I read RIN-NE, Vol. 10
I posted a review at ComicBookBin (which as free smart phone apps and comics).
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Sunday, November 18, 2012
Saturday, November 17, 2012
Albert Avilla Reviews: Talon #0
Talon #0
DC Comics
Reviewed by Albert Avilla
Plot: James Tynion IV and Scott Snyder
Writer: James Tynion
Art: Guillem March
The Long Run (Spoilers!)
When I first looked at the cover, I was thinking, what is this corny B. S.? After reading the story, that is a faded memory soon to be completely lost in the recesses of my mind. No, my thoughts are that Talon is the best new character to come bursting on the scene this month. Everything that I saw as a joke is now awesome in my sight.
In the opening scene, we find eight-year-old Calvin Ross, Talon, locked in a dog kennel by his sick father. His flair for the art of the escape emerges and an escape artist is born. Talon tells his origin during his own failed assassination. Young Calvin escapes to Haly's Circus to become an apprentice to an escape artist and eventually becomes a star in his own right. Calvin is taken by The Court of Owls to be trained to become a Talon. Calvin is won over by The Court of Owls with promises of fighting evil. To become a Talon, Calvin must kill the present Talon. Calvin is quilt ridden after killing the Talon. He continues to amaze The Court by being the first to escape their Labyrinth and becoming the new Talon.
On his first mission, Talon is ordered to kill a twenty-three-year-old heiress and her two-year-old daughter. Instead, Talon rescues Casey and Sarah Washington and once again performs an amazing escape. He is now a target of The Court. The Talon sent to kill Calvin makes the mistake of testing Calvin's skills by locking him in the trunk of a car and dumping it in the river. Calvin once again escapes and defeats the Talon. Now a man on the run, Talon must continue to escape The Court of Owls.
Talon has the potential to be the next big thing. Snyder and Tynion have overcome my prejudgments by creating a fresh new character. Talon’s unique skills take him from being a circus act to an assassin to a hero. Calvin Ross's heroism is demonstrated by his ability to rise above evil's influence throughout his life. Talon does not allow himself to become a victim of circumstance, but fights to forge his own path into heroism. A hero arises from The New 52.
The art is an integral part of the story. It does its part to demonstrate the enormity of the forces arrayed against Talon and the difficulty of the tasks he must accomplish. The immensity of the structures in comparison to Talon is symbolic of the position that Talon finds himself in his struggle against The Court of Owls.
I rate Talon # 0 Buy Your Own Copy. #2 (of 5) on Al-O-Meter Ranking
DC Comics
Reviewed by Albert Avilla
Plot: James Tynion IV and Scott Snyder
Writer: James Tynion
Art: Guillem March
The Long Run (Spoilers!)
When I first looked at the cover, I was thinking, what is this corny B. S.? After reading the story, that is a faded memory soon to be completely lost in the recesses of my mind. No, my thoughts are that Talon is the best new character to come bursting on the scene this month. Everything that I saw as a joke is now awesome in my sight.
In the opening scene, we find eight-year-old Calvin Ross, Talon, locked in a dog kennel by his sick father. His flair for the art of the escape emerges and an escape artist is born. Talon tells his origin during his own failed assassination. Young Calvin escapes to Haly's Circus to become an apprentice to an escape artist and eventually becomes a star in his own right. Calvin is taken by The Court of Owls to be trained to become a Talon. Calvin is won over by The Court of Owls with promises of fighting evil. To become a Talon, Calvin must kill the present Talon. Calvin is quilt ridden after killing the Talon. He continues to amaze The Court by being the first to escape their Labyrinth and becoming the new Talon.
On his first mission, Talon is ordered to kill a twenty-three-year-old heiress and her two-year-old daughter. Instead, Talon rescues Casey and Sarah Washington and once again performs an amazing escape. He is now a target of The Court. The Talon sent to kill Calvin makes the mistake of testing Calvin's skills by locking him in the trunk of a car and dumping it in the river. Calvin once again escapes and defeats the Talon. Now a man on the run, Talon must continue to escape The Court of Owls.
Talon has the potential to be the next big thing. Snyder and Tynion have overcome my prejudgments by creating a fresh new character. Talon’s unique skills take him from being a circus act to an assassin to a hero. Calvin Ross's heroism is demonstrated by his ability to rise above evil's influence throughout his life. Talon does not allow himself to become a victim of circumstance, but fights to forge his own path into heroism. A hero arises from The New 52.
The art is an integral part of the story. It does its part to demonstrate the enormity of the forces arrayed against Talon and the difficulty of the tasks he must accomplish. The immensity of the structures in comparison to Talon is symbolic of the position that Talon finds himself in his struggle against The Court of Owls.
I rate Talon # 0 Buy Your Own Copy. #2 (of 5) on Al-O-Meter Ranking
Labels:
Albert Avilla,
DC Comics,
Guillem March,
James Tynion IV,
Review,
Scott Snyder,
The New 52
Friday, November 16, 2012
Albert Avilla Reviews: Secret Avengers #33
Secret Avengers # 33
Marvel Comics
Reviewed by Albert Avilla
Writer: Rick Remender
Artist: Andy Kuhn
Rise of the Descendants (Spoilers!)
We have good comic book stuff going on here, and we have bad comic book stuff going on here. We are left with no doubt that Black Ant is a despicable piece of slime. This is revealed in his thoughts about dying a hero and his murder of Max Fury. Heroes are measured by the villainy that they face. I like to hate my villains with a passion. This leads to his betrayal of the Avengers when he teleports the descendant onto the Lighthouse Station.
Hawkeye and Captain Britain have their hands full facing off against the Avengers of the Undead and the Undead Celestial to regain the Orb of Necromancy. At the Lighthouse Station, the Descendant Wasp uses Hank Pym’s guilt to defeat him. The other Descendants get the jump on Valkyrie and Venom, who are about to have relations. If I was Venom, and I was about to have a sexy blonde goddess have her way with me, then, these mother-shut-my-mouth Descendants stop that. You know he’s ready to rain his wrath down on some life model decoys. They kidnap Hank, leave Valkyrie and Venom adrift in space, and destroy the Lighthouse Station. Oh, yeah! There is some payback coming for the Descendants. That’s all the good stuff.
I know that writers take some liberties to tell a good story, but damn. Hank Pym, one of the greatest intellects in the Marvel Universe, Giant-Man tries to defend himself with a scalpel and is taken down with one punch. He used to slap the Wasp around on a daily basis, and now he’s crying like a little bee. The Descendants enter the Lighthouse Station without some defense system to at least impede them. You would think that the Avengers would have defense systems that backup the defense systems that backup the defense system.
The art doesn’t help matters at all. When I said that Valkyrie was a sexy blonde goddess, it wasn’t the art that put the image in my mind.
I rate Secret Avengers # 33 Read a Friend’s Copy. #3 (of 5) on the Al-O-Meter Ranking
Marvel Comics
Reviewed by Albert Avilla
Writer: Rick Remender
Artist: Andy Kuhn
Rise of the Descendants (Spoilers!)
We have good comic book stuff going on here, and we have bad comic book stuff going on here. We are left with no doubt that Black Ant is a despicable piece of slime. This is revealed in his thoughts about dying a hero and his murder of Max Fury. Heroes are measured by the villainy that they face. I like to hate my villains with a passion. This leads to his betrayal of the Avengers when he teleports the descendant onto the Lighthouse Station.
Hawkeye and Captain Britain have their hands full facing off against the Avengers of the Undead and the Undead Celestial to regain the Orb of Necromancy. At the Lighthouse Station, the Descendant Wasp uses Hank Pym’s guilt to defeat him. The other Descendants get the jump on Valkyrie and Venom, who are about to have relations. If I was Venom, and I was about to have a sexy blonde goddess have her way with me, then, these mother-shut-my-mouth Descendants stop that. You know he’s ready to rain his wrath down on some life model decoys. They kidnap Hank, leave Valkyrie and Venom adrift in space, and destroy the Lighthouse Station. Oh, yeah! There is some payback coming for the Descendants. That’s all the good stuff.
I know that writers take some liberties to tell a good story, but damn. Hank Pym, one of the greatest intellects in the Marvel Universe, Giant-Man tries to defend himself with a scalpel and is taken down with one punch. He used to slap the Wasp around on a daily basis, and now he’s crying like a little bee. The Descendants enter the Lighthouse Station without some defense system to at least impede them. You would think that the Avengers would have defense systems that backup the defense systems that backup the defense system.
The art doesn’t help matters at all. When I said that Valkyrie was a sexy blonde goddess, it wasn’t the art that put the image in my mind.
I rate Secret Avengers # 33 Read a Friend’s Copy. #3 (of 5) on the Al-O-Meter Ranking
Labels:
Albert Avilla,
Andy Kuhn,
Avengers,
Marvel,
Review,
Rick Remender
Neon Genesis Evangelion: Shinji Ikari - A Boy's Life
Labels:
Comic Book Bin,
HC Language Solutions Inc,
John Werry,
manga,
shonen,
VIZ Media,
Yoshiyuki Sadamoto
Thursday, November 15, 2012
Albert Avilla Reviews: Justice League #13
Justice League #13
DC Comics
Reviewed by Albert Avilla
Writer: Geoff Johns
Pencils: Tony S. Daniel
Inks: Richard Friend and Batt
The Secret of the Cheetah (Spoilers!)
Johns is getting me interested in the League. Superman and Wonder Woman continue the Kiss. Where is this going? Do we want Superman running around all frustrated? We don't linger long on the love story. The next scene is a throw down between Wonder Woman and the Cheetah. Awesome splash page gets the action started. After a few good rounds, Cheetah knocks Wonder Woman the f.... out. Batman and Aquaman question Trevor about Cheetah to give us a little background information.
Back at the satellite, Superman gets some time alone with Wonder Woman. Yeah! he wants some of that Amazon loving. Who's going to be the artist for that Scene? Cyborg admits to not having a life. He needs to go out and find his own archenemy or two. All the other superheroes don't have enough time in the day to put all the criminals in jail and he's sitting around moping. The team tracks Cheetah to the Congo where she proceeds to throw down on the whole team. She bites Superman in the process, and we end up with Cheetah Superman.
We get a Justice League of America and the Superman crossover H"El on Earth preview. Man, I need a better job. I can't afford all of these books.
Mr. Johns is earning his spot on the flagship of DC Comics. Action, mystery, exotic locales, and sexual tension: what more can you ask for in a story? Not a dull moment and hot chicks kicking that ass.
If Jim Lee is not the artist anymore, then, Tony Daniel is the next best thing. The fight in Central Park and the waterfall in the Congo were worth the price of admission. The cover had me before I saw a page. Tony Daniel is a premier artist.
I rate Justice League # 13 Buy Your Own Copy. #2 (of 5) Al-O-Meter Ranking
DC Comics
Reviewed by Albert Avilla
Writer: Geoff Johns
Pencils: Tony S. Daniel
Inks: Richard Friend and Batt
The Secret of the Cheetah (Spoilers!)
Johns is getting me interested in the League. Superman and Wonder Woman continue the Kiss. Where is this going? Do we want Superman running around all frustrated? We don't linger long on the love story. The next scene is a throw down between Wonder Woman and the Cheetah. Awesome splash page gets the action started. After a few good rounds, Cheetah knocks Wonder Woman the f.... out. Batman and Aquaman question Trevor about Cheetah to give us a little background information.
Back at the satellite, Superman gets some time alone with Wonder Woman. Yeah! he wants some of that Amazon loving. Who's going to be the artist for that Scene? Cyborg admits to not having a life. He needs to go out and find his own archenemy or two. All the other superheroes don't have enough time in the day to put all the criminals in jail and he's sitting around moping. The team tracks Cheetah to the Congo where she proceeds to throw down on the whole team. She bites Superman in the process, and we end up with Cheetah Superman.
We get a Justice League of America and the Superman crossover H"El on Earth preview. Man, I need a better job. I can't afford all of these books.
Mr. Johns is earning his spot on the flagship of DC Comics. Action, mystery, exotic locales, and sexual tension: what more can you ask for in a story? Not a dull moment and hot chicks kicking that ass.
If Jim Lee is not the artist anymore, then, Tony Daniel is the next best thing. The fight in Central Park and the waterfall in the Congo were worth the price of admission. The cover had me before I saw a page. Tony Daniel is a premier artist.
I rate Justice League # 13 Buy Your Own Copy. #2 (of 5) Al-O-Meter Ranking
Labels:
Albert Avilla,
Batman,
Batt,
DC Comics,
Geoff Johns,
Justice League,
Review,
Richard Friend,
Superman,
Tony S. Daniel,
Wonder Woman
Rosario+Vampire: Season II - Fortress Fairy Tale
Labels:
Akihisa Ikeda,
Annette Roman,
Comic Book Bin,
manga,
shonen,
Shonen Jump Advanced
Wednesday, November 14, 2012
Albert Avilla Reviews: Avengers #32
Avengers # 32
Marvel Comics
Reviewed by Albert Avilla
Writer: Brian Michael Bendis
Art: Brandon Peterson & Mike Mayhew
Big time spoiler alert. Yeah! Yipee! Horay! I’m giddy with excitement.
The Wasp is back; I like when things go my way. She didn’t die; she just shrunk down to the Microverse. She’s on the run from the local godfather and doing it in a style all her own. The Avengers that go to rescue her are the old school team: Cap, Thor, Iron Man, and Giant-Man; Bendis should have dug up the real Hulk and made Cap stay home. Let’s pay homage to the original team.
Then, here comes bipolar Wonder Man trying to go on the mission, but the Avengers don’t trust him. The old school crew shrinks down to the Microverse and in no time, they find the Wasp. Pym recognizes her at first; I guess he knows that slamming body. Everyone gets a kiss, and Cap enjoys his the most. Cap the red blooded American knows what to do with a hottie. The godfather makes his entrance; Lord Gouzar is going to get some Avenger beat down.
After two issues of building my anticipation, it is time for the major throw-down. We have gotten to the make-it or break-it point of the story. Bring it home, Mr. Bendis. Did I say that I’m pleased to have the Wasp back? Once again, Mr. Bendis has written a more than adequate story. The characterization is above par; these are real people and they behave as I expect them to. They are not out of character. Bendis gives this team a camaraderie that is believable; we get the feeling that they have been through rough times together. This is a tight-nit group. The Avengers will miss Brian Michael Bendis.
This is some of the best art in comics. The characters really look great; the head shots are comic masterpieces. The art is as enjoyable as the story.
I rate Avengers # 32 Buy Your Own Copy. #2 (of 5) on Al-O-Meter Ranking
Marvel Comics
Reviewed by Albert Avilla
Writer: Brian Michael Bendis
Art: Brandon Peterson & Mike Mayhew
Big time spoiler alert. Yeah! Yipee! Horay! I’m giddy with excitement.
The Wasp is back; I like when things go my way. She didn’t die; she just shrunk down to the Microverse. She’s on the run from the local godfather and doing it in a style all her own. The Avengers that go to rescue her are the old school team: Cap, Thor, Iron Man, and Giant-Man; Bendis should have dug up the real Hulk and made Cap stay home. Let’s pay homage to the original team.
Then, here comes bipolar Wonder Man trying to go on the mission, but the Avengers don’t trust him. The old school crew shrinks down to the Microverse and in no time, they find the Wasp. Pym recognizes her at first; I guess he knows that slamming body. Everyone gets a kiss, and Cap enjoys his the most. Cap the red blooded American knows what to do with a hottie. The godfather makes his entrance; Lord Gouzar is going to get some Avenger beat down.
After two issues of building my anticipation, it is time for the major throw-down. We have gotten to the make-it or break-it point of the story. Bring it home, Mr. Bendis. Did I say that I’m pleased to have the Wasp back? Once again, Mr. Bendis has written a more than adequate story. The characterization is above par; these are real people and they behave as I expect them to. They are not out of character. Bendis gives this team a camaraderie that is believable; we get the feeling that they have been through rough times together. This is a tight-nit group. The Avengers will miss Brian Michael Bendis.
This is some of the best art in comics. The characters really look great; the head shots are comic masterpieces. The art is as enjoyable as the story.
I rate Avengers # 32 Buy Your Own Copy. #2 (of 5) on Al-O-Meter Ranking
Labels:
Albert Avilla,
Avengers,
Brandon Peterson,
Brian Michael Bendis,
Captain America,
Iron Man,
Marvel,
Mike Mayhew,
Review,
Thor
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