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Labels:
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comics news,
Diamond Distributors,
Dynamite Entertainment,
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Monday, July 28, 2014
Phantom Thief Jeanne: Because I Want You to Love Me...
I read Phantom Thief Jeanne, Vol. 2
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
I posted a review at the ComicBookBin, which is seeking donations. Follow me on Twitter.
Labels:
Arina Tanemura,
Comic Book Bin,
manga,
Nancy Thislethwaite,
shojo,
Shojo Beat,
Tetsuichiro Miyaki,
VIZ Media
Sunday, July 27, 2014
Comic Book Review: THE STRAIN #4
THE STRAIN #4
DARK HORSE COMICS – @DarkHorseComics
STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: Mike Huddleston
28pp, Color, $3.50 U.S. (March 2012)
Part 4: “Conspiracy”
Early in 2013, Dark Horse Comics made PDF copies of all 11 issues of its horror comic book series, The Strain, available to comic book reviewers on its mailing list. This offer was part of DHC’s promotional effort for a second maxi-series, The Strain: The Fall. I took up that offer and reviewed all 11 issues of The Strain for the ComicBookBin.
I have previously posted my reviews of The Strain, issues #1 through 3 on my “I Reads You” blog. Over the course of the coming weeks, I will post the reviews of issues 4 to 11 on this blog in conjunction with the broadcast of “The Strain,” the television adaptation of the original novel. The first episode aired on Sunday night, July 13, 2014 on cable channel, FX, with each new episode airing the following Sunday.
Thus far, the first two issues The Strain comic book are better than the first two episodes of “The Strain” TV series.
------------------
The Strain is the 11-issue comic book adaptation of The Strain, a 2009 vampire novel from filmmaker Guillermo del Toro and novelist Chuck Hogan. Hogan’s 2004 novel, Prince of Thieves, became the Ben Affleck film, The Town. Published by Dark Horse Comics, The Strain comic book is scripted by David Lapham, drawn by Mike Huddleston, and colored by Dan Jackson.
The Strain follows Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control). Eph heads the Canary Project, a rapid-response team that investigates biological threats. With his second-in-command, Nora Martinez, Eph has found just that kind a threat. It begins at J.F.K. International Airport in New York City, where a Boeing 777 went dead silent after landing.
The Strain #4 opens at the Stoneheart Group Headquarters in Manhattan. There, CEO Eldritch Palmer begins to orchestrate his part in the madness that has already begun. Eph’s son, Zack, witnesses something frightening. Exhausted, Eph struggles to discover the secrets of what looks like an epidemic, while Nora comforts him.
Gabe Bolivar, rock star and survivor of the Boeing flight, gets a visit from his manager, Rudy, a visit that leaves the visitor stunned. The wife of Ansel Barbour, another survivor, seeks comfort in “The Lord’s Prayer.” Eph and Nora have a completely unexpected encounter with the third survivor, Captain Redfern.
The Strain #3 was f’ing awesome, and so is #4. Artist Mike Huddleston has complete control of this narrative’s pace. He draws out the coming horror in a measured pace that tries one’s nerves. Could I take the heat? Then, Huddleston unleashes brief action scenes that hit the viewer like a mean action movie. Every one page of action feels like three pages. Many media properties would be well served by a Mike Huddleston as their comic book artist.
Fans of horror comic books must have The Strain.
A+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
DARK HORSE COMICS – @DarkHorseComics
STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: Mike Huddleston
28pp, Color, $3.50 U.S. (March 2012)
Part 4: “Conspiracy”
Early in 2013, Dark Horse Comics made PDF copies of all 11 issues of its horror comic book series, The Strain, available to comic book reviewers on its mailing list. This offer was part of DHC’s promotional effort for a second maxi-series, The Strain: The Fall. I took up that offer and reviewed all 11 issues of The Strain for the ComicBookBin.
I have previously posted my reviews of The Strain, issues #1 through 3 on my “I Reads You” blog. Over the course of the coming weeks, I will post the reviews of issues 4 to 11 on this blog in conjunction with the broadcast of “The Strain,” the television adaptation of the original novel. The first episode aired on Sunday night, July 13, 2014 on cable channel, FX, with each new episode airing the following Sunday.
Thus far, the first two issues The Strain comic book are better than the first two episodes of “The Strain” TV series.
------------------
The Strain is the 11-issue comic book adaptation of The Strain, a 2009 vampire novel from filmmaker Guillermo del Toro and novelist Chuck Hogan. Hogan’s 2004 novel, Prince of Thieves, became the Ben Affleck film, The Town. Published by Dark Horse Comics, The Strain comic book is scripted by David Lapham, drawn by Mike Huddleston, and colored by Dan Jackson.
The Strain follows Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control). Eph heads the Canary Project, a rapid-response team that investigates biological threats. With his second-in-command, Nora Martinez, Eph has found just that kind a threat. It begins at J.F.K. International Airport in New York City, where a Boeing 777 went dead silent after landing.
The Strain #4 opens at the Stoneheart Group Headquarters in Manhattan. There, CEO Eldritch Palmer begins to orchestrate his part in the madness that has already begun. Eph’s son, Zack, witnesses something frightening. Exhausted, Eph struggles to discover the secrets of what looks like an epidemic, while Nora comforts him.
Gabe Bolivar, rock star and survivor of the Boeing flight, gets a visit from his manager, Rudy, a visit that leaves the visitor stunned. The wife of Ansel Barbour, another survivor, seeks comfort in “The Lord’s Prayer.” Eph and Nora have a completely unexpected encounter with the third survivor, Captain Redfern.
The Strain #3 was f’ing awesome, and so is #4. Artist Mike Huddleston has complete control of this narrative’s pace. He draws out the coming horror in a measured pace that tries one’s nerves. Could I take the heat? Then, Huddleston unleashes brief action scenes that hit the viewer like a mean action movie. Every one page of action feels like three pages. Many media properties would be well served by a Mike Huddleston as their comic book artist.
Fans of horror comic books must have The Strain.
A+
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Book Adaptation,
Chuck Hogan,
Dan Jackson,
Dark Horse,
David Lapham,
Guillermo Del Toro,
Mike Huddleston,
Review,
vampires
Saturday, July 26, 2014
Review: MONSTER: The Perfect Edition Volume 1
MONSTER: THE PERFECT EDITION, VOL. 1
VIZ MEDIA – @VIZMedia
CARTOONIST: Naoki Urasawa with Takashi Nagasaki
TRANSLATION/ENGLISH ADAPTATION: Camellia Nieh
LETTERS: Steve Dutro
ISBN: 978-1-4215-6906-2; paperback (July 2014); Rated “T+” for “Older Teen”
432pp, B&W with some color, $19.99 U.S., $22.99 CAN, £12.99 UK
Monster is a seinen manga (comics for adult men) written and drawn by Naoki Urasawa. It was originally serialized in Japan in the manga magazine, Big Comic Original (published by Shogakukan), from December 1994 to December 2001. From February 2006 to December 2008, VIZ Media published Monster in 18 paperback graphic novel editions (known as tankōbon in Japan). Now, VIZ Media is collecting the series in a new “Perfect Edition” format in which two graphic novels are gathered in each oversized paperback volume.
Monster: The Perfect Edition, Vol. 1 (Chapters 1 to 16) reprints Monster Volume 1 and Volume 2. This edition is print-only and is published under the VIZ Signature imprint and it is rated “‘T+’ for Older Teens.” The series carries an MSRP (manufacturer’s suggested retail price) of $19.99 U.S. and $22.99 CAN. Monster: The Perfect Edition features a new English translation of Monster, re-mastered pages, and many pages of full-color content. After Vol. 1, future volumes of Monster: The Perfect Edition will be released four times a year in North America, the United Kingdom, Australia, and New Zealand for a total of nine volumes covering the entire series.
Naoki Urasawa’s Monster focuses on a young and very talented doctor who discovers that no good deed goes unpunished. Dr. Kenzo Tenma moved from Japan to Germany to find success as a brain surgeon. As the go-to-surgeon at Eisler Memorial Hospital in Düsseldorf, Tenma is the hospital’s golden boy. However, it comes at a cost. Tenma writes the medical papers that hospital director, Dr. Heinemann, presents as his own work. Kenzo dates Heinemann’s daughter, Eva, but she is a spoiled daddy’s girl who cares more about appearances and material wealth than other people. Then, Tenma makes a decision that leads to his fall from grace with Heinemann.
Tenma is determined to prove that he made the right decision. So when two children come into the emergency room at Eisler one night, Tenma operates on Johan Liebert, the brother who has been shot in the head. Johan’s sister, Anna, is in shock, but Tenma is determined to protect them both. Tenma does not realize that his decision will force him to confront questions of good and evil. Years later, he discovers a bizarre series of serial murders, and Tenma realizes that he may have saved a monster.
The Monster manga by Naoki Urasawa is one of the best comics published in the last decade of the 20th century. Urasawa’s acclaimed manga may even be the best.
Monster can best be described as a psychological thriller, in which the central conspiracy expands ever outward. Although the hero, Dr. Tenma, initially believes that all he has to do is find a serial killer, he gradually discovers that he must investigate history as well as track a killer. Of course, Monster is a murder mystery, and there is plenty of political intrigue, some of it involving workplace politics.
Whatever genres and styles upon which it touches, Monster is a riveting, absorbing read. It is a chilling story in which the monsters are not of supernatural origins, but instead come from the dark recesses of the human mind. Monster is such an engrossing, page-turner that it is unforgettable. I never forgot it, and I am ready to read it again – thanks to Monster: The Perfect Edition.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
VIZ MEDIA – @VIZMedia
CARTOONIST: Naoki Urasawa with Takashi Nagasaki
TRANSLATION/ENGLISH ADAPTATION: Camellia Nieh
LETTERS: Steve Dutro
ISBN: 978-1-4215-6906-2; paperback (July 2014); Rated “T+” for “Older Teen”
432pp, B&W with some color, $19.99 U.S., $22.99 CAN, £12.99 UK
Monster is a seinen manga (comics for adult men) written and drawn by Naoki Urasawa. It was originally serialized in Japan in the manga magazine, Big Comic Original (published by Shogakukan), from December 1994 to December 2001. From February 2006 to December 2008, VIZ Media published Monster in 18 paperback graphic novel editions (known as tankōbon in Japan). Now, VIZ Media is collecting the series in a new “Perfect Edition” format in which two graphic novels are gathered in each oversized paperback volume.
Monster: The Perfect Edition, Vol. 1 (Chapters 1 to 16) reprints Monster Volume 1 and Volume 2. This edition is print-only and is published under the VIZ Signature imprint and it is rated “‘T+’ for Older Teens.” The series carries an MSRP (manufacturer’s suggested retail price) of $19.99 U.S. and $22.99 CAN. Monster: The Perfect Edition features a new English translation of Monster, re-mastered pages, and many pages of full-color content. After Vol. 1, future volumes of Monster: The Perfect Edition will be released four times a year in North America, the United Kingdom, Australia, and New Zealand for a total of nine volumes covering the entire series.
Naoki Urasawa’s Monster focuses on a young and very talented doctor who discovers that no good deed goes unpunished. Dr. Kenzo Tenma moved from Japan to Germany to find success as a brain surgeon. As the go-to-surgeon at Eisler Memorial Hospital in Düsseldorf, Tenma is the hospital’s golden boy. However, it comes at a cost. Tenma writes the medical papers that hospital director, Dr. Heinemann, presents as his own work. Kenzo dates Heinemann’s daughter, Eva, but she is a spoiled daddy’s girl who cares more about appearances and material wealth than other people. Then, Tenma makes a decision that leads to his fall from grace with Heinemann.
Tenma is determined to prove that he made the right decision. So when two children come into the emergency room at Eisler one night, Tenma operates on Johan Liebert, the brother who has been shot in the head. Johan’s sister, Anna, is in shock, but Tenma is determined to protect them both. Tenma does not realize that his decision will force him to confront questions of good and evil. Years later, he discovers a bizarre series of serial murders, and Tenma realizes that he may have saved a monster.
The Monster manga by Naoki Urasawa is one of the best comics published in the last decade of the 20th century. Urasawa’s acclaimed manga may even be the best.
Monster can best be described as a psychological thriller, in which the central conspiracy expands ever outward. Although the hero, Dr. Tenma, initially believes that all he has to do is find a serial killer, he gradually discovers that he must investigate history as well as track a killer. Of course, Monster is a murder mystery, and there is plenty of political intrigue, some of it involving workplace politics.
Whatever genres and styles upon which it touches, Monster is a riveting, absorbing read. It is a chilling story in which the monsters are not of supernatural origins, but instead come from the dark recesses of the human mind. Monster is such an engrossing, page-turner that it is unforgettable. I never forgot it, and I am ready to read it again – thanks to Monster: The Perfect Edition.
A
Reviewed by Leroy Douresseaux
The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.
Labels:
Camellia Nieh,
manga,
Naoki Urasawa,
Review,
Seinen,
Takashi Nagasaki,
VIZ Media,
VIZ Signature
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