PREVIEWS PUBLICATIONS
NOV120004 PREVIEWS #292 JAN 2013 CUSTOMER ORDER FORM PI
NOV120001 PREVIEWS #292 JANUARY 2013 [DIG] $4.50
COMICS & GRAPHIC NOVELS
OCT120941 ADVENTURE TIME #1 SDCC GET A SKETCH CVR $9.99
NOV120957 ADVENTURE TIME FIONNA & CAKE #1 MAIN CVR [DIG] $3.99
OCT120942 ADVENTURE TIME MARCELINE SCREAM QUEENS #1 SDCC GET A SKETCH $9.99
JUL121242 ANTI #3 $3.99
OCT120762 ARCHIE DOUBLE DIGEST #236 [DIG/P+] $3.99
OCT120868 BART SIMPSON COMICS #78 $2.99
SEP120957 BLAKE & MORTIMER GN VOL 06 SOS METEORS $15.95
OCT120962 BLAKE & MORTIMER GN VOL 07 AFFAIR OF THE NECKLACE $15.95
OCT121253 BLEACH TP VOL 54 $9.99
JUL121127 CAGE OF EDEN GN VOL 08 $10.99
NOV120836 CALVIN & HOBBES 10TH ANNIV BOOK NEW PTG $16.99
NOV120829 CALVIN & HOBBES HOMICIDAL PSYCHO JUNGLE CAT SC NEW PTG $16.99
NOV120835 CALVIN & HOBBES INDISPENSABLE SC NEW PTG $18.99
NOV120833 CALVIN & HOBBES LAZY SUNDAY BOOK SC NEW PTG $12.99
NOV120825 CALVIN & HOBBES REVENGE O/T BABY SAT TP NEW PTG $12.99
NOV120822 CALVIN & HOBBES SOMETHING UNDER BED IS DROOLING $12.99
NOV120837 CALVIN AND HOBBES SUNDAY PAGES SC 1985 -1995 NEW PTG $16.99
SEP121045 CARAMEL GN (MR) $12.95
NOV120813 CAVEWOMAN 2012 PITTSBURGH COMICCON SGN SKETCHBOOK (MR) PI
SEP120958 CHIMPANZEE COMPLEX GN VOL 01 PARADOX $13.95
OCT120963 CHIMPANZEE COMPLEX GN VOL 02 SONS OF ARES $13.95
JUN121290 COMP FLASH GORDON LIBRARY HC VOL 02 TYRANT OF MONGO (RES) $39.95
AUG121248 COMPLETE PERSEPOLIS SATRAPI SGN BOOKPLATE ED TP $24.95
NOV121314 CONNIE TP MENACE OF MO TUNG $14.95
NOV121315 CONNIE TP UNSEEN AVENGER $14.95
NOV121272 DALEN & GOLE SCANDAL IN PORT ANGUS GN $9.95
OCT128292 DAMSELS #1 2ND PTG $3.99
OCT121010 DAMSELS #4 $3.99
OCT121258 DENGEKI DAISY GN VOL 11 $9.99
SEP121057 DF MASKS #1 SYAF RED EXC CVR $14.99
MAY121115 DF WARLORD OF MARS #22 RISQUE RED CVR $14.99
AUG121099 DF WARLORD OF MARS DEJAH THORIS #19 RISQUE RED EXC (MR) $14.99
JUL120739 DONARR UNYIELDING TP $7.99
NOV120811 EVEN THE GIANTS GN (MR) $9.95
JUN120839 FATHOM VOL 4 #8 CVR A KONAT $3.50
JUN120840 FATHOM VOL 4 #8 CVR B DEBALFO $3.50
APR121046 FLASH GORDON ZEITGEIST #8 $3.99
OCT121296 FLY VOL II #3 A CVR GARZA (MR) $2.99
OCT121297 FLY VOL II #3 B CVR ERIC J (MR) $2.99
NOV121197 FOILED GN $15.99
SEP120765 GEARHEARTS STEAMPUNK GLAMOR REVUE #5 $3.99
OCT121288 GFT SLEEPY HOLLOW #3 A CVR TBD (MR) $2.99
OCT121289 GFT SLEEPY HOLLOW #3 B CVR TRIANO (MR) $2.99
SEP121167 GLITTER KISS GN $15.99
SEP120762 GOLD DIGGER #145 [DIG] $3.99
SEP121294 GRIMM UNIVERSE #2 RED RIDING HOOD (MR) $3.99
AUG120788 GUNNERKRIGG COURT HC LEATHER BOUND VOL 01 ORIENTATION $53.95
OCT120831 HERO WORSHIP #6 $3.99
OCT120832 HERO WORSHIP #6 WRAP CVR $3.99
OCT121248 HEROMAN GN VOL 02 $10.95
OCT121264 HUNTER X HUNTER TP VOL 29 $9.99
OCT120907 HYPERNATURALS #1 SDCC EXCLUSIVE CVR $9.99
NOV120999 HYPERNATURALS #7 MAIN CVRS [DIG] $3.99
SEP121046 IVE SEEN IT ALL GN VOL 02 (MR) $12.95
OCT121257 JIU JIU GN VOL 03 $9.99
AUG120789 KILLER HC VOL 01 LEATHER BOUND ED (MR) $39.95
OCT120860 KNIGHTINGAIL TP VOL 01 LEGEND BEGINS $16.99
SEP121133 KNIGHTS OF THE DINNER TABLE #193 $5.99
NOV121041 LEONARD STARRS MARY PERKINS ON STAGE TP VOL 10 $24.95
SEP121047 LOVE MAKES EVERYTHING RIGHT GN (MR) $12.95
SEP120959 LUCKY LUKE TP VOL 17 APACHE CANYON $11.95
SEP120960 LUCKY LUKE TP VOL 18 ESCORT $11.95
OCT120964 LUCKY LUKE TP VOL 19 ON THE DALTONS TRAIL $11.95
OCT120965 LUCKY LUKE TP VOL 20 OKLAHOMA LAND RUSH $11.95
OCT121262 MR STRONG GOOD THING I CAME ALONG GN $6.99
OCT120850 NIGHT O/T LIVING DEAD AFTERMATH #3 (MR) $3.99
OCT120852 NIGHT O/T LIVING DEAD AFTERMATH #3 GORE CVR (MR) $3.99
OCT120851 NIGHT O/T LIVING DEAD AFTERMATH #3 WRAP CVR (MR) $3.99
SEP121048 NINTH LIFE LOVE GN $12.95
SEP120961 ORBITAL GN VOL 01 SCARS $11.95
OCT120966 ORBITAL GN VOL 02 RUPTURES $11.95
OCT121266 ORESAMA TEACHER GN VOL 12 $9.99
OCT121267 OTOMEN GN VOL 14 $9.99
OCT120919 PEANUTS #1 SDCC EXCLUSIVE CVR $9.99
NOV120990 PLANET O/T APES CATACLYSM #5 MAIN CVRS [DIG] $3.99
OCT121254 PSYREN GN VOL 08 $9.99
OCT120734 PUNK ROCK & TRAILER PARKS GN $15.95
MAY121090 QUEEN SONJA #33 $3.99
OCT120972 RED TEN #1 (MR) $3.99
OCT120870 SIMPSONS SUPER SPECTACULAR #16 $2.99
OCT120967 SPOOKS GN VOL 01 FALL OF BABYLON $13.95
OCT121256 STROBE EDGE GN VOL 02 $9.99
OCT128246 SUPURBIA ONGOING #1 2ND PTG $3.99
OCT121147 SYBIL THE BACKPACK FAIRY HC VOL 03 AITHOR $10.99
NOV121357 TEZUKA BOOK OF HUMAN INSECTS TP (MR) $16.95
SEP121235 TEZUKA MESSAGE TO ADOLF GN VOL 02 (MR) $26.95
OCT121026 THUNDA #5 $3.99
OCT121265 ULTIMO GN VOL 08 $9.99
NOV121051 VAMPIRELLA STRIKES #1 CVR A TURNER $3.99
NOV121052 VAMPIRELLA STRIKES #1 CVR B FINCH $3.99
NOV121053 VAMPIRELLA STRIKES #1 CVR C MANARA $3.99
NOV121054 VAMPIRELLA STRIKES #1 CVR D JOHNNY D $3.99
NOV121062 VAMPIRELLA TP VOL 03 THRONE OF SKULLS $29.99
AUG121041 WARLORD OF MARS DEJAH THORIS #20 (MR) $3.99
OCT121263 WINX CLUB GN VOL 05 $6.99
OCT121152 XENOGLYPHS #1 $3.99
SEP120962 XIII CINEBOOK ED GN VOL 01 DAY O/T BLACK SUN $11.95
SEP120963 XIII CINEBOOK ED GN VOL 02 WHERE THE INDIAN WALKS $11.95
SEP120964 XIII CINEBOOK ED GN VOL 03 ALL THE TEARS OF HELL $11.95
SEP120965 XIII CINEBOOK ED GN VOL 04 SPADS $11.95
OCT120968 XIII CINEBOOK ED GN VOL 05 FULL RED $11.95
OCT120969 XIII CINEBOOK ED GN VOL 06 JASON FLY CASE $11.95
OCT120970 XIII CINEBOOK ED GN VOL 07 NIGHT OF AUGUST THIRD $11.95
MAGAZINES
OCT121320 DC CHESS FIG COLL MAG SPECIAL #2 BAT SIGNAL $38.00
NOV121470 DIABOLIQUE #13 $9.98
SEP122070 WHITE DWARF #395 $10.00
BOOKS
OCT120753 CONSPIRACY O/T PLANET O/T APES LEATHER BOUND ED (MR) $49.95
NOV121417 DARK RISING ART OF ALY FELL SC (MR) $14.95
OCT120954 JIM BALENT ART BOOK TRIO $24.99
OCT121310 PIN-UP 365 DAY BY DAY IN PICTURES (MR) $29.99
OCT121223 READ OR DIE ROD OFF ARCHIVE SC $39.99
JUL121251 SHINING HEARTS COLL VISUAL MATERIALS SC $39.99
SEP122057 WARHAMMER NEFERATA MMPB $8.99
[“We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.”]
Tuesday, January 1, 2013
I Reads 2013
Happy New Year! Welcome to I Reads You, a ComicBookBin blog (www.comicbookbin.com). We blog about the things we read: mostly comic books, comics, and related books. Sometimes, we’ll write about or link to other topics: typically books, politics, and entertainment.
We want to take a moment to remember all the comic book and comics people who died last year, such as Joe Kubert. Rest in peace, and thank you for the great comics.
All images and text appearing on this blog are copyright © and/or trademark their respective owners.
We want to take a moment to remember all the comic book and comics people who died last year, such as Joe Kubert. Rest in peace, and thank you for the great comics.
All images and text appearing on this blog are copyright © and/or trademark their respective owners.
Monday, December 31, 2012
Albert Avilla Reviews: Uncanny Avengers 002
Uncanny Avengers 002
Marvel Comics
Reviewed by Albert Avilla
Writer: Rick Remender
Artist: John Cassaday
Cover: John Cassaday and Laura Martin
Variant Cover: Milo Manara
(Spoilers!)
There is a battle going on for my comic book dollars, and the number one contender is the Uncanny Avengers. I’ve already put it on my pull list. The number one reason is Remender’s writing.
When I saw that the Red Skull was going to be the first adversary of the Uncanny Avengers, I thought, oh boy, some of the same old same-old. I’m wrong so often it’s easy for me to admit when I am wrong. Remender handles the Skull well; he has a good insight into who the Skull is. Who better to use as the catalyst to further incite the humans’ hatred of the mutants than the former henchman of Adolf Hitler.
Remender’s writing exposes the evil that the Skull is. He uses our desire to find something to blame for what is not right in the world and amplifies it into a maniacal hatred. He is a master of human psychology; this is vividly illustrated in his attempt to recruit the Scarlet Witch. With his powers, Professor Xavier was able to subdue Wanda, using psychological weaknesses from her father issues to her own concern about being a powerful mutant. The Skull is always able to find minions whom he can convert to his cause and who are willing to sacrifice their humanity to serve him. They are just tools to help accomplish his goals, to be disposed of once used.
At the same time, Remender gives us examples of good. The first is when Xavier takes a stand against the other X-Men when he first accepted Rogue into the X-Men. This was a pivotal moment in the young woman’s life, saving her from a fall into the darkness. Rogue has been a warrior who has turned battles in the favor of the X-Men. Another is the Uncanny X-Men helping clean up the site that Avalanche destroyed. That’s good people when they party with you all night long and help you clean up the mess afterward.
Another thing that I like about Remender is he does not forget the characters’ past; he builds on them. Remender gives everybody their moment in the story; no one character is more important to the story than the other. Thor is nothing but hero. He could be chilling in Asgard, but he’s on Earth taking up the mutant cause with Cap [Captain America, of course – Ed.]. He is giving the Scarlet Witch more of an edge and a sense that she is superior to others. The Skull has the power of Charles Xavier. He was hell before; now what kind of mischief will our little red goblin get into?
The art is “wow” at every turn. Every panel is a masterpiece of sequential art. Sometimes, I get the feeling that the dialogue is interfering with my enjoyment of good art. Can we get Thor a spa day or a godly makeover; the dude is looking rough in his work clothes. What ever happened to godly raiment?
I rate Uncanny Avengers 002 Recommend it to a Friend. Highest ranking on the Al-O-Meter
Marvel Comics
Reviewed by Albert Avilla
Writer: Rick Remender
Artist: John Cassaday
Cover: John Cassaday and Laura Martin
Variant Cover: Milo Manara
(Spoilers!)
There is a battle going on for my comic book dollars, and the number one contender is the Uncanny Avengers. I’ve already put it on my pull list. The number one reason is Remender’s writing.
When I saw that the Red Skull was going to be the first adversary of the Uncanny Avengers, I thought, oh boy, some of the same old same-old. I’m wrong so often it’s easy for me to admit when I am wrong. Remender handles the Skull well; he has a good insight into who the Skull is. Who better to use as the catalyst to further incite the humans’ hatred of the mutants than the former henchman of Adolf Hitler.
Remender’s writing exposes the evil that the Skull is. He uses our desire to find something to blame for what is not right in the world and amplifies it into a maniacal hatred. He is a master of human psychology; this is vividly illustrated in his attempt to recruit the Scarlet Witch. With his powers, Professor Xavier was able to subdue Wanda, using psychological weaknesses from her father issues to her own concern about being a powerful mutant. The Skull is always able to find minions whom he can convert to his cause and who are willing to sacrifice their humanity to serve him. They are just tools to help accomplish his goals, to be disposed of once used.
At the same time, Remender gives us examples of good. The first is when Xavier takes a stand against the other X-Men when he first accepted Rogue into the X-Men. This was a pivotal moment in the young woman’s life, saving her from a fall into the darkness. Rogue has been a warrior who has turned battles in the favor of the X-Men. Another is the Uncanny X-Men helping clean up the site that Avalanche destroyed. That’s good people when they party with you all night long and help you clean up the mess afterward.
Another thing that I like about Remender is he does not forget the characters’ past; he builds on them. Remender gives everybody their moment in the story; no one character is more important to the story than the other. Thor is nothing but hero. He could be chilling in Asgard, but he’s on Earth taking up the mutant cause with Cap [Captain America, of course – Ed.]. He is giving the Scarlet Witch more of an edge and a sense that she is superior to others. The Skull has the power of Charles Xavier. He was hell before; now what kind of mischief will our little red goblin get into?
The art is “wow” at every turn. Every panel is a masterpiece of sequential art. Sometimes, I get the feeling that the dialogue is interfering with my enjoyment of good art. Can we get Thor a spa day or a godly makeover; the dude is looking rough in his work clothes. What ever happened to godly raiment?
I rate Uncanny Avengers 002 Recommend it to a Friend. Highest ranking on the Al-O-Meter
Labels:
Albert Avilla,
Avengers,
Captain America,
John Cassaday,
Laura Martin,
Marvel,
Marvel NOW,
Milo Manara,
Review,
Rick Remender,
Thor,
X-Men
Sunday, December 30, 2012
I Reads You Review: SUICIDE SQUAD #14
SUICIDE SQUAD #14
DC COMICS
WRITER: Adam Glass
ARTIST: Fernando Dagnino
COLORS: Matt Yackey
LETTERS: Jared K. Fletcher
COVER: Ken Lashley with Matt Yackey
32pp, Color, $2.99 U.S.
Rated "T+" - Teen Plus
“Death in the Family – Running with the Devil”
In “The New 52,” the Suicide Squad is a team of super-villains, in which the members take on risky missions in exchange for time served. The team’s base of operations is Belle Reve Penitentiary, a special prison for meta-humans and super-villains located in Terrebonne Parish, Louisiana.
Suicide Squad #14 (“Running with the Devil”) opens in the aftermath of the team’s battle with Basilisk. The Suicide Squad gathers for the funeral of Floyd Lawton AKA Deadshot. The Joker crashes the par-tay with demands to make on his compatriot and Suicide Squad member, Harley Quinn. What does he really want? In the meantime, members of the squad struggle with changes in their lives and with their powers.
I haven’t read the Suicide Squad since Suicide Squad #1 arrived in September 2011 during “The New 52” month. I was surprised by how much I enjoyed that debut issue. Suicide Squad #14, on the other hand, doesn’t do much for me. It isn’t bad, nor is it really good. It’s inoffensive with a few interesting moments scattered throughout the issue. Of course, a middling comic book needs a middling comic book artist; enter Fernando Dagnino. He can draw, but his skills would be a better fit on an independent genre title, not a DC Comics title. There are better artists who can’t get work and who are more appropriate than Dagnino to work for a major publisher like DC.
The Joker’s appearance is a tack-on so that this issue is tied to The New 52’s reworking of “Death in the Family,” and while that tie-in is intriguing, it is a cheat. There’s just enough to make it an official chapter/tie-in. I’m not interested enough to seek out the rest of “Death in the Family.”
C+
Reviewed by Leroy Douresseaux
DC COMICS
WRITER: Adam Glass
ARTIST: Fernando Dagnino
COLORS: Matt Yackey
LETTERS: Jared K. Fletcher
COVER: Ken Lashley with Matt Yackey
32pp, Color, $2.99 U.S.
Rated "T+" - Teen Plus
“Death in the Family – Running with the Devil”
In “The New 52,” the Suicide Squad is a team of super-villains, in which the members take on risky missions in exchange for time served. The team’s base of operations is Belle Reve Penitentiary, a special prison for meta-humans and super-villains located in Terrebonne Parish, Louisiana.
Suicide Squad #14 (“Running with the Devil”) opens in the aftermath of the team’s battle with Basilisk. The Suicide Squad gathers for the funeral of Floyd Lawton AKA Deadshot. The Joker crashes the par-tay with demands to make on his compatriot and Suicide Squad member, Harley Quinn. What does he really want? In the meantime, members of the squad struggle with changes in their lives and with their powers.
I haven’t read the Suicide Squad since Suicide Squad #1 arrived in September 2011 during “The New 52” month. I was surprised by how much I enjoyed that debut issue. Suicide Squad #14, on the other hand, doesn’t do much for me. It isn’t bad, nor is it really good. It’s inoffensive with a few interesting moments scattered throughout the issue. Of course, a middling comic book needs a middling comic book artist; enter Fernando Dagnino. He can draw, but his skills would be a better fit on an independent genre title, not a DC Comics title. There are better artists who can’t get work and who are more appropriate than Dagnino to work for a major publisher like DC.
The Joker’s appearance is a tack-on so that this issue is tied to The New 52’s reworking of “Death in the Family,” and while that tie-in is intriguing, it is a cheat. There’s just enough to make it an official chapter/tie-in. I’m not interested enough to seek out the rest of “Death in the Family.”
C+
Reviewed by Leroy Douresseaux
Labels:
DC Comics,
Fernando Dagnino,
Ken Lashley,
Matt Yackey,
Review,
The New 52
20th Century Boys: The Beginning of Justice
I read Naoki Urasawa's 20th Century Boys, Vol. 22
I posted a review at ComicBookBin (which has free smart phone apps and comics).
I posted a review at ComicBookBin (which has free smart phone apps and comics).
Labels:
Akemi Wegmuller,
Comic Book Bin,
manga,
Naoki Urasawa,
Takashi Nagasaki,
VIZ Media,
VIZ Signature
Saturday, December 29, 2012
Albert Avilla Reviews: Avengers #1
Avengers #1
Marvel Comics
Reviewed by Albert Avilla
Writer: Jonathan Hickman
Artist: Jerome Opena
Cover: Dustin Weaver and Justin Ponsor
Variant Covers: Steve McNiven and Justin Ponsor; Esad Ribic
“Avenger’s World” (Spoilers!)
Now, I know why the #1 on the cover is so big. Sometimes you like something, but you don’t know why. This is one of those times for me. I can’t say that the action was on a grand scale; The Avengers got their butts beat down.
The villains do seem to be interesting, but they are not beyond what we have come to expect. They are very powerful, and they took the Avengers out in a minute; they will be a challenge for the Avengers to defeat. They are new and fresh, and they are the worst kind of villains, beings who think that humans are primitives and that they are working for the good of mankind.
The dialogue is good stuff, but it’s just basic characters interacting with each other. Jonathan Hickman gives the events of this story a sense of historic significance. We get the feel that this is a major turning point in the history of the Universe. The Avengers are presented as legendary heroes whose myths go beyond their actual deeds. These are modern day George Washingtons and Geronimos whose legends have outgrown the real people. This is the beginning of an epic story. Hickman has set the stage for greatness; I hope that he is able to deliver.
Jerome Opena’s art is signature. It stands out in the crowd. Iconic characters and iconic scenes are found throughout the book. The art adds to the grandiose quality of the story.
I rate Avenger # 1 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking.
Marvel Comics
Reviewed by Albert Avilla
Writer: Jonathan Hickman
Artist: Jerome Opena
Cover: Dustin Weaver and Justin Ponsor
Variant Covers: Steve McNiven and Justin Ponsor; Esad Ribic
“Avenger’s World” (Spoilers!)
Now, I know why the #1 on the cover is so big. Sometimes you like something, but you don’t know why. This is one of those times for me. I can’t say that the action was on a grand scale; The Avengers got their butts beat down.
The villains do seem to be interesting, but they are not beyond what we have come to expect. They are very powerful, and they took the Avengers out in a minute; they will be a challenge for the Avengers to defeat. They are new and fresh, and they are the worst kind of villains, beings who think that humans are primitives and that they are working for the good of mankind.
The dialogue is good stuff, but it’s just basic characters interacting with each other. Jonathan Hickman gives the events of this story a sense of historic significance. We get the feel that this is a major turning point in the history of the Universe. The Avengers are presented as legendary heroes whose myths go beyond their actual deeds. These are modern day George Washingtons and Geronimos whose legends have outgrown the real people. This is the beginning of an epic story. Hickman has set the stage for greatness; I hope that he is able to deliver.
Jerome Opena’s art is signature. It stands out in the crowd. Iconic characters and iconic scenes are found throughout the book. The art adds to the grandiose quality of the story.
I rate Avenger # 1 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking.
Labels:
Albert Avilla,
Avengers,
Captain America,
Dustin Weaver,
Esad Ribic,
Jerome Opena,
Jonathan Hickman,
Justin Ponsor,
Marvel,
Marvel NOW,
Review,
Steve McNiven
Friday, December 28, 2012
I Reads You Review: Happy! #1
HAPPY! #1 (OF 4)
IMAGE COMICS
WRITER: Grant Morrison
ARTIST: Darick Robertson
COLORS: Richard P. Clark
LETTERS: Simon Bowland
28pp, Color, $2.99 U.S.
Happy! is a four-issue comic book miniseries written by Grant Morrison and drawn by Darick Robertson. The series focuses on Nicholas “Nick” Sax, apparently once the best detective in his police department. At some point, he became just another intoxicated cop and sometime after that, he became a hitman.
As Happy! #1 opens, we learn from two of the Fratelli Brothers that Nick is a total evil bastard. The brothers are Nick’s target, but before the last Fratelli scion dies, he imparts a secret about the Fratelli family fortune upon Nick. Now, Nick is the target of many different interests that want this secret. Then, there’s Happy the Horse...
I’ve been a fan of Grant Morrison’s comic books since his Animal Man, and I think that he is one of the great modern comic book writers. That is not to say that he has not written mediocre or even bad work. I also still don’t understand why people think of All-Star Superman as the “work of a generation” or “era-defining work.” I found his recent Batman comics either spectacular or spectacularly dull. However, I go full fanboy for such Morrison classics as Animal Man, Doom Patrol, The Invisibles, and New X-Men (well, at least the early issues).
I’m not in full fanboy mode for Happy!. If you combined some of Ed Brubaker’s generic, paint-by-numbers crime comics with some of the tropes Mark Millar has vomited up for his Millarworld line and combined them, you’d come close to making a Happy!. I’m glad that I did not pay for this comic book, because if I had, I wouldn’t be glad.
Darick Robertson’s art is good. He can draw and actually draw comic books, but even his draftsmanship is sullied by this dull retread of dull retreads. Here and there, I found something to pique my interest for a moment or two. If I get more free copies of Happy!, I’ll keep reading and reviewing
D+
Reviewed by Leroy Douresseaux
------------------------------------
IMAGE COMICS
WRITER: Grant Morrison
ARTIST: Darick Robertson
COLORS: Richard P. Clark
LETTERS: Simon Bowland
28pp, Color, $2.99 U.S.
Happy! is a four-issue comic book miniseries written by Grant Morrison and drawn by Darick Robertson. The series focuses on Nicholas “Nick” Sax, apparently once the best detective in his police department. At some point, he became just another intoxicated cop and sometime after that, he became a hitman.
As Happy! #1 opens, we learn from two of the Fratelli Brothers that Nick is a total evil bastard. The brothers are Nick’s target, but before the last Fratelli scion dies, he imparts a secret about the Fratelli family fortune upon Nick. Now, Nick is the target of many different interests that want this secret. Then, there’s Happy the Horse...
I’ve been a fan of Grant Morrison’s comic books since his Animal Man, and I think that he is one of the great modern comic book writers. That is not to say that he has not written mediocre or even bad work. I also still don’t understand why people think of All-Star Superman as the “work of a generation” or “era-defining work.” I found his recent Batman comics either spectacular or spectacularly dull. However, I go full fanboy for such Morrison classics as Animal Man, Doom Patrol, The Invisibles, and New X-Men (well, at least the early issues).
I’m not in full fanboy mode for Happy!. If you combined some of Ed Brubaker’s generic, paint-by-numbers crime comics with some of the tropes Mark Millar has vomited up for his Millarworld line and combined them, you’d come close to making a Happy!. I’m glad that I did not pay for this comic book, because if I had, I wouldn’t be glad.
Darick Robertson’s art is good. He can draw and actually draw comic books, but even his draftsmanship is sullied by this dull retread of dull retreads. Here and there, I found something to pique my interest for a moment or two. If I get more free copies of Happy!, I’ll keep reading and reviewing
D+
Reviewed by Leroy Douresseaux
------------------------------------
Labels:
Darick Robertson,
Grant Morrison,
Image Comics,
Review
Subscribe to:
Comments (Atom)



