#IReads You Review: CHEW VOLUME 1: Taster's Choice

CHEW, VOL. 1: TASTER'S CHOICE
IMAGE COMICS – @ImageComics

[This review was originally posted on Patreon.]

WRITER: John Layman
ART: Rob Guillory
COLORS: Rob Guillory with Lisa Gonzales
LETTERS: John Layman
ISBN: 978-1-60706-159-5; paperback (April 2011 – second printing)
128pp, Colors, $9.99 U.S.

Chew created by John Layman and Rob Guillory

Chew is an ongoing comic book series from writer John Layman and artist Rob Guillory.  Published by Image Comics, Chew became an immediate hit, selling out, and earning critical acclaim.  By the end of its first two years of publication, the series had won two Will Eisner Comics Industry Awards (Eisners), including “Best New Series” (2010).

The first five issues of Chew are collected in the trade paperback, Chew, Vol. 1: Taster's Choice.  This first collection of the hit series includes, of course, Chew #1 (cover dated: June 2009), which introduces Philadelphia Police Department Detective Tony Chu, a cop with a weird secret.  Tony is “cibopathic,” which means that he can get psychic impressions from whatever he eats or tastes.

If he eats an apple, Tony sees images that can tell him about the tree from which the apple came, what pesticides were used on that tree, or even when that apple was harvested.  Or Tony can eat a hamburger, and the pictures that appear in his mind could be a replay of when the cow was… harvested.

In the world of Chew, poultry is illegal because chickens were blamed for a bird flu epidemic that killed 23 million people in the United States and 116 million worldwide.  Tony and his partner, John Colby, stumble upon a black market poultry operation.  By the end of it, Colby is grievously wounded and Tony commits a shocking act of cannibalism.  Tony is recruited by the U.S. Food and Drug Administration (F.D.A.) to join its Special Crimes Division.  He is matched with a new partner, the loquacious Mason Savoy.  Suddenly, cannibalism is the least of Tony's problems.

Of the many things that work successful with Chew, I think the fact that Tony Chu's life becomes more complicated is probably what keeps the series fresh and hopping.  Writer John Layman shows off his imaginative and inventive sides, producing plots which reveal that things are both what they seem and not what they seem.  The expected and unexpected are fickle lovers with a bad sense of timing where Tony Chu is concerned.

Layman also gives Chew a wicked sense of humor that plays on cop fiction stereotypes – the by-the-book newcomer (Tony to the F.D.A.), the wise old bull of a partner (Mason Savoy), and the legion of criminal enterprises, street hoods, and assorted lowlifes.  Yet Layman's depiction of a world of government corruption, bureaucratic putrefaction, and institutional decay make Chew not only timely, but also timeless.  Chew is imaginative science fiction as a satire of our society for all seasons.

In artist Rob Guillory, Layman has found the proverbial perfect man.  I can imagine another artist drawing Chew, but I do not believe that anyone but Guillory could be the series' conceptual designer or its graphical storytelling guide.  Chew would not be Chew without Guillory anymore than Pixar would be what it is without John Lassetter.

I have revisited the beginning of Chew, so that I could start over and move onto what I have not read.  Unless it has experienced a tremendous fall-off, it is one of the best comic books of the past decade.

A

www.ChewComic.com
www.RobGuillory.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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#IReadsYou Review: DEMON SLAYER: Kimetsu No Yaiba Volume 2

DEMON SLAYER: KIMETSU NO YAIBA, VOL. 2
VIZ MEDIA – @VIZMedia

MANGAKA: Koyoharu Gotouge
TRANSLATION: John Werry
ENGLISH ADAPTATION: Steve “Stan!” Brown
LETTERS: John Hunt
EDITOR: Mike Montesa
ISBN: 978-1-9747-0053-0; paperback (September 2018); Rated “T” for “Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 U.K.

Demon Slayer: Kimetsu no Yaiba is a Japanese manga series written and illustrated by Koyoharu Gotoge.  The manga was serialized in Weekly Shonen Jump from February 2016 to May 2020.  VIZ Media has been publishing an English-language edition of the manga as a paperback graphic novel series under its “Shonen Jump” imprint since July 2018.

Demon Slayer is set in Taisho era Japan (1912 to 1926).  Tanjiro Kamado is a kindhearted boy who sells coal in order to support his mother and four siblings.  After one particularly taxing trip to sell coal, Tanjiro returns to his home in the forest to find his family slaughtered.  He discovers that a younger sibling, his sister Nezuko, has herself been transformed into a demon by the unknown demon that killed his family.

Demon Slayer: Kimetsu No Yaiba, Vol. 2 (Chapters 8 to 16) opens as Tanjiro battles a demon as part of the final selection for the Demon Slayer Corps.  Next, he must choose the kasugai crow that he will use for mission communication with the corps.  Tanjiro must also choose the ore from which his sword will be made, but after his sword is made, something unusual happens.

Tanjiro's begins to walk the path of the Demon Slayer by heading north to a town where young girls are disappearing.  Plus, Tanjiro learns of the name of the demon he must eventually confront, Muzan Kibutsuji.

THE LOWDOWN:  The Demon Slayer: Kimetsu No Yaiba manga is the latest in a line of excellent titles that VIZ Media has released in the last year.  A supernatural fantasy and revenge drama, Demon Slayer is demonic treat.

Demon Slayer: Kimetsu No Yaiba Graphic Novel 2 takes reader into the beginning of Tanjiro's quest and of his profession.  Creator Koyoharu Gotouge does not make things easy for his young hero.  I don't get the feeling that he will be defeated, but that he will undergo a learning process that we readers will get to experience with him.  I think that makes for a fun read.

I also like that Gotouge is not leaving Tanjiro's sister, Nezuko, as a mere victim or as nothing more than a liability.  When Gotouge gives her something to do, the cursed sister becomes a wild card character, engaging and appealing.  I almost want her to have her own manga; in the meantime, she makes Demon Slayer twice the fun to read.

I READS YOU RECOMMENDS:  Fans of demon-fighting heroes will want to read the Shonen Jump title, Demon Slayer: Kimetsu No Yaiba.

A
9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: CHAOS CAMPUS #29

CHAOS CAMPUS: SORORITY GIRLS VS ZOMBIES #29
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Anita Zaramella
COLORS: Anita Zaramella
LETTERS: Krugos
POST-SCRIPTING/POLISH: John P. Ward
EDITORS: B. Alex Thompson and John P. Ward
COVER: Anita Zaramella
28pp, Color, $4.99 U.S. print/$1.99 U.S. digital (2016; digital release date – May 24, 2017)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“One Night at Pheromones”

Chaos Campus: Sorority Girls vs. Zombies is the long-running zombie apocalypse comic book series from Approbation Comics.  Mixing in elements of comedy, horror, and adventure, it is the creation of B. Alex Thompson.  The series is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

Chaos Campus: Sorority Girls vs. Zombies #29 (“One Night at Pheromones”) opens in the aftermath of “The Road to Salvation” story arc.  As usual, our heroic trio is seeking a momentary safe haven from the zombies.  They head to “Dinah's Haven,” an all-female city and military garrison.  Upon entry, the girls discover that there is a weapons checkpoint and that they must relinquish all of their weapons.

There, they meet two mystery men, Marco and Dylan, with whom Brittany and Paige immediately become smitten.  Seeking a place where they can get to know each other, the EAZY girls and the new guys head to Dinah's Haven's only drinking establishment, the strip club, “Pheromones.”  The new friends find plenty of pretty girls, do some lap-dancing, and discover the secret of Dinah's Haven in this issue written by B. Alex Thompson; drawn and colored by Anita Zaramella; and lettered by Krugos.

THE LOWDOWN:  After bringing “The Road to Salvation” story line to an end, writer B. Alex Thompson brings some levity to the standalone story, “One Night at Pheromones.”  It reminds me of those standalone issues of Uncanny X-Men that writer Chris Claremont used to do so well.

The star of this issue is artist-colorist Anita Zaramella.  Her elastic and fluid drawing style yields compositions that pop with energy and makes this story move quickly.  The graphic storytelling offers readers a sexy romp in the series usual wheelhouse.  Zaramella's coloring is bright and vivid, and the colors bring club “Pheromones” to life as the exiting and NAS-TAY! place to be.

Chaos Campus #29 is a surprisingly good one-off issue.  It features one of Chaos Campus' strengths – its ability to not take itself too seriously while being true to its driving force.  This issue is a good place to start for new readers.

POSSIBLE AUDIENCE:  Fans of zombies and of horror-comedies will want to try Chaos Campus: Sorority Girls vs. Zombies.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Buy Chaos Campus #29 at comiXology: https://www.comixology.com/Chaos-Campus-Sorority-Girls-vs-Zombies/comics-series/63703

www.ApprobationComics.com
www.AlexThompsonWriter.com


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Movie Review: WONDER WOMAN

Wonder Woman (2017)

Running time:  141 minutes
MPAA – PG - 13 for sequences of violence and action, and some suggestive content
DIRECTOR:  Patty Jenkins
WRITERS:  Allan Heinberg; from a story by Zack Snyder, Allan Heinberg, and Jason Fuchs (based on characters appearing in comic books published by DC Comics and created by William Moulton Marston)
PRODUCERS:  Charles Roven, Zack Snyder, Deborah Snyder, and Richard Suckle
CINEMATOGRAPHER:  Matthew Jensen
EDITOR:  Martin Walsh
COMPOSER:  Rupert Gregson-Williams

SUPERHERO/FANTASY/WAR/HISTORICAL

Starring:  Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, Danny Huston, David Thewlis, Said Taghmaoui, Ewen Bremner, Eugene Brave Rock, Lucy Davis, Elena Anaya, Lilly Aspell, Lisa Loven Kongsli, Ann Wolfe, Ann Ogbomo, Emily Carey, and James Cosmo

Wonder Woman is a 2017 superhero fantasy, war, and and historical film from director Patty Jenkins.  The film stars the DC Comics superhero, Wonder Woman, who first appeared in All Star Comics #8 (1941) and was created by writer William Moulton Marston (with artist Harry George Peter).  The movie takes place when Wonder Woman was only known as Diana, princess of the Amazons, a young, trained warrior who goes out into the world to discover her full powers and her true destiny.  Wonder Woman is also the fourth film in the DC (Comics) Extended Universe film series.

Wonder Woman opens in present-day Paris, in the Louvre, where Diana Prince/Wonder Woman (Gal Gadot) works as an archivist of some type.   Bruce Wayne has sent her a gift, a World War I-era photographic plate that contains an image of Diana and three men.

This image returns Diana's memories to her past, beginning when she was a child (Lily Aspell) on the hidden island of Themyscira, home to the Amazon race of warrior women.  Diana is the daughter of the queen, Hippolyta (Connie Nielsen), who does not want her daughter trained to be a warrior.  Hippolyta's sister and Diana's aunt, General Antiope (Robin Wright), believes that Diana should be prepared for the eventual day when she will have to fight.

As a young woman, Diana rescues an American pilot and spy, Captain Steve Trevor (Chris Pine), after his plane crashes off the coast of Themyscira.  The Germans pursing Trevor invade Themyscira, but are repelled by the Amazons.  Diana interprets these events as signs that she must accompany Trevor as he returns to the world of men, where Diana believes she must confront the reason for the world war that rages across Europe (World War I).  Diana believes that Ares, the god of war, is behind the so-called “War to End All Wars,” but Diana does not realize that this journey will reveal the truth about her powers, her destiny, and her identity.

Since its release to theaters in the United States (almost a month ago as of this writing) and around the world (over a month as of this writing), Wonder Woman has received rave reviews.  Women and children, especially girls, have embraced the power of this beloved female superhero who finally stars in her own feature film.

I get it; I understand the appeal and the adoration, but for me, Wonder Woman the movie is, at best, a slightly above-average superhero movie.  Gal Gadot is wonderful as Wonder Woman, which surprised me because I thought she was all wrong when I first heard about her casting.  However, here, Gadot is so good that I had trouble imagining another actress (except maybe Linda Carter) as Wonder Woman.  Gadot embodies the strength and independence of a woman raised in a society in which women do not think of themselves as subordinate or inferior to men.

In the character drama, in the film's quiet moments, in the times when Diana fights for the forgotten and ignored (the “little” people?), director Patty Jenkins and Gal Gadot deliver on what Wonder Woman has meant, what she means today, and what she can mean in the future.  Jenkins and Gadot depict the ability of women to pursue the best of themselves and to pursue the best for humanity at large – with their endeavors as equal or even superior to those of men.  To nurture and to create; to defend and to take the initiative:  Wonder Woman/Diana and women can do anything men can do.

The problems with Wonder Woman the film are the men who contribute to this film.  Co-producer and co-writer Zack Snyder's handiwork is all over the cheesy, slow-motion camera fight scenes.  The fact that the last act devolves into a ridiculous supernatural battle between Diana and Ares is typical of the previous Warner/DC Comics films.  Those movies reeked with the ludicrous fights that were the climaxes of Snyder's The Man of Steel and Batman Vs. Superman: Dawn of Justice, as well as last year's Suicide Squad, which is also part of the DC Extended Universe.

Patty Jenkins and Gal Gadot deliver some superb movie making with Wonder Woman.  Unfortunately, the perspective of males, one of whom is a hack filmmaker, ruins it.

6 of 10
B

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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I Reads You Juniors: December 2020 - Update #108

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Leroy's Amazon Comics and Graphic Novels Page:  

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DC CINEMA - From LATimes:   "Wonder Woman" start Gal Gadot hopes that the new film, "Wonder Woman 1984," will end this rough year on a high note.

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MARVEL - From CommericalAppeal: The "Commercial Appeal" newspaper of Memphis, TN celebrates the fact that four authors born in Memphis or are Memphis-based have a story in a "Black Panther" short story anthology, "Black Panther: Tales of Wakanda."

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NEWSPAPER COMICS - From YahooEntertainment:   Jean Schulz, the widow of Charles Schulz, the creator of the classic newspaper comic strip, "Peanuts," addresses the recent controversy concerning the depiction of African-American Peanuts character, "Franklin," in the animated holiday TV special, "A Charlie Brown Thanksgiving."

MARVEL STUDIOS - From Marvel:  Here is a link to all of the Marvel Studios news coming out of The Walt Disney Company’s 2020 Investor Day Presentation

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DC COMICS - From BleedingCool:   DC Comics has confirmed the "Tim Fox," brother of Luke Fox (Batwing) and son of Lucius Fox," is the new Batman.

IN MEMORIAM - From BleedingCool:  Richard Corben, a comic book artist who worked in everything from underground comics and "Heavy Metal" to small press and Marvel and DC Comics, has died at the age of 80, Thursday, December 2, 2020.

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UK COMICS - From 2000AD: Rebellion has announced the full schedule of Treasury of British Comics graphic novel titles for 2021. The Treasury of British Comics is bringing classics from the world’s largest archive of English language comic books back into print.

MARVEL/MANGA - From ComicWatch:   Marvel is teaming up with Shonen Jump to release a brand new manga series centered around the one and only Merc with a Mouth. The new series will be titled DEADPOOL: SAMURAI and it will be written by Sanshira Kasama with art by Hikaru Uesugi. You will be able to find the manga series on the Shonen Jump+ app on December 10th!

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MARVEL - From Newsarama:   Marvel releases a trailer for its upcoming miniseries, "Maestro: War and Pax."

COMICS - From Newsarama:   Freddie Williams II, a longtime exclusive comic book artist at DC Comics, is joining writer Tim Seeley at AfterShock Comics for the creator-owned title, "The Bequest."

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MARVEL TO FILM - From MensHealth:   8 Marvel Comics movies you will never see.

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IMAGE COMICS - From GamesRadar:   Image Comics and Top Cow Productions are launching a new "Witchblade" series in 2021 with writer Marguerite Bennett and Ariel Kristantina.  The original wielder of the Witchblade, Sara Pezzini.

MARVEL - From GamesRadar:  Legendary "Wolverine" writer Chris Claremont will join artist Steve McNiven to produce an exclusive "Wolverine" comic book.  How can you get it...

DIGITAL COMICS - From GamesRadar:   Here is a list of all the comics and manga coming to "comiXology Unlimited" (comiXology's flat-rate service) in December 2020.

 GRAPHIC NOVELS - From PublishersWeekly:  Simon & Shuster has announced two new graphic novel lines, "Little Simon Graphic Novels" and "Ready-to-Read Graphics," which will be focused on readers in ages 5 to 9.  "Ready-to-Read" will teach kids to read graphic novels.

CONVENTIONS - From PublishersWeekly:  ReedPop has announced that it is "retiring" two of its book publishing trade shows, "BookExpo" and "BookCon."  BookExpo is the largest book publishing trade show in the United States.

DC COMICS - From BleedingCool:  "I got screwed" is what Alex Ross is saying about DC Comics.

DC COMICS - From BleedingCool:  Writer Tom King said that Batman and Catwoman will have sexual relations in the debut of their upcoming comic book, "Batman/Catwoman #1."

DC CINEMA - From ArsTechnica:   "Justice League: The Snyder Cut" black and white trailer - released Nov. 17th, 2020.

DC TV - From HBOMax:   See HBO Max's "Titans" Season 1-Episode 1 ("Titans," 2018) for free - for the time being.

From HBOMax:  See HBO Max's animated "Harley Quinn" Season1-Episode 1 ("Till Death Do Us Part," 2019) for free - for the time being.

DC FUTURE STATE: 

From BleedingCool:  DC "Future State" has a video teaser trailer.

From DCComics:  Here is the "Future State" page.

From DCBlog:  DC Future State Takes You Beyond Tomorrow

From GamesRadar:  What is DC saying about the post "Future State" Batman title?

From GamesRadar:  DC Future State "Flash" will be part of a gender-swapped "Teen Titans."

From TheBeat:   A first look at "Nubai," the classic Wonder Woman character as she will be in DC Future State's "Immortal Wonder Woman."

From BleedingCool:  DC Comics will make all their "Future State" comic books returnable for comic book stores.

From GamesRadar:  DC Future State Superman and Justice League January 2021 solicitations

From GamesRadar:   DC Future State Batman January 2021 solicitations

From GamesRadar:  "DC Future State" reveals the Next Batman, the fate of Bruce Wayne, and a whole new line of titles

From GamesRadar:  "DC Future State" details.

From THR:   DC Comics is starting 2021 by looking into the future of its superhero universe with "DC Future State," a two-month publishing event (January and February 2021) that offers glimpses at what might be coming for Batman, Wonder Woman and the rest of the Justice League.

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DECEMBER 2020 COMICS SOLICITATIONS:

From BleedingCool:  AfterShock Comics for December 2020

From BleedingCool:  Albatross Funnybooks for December 2020

From BleedingCool:  Antarctic Press for December 2020

From BleedingCool:  Archie Comics for December 2020 

From BleedingCool:  BOOM! Studios for December 2020

From BleedingCool:  Chapterhouse for December 2020

From BleedingCool:  Dark Horse Comics for December 2020
From BleedingCool:  DC Comics for December 2020

From BleedingCool:  Image Comics for December 2020
From BleedingCool:  Marvel Comics for December 2020

From BleedingCool:  Oni Press for December 2020

From 2000AD:   Rebellion Comics for December 2020

From BleedingCool:  Titan Comics for December 2020

From BleedingCool:  Vault Comics for December 2020 

From BleedingCool: VIZ Media for December 2020

 

JANUARY 2021 COMICS SOLICITATIONS:

From BleedingCool:  Ablaze for January 2021

From BleedingCool:  Ahoy Comics for January 2021

From BleedingCool:  Archie Comics for January 2021

From BleedingCool:  AWA for January 2021 

From BleedingCool:  Behemoth Comics for January 2021

From BleedingCool:  Black Mask Studios for January 2021

From BleedingCool:  BOOM! Studios for January 2021

From BleedingCool:  Dark Horse Comics for January 2021

From BleedingCool:  DC Comics for January 2021 

From BleedingCool:  IDW Publishing for January 2021

From BleedingCool:  Image Comics for January 2021 

From BleedingCool:  Kodansha for January 2021

From BleedingCool:  Marvel Comics for January 2021

From BleedingCool:  Marvel Comics - King in Black for January 2021

From BleedingCool:  Oni Press for January 2021

From BleedingCool:  Scout Comics for January 2021

From BleedingCool:  Source Point Press for January 2021

From BleedingCool:  Titans Comics for January 2021

From BleedingCool:  Vertical Comics for January 2021

From BleedingCool:  VIZ Media for January 2021

From BleedingCool:  Yen Press for January 2021

FEBRUARY 2021 COMICS SOLICITATIONS:

From BleedingCool:  Ablaze for February 2021

From BleedingCool:  Antarctic Press for February 2021

From BleedingCool:  Archie Comics for February 2021

From BleedingCool:  Artists, Writers & Artisans for February 2020

From BleedingCool:  BOOM! Studios for February 2020

From BleedingCool:  Dark Horse Comics for February 2021

From TheBeat: DC Comics for February 2021

From BleedingCool:  Hero Collector for February 2021 

From BleedingCool:  IDW Publishing for February 2021

From BleedingCool:  Image Comics for February 2021

From BleedingCool:  Marvel Comics for February 2021

From BleedingCool:  Marvel's "King in Black" for February 2021

From BleedingCool:  Oni Press for February 2021

From 2000AD:   Rebellion Comics for February 2021

From BleedingCool:  Scout Comics for February 2021

From BleedingCool:  Titan Comics for February 2021

From BleedingCool:  VIZ Media for February 2021

From BleedingCool:   Zenescope Entertainment for February 2021

 

MARCH 2021 COMICS SOLICITATIONS:

From BleedingCool:  Archie Comics for March 2021 

From BleedingCool:  AWA Studios for March 2021

From BleedingCool:  Behemoth Comics for March 2021 

From BleedingCool:  Black Mask Comics for March 2021

From BleedingCool:  BOOM Studios for March 2021

From BleedingCool:  Dark Horse Comics for March 2021

From BleedingCool:  DC Comics for March 2021

From BleedingCool:  Heavy Metal for March 2021

From BleedingCool:  IDW Publishing for March 2021 

From BleedingCool:  Image Comics for March 2021

From BleedingCool:  Mad Cave for March 2021

From BleedingCool:  March Comics for March 2021

From BleedingCool:  Oni Press for March 2021

From BleedingCool:  Second Sight for March 2021

From BleedingCool:  Scout Comics for March 2021

From BleedingCool:  Titan Comics for March 2021

From BleedingCool:  Vault Comics for March 2021

From BleedingCool:  Zenescope Entertainment for March 2021

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#IReadsYou Review: DARTH VADER ANNUAL #1

DARTH VADER ANNUAL No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. Visit the "Star Wars Central" review page here.]

STORY: Kieron Gillen
PENCILS: Leinil Yu
INKS: Gerry Alanguilan
COLORS: Jason Keith
LETTERS: VC's Joe Caramagna
COVER: Leinil Yu
44pp, Color, $4.99 U.S. (February 2016)

Rated T

Annual

Marvel Comics recently released the first two “Annual” editions of its flagship Star Wars comic book titles, Star Wars and Darth Vader.  Although Marvel published three Star Wars Annuals for its original Star Wars series (1977 to 1986), this is the first Darth Vader Annual, and it is written by Kieron Gillen, who writes the ongoing Darth Vader series.  This inaugural annual features arts by Leinil Yu (pencils) and Gerry Alanguilan (inks); colors by Jason Keith; and letters by Joe Caramagna.

Darth Vader Annual #1 finds Darth Vader traveling to the planet, Shu-torun.  It is a Mid-Rim world known for producing valuable ore needed by the Empire for its ceaseless building projects.  The planet is ruled by the King who must also manage the dukes (“Ore-Dukes”), each one ruling over a domain that mines the precious ore so important to the Empire.

Of late, Shu-torun has failed to meet the delivery quotas set by the Emperor, so he has sent Lord Vader to reinforce the cooperation of the King and the Ore-Dukes.  There is, however, some game afoot.  The King has sent his third child, his daughter Trios, to meet Lord Vader, and perhaps to stall him.  Rebellion is reportedly brewing on Shu-torun, but against whom?  Plus, the malevolent droid duo, 0-0-0 (Triple Zero) and BT-1 (BeeTee One), have fun on their own.

I flipped through Darth Vader Annual #1 about two weeks before I got around to reading it.  Honestly, I put off reading it because it did not look appealing.  I was wrong – so wrong.  Writer Kieron Gillen offers a simple, straight-forward story, but it depicts Vader as the fearsome, bad-ass villain Star Wars fans want him to be.  That's all; this story is just Vader being Vader.

Gillen and Jason Aaron (who writes Star Wars) are proving to be the among the best Star Wars comic book writers ever, and at the rate they are going, I will likely think of them as the best if they can give us a few years of the same high quality at which they are already performing.  Gillen adds to the Star Wars universe, offering another world and another society, without altering anything.  It is nothing groundbreaking, but it enriches the ground that has already been broken.

Leinil Yu and Gerry Alanguilan's art stylistically resembles the work of P. Craig Russell, but the storytelling recalls Alex Raymond's Flash Gordon, which I am sure is one of the works that influenced George Lucas' creation of Star Wars.  This touch of Flash Gordon makes Darth Vader Annual #1 seem like classic space opera, with a touch of interplanetary romantic courtly intrigue.

This is the perfect one-off story for a comic book “Annual” special.  Here's to many more.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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#IReadsYou Review: NOW #8

NOW: THE NEW COMICS ANTHOLOGY #8
FANTAGRAPHICS BOOKS

[This review was originally posted on Patreon.]

CARTOONISTS: Theo Ellsworth; Sami Alwani; E.S. Glenn; Veronika Muchitsch; Henry McCausland; Zuzu; Noah Van Sciver; Walt Holcombe; Maggie Umber; Tara Booth
DESIGN: Jacob Covey
EDITOR: Eric Reynolds
COVER: Al Columbia
BACKCOVER: Nick Thorburn
ISBN: 978-1-68396-276-2; paperback (March 2020)
128pp, Color, $12.99 U.S.

NOW: The New Comics Anthology is an alternative-comics anthology series launched in 2017 and edited by Eric Reynolds.  NOW is published by alt-comix and art comics publisher, Fantagraphics Books.  Over its four-plus decades of existence, Fantagraphics has published what is probably the most diverse collection of comic book anthologies in the history of North American comic books.  That line-up includes such titles as Anything Goes, Critters, Mome, Pictopia, and Zero Zero, to name a few.

NOW: The New Comics Anthology #8 is a recent strong entry in this anthology series.  I wish that everyone could read the introduction to NOW #1, written by Eric Reynolds, even those who have not read that debut issue.  In the intro, Reynolds states that he wants to showcase “...as broad a range of quality comic art as possible...”

Does NOW #8 do that?  Let's take a look at each of NOW #8's cartoonists' contributions:

THE LOWDOWN:  The illustration that acts as NOW #8's cover art is entitled “Isle of Enchantment,” and it is produced by Al Columbia.  It is a beautiful piece – mixing the elements of nature illustration and vintage cartoons.  It is a striking and arresting image, and I can't stop looking at it.

“Psychic Bug Spy” by Theo Ellsworth:
I like the art for this one-page story that opens NOW #8, and speaking of story, “Psychic Bug Spy” does nothing for me.

“The Misfortunes of Virtue” by Sami Alwani:
I totally and completely love this story because it is a sheer delight to read.  So the story follows an alternative cartoonist and art comics creator, “Saehmeh the Dog.” Yes, Saehmeh Aehlawahni is an anthropomorphic dog, and he is also something like a lovable blend of snob and crank.  For years, he struggles as a cartoonist, mainly because most art comics publishers won't take the work of a dog seriously – no matter much they like that dog's work.

Ultimately, this 16-page story plays out, as a theme, this quote that opens the story, “When you desire control, you let desire control you.”  Sami Alwani's drawing style, a kind of pliable and elastic line work, is perfect for this story's shifting landscape of surrealism and Saehmeh's self-absorbed and internal way of living with himself and with others.  “The Misfortunes of Virtue” is the kind of comics short story that will one day be used to justify whatever time NOW exists as an ongoing publication.

“The Gigs” by E.S. Glenn:
This surreal story follows several characters that are criminal types.  Three of them can be described as an artist and a hit man:  Junior, the struggling painter-hit man; Butterfly, the recently paroled blues singer-songwriter-hit man; and Philip T. Crow, a self-published poet-hit man.

The Gigs'” graphical storytelling and graphic design are like a modern take on the revered cartoonist Winsor McCay's old-timey Little Nemo work.  The beautiful clear-line art and the gorgeous rich colors are mesmerizing.  My mind's eye savored the experience of reading this story.

“I, Keira” by Veronika Muchitsch:
Keira lives in an Ikea-like “home goods” store (Store No. 87) as a living mannequin.  The story is a procession of lighting, geometric shapes, colors, and patterns into which Keira becomes another object.  I am more intrigued by the graphics and graphical storytelling than I am by Keira … but I actually want more of this.

“Garden Boys” by Henry McCausland:
Two boys go on a treasure hunt and adventure through urban back lots and vacant properties – all of which seem to have a pastoral theme.  “Garden Boys” is like a young adult graphic novel distilled into 12 beautifully drawn pages.  I want more of this.

“Red” by Zuzu:
I know I've seen Zuzu's art somewhere before, or I saw something that looked like it.  “Red” is a slice-of-life of a larger story, but what is here – an except of friendship – is sweet.

“Saint Cole” by Noah Van Sciver:
I'm calling this an autobiographical comic, although I am not sure that anyone uses that term anymore.  Van Sciver recounts a book store signing in Paris that he did to promote his new graphic novel.  However, one of his best known works, the graphic novel, Saint Cole (Fantagraphics Books, 2015), hangs over the story.  This story offers flashbacks concerning the road Van Sciver took to Saint Cole, which included stints as a sandwich shop manager and hawking his minicomics from one comic book shop to another.

I'm prejudiced, but I love “Saint Cole” the short story, and I guess it's time for me to read the actual graphic novel.  A portrait of the artist as an always striving man … this story is poignant and absorbing because Van Sciver makes cartoon Noah so damn likable.

“Cheminant Avec Emily” by Walt Holcombe:
In English, the title is “Walking with Emily.”  This is another autobiographical tale in which Holcombe recounts his deep friendship with a young woman, Emily, whom he meets at San Diego Comic-Con in the late 1990s.  Their relationship gets a soundtrack when Emily introduces Holcombe to the music of the real-life French-Canadian duo, singer-songwriters and sisters, Kate and Anna McGarrigle.

Beautifully drawn, poignant, and bittersweet, “Cheminant Avec Emily” testifies that it is the bittersweet in life that acts like salt on the fruit of love and friendship – accentuating the sweetness.  This story reveals the art of the comics short story and exemplifies the comics short story as art.  I feel like a traitor making Noah Van Sciver's “Saint Cole” the second best story in NOW #8, but Holcombe's story steamrolls through this comic book like the Los Angeles Lakers' LeBron James charging into the lane on the way to a power-dunk.

“The Intoxicated” by Maggie Umber:
I think this story is supposed to evoke emotions in the reader.  That it scares me must say something about me.  I like the art which looks as if it were drawn in charcoal.

“Binge Eating” by Tara Booth:
Yeah, if you have issues with eating too much, you will get this in-your-face gem.

“Now” by Nick Thorburn:
This back cover comic strip about the playful evolution of a father-son relationship is an excellent bit of macabre comedy expertly executed in three panels.

So, the final verdict on NOW #8 is that there is a lot of interesting drawing and illustrating going on in here.  Some are simply examples of beautiful illustrating, while others are visually striking.  Others are odd and unique, while others are not so much about being pretty, as they are simply powerful.

Of NOW#1, I said that if the volumes that followed were half as good as the debut was, then, NOW would be a must-read series for serious comic book readers.  NOW #8 is more than half-as-good, much more.  So get NOW … now.

I READS YOU RECOMMENDS:  Fans of classic alternative-comics anthologies will want to discover NOW: The New Comics Anthology.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

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