I read My Love Story!!, Vol. 6
I posted a review at the ComicBookBin. Follow me on Twitter and Tumblr or at Grumble. Support me on Patreon.
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Monday, December 7, 2015
My Love Story: Gonna Be a Big Brother
Labels:
Aruko,
Comic Book Bin,
JN Productions,
Kazune Kawahara,
manga,
shojo,
Shojo Beat,
VIZ Media,
Ysabeth Reinhardt MacFarlane
Sunday, December 6, 2015
Review: MIRACLEMAN by Gaiman & Buckingham #1
MIRACLEMAN BY GAIMAN & BUCKINGHAM No. 1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
ART: Mark Buckingham
COLOR: D'israeli
LETTERS: Todd Klein
MISC. ART: Mark Buckingham
COVER: Mark Buckingham
44pp, Color, $4.99 U.S. (November 2015)
Miracleman created by Mick Angelo
Rated Mature
Miracleman Book Four: The Golden Age: “Prologue,” “A Prayer and Hope,” and “Retrieval” – Part 1
Marvelman was a British superhero character created in 1954 by writer-artist Mick Anglo for British publisher, L. Miller & Son. The character was originally created as a substitute for the American character, Captain Marvel (Fawcett Comics), in the U.K. Marvelman comic books were published until 1963, but the character was revived in 1982 by writer Alan Moore. In the pages of Warrior, a British monthly, black-and-white, anthology comics magazine, Moore offered a darker, post-modern take on the character.
In August 1985, Eclipse Comics began reprinting the Marvelman stories from Warrior (in color) in a comic book entitled, “Miracleman” (to avoid legal problems with Marvel Comics). Miracleman issues #1-6 reprinted all the Warrior content. Starting with Miracleman #7, the series presented new Miracleman stories written by Alan Moore. Moore wrote the series until issue #16. Then, Neil Gaiman, who was then becoming famous for his work on The Sandman comic book series (DC Comics), took over with issue #17. Gaiman continued to write the series, but Miracleman ceased publication with issue #24 when Eclipse closed due to financial difficulties.
After obtaining the rights to Marvelman, Marvel Comics brought Eclipse Comics’ Miracleman series back into print. The recently launched Miracleman by Gaiman & Buckingham begins the reprinting of Miracleman stories by Neil Gaiman and artist Mark Buckingham. Gaiman will also apparently be able to complete his Miracleman arc left unfinished over two decades ago.
Miracleman by Gaiman & Buckingham #1 opens in 1987. It is “The Golden Age.” It is a new world, one that is free of war, of famine, and of poverty. Olympus, the pyramid of Miracleman, towers above London, and it can be seen from orbit above the Earth, piercing the clouds. The narrator, a man, joins three pilgrims on a climb to the summit where they will pray and each seek a miracle from Miracleman. Not all of them will survive this arduous, impossible journey.
Miracleman by Gaiman & Buckingham #1 reprints the contents of Miracleman #17 (cover dated: June 1990), which was originally published by Eclipse Comics. I think that I may have read this issue, or at least, I bought it. At some some point, I gave up on Neil Gaiman's take on Miracleman, which was so different from Alan Moore's Miracleman, which I so dearly loved... at the time.
Reading the early issues of Marvel Comics' reprinting of Moore's run on this series, I found that it did not mean as much to me now, as it did when I first read it. However, I am quite impressed with these first three chapters of Gaiman's Miracleman. Gaiman's story is introspective and imaginative. Mark Buckingham's art and graphical storytelling is constantly shifting in tone, breathing even more life into Gaiman's lively story.
Now, I definitely want to read more and to rediscover and to discover Gaiman and Buckingham's Miracleman.
[This comic book includes script excerpts by Neil Gaiman and original art reproductions by Mark Buckingham.]
A
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
ART: Mark Buckingham
COLOR: D'israeli
LETTERS: Todd Klein
MISC. ART: Mark Buckingham
COVER: Mark Buckingham
44pp, Color, $4.99 U.S. (November 2015)
Miracleman created by Mick Angelo
Rated Mature
Miracleman Book Four: The Golden Age: “Prologue,” “A Prayer and Hope,” and “Retrieval” – Part 1
Marvelman was a British superhero character created in 1954 by writer-artist Mick Anglo for British publisher, L. Miller & Son. The character was originally created as a substitute for the American character, Captain Marvel (Fawcett Comics), in the U.K. Marvelman comic books were published until 1963, but the character was revived in 1982 by writer Alan Moore. In the pages of Warrior, a British monthly, black-and-white, anthology comics magazine, Moore offered a darker, post-modern take on the character.
In August 1985, Eclipse Comics began reprinting the Marvelman stories from Warrior (in color) in a comic book entitled, “Miracleman” (to avoid legal problems with Marvel Comics). Miracleman issues #1-6 reprinted all the Warrior content. Starting with Miracleman #7, the series presented new Miracleman stories written by Alan Moore. Moore wrote the series until issue #16. Then, Neil Gaiman, who was then becoming famous for his work on The Sandman comic book series (DC Comics), took over with issue #17. Gaiman continued to write the series, but Miracleman ceased publication with issue #24 when Eclipse closed due to financial difficulties.
After obtaining the rights to Marvelman, Marvel Comics brought Eclipse Comics’ Miracleman series back into print. The recently launched Miracleman by Gaiman & Buckingham begins the reprinting of Miracleman stories by Neil Gaiman and artist Mark Buckingham. Gaiman will also apparently be able to complete his Miracleman arc left unfinished over two decades ago.
Miracleman by Gaiman & Buckingham #1 opens in 1987. It is “The Golden Age.” It is a new world, one that is free of war, of famine, and of poverty. Olympus, the pyramid of Miracleman, towers above London, and it can be seen from orbit above the Earth, piercing the clouds. The narrator, a man, joins three pilgrims on a climb to the summit where they will pray and each seek a miracle from Miracleman. Not all of them will survive this arduous, impossible journey.
Miracleman by Gaiman & Buckingham #1 reprints the contents of Miracleman #17 (cover dated: June 1990), which was originally published by Eclipse Comics. I think that I may have read this issue, or at least, I bought it. At some some point, I gave up on Neil Gaiman's take on Miracleman, which was so different from Alan Moore's Miracleman, which I so dearly loved... at the time.
Reading the early issues of Marvel Comics' reprinting of Moore's run on this series, I found that it did not mean as much to me now, as it did when I first read it. However, I am quite impressed with these first three chapters of Gaiman's Miracleman. Gaiman's story is introspective and imaginative. Mark Buckingham's art and graphical storytelling is constantly shifting in tone, breathing even more life into Gaiman's lively story.
Now, I definitely want to read more and to rediscover and to discover Gaiman and Buckingham's Miracleman.
[This comic book includes script excerpts by Neil Gaiman and original art reproductions by Mark Buckingham.]
A
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.
Labels:
Eclipse,
Mark Buckingham,
Marvel,
Marvelman,
Neil Gaiman,
Review
Saturday, December 5, 2015
Toriko: Onward to the Gourmet World!!
I read Toriko, Vol. 30: Onward to the Gourmet World
I posted a review at the ComicBookBin. Follow me on Twitter and Tumblr or Grumble. Support me on Patreon.
I posted a review at the ComicBookBin. Follow me on Twitter and Tumblr or Grumble. Support me on Patreon.
Labels:
Christine Dashiell,
Comic Book Bin,
Hope Donovan,
manga,
Matt Hinrichs,
Mitsutoshi Shimabukuro,
shonen,
Shonen Jump,
VIZ Media
Friday, December 4, 2015
Review: GREEN ARROW #41
GREEN ARROW No. 41
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Benjamin Percy and Patrick Zircher
SCRIPT: Benjamin Percy
ART: Patrick Zircher
COLORS: Gabe Eltaeb
LETTERS: Rob Leigh
COVER: Patrick Zircher with Gabe Eltaeb
32pp, Color, $2.99 U.S. (August 2015)
Rated “T” for Teen
“The Nightbirds” Part 1 of 3
Green Arrow is a DC Comics superhero that was created by Mort Weisinger and George Papp and that first appeared in More Fun Comics #73 (cover date: November 1941). Green Arrow is secretly billionaire Oliver “Ollie” Queen. He dresses like Robin Hood, and he was originally an archer who invented trick arrows with various special functions, such as net arrows, explosive arrows, boxing-glove arrows, etc. Over time, various Green Arrow (GA) writers toned down the character's use of trick arrows and gimmicks.
DC Comics’ line-wide relaunch, “The New 52,” introduced a younger Green Arrow. Four years later, the new DC Comics line-altering event, “DCYou,” offers a Green Arrow that is both darker and also closer to the character that appears on “Arrow” (2012), the television series (The CW) based on Green Arrow. DCYou's Green Arrow is co-written by scripter Benjamin Percy and artist Patrick Zircher. They are assisted by colorist Gabe Eltaeb and letterer Rob Leigh.
Green Arrow #41 (“The Nightbirds” Part 1) opens one night at an amusement park in Seattle, where young couple mysteriously disappears. Deeply involved in his civilian life, Oliver Queen is in a bit of a funk. He even finds it difficult to be really interested in a joint venture between Queen Industries and Panopticon, a tech concern. Then, Green Arrow has a chance encounter with an African-American woman who needs his help. He discovers that Black men have been disappearing for months and no one outside the poor neighborhood of Pennytown has paid attention.
Since I read The New 52 Green Arrow #1, I had not read a Green Arrow comic book until I read #41. I am intrigued. I like this dark, urban vigilante Green Arrow, which resembles the TV show “Arrow” and also Mike Grell's Green Arrow from the ongoing series that began in 1988. In fact, Percy and Zircher execute this first chapter in a manner that makes me feel that I have to find out what happens next. I'll let you know what I think after I read the rest of this story line... if I can still find a copies.
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Benjamin Percy and Patrick Zircher
SCRIPT: Benjamin Percy
ART: Patrick Zircher
COLORS: Gabe Eltaeb
LETTERS: Rob Leigh
COVER: Patrick Zircher with Gabe Eltaeb
32pp, Color, $2.99 U.S. (August 2015)
Rated “T” for Teen
“The Nightbirds” Part 1 of 3
Green Arrow is a DC Comics superhero that was created by Mort Weisinger and George Papp and that first appeared in More Fun Comics #73 (cover date: November 1941). Green Arrow is secretly billionaire Oliver “Ollie” Queen. He dresses like Robin Hood, and he was originally an archer who invented trick arrows with various special functions, such as net arrows, explosive arrows, boxing-glove arrows, etc. Over time, various Green Arrow (GA) writers toned down the character's use of trick arrows and gimmicks.
DC Comics’ line-wide relaunch, “The New 52,” introduced a younger Green Arrow. Four years later, the new DC Comics line-altering event, “DCYou,” offers a Green Arrow that is both darker and also closer to the character that appears on “Arrow” (2012), the television series (The CW) based on Green Arrow. DCYou's Green Arrow is co-written by scripter Benjamin Percy and artist Patrick Zircher. They are assisted by colorist Gabe Eltaeb and letterer Rob Leigh.
Green Arrow #41 (“The Nightbirds” Part 1) opens one night at an amusement park in Seattle, where young couple mysteriously disappears. Deeply involved in his civilian life, Oliver Queen is in a bit of a funk. He even finds it difficult to be really interested in a joint venture between Queen Industries and Panopticon, a tech concern. Then, Green Arrow has a chance encounter with an African-American woman who needs his help. He discovers that Black men have been disappearing for months and no one outside the poor neighborhood of Pennytown has paid attention.
Since I read The New 52 Green Arrow #1, I had not read a Green Arrow comic book until I read #41. I am intrigued. I like this dark, urban vigilante Green Arrow, which resembles the TV show “Arrow” and also Mike Grell's Green Arrow from the ongoing series that began in 1988. In fact, Percy and Zircher execute this first chapter in a manner that makes me feel that I have to find out what happens next. I'll let you know what I think after I read the rest of this story line... if I can still find a copies.
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Thursday, December 3, 2015
Review: OOKU: The Inner Chambers Volume 11
OOKU: THE INNER CHAMBERS, VOL. 11
VIZ MEDIA – @VIZMedia
MANGAKA: Fumi Yoshinaga
TRANSLATION/ENGLISH ADAPTATION: Akemi Wegmüller
LETTERER: Monlisa De Asis
ISBN: 978-1-4215-7979-5; paperback (November 2015); Rated “M” for “Mature”
232pp, B&W, $12.99 U.S., $14.99 CAN
Ōoku: The Inner Chambers is an alternate history and romance manga created by Fumi Yoshinaga. The series presents an alternative version of Japan’s history in which a strange disease, called the Redface Pox, begins to kill young men and boys in the 1600s.
The male population falls to about one-fourth of the female population, and men eventually become protected as precious “seed bearers.” Japan becomes a matriarchal society, with women taking on the roles traditionally held by men, including the role of Shogun. This story focuses on life at Edo Castle and is set inside its Inner Chambers, a sort of harem filled with men who serve the female Shogun.
Ōoku: The Inner Chambers, Vol. 11 (Chapters 44 to 47) opens early in the reign of the 11th shogun, Lord Ienari, the first male shogun in 150 years. Tokugawa Harusada has schemed for many years to make her son, Tokugawa Ienari, shogun, but she is the one who truly holds the reigns of power. Ienari is merely a “studhorse,” pleasuring the now female-dominated Inner Chambers. However, Ienari has been reading “The Chronicle of a Dying Day,” and he dreams of a better future for his country.
Meanwhile, after being thrown out of Edo Castle, former Inner Chamber men, Kuroki Ryojun and Ihei, operate an infirmary together. Kuroki, an assistant to the late Aonuma, who found a way to cure the Redface Pox, experiences a great change in his life. Now, he must rediscover his former mentor's miracle.
Is it okay if I still continue to admire the Ōoku: The Inner Chambers manga? I have asked this question before because, for a long time, this manga seemed to focus on something different with each volume. That annoyed me, and I thought that meant the narrative was problematic. Instead of giving it a negative review, I found myself enjoying Ōoku. I had to accept the series for what it was and not for what I thought it should be. My very reservations seemed to suggest that this was an exceptional comic book.
At times, Ōoku is a character drama, historical fiction, historical drama, alternate-world fantasy (or science fiction), soap opera, backstairs drama, or royal drama – depending upon the volume I read. Just go with it, Leroy.
Ōoku: The Inner Chambers Volume 11 embraces it all. In the chapters that comprise this volume, creator Fumi Yoshinaga fashions humanity for her characters and then, begins an excavation of their personalities, motivations, psych profiles, and desires. Why do people do what they do the way they do it? Who knows? It seems like a deeply held secret, even to the creator of such complex and winning characters.
A+
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
VIZ MEDIA – @VIZMedia
MANGAKA: Fumi Yoshinaga
TRANSLATION/ENGLISH ADAPTATION: Akemi Wegmüller
LETTERER: Monlisa De Asis
ISBN: 978-1-4215-7979-5; paperback (November 2015); Rated “M” for “Mature”
232pp, B&W, $12.99 U.S., $14.99 CAN
Ōoku: The Inner Chambers is an alternate history and romance manga created by Fumi Yoshinaga. The series presents an alternative version of Japan’s history in which a strange disease, called the Redface Pox, begins to kill young men and boys in the 1600s.
The male population falls to about one-fourth of the female population, and men eventually become protected as precious “seed bearers.” Japan becomes a matriarchal society, with women taking on the roles traditionally held by men, including the role of Shogun. This story focuses on life at Edo Castle and is set inside its Inner Chambers, a sort of harem filled with men who serve the female Shogun.
Ōoku: The Inner Chambers, Vol. 11 (Chapters 44 to 47) opens early in the reign of the 11th shogun, Lord Ienari, the first male shogun in 150 years. Tokugawa Harusada has schemed for many years to make her son, Tokugawa Ienari, shogun, but she is the one who truly holds the reigns of power. Ienari is merely a “studhorse,” pleasuring the now female-dominated Inner Chambers. However, Ienari has been reading “The Chronicle of a Dying Day,” and he dreams of a better future for his country.
Meanwhile, after being thrown out of Edo Castle, former Inner Chamber men, Kuroki Ryojun and Ihei, operate an infirmary together. Kuroki, an assistant to the late Aonuma, who found a way to cure the Redface Pox, experiences a great change in his life. Now, he must rediscover his former mentor's miracle.
Is it okay if I still continue to admire the Ōoku: The Inner Chambers manga? I have asked this question before because, for a long time, this manga seemed to focus on something different with each volume. That annoyed me, and I thought that meant the narrative was problematic. Instead of giving it a negative review, I found myself enjoying Ōoku. I had to accept the series for what it was and not for what I thought it should be. My very reservations seemed to suggest that this was an exceptional comic book.
At times, Ōoku is a character drama, historical fiction, historical drama, alternate-world fantasy (or science fiction), soap opera, backstairs drama, or royal drama – depending upon the volume I read. Just go with it, Leroy.
Ōoku: The Inner Chambers Volume 11 embraces it all. In the chapters that comprise this volume, creator Fumi Yoshinaga fashions humanity for her characters and then, begins an excavation of their personalities, motivations, psych profiles, and desires. Why do people do what they do the way they do it? Who knows? It seems like a deeply held secret, even to the creator of such complex and winning characters.
A+
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Akemi Wegmuller,
Fumi Yoshinaga,
josei,
manga,
Review,
shojo,
VIZ Media,
VIZ Signature
Wednesday, December 2, 2015
Review: JOURNEY TO STAR WARS: THE FORCE AWAKENS: Shattered Empire #1
JOURNEY TO STAR WARS: THE FORCE AWAKENS – SHATTERED EMPIRE No. 1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon. And visit the "Star Wars Central" review page here.]
WRITER: Greg Rucka
ART: Marco Checchetto
COLORS: Andres Mossa
LETTERS: VC's Joe Caramagna
COVER: Phil Noto
28pp, Color, $3.99 U.S. (November 2015)
Rated T+
Shattered Empire: Part I
The upcoming film, Star Wars: The Force Awakens, takes place some 30 years after the events depicted in the 1983 film, Return of the Jedi (or Star Wars: Episode VI – Return of the Jedi). As The Force Awakens' release date (December 18, 2015) approaches, Lucasfilm is going to fill in the three-decade story gap between Episode VI and Episode VII (The Force Awakens), using its media partners in book publishing and comic books, in this case, fellow Disney subsidiary, Marvel Entertainment, LLC.
Thus, Marvel Comics recently released the first issue of the comic book series Journey to Star Wars: The Force Awakens – Shattered Empire. This new comic book is written by Greg Rucka, drawn by Marco Checchetto, colored by Andres Mossa, and lettered by Joe Caramagna, with cover art provided by Phil Noto. According to Marvel.com, Shattered Empire will fully be part of the official Star Wars canon and will depict the immediate aftermath of the events of Return of the Jedi.
Journey to Star Wars: The Force Awakens – Shattered Empire #1 opens during the closing moments of the Battle of Endor. Rebel pilots are engaging Imperial forces in furious dogfights, as they try to protect the Rebellion's capital ships. Then, the shield protecting the second Death Star is shut down...
Soon, the rebel forces are celebrating on the Forest Moon of Endor. Rebel pilot, Shara, just wants to find her husband, Sgt. Kes Dameron, before she can celebrate. Still, there are still Imperial forces to be dealt with on the Forest Moon.
Honestly, Journey to Star Wars: The Force Awakens – Shattered Empire underwhelms me – not that I am going to stop reading it. Marvel Comics is publishing Star Wars comic books again. When I was a kid, the arrival of each issue of my subscription to the old Marvel Star Wars comic book series was like a bonus Christmas.
Shattered Empire has potential. Artist Marco Checchetto has an imaginative sense of page design. Various story elements in the first five pages seem to leap off the page, as if Checchetto is trying to recreate the feel of Star Wars' famous dogfights and aerial battles. The coloring by Andres Mossa makes the battle scenes crackle. It's up to Greg Rucka to hold up his end on the writing.
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon. And visit the "Star Wars Central" review page here.]
WRITER: Greg Rucka
ART: Marco Checchetto
COLORS: Andres Mossa
LETTERS: VC's Joe Caramagna
COVER: Phil Noto
28pp, Color, $3.99 U.S. (November 2015)
Rated T+
Shattered Empire: Part I
The upcoming film, Star Wars: The Force Awakens, takes place some 30 years after the events depicted in the 1983 film, Return of the Jedi (or Star Wars: Episode VI – Return of the Jedi). As The Force Awakens' release date (December 18, 2015) approaches, Lucasfilm is going to fill in the three-decade story gap between Episode VI and Episode VII (The Force Awakens), using its media partners in book publishing and comic books, in this case, fellow Disney subsidiary, Marvel Entertainment, LLC.
Thus, Marvel Comics recently released the first issue of the comic book series Journey to Star Wars: The Force Awakens – Shattered Empire. This new comic book is written by Greg Rucka, drawn by Marco Checchetto, colored by Andres Mossa, and lettered by Joe Caramagna, with cover art provided by Phil Noto. According to Marvel.com, Shattered Empire will fully be part of the official Star Wars canon and will depict the immediate aftermath of the events of Return of the Jedi.
Journey to Star Wars: The Force Awakens – Shattered Empire #1 opens during the closing moments of the Battle of Endor. Rebel pilots are engaging Imperial forces in furious dogfights, as they try to protect the Rebellion's capital ships. Then, the shield protecting the second Death Star is shut down...
Soon, the rebel forces are celebrating on the Forest Moon of Endor. Rebel pilot, Shara, just wants to find her husband, Sgt. Kes Dameron, before she can celebrate. Still, there are still Imperial forces to be dealt with on the Forest Moon.
Honestly, Journey to Star Wars: The Force Awakens – Shattered Empire underwhelms me – not that I am going to stop reading it. Marvel Comics is publishing Star Wars comic books again. When I was a kid, the arrival of each issue of my subscription to the old Marvel Star Wars comic book series was like a bonus Christmas.
Shattered Empire has potential. Artist Marco Checchetto has an imaginative sense of page design. Various story elements in the first five pages seem to leap off the page, as if Checchetto is trying to recreate the feel of Star Wars' famous dogfights and aerial battles. The coloring by Andres Mossa makes the battle scenes crackle. It's up to Greg Rucka to hold up his end on the writing.
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Greg Rucka,
Marco Checchetto,
Marvel,
Phil Noto,
Review,
Star Wars,
Star Wars Review
Tuesday, December 1, 2015
DC Comics from Diamond Distributors for December 2, 2015
DC COMICS
APR150293 ABSOLUTE BATMAN THE COURT OF OWLS HC $99.99
OCT150194 ACTION COMICS #47 $3.99
SEP150228 ALL STAR SECTION 8 #6 $2.99
AUG150259 BATMAN 66 HC VOL 04 $24.99
SEP150287 BATMAN 66 TP VOL 03 $14.99
OCT150211 BATMAN AND ROBIN ETERNAL #9 $2.99
OCT150228 BATMAN ARKHAM KNIGHT #11 $3.99
OCT150216 BATMAN BEYOND #7 $2.99
SEP150285 BATMAN VS SUPERMAN TP $9.99
JUN150302 BOY COMMANDOS BY SIMON AND KIRBY HC VOL 02 $49.99
SEP150207 CYBORG #5 $2.99
OCT150239 DC PRESENTS ROBIN WAR 100 PAGE SPECTACULAR #1 $7.99
SEP150310 DC PRESENTS TITANS HUNT 100 PAGE SPECTACULAR #1 $7.99
AUG150291 DMZ DELUXE EDITION HC BOOK 05 (MR) $29.99
SEP150294 EARTH 2 WORLDS END TP VOL 02 $24.99
SEP150265 GOTHAM ACADEMY #12 $2.99
SEP150266 GOTHAM BY MIDNIGHT #11 $2.99
AUG150263 GRAPHIC INK THE DC COMICS ART OF IVAN REIS HC $39.99
OCT150222 GREEN LANTERN #47 $3.99
OCT150151 HARLEYS LITTLE BLACK BOOK #1 $4.99
SEP150327 IZOMBIE OMNIBUS HC (MR) $75.00
SEP150301 LEX LUTHOR A CELEBRATION OF 75 YEARS HC $39.99
OCT150181 LOBO #13 $2.99
OCT150234 LOONEY TUNES #228 $2.99
OCT150184 MIDNIGHTER #7 $2.99
SEP150226 PREZ #6 $2.99
OCT150155 ROBIN WAR #1 $4.99
OCT150233 SENSATION COMICS FEATURING WONDER WOMAN #17 $3.99
OCT150268 SHERIFF OF BABYLON #1 (MR) $3.99
OCT150285 SURVIVORS CLUB #3 (MR) $3.99
SEP150233 TEEN TITANS #14 $2.99
OCT150287 UNFOLLOW #2 (MR) $3.99
SEP150304 WORLDS FINEST TP VOL 06 SECRET HISTORY $14.99
DC COMICS/DC COLLECTIBLES
JUN150340 DC COMICS BATGIRL STATUE $124.95
JUN150350 DC COMICS COVER GIRLS CATWOMAN STATUE $99.95
APR150293 ABSOLUTE BATMAN THE COURT OF OWLS HC $99.99
OCT150194 ACTION COMICS #47 $3.99
SEP150228 ALL STAR SECTION 8 #6 $2.99
AUG150259 BATMAN 66 HC VOL 04 $24.99
SEP150287 BATMAN 66 TP VOL 03 $14.99
OCT150211 BATMAN AND ROBIN ETERNAL #9 $2.99
OCT150228 BATMAN ARKHAM KNIGHT #11 $3.99
OCT150216 BATMAN BEYOND #7 $2.99
SEP150285 BATMAN VS SUPERMAN TP $9.99
JUN150302 BOY COMMANDOS BY SIMON AND KIRBY HC VOL 02 $49.99
SEP150207 CYBORG #5 $2.99
OCT150239 DC PRESENTS ROBIN WAR 100 PAGE SPECTACULAR #1 $7.99
SEP150310 DC PRESENTS TITANS HUNT 100 PAGE SPECTACULAR #1 $7.99
AUG150291 DMZ DELUXE EDITION HC BOOK 05 (MR) $29.99
SEP150294 EARTH 2 WORLDS END TP VOL 02 $24.99
SEP150265 GOTHAM ACADEMY #12 $2.99
SEP150266 GOTHAM BY MIDNIGHT #11 $2.99
AUG150263 GRAPHIC INK THE DC COMICS ART OF IVAN REIS HC $39.99
OCT150222 GREEN LANTERN #47 $3.99
OCT150151 HARLEYS LITTLE BLACK BOOK #1 $4.99
SEP150327 IZOMBIE OMNIBUS HC (MR) $75.00
SEP150301 LEX LUTHOR A CELEBRATION OF 75 YEARS HC $39.99
OCT150181 LOBO #13 $2.99
OCT150234 LOONEY TUNES #228 $2.99
OCT150184 MIDNIGHTER #7 $2.99
SEP150226 PREZ #6 $2.99
OCT150155 ROBIN WAR #1 $4.99
OCT150233 SENSATION COMICS FEATURING WONDER WOMAN #17 $3.99
OCT150268 SHERIFF OF BABYLON #1 (MR) $3.99
OCT150285 SURVIVORS CLUB #3 (MR) $3.99
SEP150233 TEEN TITANS #14 $2.99
OCT150287 UNFOLLOW #2 (MR) $3.99
SEP150304 WORLDS FINEST TP VOL 06 SECRET HISTORY $14.99
DC COMICS/DC COLLECTIBLES
JUN150340 DC COMICS BATGIRL STATUE $124.95
JUN150350 DC COMICS COVER GIRLS CATWOMAN STATUE $99.95
Labels:
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DC Comics News,
DC Direct,
Diamond Distributors,
Green Lantern,
Greg Capullo,
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Jack Kirby,
James Tynion IV,
Jonathan Glapion,
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