Review: DOCTOR STRANGE #1

DOCTOR STRANGE (2015) No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Jason Aaron
PENCILS: Chris Bachalo
INKS: Tim Townsend, Al Vey, and Mark Irwin
COLORS: Chris Bachalo
LETTERS: VC's Cory Petit
COVER: Chris Bachalo and Tim Townsend
VARIANT COVERS: Neal Adams; John Tyler Christopher; Juan Doe; Eric Henderson; Dave Johnson; Kevin Nowlan; Jakub Rebelka; Skottie Young; Allen Lee Hansard with Mary Cahela and Judy Stephens
36pp, Color, $4.99 U.S. (December 2015)

Rated T+

Doctor Strange created by Steve Ditko

“The Way of the Weird”

Doctor Strange is a Marvel Comics superhero character.  Doctor Strange first appeared in Strange Tales #110 (cover dated:  July 1963) and was created by artist Steve Ditko, although Marvel Comics also recognizes Stan Lee as the character's co-creator.

Doctor Stephen Vincent Strange is a brilliant, but egotistical neurosurgeon who only cares about using his career and talents to become wealthy.  A car accident severely damages his hands, ending his ability to perform surgery.  His pride causes him to lose everything, but his encounter with the Ancient One changes him.  Doctor Strange becomes the “Sorcerer Supreme,” the “Master of the Mystic Arts,” who is the primary protector of Earth against magical and mystical threats from wherever they may come.

As part of the “All-New All-Different Marvel” initiative, Marvel Comics is launching a new Doctor Strange comic book series.  The new series is written by Jason Aaron; drawn and colored by Chris Bachalo, with inking by Tim Townsend, Al Vey and Mark Irwin; and lettered by Cory Petit.

Doctor Strange #1 (“The Way of the Weird”) with Strange battling possession in the Netherworld.  After a day of battling soul-eaters and a psychic-leech, Strange sees a pattern.  Something bad is coming.  Plus, Strange meets Doctor Voodoo, Shaman, and the Scarlet Witch.

I am intrigued by some of the elements presented in this new series, but I don't know that this is a title that I would buy every month.  If you have ever seen Chris Bachalo's art, and you have because he has been a Marvel Comics stable pony for over a decade, then, this comic book will look familiar to you.  Maybe some of it looks like Bachalo's work on Neil Gaiman's Death comic book miniseries.  Anyway, I can't recommend this, not because it is bad, but because I don't see myself being a regular reader of this new Doctor Strange.  So why should I suggest that you be?

Now, there is also a five-age epilogue written by Aaron and drawn by the great Kevin Nowlan (who also draws one of this #1 issue's variant covers).  For a long time, Nolan has been known as a comic book artist's artist, and Nowlan's five pages are worth every penny of this book's cover price.  I will come back to this title if there is more Nowlan.

[This volume includes a bonus story written by Jason Aaron; drawn and colored by Kevin Nowlan; and lettered by VC's Cory Petit.]

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint or syndication rights and fees.

Review: STAR WARS: Darth Vader and the Ninth Assassin #2

STAR WARS: DARTH VADER AND THE NINTH ASSASSIN #2
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Review" review page is here.]

SCRIPT: Tim Siedell – @badbanana
PENCILS: Stephen Thompson
INKS: Mark Irwin
COLORS: Michael Atiyeh
LETTERS: Michael Heisler
COVER: Ariel Olivetti
28pp, Color, $3.50 U.S. (May 2013)

Star Wars: Darth Vader and the Ninth Assassin is a new Star Wars comic book series from writer Tim Siedell and artists Stephen Thompson and Mark Irwin. The series is set at the end of the Star Wars time period known as “The Rise of the Empire” era (the 1000-year period before the decisive Battle of Yavin in the original Star Wars film. Darth Vader and the Ninth Assassin takes place some months after the events depicted in the film, Star Wars: Episode III – Revenge of the Sith (2005).

Star Wars: Darth Vader and the Ninth Assassin centers on a plot by a wealthy industrialist to kill Emperor Palpatine’s mysterious apprentice, Darth Vader, who killed the industrialist’s son. After eight assassins failed, the vengeful father hires a ninth assassin, who is mysterious and powerful.

As Star Wars: Darth Vader and the Ninth Assassin #2 begins, the Heinsnake suddenly strikes. The Empire faces a wave a terrorist attacks. And an eons-dead, dark, ancient cult may be making its return.

In my review of Star Wars: Darth Vader and the Ninth Assassin #1, I wrote that if the second and third issues and so on are good, they will continue to give us the awesome read that the first issue promises. One down: Damn, Star Wars: Darth Vader and the Ninth Assassin #2 is a good comic book. I could have read another 100 pages of this in one sitting.

Writer Tim Siedell has crafted a story in which, the Emperor, Vader, and the Empire are actually, seriously menaced by a credible, but largely unknown enemy… or enemies. Artist Stephen Thompson graphically conveys Siedell’s story as an epic in big panels that capture the grandeur of power, the scale of Imperial infrastructure, but, most of all, the vastness of the galaxy and how that enormity can hide entities capable of destroying even a Galactic Empire. This is a Star Wars must-read comic book.

A

Reviewed by Leroy Douresseaux

Review: STAR WARS: Darth Vader and the Ninth Assassin #1

STAR WARS: DARTH VADER AND THE NINTH ASSASSIN #1
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Central" review page is here.]

SCRIPT: Tim Siedell – @badbanana
PENCILS: Stephen Thompson
INKS: Mark Irwin
COLORS: Michael Atiyeh
LETTERS: Michael Heisler
COVER: Ariel Olivetti
28pp, Color, $3.50 U.S. (April 2013)

In the Star Wars Expanded Universe, “The Rise of the Empire” era is the 1000-year period before the events depicted in the original Star Wars film. Star Wars: Darth Vader and the Ninth Assassin is a new Star Wars comic book series from Dark Horse Comics. The series is set during “The Rise of the Empire” era and takes place some months after the events depicted in the film, Star Wars: Episode III – Revenge of the Sith (2005).

Star Wars: Darth Vader and the Ninth Assassin #1 introduces readers to a wealthy mining magnate who seeks revenge against Emperor Palpatine’s mysterious apprentice, Darth Vader. He has hired eight assassins to murder Darth Vader, and all eight assassins are apparently dead.

Now, the man seeks to enlist a ninth assassin. The ninth assassin, however, asks a high price, a cost higher than all the credits in the revenge seeker’s bottomless coffers. Is this price/sacrifice too great to acquire the one man who can kill the Dark Lord of the Sith?

If the second and third issues and so on are good, they will continue to give us the awesome read that Star Wars: Darth Vader and the Ninth Assassin #1 promises. Series writer Tim Siedell seems as if he is planning to go into some dark places. In fact, Darth Vader and the Ninth Assassin is darker than George Lucas ever made any of his Star Wars films. I can’t imagine The Walt Disney Company adopting a more sinister tone in their planned Star Wars films (but we can hope).

The pencil art by Stephen Thompson reminds me of Frank Quitely’s art, but with more texture and grit. Thompson’s compositions are well-served by Mark Irwin inks and Michael Atiyeh’s always high-quality colors. Thompson’s take on Vader is quite chilling; he has a way of making Vader’s ability to intimidate real rather than implied.

With Star Wars: Darth Vader and the Ninth Assassin, Dark Horse once again proves that in the Star Wars Expanded Universe, it is the master.

A

Reviewed by Leroy Douresseaux

Albert Avilla Reviews: Green Lantern #14

Green Lantern #14
DC Comics

Reviewed by Albert Avilla

Writer: Geoff Johns
Pencils: Doug Mahnke
Inks: Christian Alamy, Mark Irwin, Keith Champagne and Tom Nguyen

“Courage” (Spoilers!)

The Guardians are planning to destroy the Green Lantern Corps. Okay, we covered this before. Now, it’s time for the new Lantern to get into some action. The Justice League is on the scene; there is going to be some major throwing-down going on in this piece, yeah, buddy!

Nope! We get some jibber-jabber about helping Simon Baz get his ring off and finding out what happened to Hal Jordan . Once Batman puts his hands on the ring, Sinestro uses the ring’s energy to slap the Justice League off. Baz decides to run; he makes a car and fast and furiously gets his ass out of that situation. Don’t let the cover fool you; not a punch, a lasso, batarang, or trident was used in the making of this comic. How does Baz make his getaway? He confuses the League by making hundreds of cars and driving away.

Simon gets a lead on the van that blew up in the car factory. The Guardians who were guarding the vault are locked in the vault and the First Lantern is on the loose. Now, the Black Lantern shows up trying to find out where he is. Not finished yet; hold on. Some ominous figure shows up in the place where Hal and Sinestro are, and he’s ready to make Sinestro pay for his crimes. There are a lot of things happening in this story. The background has been set for this story. Now, let’s tie up the loose ends; it’s time to rumble. All this crossing-over and the only place that I can find some action is in the Red Lanterns.

The art is good. It is the strength of the book. The Justice League looks good. The artists are carrying their share of the load.

I rate Green Lantern 14 Read a Friend’s Copy. #3 (of 5) on the Al-O-Meter Ranking

Albert Avilla Reviews: Green Lantern #13

Green Lantern #13
DC Comics

Reviewed by Albert Avilla

Writer: Geoff Johns
Pencils: Doug Mahnke
Inks: Christian Alamy, Mark Irwin, Tom Nguyen, Keith Champagne & Marc Deering
Colors: Alex Sinclair with Tony Avina
Cover: Ivan Reis, Oclair Albert, and Rod Reis

“Actions and Reactions” (Spoilers)
This is a “Rise of the Third Army” tie-in and the beginning of the Simon Baz Green Lantern era.

The president and Amanda Waller are discussing their concerns about Simon becoming a Green Lantern. Simon is out in the Florida Keys while the ring is mapping his neural pathways. Simon gets a conflicting message from Hal and Sinestro, but they do agree that the Guardians need to be stopped. The tattoo on Simon’s arm is glowing green and causing him pain.

Simon returns to Dearborn where his sister is being ostracized, because he is a suspected terrorist. Simon meets with his sister to enlist her help in his attempt to clear his name. Then, we get minions of the Guardians assimilating two truck drivers. Okay, they are not very discriminating. Simon is trying to avoid the cameras on a building when he gets sneaked. It’s the Justice League that sneaks him. What ever happened to honor? What about innocent before proven guilty?

We’ve been through the set-up process for two issues now. Now, it’s time for some fighting. I want to see what Mr. Baz brings to the table. Once the League is involved things should jump off nicely. I don’t want Simon talking his way out of this predicament. Drama has its place, but superhero fantasies are about earth shattering action. This is an emotional story, thus far; Johns has done a good job of making us sympathetic to Simon’s plight.

Good art, but it is not the kind of art that will bring that sense of awe. It doesn’t stand out from the crowd. Mahnke does a good job with the characters’ faces; that seems to be his strength.

I rate Green Lantern 13 Read a Friend’s Copy. #3 (of 5) on Al-O-Meter Ranking

Albert Avilla Reviews: Justice League #12

Justice League #12
DC Comics

Reviewed by Albert Avilla

Writer: Geoff Johns
Pencils: Jim Lee, Ivan Reis, Joe Prado, David Finch
Inks: Scott Williams, Sandra Hope, Jonathan Glapion, Mark Irwin, Matthew Banning, Rob Hunter, Joe Weems, Alex Garner, Trevor Scott

The Graves storyline comes to a conclusion. We learn that the spirits of the League's loved ones are really spiritual parasites called Pretas, and with their help, Graves starts to take the League down. Steve Trevor frees himself despite being on the edge of death to help the most powerful heroes on Earth. Once Trevor shows up the League realizes that they are not fighting the spirits of their loved ones. The League uses teamwork to defeat Graves; they are becoming the team that we expected.

This is a very eventful story. Green Lantern decides to quit the team as a sacrifice to protect the team's image. It is a sign of the times when you risk your life to save the world, and you have to consider how you are perceived by others while doing it. Green Lantern plays it off like it’s not a major concern, but we know how important the League is to him.

The major bombshell dropped on us is The Kiss. I glad the cover wasn't just sales hype. Superman kisses Wonder Woman in a moment of shared loneliness and understanding of how much they have in common. There will be debate about who kissed whom, but that is not the purpose of this review. Is it a moment of weakness or the beginning of the affair that will rock comicdom? I hope it is not a hook up; I couldn't live with the drama of Wonder Woman being Superman's baby mama. They are both young people, and everyone should have that passionate relationship that burns hot and quickly. It would be shocking if this actually leads to something meaningful. There is definitely story potential here. The New 52, what are you going to do? Blow the roof off the mother or shoot blanks?

All that needs to be said about the art is Jim Lee.

I rate Justice League #12 Buy Your Own Copy.

Albert Avilla Reviews: Green Lantern #0

Green Lantern #0
DC Comics

Reviewed by Albert Avilla

Writer: Geoff Johns
Pencils: Doug Mahnke
Inks: Christian Alamy, Keith Champagne, Mark Irwin
Cover: Doug Mahnke, Christian Alamy, and Alex Sinclair

Simon Baz, the new Green Lantern, is the boldest move of The New 52. This is a cosmic shift in the comic paradigm. Let's create a hero from the most despised ethnic group in American Society. I can feel the shock waves reverberating through the comic book universe as I write. The haters are gorging themselves on haterade in preparation for their unfounded attacks on Johns for this visionary move. I don't know if this is the first Arabic superhero, but I do know it is the first to be the lead in a major title from an industry leader.

Ultimately, comic's highest aspiration is to inspire readers to live as heroes. Let's live the American creed. My question is why a car thief? I don't know what the ring's protocols are for choosing Lanterns, but why a criminal? The ring had an error in its functioning. All elements that could lead to interesting storylines in the future did, and that is what this story is about; foreshadowing things to come. I would have preferred to have the complete origin told here, but I'm sure this is going to tie into the events of the “Rise of the Third Army” crossover. The story itself does not live up to the social significance of the event. It was slow moving with action that reminded me of the average car chase in any police drama. It’s about what I’d expect from a story that is basically the prelude to a story.

The art was solid comic art. The first page told volumes in five panels; it invokes an emotional response in the reader. The rest was just good art.

On social significance alone I rate Green Lantern #0 Recommend It to a Friend.

I Reads You Review: JUSTICE LEAGUE #6

"The Jim Lee Project"
JUSTICE LEAGUE #6
DC COMICS

WRITER: Geoff Johns
PENCILS: Jim Lee
INKS: Scott Williams with Sandra Hope, Batt, and Mark Irwin
COLORS: Alex Sinclair with Tony Avina and Hi-Fi
LETTERS: Patrick Brosseau
COVER: Jim Lee and Scott Williams, with Alex Sinclair
VARIANT COVER: Ivan Reis and Joe Prado with Rod Reis
40pp, Color, $3.99 U.S.

So two months after I read the fifth issue, I finally read Justice League #6 (entitled “Part Six” or Justice League Part Six”). This new Justice League comic book series, launched the last week of August 2011, is essentially the flagship title of “The New 52,” DC Comics’ re-launch of its superhero comic book line, which also began the last week of August 2011.

As the issue begins, seven superheroes: Superman, Wonder Woman, Batman, Aquaman, Green Lantern, The Flash, and Cyborg, who are not part of a team and who are not all friends, have gathered to stop an alien invasion of Earth. Wonder Woman, Aquaman, Green Lantern, The Flash, and Cyborg, in a united front, try to takedown the leader of this invasion, Darkseid. Meanwhile, on Darkseid’s world, Batman attempts to rescue Superman, who is being tortured by Desaad.

For this opening story arc of the new Justice League, writer Geoff John’s offers what is simply just one big battle that allows him to introduce his new version of the Justice League team lineup. It’s a fairly good story, but, it is also really a single-issue (at most, two-issue) story stretched to six issues i.e. trade paperback size.

To be honest with you, dear reader, I am following this series for Jim Lee’s art. When I review issues not drawn by Lee, you better believe that I got those as freebies. Back to Lee’s art: what glorious art it is! Lee summons his inner Jack Kirby by delivering pencil art full of super powers on display and super-beings in motion. Lee brings out the Kirby bat on such delicious splash pages and spreads as the one featuring Wonder Woman stabbing Darkseid in the eye, Superman flying into Darkseid’s midsection, and the Cyborg boom tube explosion. Ahhh, I think I need a cigarette.

A-

There is a Pandora back-up by Geoff Johns (writer), Carlos D’Anda (artist), Gabe Eltaeb (colors), and Sal Cipriano (letters).