Review: SILVER #1 – Finnigan

SILVER #1 – FINNIGAN
DARK PLANET COMICS

CARTOONIST/CREATOR: Stephan Franck – @stephan_franck
32pp, B&W, $3.50 U.S.

Stephan Franck has been a writer, director, and animator. The veteran filmmaker has worked for Disney, DreamWorks, and Warner Bros., among others. He was a supervising animator on The Iron Giant, contributed story to Despicable Me, and recently directed the upcoming movie, The Smurfs: The Legend of Smurfy Hollow for Sony Pictures Animation.

Now, Stephan Franck is creating comics and recently released Silver, a new 12-issue miniseries published by Dark Planet Comics. Silver extends the fictional world of writer Bram Stoker, the author of the Gothic novel, Dracula (1897), into the 1930s. Silver focuses on a con man who steals silver from the living-dead. He begins to assemble a crew to help him pull off the biggest heist of the last ten centuries.

Silver #1 opens in New York City, 1931. The Harker Foundation, founded by recently deceased Jonathan Harker and his late wife, Wilhelmina “Mina” (Murray) Harker, is holding an auction of rare silver pieces from the Harkers’ private collection. Tonight, there is an unwanted guest, con man and thief extraordinaire, James Finnigan. Finnigan’s “visit” is expected, however, which turns into a chase that covers practically every corner of the building.

Like Francesco Francavilla’s The Black Beetle, Silver is a stylish urban-set comic book that is part Film-Noir and part Depression-era pulp fiction. James Finnigan is not quite in the classic heroic tradition of the pulps. He’s more like Indiana Jones, a hero styled in the pulp tradition: two-fisted, smart, wily, and a lucky bastard who always escapes in the nick of time.

Graphically, Silver is a classic black and white comic book, in which the artist uses positive and negative space to not only set tone and mood, but to also pace the narrative. When done with skill, a black and white comic book can create a sense of swiftly-moving action. Black and white comic book art can also present static images that convey danger, menace, and suspense with but a lone image or in a single panel. Franck does that throughout Silver #1.

In James Finnigan, Franck has created a character that will keep the series lively and funny, making Silver an adventure tale that mixes in other genres such as action, horror, and crime fiction. Silver is a gorgeous comic book that gets more entertaining with each page. Silver is the kind of comic book that has kept me in love with comic books since I was child.

Readers looking for classic pop comics will want Stephan Franck’s Silver.

A

Readers can purchase Silver #1 on ComiXology: http://www.comixology.com/Silver/comics-series/10508

www.darkplanetcomics.com

Reviewed by Leroy Douresseaux

--------------------------------------

Otomen: Your Son Likes to Apply Makeup to Girls' Faces

I read Otomen, Vol. 15

I posted a review at the ComicBookBin (which has free smart phone apps and comics).

Yaoi Review: BOND OF DREAMS, BOND OF LOVE Volume 4

BOND OF DREAMS, BOND OF LOVE, VOL. 4
SUBLIME – @SuBLimeManga (Asuka Comics CL DX)

CARTOONIST: Yaya Sakuragi
TRANSLATION: Satsuki Yamashita
LETTERING: Annaliese Christman
COVER: Yaya Sakuragi with JAY
EDITOR: Jennifer LeBlanc
ISBN: 978-1-4215-5235-4; paperback (May 2013); Rated “M” for “Mature”
186pp, B&W, $12.99 U.S., $14.99 CAN, £8.99 UK

Yaya Sakuragi is a creator of yaoi manga and has produced such series as Hey, Sensei? and Tea for Two. Yaoi manga is a subset of boys’ love manga (BL) and features depictions of explicit sex between male characters.

One of Sakuragi’s recent yaoi manga series is Bond of Dreams, Bond of Love, which SuBLime Manga is publishing in a four-volume graphic novel series. The series focuses on Ao, a high school student who falls in love with Ryomei, whom Ao has known since he was a child. Ryomei, who is several years older than Ao, ignores the younger man’s advances.

As Bond of Dreams, Bond of Love, Vol. 4 (Acts 14 to 18) opens, Ryomei and Ao finally become intimate. Ao should be happy, but he starts to believe that their first time was merely pity sex. Ao has also been living with his Grandma Teruko, but now, she finally insists that Ao move in with his estranged mother. Moving also means being farther away from Ryomei. What can Ao do? Can he accept Ryomei’s newfound affection as real? Can Ryomei help Ao and finally express his love for him? The drama of not-so-unrequited love must finally reach a conclusion – happy or sad.

The Bond of Dreams, Bond of Love manga is the epitome of the seme (guy on top)-uke (guy on bottom) dynamic in yaoi manga. Ryomei is tall, dark, and handsome, and when he wears his priestly vestments (as he is a shrine priest), he looks like a dashing samurai. With his small frame, tousled hair, and large, expressive eyes, Ao is the quintessential, smitten, BL girlish teen boy – ready to stand by and to love his man.

Jokes aside, Bond of Dreams, Bond of Love Volume 4 is deeply romantic. I have not read the prior three volumes, and had not heard of the series until my SuBLime media rep sent me a copy of Vol. 4. I’m glad I read this. It is the comfort food version of yaoi manga reading material; the depictions of sex are more about lovemaking and being sweet than being raunchy, erotic, or even funny. There are two lovey-dovey side stories to spike your blood sugar even higher, but this volume is a good way to end a series.

Readers looking for sugary yaoi manga from the dessert cart will want Bond of Dreams, Bond of Love.

B+

Reviewed by Leroy Douresseaux

www.SuBLimeManga.com

I Reads You Review: THE ROCKETEER: Hollywood Horror #4

THE ROCKETEER: HOLLYWOOD HORROR #4
IDW PUBLISHING – @IDWPublishing

WRITER: Roger Langridge
ARTIST: J Bone
COLORS: Jordie Bellaire
LETTERS: Tom B. Long
EDITOR: Scott Dunbier
COVERS: Walter Simonson with Jordie Bellaire – regular cover; Walter Simonson – Cover RI; and James White – Strange Adventures Retailer Exclusive Cover
32pp, Color, $3.99 U.S. (May 2013)

The Rocketeer created by Dave Stevens

The Rocketeer vs. Hollywood Horror, Chapter 4 “A Night at the Altar”

I’m only a little more than a week late, but I did it. I finally got around to reading the fourth and final issue of the latest Rocketeer comic book miniseries, The Rocketeer: Hollywood Horror. This four-issue miniseries is written by cartoonist Roger Langridge and drawn by artist J Bone.

Created by the late artist and illustrator, Dave Stevens, The Rocketeer is stunt pilot, Cliff Secord. Secord finds a mysterious rocket backpack or jet-pack (the Cirrus X-3) that allows him to fly. Donning the jet-pack and a metal helmet, Secord becomes the adventurer and masked crime-fighter, The Rocketeer. His adventures begin in 1938 and continue into the 1940s (as of this writing), with most of his activities occurring in and around Los Angeles.

Hollywood Horror opens in the year 1939. Cliff’s girlfriend, Betty, is searching for her missing roommate, Dahlia Danvers, a newspaper reporter. Cliff is in trouble with the actual inventor of the jet-pack (Howard Hughes?), who has sent henchmen to retrieve it. Cliff’s friend, partner, and ace airplane mechanic, Peevy, learns that an old WWI acquaintance, scientist August “Augie” Lowcroft, is missing. Everything centers on impresario and mystic, Reverend Otto Rune and his Church of Cosmicism.

As The Rocketeer: Hollywood Horror #4 opens, Cliff as The Rocketeer arrives at the Octopus Club to rescue her from Otto Rune’s clutches. He finds Lowcroft and a monster right out of nightmares ready to stop him. And even if Cliff rescues Betty, can he repair their strained relationship? He gets by with a little help from his friends.

The fourth issue of Hollywood Horror is the best issue of the series. The previous series, The Rocketeer: Cargo of Doom, was like a big-budget B-movie with its sci-fi and monster (in this case, dinosaurs) elements; it was also dark in tone. Hollywood Horror is lighter in tone, talky, and resembles a screwball comedy, with the sci-fi elements being negligible, even the monster. In fact, this series is more about Hollywood than horror, with it cameos by and allusions to Hollywood legends of bygone eras.

The final issue is fun and fast-paced. The resolutions and romantic make-ups, reunions, and reconciliations give The Rocketeer: Hollywood Horror #4 a “Hollywood ending.” Can we imagine The Rocketeer giving us anything but a happy ending?

A

Reviewed by Leroy Douresseaux

Naruto: Uchiha Brothers United Front

I read Naruto, Vol. 61: Uchiha Brothers United Front

I posted a review at the ComicBookBin.

Review: STAR WARS: Darth Vader and the Ninth Assassin #2

STAR WARS: DARTH VADER AND THE NINTH ASSASSIN #2
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Review" review page is here.]

SCRIPT: Tim Siedell – @badbanana
PENCILS: Stephen Thompson
INKS: Mark Irwin
COLORS: Michael Atiyeh
LETTERS: Michael Heisler
COVER: Ariel Olivetti
28pp, Color, $3.50 U.S. (May 2013)

Star Wars: Darth Vader and the Ninth Assassin is a new Star Wars comic book series from writer Tim Siedell and artists Stephen Thompson and Mark Irwin. The series is set at the end of the Star Wars time period known as “The Rise of the Empire” era (the 1000-year period before the decisive Battle of Yavin in the original Star Wars film. Darth Vader and the Ninth Assassin takes place some months after the events depicted in the film, Star Wars: Episode III – Revenge of the Sith (2005).

Star Wars: Darth Vader and the Ninth Assassin centers on a plot by a wealthy industrialist to kill Emperor Palpatine’s mysterious apprentice, Darth Vader, who killed the industrialist’s son. After eight assassins failed, the vengeful father hires a ninth assassin, who is mysterious and powerful.

As Star Wars: Darth Vader and the Ninth Assassin #2 begins, the Heinsnake suddenly strikes. The Empire faces a wave a terrorist attacks. And an eons-dead, dark, ancient cult may be making its return.

In my review of Star Wars: Darth Vader and the Ninth Assassin #1, I wrote that if the second and third issues and so on are good, they will continue to give us the awesome read that the first issue promises. One down: Damn, Star Wars: Darth Vader and the Ninth Assassin #2 is a good comic book. I could have read another 100 pages of this in one sitting.

Writer Tim Siedell has crafted a story in which, the Emperor, Vader, and the Empire are actually, seriously menaced by a credible, but largely unknown enemy… or enemies. Artist Stephen Thompson graphically conveys Siedell’s story as an epic in big panels that capture the grandeur of power, the scale of Imperial infrastructure, but, most of all, the vastness of the galaxy and how that enormity can hide entities capable of destroying even a Galactic Empire. This is a Star Wars must-read comic book.

A

Reviewed by Leroy Douresseaux

Psyren: Alien Sky

I read Psyren, Vol. 10: Alien Sky

I posted a review at the ComicBookBin.