charging readers $3.99 to read.

Bullseye #1 suffers from the same problem of a lack of professionalism.  The story and script that Ed Brisson offers is just lazy hackwork that mimics better storytelling.  The casual depiction of Bullseye's murderous rampages is not imaginative or smart, but it is unimaginative and stupid.  Frank Miller did not create Bullseye, but during his 1980s run on Daredevil, he certainly defined the character, making him the kind of dangerous and alluring villain that becomes timeless.  Here, Bullseye's violence seems as if Brisson took the clever violence of Mark Millar's comic books and turned that into filler material because Brisson could not think of anything else to do with it.

I think artist Guillerma Sanna has a lot of potential, but in Bullseye #1 he draws as if he should still be toiling in the world of micro press black and white comic books.  Everything here looks as if Sanna is simply mimicking (badly) other artists' (good) work; Chris Samnee and Eduardo Risso, come to mind.

There is a backup story by writer Marv Wolfman and artist Alec Morgan, “If I Tell You...” that takes some of the sour out of the main story.  It makes me wonder why Wolfman isn't writing this miniseries.  Is it because he is “too old” and “passè?”  I don't doubt that he would not write as bad a script as Ed Brisson wrote, even if he kept the overall plot.  I also like Alec Morgan's Eduardo Risso-like art.  Why isn't he drawing the main story!?

I am not recommending this, nor do I intend to read another issue.  But I might change my mind...

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

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Review: PROWLER #1

PROWLER No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Sean Ryan
LAYOUTS: Javier Saltares
ART: Jamal Campbell
LETTERS: VC's Cory Petit
COVER: Travel Foreman with Jason Keith
VARIANT COVERS: Mike Deodato & Frank Martin; Jamal Campbell
28pp, Color, $3.99 U.S. (December 2016)

Rated “T+”

The Prowler created by Stan Lee, John Buscema, and Jim Mooney

The Prowler is a costumed character in Marvel Comics.  He was created by Stan Lee, John Buscema, and Jim Mooney and first appeared in The Amazing Spider-Man #78 (cover dated:  November 1969).  The first version of The Prowler was an African-American teenager, Hobie Brown, who developed a high-tech battle suit.  Hobie used that suit to start a life of crime until Spider-Man convinced him to turn his life around.

The Prowler is a new comic book series featuring Hobie Brown and is part of Marvel Comics' “NOW!” initiative.  The new comic book is written by Sean Ryan; drawn and colored by Jamal Campbell with layouts by Javier Saltares; and lettered by Cory Petit.

The Prowler #1 finds the Prowler acting as a hero.  Such actions cause his colleagues to mock him, and draws the displeasure of his boss, The Jackal.  It is the Jackal who is responsible for bringing Hobie Brown back from the dead after he was accidentally killed by Electro.  However, The Prowler's latest assignment may prove to be his most dangerous since he returned.

I have heard of The Prowler over lo these decades of reading comic books.  I may have actually even read a few comics featuring this character, but nothing has really stuck with me.  This comic book is somewhat intriguing, but normally this would not be enough to keep me reading.

Now, I must be honest with you, dear reader.  I try to read and support comic books featuring African-American/Black characters, as I am African-American.  I try, but sometimes, I quickly give up on those comic books if they don't interest me.  The Prowler is on the side of being of little interest to me, but I will try another two or three issues.

The art by Jamal Campbell, which is obviously rendered with the aid of software, is colorful, but sometimes, it lacks character and substance, almost looking like semi-pro webcomics art.  Normally, this is enough to turn me away, but I'll stay down... for now.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint or syndication rights and fees.

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Review: INFAMOUS IRON MAN #1

INFAMOUS IRON MAN No. 1 (2016)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Brian Michael Bendis
ART: Alex Maleev
COLORS: Matt Hollingsworth
LETTERS: VC's Clayton Cowles
COVER: Alex Maleev
VARIANT COVERS: Mike Deodato with Frank Martin; Anthony Piper; Esad Ribic; Mike McKone; Skottie Young; John Tyler Christopher
28pp, Color, $3.99 U.S. (December 2016)

Rated “T+”

Iron Man created by Stan Lee, Larry Lieber, Don Heck, and Jack Kirby

Victor von Doom a.k.a. Doctor Doom, one of Marvel Comics most infamous villains, made his debut in The Fantastic Four #5 (cover dated: July 1962).  Iron Man is now one of Marvel Comics most popular characters, thanks in no small part to a series of hit movies and hit movie appearances beginning in 2008 with the Oscar-nominated film, Iron Man.  Also known as the “Golden Avenger,” Iron Man debuted in Tales of Suspense #39 (cover dated: March 1963), a little more than half a year after Doctor Doom first appeared.

Iron Man and Doctor Doom were never meant to be together, as Iron Man fights to save the world and to help mankind progress, while Doctor Doom wants to rule the world and subjugate humanity.  In the wake of the events depicted in Marvel Comics' event miniseries, Civil War II, there is a new comic book series that seeks to bring them together, Infamous Iron Man.  It is written by Brian Michael Bendis; drawn by Alex Maleev; colored by Matt Hollingsworth, and lettered by Clayton Cowles.

Infamous Iron Man #1 finds Doctor Doom meeting with the members of his bad-guy collective, The Cabal.  But that was the old Doom.  Now, he is trying to save Maria Hill, director of S.H.I.E.L.D. and also to comfort Dr. Amara Perera, the woman who loved Tony Stark.  What is Doctor Doom up to, and how and why does it involve Iron Man?

Infamous Iron Man writer Brian Michael Bendis does not need to give us a lot of information.  Just about anyone reading Marvel Comics these days knows that Doom is going to take on the mantle of Iron Man.  The most important thing about any comic book written by Bendis is not the hook, but the execution of his storytelling.  Will it work or will it be a failure?  Right now, it is working (as usual for me), and I want more.

I must admit that I am enjoying the art drawn by Alex Maleev, which looks gorgeous under Matt Hollingworth's subdued, earthy, natural-lighting-like colors.  Maleev's graphical storytelling has an exciting, yet mysterious vibe when combined with Hollingworth's colors.  Yeah, Infamous Iron Man is certainly worth your time, my superhero comic book readers.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: MOSAIC #1

MOSAIC No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Geoffrey Thorne
ARTIST: Khary Randolph
COLORS: Emilio Lopez
LETTERS: VC's Joe Sabino
COVER: Stuart Immonen
VARIANT COVERS: John Tyler Christopher; Marco D'Alfonso; Mike Deodato with Frank Martin; Khary Randolph; Pasqual Ferry with Frank D'Armata
36pp, Color, $4.99 U.S. (December 2016)

Rated T+

Episode One: “Mood Indigo”

Out of Civil War II.  Part of Marvel Comics' initiative “NOW!”  Here, comes Marvel's newest Black superhero, Mosaic, and he is the star of his own comic book, entitled Mosaic, of course.  It is written by Geoffrey Thorne; drawn by Khary Randolph; colored by Emilio Lopez; and lettered by Joe Sabino.

Mosaic #1 (“Mood Indigo”) introduces Morris Sackett, maybe the best professional basketball player in the world.  He has led the New York Stride to five championships in five seasons.  As far as Morris is concerned, he is the sole reason that the Stride has won five titles.  However, exposure to Terrigen mists changes Morris in ways that are shocking.  One of the newest Inhumans is about to lose his physical form while inheriting many more.

According to what I have read, writer Geoffrey Thorne and artist Khary Randolph want to explode stereotypes for Black superheroes when it comes to Morris Sackett a.k.a. Mosaic.  I don't know what those stereotypes are.  Even with the relatively small number of Black superheroes in both the Marvel and DC Comics universes, characters are unique and mostly fully formed.  Black Panther is not like Storm is not like Luke Cage/Power Man, and I never thought that Cyborg was like Black Lightning.

The stereotype of Black superheroes is that they are stereotypical.  They are not all noble Negroes in the tradition of Civil Rights activists, nor are they sullen anti-heroes out to get the system.  Under the guiding hand of comics most skilled writers, there have been some really good Black Panther and Blade comic books – to name a few of a few.  The reality (not stereotype) is that many Black superheroes have been featured in comic books in which the writers have those assignments because they are someone's friend more so than because they are good storytellers.  Black superheroes have not been stereotypes; they simply have been in badly written (and sometimes poorly drawn) comic books.

Mosaic #1 suggests that Thorne is a good writer, although his “street lingo” leaves something to be desired.  I give most of the credit for the success of Mosaic #1 to artist Khary Randolph.  This first issue has a lively visual and graphical style that mimics the energy and movement of animated films.  Randolph's art is both stylish and earthy, giving Mosaic a vibe that is different from just about everything else Marvel is publishing.

I'm ready for more and recommend this title.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: STAR WARS: The Force Awakens #1

STAR WARS: THE FORCE AWAKENS ADAPTATION No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. Visit the "Star Wars Central" review page here.]

WRITER: Chuck Wendig
ART: Luke Ross
COLORS: Frank Martin
LETTERS: VC's Clayton Cowles
COVER: Esad Ribic
44pp, Color, $4.99 U.S. (August 2016)

Rated “T+”

“Episode VII, Part 1 – The Force Awakens”

When it was released in late 2015, Star Wars: The Force Awakens was the first Star Wars film in 10 years (since 2005's Star Wars: Episode III – Revenge of the Sith).  It was also the first film in the franchise to be produced by The Walt Disney Company, which now owns Lucasfilm, Ltd., the Star Wars studio.  The Force Awakens became the highest grossing film in the history of North American theatrical box office (adjusted for inflation, of course).

Marvel Comics recently released its comic book adaptation of Star Wars: The Force Awakens.  This five-issue miniseries is written by Chuck Wendig; drawn by Luke Ross; colored by Frank Martin; and lettered by Clayton Cowles.

Star Wars: The Force Awakens #1 opens thirty years after the destruction of the second Death Star (at the “Battle of Endor,” as seen in 1983's Return of the Jedi).  Luke Skywalker has vanished, and the First Order, which rose from the ashes of the Galactic Empire, will not rest until it finds him.

The Resistance, a military splinter group of the New Republic, believes that it has found a clue to Skywalker's location.  General Leia Organa has sent the Resistance's best pilot, Poe Dameron, to Jakku to obtain the information on Luke's whereabouts.  On this desert world, a First Order stormtrooper, a little droid, and a scavenger will decide the fate of this mission to find a Jedi legend.

As comic book adaptations go, Marvel's Star Wars: The Force Awakens is on the front end of middle-of-the-pack.  It does not have the allure of my childhood favorites, Marvel's adaptation of the original Star Wars and The Empire Strikes Back.  However, Star Wars: The Force Awakens #1 starts slows but becomes a fast-paced thrill by the last few pages.  Even the art by Luke Ross (with its Chris Samnee styling) is stronger by the end.

While I knew that I was definitely going to buy the first issue, I was not sure about the rest of the series.  Star Wars: The Force Awakens #1, however, is good enough to keep me interested until the end.  I don't consider this a must-have Star Wars comic book, but why not have it?

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review THUNDERBOLTS #1

THUNDERBOLTS No. 1 (2016)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Jim Zub
ARTIST: Jon Malin
COLORS: Matt Yackey
LETTERS: VC's Joe Sabino
COVER: Jon Malin with Matt Yackey
VARIANT COVERS: Mark Bagley with Sonia Oback; John Tyler Christopher; Anthony Piper; Chris Stevens with Frank Martin
28pp, Color, $3.99 U.S. (July 2016)

Parental Advisory

There is No High Road: Part One “Power and Control”

The Thunderbolts are a Marvel Comics superhero team.  Over the years, the team has mostly consisted of supervillains, reformed and otherwise.  The Thunderbolts first appeared in The Incredible Hulk #449 (cover dated: January 1997) and were created by writer Kurt Busiek and artist Mark Bagley.

Marvel Comics recently launched a new ongoing comic book series featuring the team, entitled Thunderbolts, of course.  It is written by Jim Zub; drawn by Jon Malin; colored by Matt Yackey; and lettered by Joe Sabino.

Thunderbolts #1 (“Power and Control”) introduces a version of the Thunderbolts that is known as “Winter Soldier's Team.”  Coming out of the Avengers: Standoff! story line, the team consists of Winter Soldier (James “Bucky” Barnes); The Fixer (Paul Norbert Ebersol); Moonstone (Karla Sofen); and Atlas (Erik Josten); Mach-X (Abner Jenkins), and maybe Kobik.  Winter Soldier has decided to take up Nick Fury's mandate of protecting Earth from all threats, but things are complicated.

First, let me say that I am getting a kick out of the art of Jon Malin.  He seems like a third generation disciple or maybe even clone of Rob Liefeld.  If you took Liefeld's back-in-the-day work on New Mutants, X-Force, and Youngblood and made the compositions stronger or more polished, you would get Jon Malin.

I am a fan of the work of Jim Zub, especially for his work on his creator-owned series, Wayward (Image Comics), and for Samurai Jack (IDW Publishing), a continuation of the former Cartoon Network animated series.  For the past few years, I have been hoping that Zub would take over an ongoing comic book series for either Marvel or DC Comics.

That said, I am disappointed in Thunderbolts.  Not that I ever expected much of this comic book from the time I heard about it, but I had hoped that Zub would get to write a series that took advantage of his imagination and inventiveness.  I don't think this is it.  Thunderbolts is mere filler material, the also also-ran of the Marvel Comics line-up of Avengers-related team books.  I am not even going to say that if anyone can save this book, it is Jim Zub.  I don't plan on finding out.

C-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: THE PUNISHER #1

THE PUNISHER (2016) No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Becky Cloonan
ART: Steve Dillon
COLORS: Frank Martin
LETTERS: VC's Cory Petit
COVER: Declan Shalvey with Jordie Bellaire
VARIANT COVERS: Alex Maleev; Tim Bradstreet; John Cassaday; John Tyler Christopher; Francesco Mattina; Todd Nauck with Rachelle Rosenberg; Phil Noto; Chris Samnee with Matthew Wilson; Christopher Stevens with Frank Martin; Skottie Young
28pp, Color, $3.99 U.S. (July 2016)

Parental Advisory – Not for Kids

The Punisher is a Marvel Comics vigilante and antihero.  The Punisher was created by writer Gerry Conway and artist John Romita, Sr. and made his first appearance in The Amazing Spider-Man #129 (cover-dated: February 1974).  The Punisher is Frank Castle, a man whose wife and children were killed during a mob shootout in New York City's Central Park.  That tragedy was the impetus for Castle's one-man war on crime, especially against organized criminals like the mob, street gangs, drug dealers, etc.

Over the last 30 years, Marvel has published numerous ongoing comic book series and miniseries starring The Punisher and even a few variations on the character.  Now, there is the launch of a new ongoing comic book series.  The Punisher is written by Becky Cloonan; drawn by Steve Dillon; colored by Frank Martin; and lettered by Cory Petit.

The Punisher #1 opens in the Brooklyn warehouse district.  There, the organization, Condor, prepares a major push for its news narcotic product, “EMC.”  However, in a nearby warehouse, the D.E.A. (Drug Enforcement Agency) watches and prepares for an early morning take down of Condor's operations.  Meanwhile, The Punisher plans to strike first.

After John Romita, who designed the character, of course, I consider Mike Zeck and Steve Dillon to be the iconic Punisher comic book artists.  I am reading this new Punisher comic book because Steve Dillon is drawing it.  His interpretation of The Punisher always came across to me as a rock-solid, relentless, machine-monster with some hellbent programming that directs him to kill mobsters and criminal scum wherever they are.

However, there is something else about this new series that intrigues me.  Becky Cloonan is writing The Punisher, and she may be the first woman to write an ongoing Punisher comic book.  I am curious to see where Cloonan takes this series, especially as she offers at least three supporting characters with the potential to capture her readers' imaginations.

So I'm down to give this fresh start of The Punisher a chance.  It could be the best Punisher in a long time.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint or syndication rights and fees.

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Review: INTERNATIONAL IRON MAN #1

INTERNATIONAL IRON MAN No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Brian Michael Bendis
ART: Alex Maleev
COLORS: Paul Mounts
LETTERS: VC's Clayton Cowles
COVER: Mike Deodato with Frank Martin
VARIANT COVERS: Gabriele Dell'Otto; Marco D'Alfonso; Skottie Young; John Tyler Christopher
28pp, Color, $3.99 U.S. (May 2016)

Rated “T+”

I did not know that a few years ago it was revealed that Tony Stark was adopted as a baby by Howard and Maria Stark (in Iron Man #17 – 2013 series).  Tony's quest to uncover his legacy is at the heart of the new Iron Man comic book series, International Iron Man.  It is written by Brian Michael Bendis; drawn by Alex Maleev; colored by Paul Mounts; and lettered by Clayton Cowles.

Who is Tony Stark, really?  International Iron Man #1 begins the quest to discover the answer to that question.  The story opens with Iron Man in Sofia Bulgaria at the “Monument to the Soviet Army.”  He has just got his butt kicked.  His mind drifts back 20 years earlier when Tony was a student at the University of Cambridge.  That is where he met Cassandra Gillespie, a mysterious young woman from an even more mysterious family that is marked for death.

I have never been a big fan of Iron Man, not the way I heart for Spider-Man (Parker and Morales), Batman (and Robin), and certain X-Men.  One Iron Man book is enough for me, and that one is currently Invincible Iron Man, which is also written by Brian Michael Bendis.  I guess this is my way of saying that I did not feel particularly moved by this first issue of International Iron Man.

Bendis and Alex Maleev are remembered for their run on Daredevil last decade, so fans of that comic book may rejoice at the chance to see if this team can do for Iron Man what it did for that book.  I wouldn't know what they did, as I have never read a single issue of the Bendis-Maleev Daredevil.

So I'm coming from a place of ignorance in some ways.  Apparently, Doctor Doom will play a part in this series, and while traveling the globe, Iron Man will discover things about the Marvel Universe that he did not know existed.  I'm kinda intrigued.  I may keep reading International Iron Man, but I won't go out of my way.  So how is that for a review?

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: Hickman's Writing is Great in AVENGERS #39

AVENGERS #39
MARVEL COMICS – @Marvel

WRITER: Jonathan Hickman
ART: Mike Deodato
COLORS: Frank Martin
LETTERS: VC's Cory Petit
COVER: Alan Davis and Mark Farmer with Brad Anderson
28pp, Color, $3.99 U.S.

“You Can't Win: Part 1”

This is how you kick off a new story arc.  Jonathan Hickman tells the story in a message from Reed Richards to Val Ventura.  Back in the day, we would have called this a letter, but I don't know, now.  Is this an email, a post on Facebook, a tweet, or Instagram?  This social media stuff is just moving so fast that I can't keep up.

Knowing Reed, he probably found a way to insert it into one of Val's genes and it will manifest itself after Val goes through puberty.  Reed is teaching Val how to make plans.  He is using the Illuminati's conflict with Captain America and S.H.I.E.L.D. to illustrate the lesson.  Hickman's use of the chess piece to let us know that these plans are strategies for winning a war, not landscaping.

Everything about this story is grandiose, or if you prefer, it goes hard.  Cap falls into Reed's trap when he knows it is a trap.  War Machine is stretching himself to limits that may kill him.  Captain Marvel is talking stuff about the Hulk.  The action is spectacular.  I am talking about “are you read to rumble?!” action.  Hickman entertains us on multiple levels.  This is one of those times that reading a comic book added something to my life.

Visceral as well as cerebral:  the scene with Captain Marvel and the Hulk shows us why you need to be able to do what you say you can do.  I won't tell the end of the story, but I will say that Reed teaches Cap and Val the lesson well.

Hickman is a master at telling team stories.  Reed was the focus of this story, but all of the characters have their individual moments.  I'll say this again:  the ending is awesome.  Hickman tells a great epic while giving us great insight into the character of Reed Richards.  If this is the set-up, then, the rest of this arc will be something at which to Marvel.  Yeah, I said that corny bull.  Hickman has given us stories worthy of comic's ultimate team.

The art is pleasing to the eyes.  The facial expressions of the characters helps to depict what is happening in the story.  I said that the story was grandiose, and the art follows in the same vein.  The art is big without giving you the feeling that it 's just taking up space.  The only criticism that I have is that the colors are too dark.  I like my Avengers bright.

I give Avengers #39 a rating of “Recommend it to a Friend,” #1 (of 5) – the top rating on the Al-O-Meter.  If you're a comic book fan you need to be reading this book.

Reviewed by Albert Avilla


The text is copyright © 2015 Albert Avilla. All Rights Reserved. Contact this blog for syndication rights and fees.

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I Reads You Review: AVENGERS & X-MEN: Axis #1

AVENGERS & X-MEN: AXIS #1
MARVEL COMICS – @Marvel

WRITER: Rick Remender
ART: Adam Kubert
COLORS: Laura Martin and Matt Milla
LETTERS: Chris Eliopoulos
COVER: Jim Cheung with Justin Ponsor
VARIANT COVERS:  Gabriele Dell'otto; Adam Kubert with Edgar Delgado; Mike Mayhew; Mico Suayan; Skottie Young; Chip Zdarsky; and The Young Guns with Mike Deodato with Frank Martin
44pp, Color, $4.99 U.S. (December 2014)

Rated “T+”

The Red Supremacy: Chapter 1

About three years ago, I read the first two issues of Avengers vs. X-Men (#0 and #1), and I didn't find anything that made me want to keep reading the much-anticipated and much-talked about event “maxi-series.”  So I don't know why I'm reading the new Avengers/X-Men crossover event miniseries, Avengers & X-Men: Axis.  Maybe, I'm curious?

Avengers & X-Men: Axis #1 (The Red Supremacy: Chapter 1) opens with a brief recap/overview of what has happened since the shocking end of Avengers vs. X-Men, in which the X-Man, Cyclops, killed his mentor and founder of the X-Men, Professor Charles Xavier.  The result was the branding of Cyclops as a criminal and also the founding of the Uncanny Avengers, a unity squad of Avengers and X-Men.  Of course, a new team wouldn't make them better for long.

Fast forward:  Magneto kills Captain America's arch-nemesis, the Red Skull, which leads to his resurrection as “The Red Onslaught.”  Now, there is a wave of psychic energy and hate, initiated by Red Onslaught, because he possesses Prof. X's brain and psychic powers.  This psychic wave, or onslaught, if you will, has the world in turmoil, so the Avengers and X-Men have to come together to stop Red Onslaught.

Wow.  It has been an unknown number of years (but it is many) since I have read an issue of a comic book event series in which superheroes and super-villains engage in a slug fest.  Part of me enjoys seeing so many of the superheroes that I've known most of my life together, even the new versions.  I enjoyed the Scarlet Witch angle of this story, as well as the Scarlet Witch-Rogue subplot.  I think this Red Onslaught character is ridiculous, however.  I did not plan on reading any more of this, even while wondering why I was reading Avengers & X-Men: Axis #1 to begin with.

Then, I saw Sentinels at the end of the first issue, and then, I decided to read more.  I think that is how these superhero crossover events work.  The writers, artists, and editors throw so much into the event (something we can compare to a pot full of ingredients), and the readers are bound to find something to appeal to them.  So there you have it.  I thought I was out, but they dragged me back in.

Reviewed by Leroy Douresseaux

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: THOR #1

THOR (2014) #1
MARVEL COMICS – @Marvel

WRITER: Jason Aaron
ART: Russell Dauterman
COLORS: Matthew Wilson
LETTERS: VC's Joe Sabino
COVER:  Russell Dauterman with Frank Martin
VARIANT COVERS:  Sara Pichelli with Laura Martin; Esad Ribic, Andrew Robinson; Alex Ross; Fiona Staples; Skottie Young
28pp, Color, $3.99 U.S. (December 2014)

Rated “T+”

Marvel Comics' version of Thor is, of course, based on the Norse mythological deity of the same name.  Marvel's the mighty Thor is the Asgardian god of thunder; possesses the enchanted hammer, Mjolnir; and is also a superhero, as well as being a member of The Avengers.

Thor first appeared in Journey into Mystery #83 (cover dated August 1962) and was created by editor-plotter Stan Lee, scripter Larry Lieber, and penciller Jack Kirby.  For most of his 52 years of existence, Thor has possessed Mjolnir, which, among other superhuman attributes, grants him the ability of flight and of weather manipulation.

Thor has possessed that “enchanted hammer” for most of his comic book existence, but there have been times when Thor:  the Prince of Asgard, the one true God of Thunder, and the Odinson, has not possessed Mjolnir.  One famous example of another being wielding Mjolnir was Beta Ray Bill, a character that debuted in The Mighty Thor #337 (cover dated: November 1983), the first issue of Walter Simonson's acclaimed run as writer-artist of The Mighty Thor.

Now, another new era of Thor begins.  Thor will be the “Goddess of Thunder.”  As part of Marvel Comics' “Avengers NOW!” initiative, there is a new ongoing Thor comic book series written by Jason Aaron, drawn by Russell Dauterman, colored by Matthew Wilson, and lettered by Joe Sabino.

Thor #1 (“If He be Worthy”) opens in the Norwegian Sea at the Roxxon Seabase.  It is about to be visited by some monstrous denizens of the deep, spurred on by an old adversary of Thor's.  Meanwhile, on the moon, Thor finds that no matter how hard or how often he tries, he cannot lift Mjolnir.  His father, Odin the All-Father, has returned and is not helping the troubling situation.  His wife and Thor's mother, Freyja the All-Mother, seems to have accepted this sudden wave of change.  The attack on the sea base makes Thor remember that he still has to be a superhero.  How will that work out for him without Mjolnir?

This year, I have been reading more Marvel Comics number-one issues than I have in a long time.  That's why I picked up the new Thor #1.  I am glad that I did; it's an exciting first issue.  I didn't think Thor in a state of ultimate humiliation could be such an enthralling character and compelling situation.  I didn't think I could yearn so much for him to be healed, but Jason Aaron's script is a thing of wonders.  Every scene hits the notes it needs to in order to make this new state of Thor work.

Now, I can't say that I am equally enthralled with Russell Dauterman's art.  I liked him more as the artist on the current Cyclops comic book series.  Dauterman is not bad here; maybe, the art just needs time to grow on me.  I'm curious to see what the second issue is like.  I think that's where the real force of change will be felt.  In the meantime, I recommend that readers at least try the first issue of this new Thor.

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.