Dark Horse Comics from Diamond Distributors for July 30, 2014

DARK HORSE COMICS

MAY140027     BALTIMORE WITCH OF HARJU #1     $3.50
MAY140060     CAPTAIN MIDNIGHT #13     $2.99
MAY140080     DEEP GRAVITY #1     $3.99
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MAY140056     EMILY & THE STRANGERS BREAKING RECORD #2     $3.99
MAR140095     GASOLINE ALLEY HC VOL 02 COMPLETE SUNDAYS 1923-1925     $75.00
MAY140093     KING CONAN CONQUEROR #6     $3.50
MAY140071     MASSIVE #25     $3.50
MAY140070     MIND MGMT #24     $3.99
MAY140068     PARIAH #6     $3.99
MAY140087     STAR WARS REBEL HEIST #4 HUGHES MAIN CVR     $3.50
APR140023     VEIL #4 (MR)     $3.50

Image Comics from Diamond Distributors for July 30, 2014

IMAGE COMICS

MAY140696     BLACK SCIENCE #7 (MR)     $3.50
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IMAGE COMICS/MCFARLANE TOYS

FEB140648     WWE MACHO MAN RANDY SAVAGE RESIN STATUE     PI

Comics, Magazines and Books from Diamond Distributors for July 30, 2014

PREVIEWS PUBLICATIONS
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COMICS & GRAPHIC NOVELS
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Phantom Thief Jeanne: Because I Want You to Love Me...

I read Phantom Thief Jeanne, Vol. 2

I posted a review at the ComicBookBin, which is seeking donations.  Follow me on Twitter.

Comic Book Review: THE STRAIN #4

THE STRAIN #4
DARK HORSE COMICS – @DarkHorseComics

STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: Mike Huddleston
28pp, Color, $3.50 U.S. (March 2012)

Part 4: “Conspiracy”

Early in 2013, Dark Horse Comics made PDF copies of all 11 issues of its horror comic book series, The Strain, available to comic book reviewers on its mailing list.  This offer was part of DHC’s promotional effort for a second maxi-series, The Strain: The Fall.  I took up that offer and reviewed all 11 issues of The Strain for the ComicBookBin.

I have previously posted my reviews of The Strain, issues #1 through 3 on my “I Reads You” blog.  Over the course of the coming weeks, I will post the reviews of issues 4 to 11 on this blog in conjunction with the broadcast of “The Strain,” the television adaptation of the original novel.  The first episode aired on Sunday night, July 13, 2014 on cable channel, FX, with each new episode airing the following Sunday.

Thus far, the first two issues The Strain comic book are better than the first two episodes of “The Strain” TV series.

------------------

The Strain is the 11-issue comic book adaptation of The Strain, a 2009 vampire novel from filmmaker Guillermo del Toro and novelist Chuck Hogan.  Hogan’s 2004 novel, Prince of Thieves, became the Ben Affleck film, The Town.  Published by Dark Horse Comics, The Strain comic book is scripted by David Lapham, drawn by Mike Huddleston, and colored by Dan Jackson.

The Strain follows Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control).  Eph heads the Canary Project, a rapid-response team that investigates biological threats.   With his second-in-command, Nora Martinez, Eph has found just that kind a threat.  It begins at J.F.K. International Airport in New York City, where a Boeing 777 went dead silent after landing.

The Strain #4 opens at the Stoneheart Group Headquarters in Manhattan.  There, CEO Eldritch Palmer begins to orchestrate his part in the madness that has already begun.  Eph’s son, Zack, witnesses something frightening.  Exhausted, Eph struggles to discover the secrets of what looks like an epidemic, while Nora comforts him.

Gabe Bolivar, rock star and survivor of the Boeing flight, gets a visit from his manager, Rudy, a visit that leaves the visitor stunned.  The wife of Ansel Barbour, another survivor, seeks comfort in “The Lord’s Prayer.”  Eph and Nora have a completely unexpected encounter with the third survivor, Captain Redfern.

The Strain #3 was f’ing awesome, and so is #4.  Artist Mike Huddleston has complete control of this narrative’s pace.  He draws out the coming horror in a measured pace that tries one’s nerves.  Could I take the heat?  Then, Huddleston unleashes brief action scenes that hit the viewer like a mean action movie.  Every one page of action feels like three pages.  Many media properties would be well served by a Mike Huddleston as their comic book artist.

Fans of horror comic books must have The Strain.

A+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Review: MONSTER: The Perfect Edition Volume 1

MONSTER: THE PERFECT EDITION, VOL. 1
VIZ MEDIA – @VIZMedia

CARTOONIST: Naoki Urasawa with Takashi Nagasaki
TRANSLATION/ENGLISH ADAPTATION: Camellia Nieh
LETTERS: Steve Dutro
ISBN: 978-1-4215-6906-2; paperback (July 2014); Rated “T+” for “Older Teen”
432pp, B&W with some color, $19.99 U.S., $22.99 CAN, £12.99 UK

Monster is a seinen manga (comics for adult men) written and drawn by Naoki Urasawa.  It was originally serialized in Japan in the manga magazine, Big Comic Original (published by Shogakukan), from December 1994 to December 2001.  From February 2006 to December 2008, VIZ Media published Monster in 18 paperback graphic novel editions (known as tankōbon in Japan).  Now, VIZ Media is collecting the series in a new “Perfect Edition” format in which two graphic novels are gathered in each oversized paperback volume.

Monster: The Perfect Edition, Vol. 1 (Chapters 1 to 16) reprints Monster Volume 1 and Volume 2.  This edition is print-only and is published under the VIZ Signature imprint and it is rated “‘T+’ for Older Teens.”  The series carries an MSRP (manufacturer’s suggested retail price) of $19.99 U.S. and $22.99 CAN.  Monster: The Perfect Edition features a new English translation of Monster, re-mastered pages, and many pages of full-color content.  After Vol. 1, future volumes of Monster: The Perfect Edition will be released four times a year in North America, the United Kingdom, Australia, and New Zealand for a total of nine volumes covering the entire series.

Naoki Urasawa’s Monster focuses on a young and very talented doctor who discovers that no good deed goes unpunished.  Dr. Kenzo Tenma moved from Japan to Germany to find success as a brain surgeon.  As the go-to-surgeon at Eisler Memorial Hospital in Düsseldorf, Tenma is the hospital’s golden boy.  However, it comes at a cost.  Tenma writes the medical papers that hospital director, Dr. Heinemann, presents as his own work.  Kenzo dates Heinemann’s daughter, Eva, but she is a spoiled daddy’s girl who cares more about appearances and material wealth than other people.  Then, Tenma makes a decision that leads to his fall from grace with Heinemann.

Tenma is determined to prove that he made the right decision.  So when two children come into the emergency room at Eisler one night, Tenma operates on Johan Liebert, the brother who has been shot in the head.  Johan’s sister, Anna, is in shock, but Tenma is determined to protect them both.  Tenma does not realize that his decision will force him to confront questions of good and evil.  Years later, he discovers a bizarre series of serial murders, and Tenma realizes that he may have saved a monster.

The Monster manga by Naoki Urasawa is one of the best comics published in the last decade of the 20th century.  Urasawa’s acclaimed manga may even be the best.

Monster can best be described as a psychological thriller, in which the central conspiracy expands ever outward.  Although the hero, Dr. Tenma, initially believes that all he has to do is find a serial killer, he gradually discovers that he must investigate history as well as track a killer.  Of course, Monster is a murder mystery, and there is plenty of political intrigue, some of it involving workplace politics. 

Whatever genres and styles upon which it touches, Monster is a riveting, absorbing read.  It is a chilling story in which the monsters are not of supernatural origins, but instead come from the dark recesses of the human mind.  Monster is such an engrossing, page-turner that it is unforgettable.  I never forgot it, and I am ready to read it again – thanks to Monster: The Perfect Edition.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: HERCULES: The Knives of Kush

HERCULES: THE KNIVES OF KUSH
RADICAL COMICS

WRITER: Steve Moore
ARTIST: Chris Bolson with Manuel Silva and Leonardo Silva
COLORS: Doug Sirois with Cliff Cramp and Steve Firchow
LETTERS: Todd Klein
MISC. ART: Jim Steranko, Clint Langley, Arthur Suydam, Marko Djurdjevic, Daryl Mandryk, J.P. Targete, Jean-Sebastien Rossbach
COVER: Clint Langley
ISBN:  978-1-935417-03-3; paperback (May 2010)
152pp, Color, $14.95 U.S., $16.50 CAN

Radical Comics, a division of Radical Publishing, Inc., presented a radical interpretation of Hercules in 2008.  Radical’s Hercules debuted in the 2008 miniseries, Hercules: The Thracian Wars, which was written by late British writer, Steve Moore.  Moore created this new Hercules and legendary comic book artist, Jim Steranko, designed him.

Moore made Radical’s Hercules grittier, while focusing more on his human side than on his heritage as the son of the supreme god, Zeus.  Moore set Hercules’ life in the Bronze Age and gave him a band of friends.  Together, Hercules and his band left Greece and sought mercenary work in other lands.  Thus, Moore set Hercules first mercenary activities in Thrace.  Radical’s Hercules is now a Paramount Pictures/MGM’s film starring Dwayne “The Rock” Johnson and directed by Brett Ratner.

The second Hercules miniseries was the five-issue, Hercules: The Knives of Kush, which was released in 2009.  The Knives of Kush finds Hercules and his mercenary band caught in the middle of Egypt’s civil war.  In 2010, Radical collected Hercules: The Knives of Kush in a trade paperback, and the company’s marketing director sent me a copy for review, which I promptly forgot about.

However, the impending release of the movie made me dig up my copy of The Knives of Kush.  I decided to reread the story, as I had previously only read the fourth and fifth issue of the miniseries, and post a review of the trade.

Hercules: The Knives of Kush opens with Hercules and his band of mercenaries:  Autolycus, Iolaus, Meleager, and Atalanta (the only female of the group) aboard the Greek boat, the “Sea Nymph.”  After a brief skirmish with pirates, Hercules and company end up in Egypt.  They eventually offer their services to Pharaoh Seti II who is fighting a civil war against his half-brother, Amenmessu (real life historical figures that lived in the 13th and 12th centuries BC).

Amenmessu is aided by Khadis, Lord of Lighting and a sorcerer whose powers may be the reason Amenmessu seems to be winning the war with Seti.  Hercules suspects that there is more to Amenmessu’s success than Khadis and believes that traitors hide among Seti’s circle of wives, advisors, retainers, etc.  Hercules is appointed as a royal bodyguard, but he believes that to learn the truth he must penetrate the sinister cult known as “The Knives of Kush.”  This, however, will bring Hercules face to face with an enemy like no other – a mysterious figure who may wield the power of the gods.

I doubt that I am the only reviewer who thinks that Steve Moore has converted the demigod of Greek myth, Hercules (Heracles), into something that resembles the sword and sorcery character, Conan the Cimmerian (also known as Conan the Barbarian).  This is not a criticism; Moore apparently put a lot of effort into researching Greek myth and history for Hercules.  Besides, I like this Hercules.  I did not read The Thracian Wars, and Moore states in the foreword to this trade paperback that readers do not need to know of Hercules’ adventures in Thrace before reading of his adventures in Egypt.

I think that Hercules: The Knives of Kush slightly resembles some of the Conan comic books that Marvel Comics published in the 1970s and 80s.  In fact, The Knives of Kush has a good premise and plot, but the problem is the execution.  It is as if Moore wanted this miniseries to be any number of things or was not sure what it should be.

On one hand, Hercules’ struggles against Amenmessu’s rebellion involve courtly conflict and palace intrigue.  Moore basically has Hercules, an action character, stumbling around Seti’s Memphis, vainly trying to discover spies.  On the other hand, since Amenmessu is leading an armed rebellion, there is eventually going to have to be a big battle between Seti’s forces, to which Hercules belongs, and Amenmessu.  Instead of building up to the battles, the spy hunt seems like story padding.  Also, at five issues in length, The Knives of Kush is at least one issue too long.

In fact, for all the fear that Amenmessu and his ally, Khadis and the cult known as The Knives of Kush, are supposed to engender, their confrontation with Hercules and company is anti-climatic.  Their demises are pitiful, leaving this story with the sense that there was no great villain and with the disappointment that Hercules’ head-bashing comes in fits and starts.

The art produced by Chris Bolson and Doug Sirois is quite good, but the rest of it falls off.  If there is ever more of Radical’s Hercules, I hope Bolson and Sirois are the artists, and I hope for a story that has more head-bashing and disemboweling than it does character drama.  I want the next Hercules to be more like the last two issues of Hercules: The Knives of Kush than the first three.  Who really cares about Hercules’ daddy issues?

B-

[This trade paperback includes an interview of Steve Moore conducted by Andre Lamar.]

Reviewed by Leroy Douresseaux


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