Yu-Gi-Oh! 5D's: Synchro vs. Synchro!!

I read Yu-Gi-Oh! 5D's, Vol. 4 (Yu-Gi-Oh! (Graphic Novels))

I posted a review at the ComicBookBin (which has free smart phone apps and comics).

Review: TIGER AND BUNNY Volume 1

TIGER & BUNNY, VOL. 1
VIZ MEDIA – @VIZMedia

CARTOONIST: Mizuki Sakakibara
PLANNING/STORY: Sunrise
ORIGINAL SCRIPT: Masafumi Nishida
ORIGINAL CHARACTER DESIGN: Masakazu Katsura
TRANSLATION/ENGLISH ADAPTATION: Labaamen and John Werry, HC Language Solutions
LETTERS: Stephen Dutro
ISBN: 978-1-4215-5561-4; paperback (April 2013); Rated “T” for “Teen”
172pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 U.K.

Produced by Sunrise, the Japanese animation studio and production company, Tiger & Bunny is a 2011 science fiction and superhero anime series. It ran for 25 episodes in 2011 and yielded a one-shot manga during its original television run in Japan. Shortly afterwards, manga and comic book artist Mizuki Sakakibara began producing a regular manga series based on anime, also entitled Tiger & Bunny.

Tiger & Bunny takes place in a world where 45 years earlier, super-powered humans, known as NEXT, started appearing in the world. Some of them fight crime as superheroes in Sternbild City (a re-imagined version of New York City). They promote their corporate sponsors while appearing on the hit television show, Hero TV (or HERO TV). Each season, the superheroes compete to be named the “King of Heroes.”

Tiger & Bunny, Vol. 1 (Chapters 1 to 4) introduces two of these superheroes, Wild Tiger and Barnaby Brooks, Jr. Kotetsu T. Kaburagi AKA Wild Tiger is a veteran superhero, but his ratings have been declining. Under orders from his new employer, Apollon Media, Wild Tiger teams up with the newest NEXT sensation, Barnaby Brooks, Jr., the “Super Rookie.” The two heroes don’t want to work together, but they will have to do just that if they are to stop a new NEXT from destroying the city.

I’ll be upfront about Tiger & Bunny. I really enjoyed reading this manga, even after one volume. I’ll be shocked (Shocked!) if I don’t really like the second volume. Why do I feel the love for Tiger & Bunny? I think it appeals to me so much because it is a manga that is a genuine superhero comic book.

I also think that Tiger & Bunny is the kind of quality, honestly kid-friendly, superhero comic book of which the North American market needs more. This manga is more about superhero action than it is about action violence. It is snarky and humorous, but does not parody or make fun of superheroes or the superhero genre. The story also digs deep into what it means to be a hero, to overcome adversity and scorn, to make amends for transgressions and such. Over the course of the series, it seems as if the dominant theme will be about comprise and partnership. Tiger & Bunny looks like it is going to offer a good time for a long time.

A

Reviewed by Leroy Douresseaux

Valiant Comics for April 2013

Solicitations for APRIL 2013

HARBINGER WARS #1 (of 4)
Written by JOSHUA DYSART & DUANE SWIERCZYNSKI
Art by CLAYTON HENRY
Cover by LEWIS LAROSA
Pullbox Exclusive Variant by CLAYTON HENRY
Variant Cover by CLAYTON CRAIN
Variant Cover by PATRICK ZIRCHER

“Do you know where the children are?”

HARBINGER WARS, Valiant’s first family crossover event, begins here! A decades-old secret is about to put BLOODSHOT and HARBINGER on an inescapable collision course – and, soon, the most powerful forces in the Valiant Universe will be drawn into a battle without sides, without rules, and without mercy.

•Two dozen undisciplined, untested and untrained superhuman children have just escaped from a top-secret research facility and into the world.

•When Bloodshot, Toyo Harada and Peter Stanchek join the chase, will the Valiant Universe be ready for its first all-out superhuman showdown?

•Start reading here for a high-stakes tale that will put Valiant’s greatest heroes to the ultimate test!

$3.99/T+/32 pgs.
ON SALE APRIL 3rd!
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HARBINGER #11 (HARBINGER WARS)
Written by JOSHUA DYSART
Art & Cover by KHARI EVANS
Pullbox Exclusive Variant by CLAYTON HENRY
Variant Cover by PATRICK ZIRCHER

“Your system has failed us. Now we must build our own.”

All-new arc, all-new jumping-on point! HARBINGER WARS continues in a standalone, four-part arc of HARBINGER, featuring the return of original series artist Khari Evans (Carbon Grey)!

•The world has just become a much bigger, much more dangerous place for Peter Stanchek and the Renegades…

•How will they react to the revelation of Project Rising Spirit’s secret mission and the harbinger hunter known as Bloodshot?

•Find out in PART ONE of HARBINGER WARS: HARBINGER!

$3.99/T+/32 pgs.
ON SALE APRIL 10th!
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BLOODSHOT #10 (HARBINGER WARS)
Written by DUANE SWIERCZYNSKI
Art by BARRY KITSON
Cover by MICO SUAYAN
Pullbox Exclusive Variant by CLAYTON HENRY
Wraparound Variant by LEWIS LAROSA

“Hitting the target is more important than who pulls the trigger.”

All-new arc, all-new jumping-on point! HARBINGER WARS continues in a standalone, four-part arc of BLOODSHOT, featuring comics legend Barry Kitson (Fantastic Four)!

•Bloodshot has banded together with Project Rising Sprit’s most dangerous escapees.

•Can he shape them into a force for good – or are they too far gone?

•Find out in PART ONE of HARBINGER WARS: BLOODSHOT!

$3.99/T+/32 pgs.
ON SALE APRIL 17th!
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X-O MANOWAR #12
Written by ROBERT VENDITTI
Art by CARY NORD
Cover by MARKO DJURDJEVIC
Variant Cover by JUAN DOE

What lurks beneath the surface of PLANET DEATH?

Aric of Dacia has taken his one-man war to the Vine’s homeworld, Loam, and is using their own X-O Manowar armor to wage it. Finding an ally in the unlikeliest of places, Aric will discover that his mission to reduce Loam to ash will come with a high price. Past, present, and future are about to collide, and if Aric isn’t careful, he will be the common thread that undoes them all.

$3.99/T+/32 pgs.
ON SALE APRIL 17th!
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ARCHER & ARMSTRONG #9
Written by FRED VAN LENTE
Art & Cover by EMANUELA LUPACCHINO
Variant Cover by CLAYTON HENRY

It’s all over for the Eternal Warrior!

Gilad and Armstrong must set aside their sibling rivalry long enough to defeat the deadly new champion of The Null... ARCHER! It's win or go home (i.e. "die") as "Wrath of the Eternal Warrior" reaches its bone-crushing conclusion!

$3.99/T+/32 pgs.
ON SALE APRIL 10th!
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SHADOWMAN #6
Written by JUSTIN JORDAN & PATRICK ZIRCHER
Art & Cover by PATRICK ZIRCHER
Variant Cover by DAVE JOHNSON

The dead rising are rising in New Orleans.

The Deadside is spreading throughout the city, while a sinister new menace gathers an army that can't be killed. Meanwhile, Jack is about to discover that his Shadowman powers are as much a curse as a blessing.

$3.99/T+/32 pgs.
ON SALE APRIL 3rd!
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SHADOWMAN VOL. 1: BIRTH RITES TPB
Written by JUSTIN JORDAN & PATRICK ZIRCHER
Art & Cover by PATRICK ZIRCHER

There are a million dreams in the Big Easy. But now its worst nightmare is about to come true.

As the forces of darkness prepare to claim New Orleans as their own, Jack Boniface must embrace the legacy he was born to uphold. As Shadowman, Jack is about to become the only thing that stands between his city and an army of unspeakable monstrosities from beyond the night. But is the mantle of Shadowman a blessing or a curse? And what is the true cost of his otherworldly power?

From rising star Justin Jordan (The Strange Talent of Luther Strode) and comics superstar Patrick Zircher (Captain America, Hulk), this volume collects SHADOWMAN #1-4.

“It's simply stunning… ‘Shadowman’ is another awesome notch in the belt of Valiant.” – IGN

“Jordan and Zircher have given us a winner with ‘Shadowman.’" – Comic Book Resources

$14.99/T+/112 pgs.
ISBN: 978-1-939346-00-1
ON SALE APRIL 24th!

DC Entertainment Announces "We Can Be Heroes" Year Two

DC Entertainment Kicks-Off Year Two of We Can Be Heroes Giving Campaign

We Can Be Heroes offers one-of-a-kind experiences and limited edition items designed to unlock the giving power of fans and raise funds to fight the hunger crisis in the Horn of Africa.

BURBANK, Calif.--(BUSINESS WIRE)--Get something good. Do something great.

This is the theme of the second year of DC Entertainment’s We Can Be Heroes giving campaign designed to raise funds and awareness for the devastating hunger crisis in the Horn of Africa.

Inviting fans to stand shoulder to shoulder with the Super Heroes of the Justice League and the creators who bring them to life, DC Entertainment President Diane Nelson today proudly announced a collection of exciting new initiatives that will support the continued success of the We Can Be Heroes (http://www.WeCanBeHeroes.org) giving campaign.

“We hope to build upon last year’s very successful inaugural campaign, which raised more than $2 million and helped change the lives of more than 5 million people,” said Nelson. “You don’t need a super power to be a hero. One small act can make you a hero and a lot of small acts can save millions of lives.”

This is the second year of the biggest philanthropic initiative in DC Entertainment and its parent company, Warner Bros.’, corporate history. It is designed to raise funds to benefit more than 8 million men, women and children in the Horn of Africa. The various 2013 program initiatives offer unique Super Hero experiences and limited-edition merchandise to engage, excite and empower legions of supporters.

The first of such initiatives starts Tuesday, April 2 with the launch of a Super Hero-themed crowdfunding campaign. Made up of several mini-campaigns throughout 2013, each will feature members of the Justice League – Superman, Batman, Wonder Woman, Green Lantern, The Flash, Aquaman and Cyborg – and will be hosted on Indiegogo, the world’s largest crowdfunding platform (www.indiegogo.com/at/WeCanBeHeroes).

The first phase of the campaign (April 2 through May 7) will focus on Batman, featuring one-of-a-kind experiences and limited edition items related to one of DC Entertainment’s most popular Super Heroes. Additional phases will follow, featuring other members of the Justice League. Several levels of donation incentives have been created in order to encourage participation. From signed graphic novels and video games, to the opportunity to meet your favorite creators, to being drawn into a Batman graphic novel, there is something for every fan.

“Crowdfunding is the perfect platform for We Can Be Heroes. The more fans contribute, the more they can get! Those with fewer dollars to offer will find there is something that shows their support for the campaign and their love of these Super Heroes, and those with more to donate will find that their contribution level directly ties to the level of collectability and special access offers that every fan wants,” said Nelson.

Donation Incentives Include:

•“Batman: Earth One Vol. 1” hardcover (signed, sketched, and numbered by the writer and artist)

•We Can Be Heroes t-shirt featuring original Batman artwork by Jim Lee

•Warner Bros. Animation studio tour featuring a meet and greet with the legendary creators behind “Batman: The Animated Series,” “Batman Beyond,” “Batman: The Brave and the Bold” and “Beware the Batman”

•Invitations to the exclusive DC Entertainment VIP Event at 2013 Comic-Con International: San Diego

•Comic-Con International: San Diego Experience with Geoff Johns and Gary Frank, including two passes to the already sold-out event, airfare and hotel room. Opportunity to be drawn into a Batman graphic novel and receive the original art of appearance (personalized & signed by the artist)

Additional elements of the We Can Be Heroes giving campaign include Super Hero-inspired vehicles, an online auction and digital bundles – all designed to harness the passion fans have for their favorite Super Heroes and transform it into critical funding to fight the hunger crisis:

•Justice League-inspired vehicles: Over the last six months, DC Entertainment has partnered with KIA Motors to bring the World’s Greatest Super Heroes to life by combining automotive styling with comic book art. The partnership, which has yielded seven individually customized vehicles to date, harnesses the talents of legendary comic book artist and DC Entertainment Co-Publisher Jim Lee, who has collaborated on the design of each car with his vision for each iconic member of DC Comics’ Justice League.

•In addition to the seven KIA vehicles inspired by the individual Super Hero characters, the DC Entertainment-KIA partnership will culminate with a fully-drivable custom car, also designed by Jim Lee, that encompasses each member of the Justice League to be auctioned off at 2013 Comic-Con International: San Diego to raise money for the cause.

•Online Auction: The online auction will also include other highly unique items such as a collection of original pieces of comic book character artwork, entitled Darkness & Light, which was custom commissioned and created by contemporary artists for the benefit of We Can Be Heroes.

•Digital Bundles: An online fundraising initiative that offers fans a suite of popular digital comic books, movies, games, and music from DC Entertainment and Warner Bros. with the opportunity to set a percentage of the purchase price to go to the We Can Be Heroes campaign.

All funds raised will benefit the campaign’s humanitarian aid partners - Save the Children, International Rescue Committee and Mercy Corps - to deliver food, medicine and other resources critical to the survival of people in Ethiopia, Somalia and Kenya.

For more information on We Can Be Heroes, visit www.WeCanBeHeroes.org. For more information specifically on the Batman Crowdfunding Campaign on Indiegogo, log on to www.indiegogo.com/at/WeCanBeHeroes.


About DC Entertainment
DC Entertainment, home to iconic brands DC Comics (Superman, Batman, Green Lantern, Wonder Woman, The Flash), Vertigo (Sandman, Fables) and MAD, is the creative division charged with strategically integrating its content across Warner Bros. Entertainment and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is the largest English-language publisher of comics in the world. In January 2012, DC Entertainment, in collaboration with Warner Bros. and Time Warner divisions, launched www.WeCanBeHeroes.org —a giving campaign featuring the iconic Justice League Super Heroes—to raise awareness and funds to fight the hunger crisis in the Horn of Africa.

Review: STAR WARS: Legacy Volume 2 #1

STAR WARS: LEGACY VOLUME 2 #1
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Central" review page is here.]

SCRIPT: Corrina Bechko and Gabriel Hardman
ART: Gabriel Hardman
COLORS: Rachelle Rosenberg
LETTERS: Michael Heisler
COVER: Dave Wilkins
EDITOR: Randy Stradley
28pp, Color, $2.99 U.S. (March 2013)

Prisoner of the Floating World Part One

Dark Horse Comics recently launched a new Star Wars comic book series. Star Wars: Legacy Volume 2 is written by Corrina Bechko and Gabriel Hardman, drawn by Hardman, colored by Rachelle Rosenberg, and lettered by Michael Heisler.

In the Star Wars Expanded Universe, Legacy is a time period that begins 40 years after the end of the original Star Wars (or Star Wars: Episode IV – A New Hope) and continues to some indeterminate time. There was a long-running comic book series, Star Wars: Legacy, which Dark Horse Comics launched after the release of the film, Star Wars: Episode III – Revenge of the Sith.

Star Wars: Legacy Volume 2 is a new series set in the Legacy era. The events of Legacy Volume 2 take place “approximately 138 years after the events in Star Wars: Episode IV – A New Hope.” [Of note, the previous series began 130 years after A New Hope.] This new series focuses on the character Ania Solo, who is the great-great granddaughter of Han Solo and Leia Organa Solo and who also owns a junkyard.

Star Wars: Legacy Volume 2 #1 opens as Imperial Knight Yatla Val leads a mission to the Carreras System in the Outer Rim. This is part of a larger effort by the Triumvirate, which is a unity government made of the Jedi Council, Imperial Court, and Galactic Alliance, to connect the galaxy. The mission meets an unexpected snag.

On an ice mining platform in the rings of Carreras Minor, Ania Solo shows her latest finds to her friend, Sauk, a refugee from Mon Calamari. The young junkyard owner has recovered a lightsaber and an Imperial communications droid, and both will mean trouble for her.

Sometimes, I review books and don’t give a thought to revealing spoilers; if I spill a secret, it either does not bother me much or I wince a only a little. Other times, I am fastidious about saying too much, to the point that my review ends up being a timid paragraph dedicated to secret-keeping.

In this new review, I’m definitely being the latter. I want to be tentative and persnickety about my review of Star Wars: Legacy Volume 2 #1. Co-writer Corrina Bechko and co-writer/artist Gabriel Hardman give this first issue so many layers, such depth, and rich texture that it seems more like the first chapter of a prose novel than the first issue of a comic book. In Ania Solo, they have the potential to create one of the truly exceptional and great Star Wars Expanded Universe characters.

The art by Gabriel Hardman recalls the art Al Williamson produced for Marvel Comics’ adaptation of The Empire Strikes Back in the publisher’s long-running Star Wars comic book series. I don’t know anything about the quality of Corrina Bechko and Gabriel Hardman’s previous work on Betrayal of the Planet of the Apes, but Dark Horse should chain them in the company dungeon and keep them working on Star Wars comics.

A

Reviewed by Leroy Douresseaux

Review: BARRAGE Volume 2

BARRAGE, VOL. 2
VIZ MEDIA – @VIZMedia

CARTOONIST: Kouhei Horikoshi
TRANSLATION: Tetsuichiro Miyaki
LETTERS: James Gaubatz
EDITOR: Hope Donovan
ISBN: 978-1-4215-5571-3; paperback (April 2013); Rated “T” for “Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN

Barrage, the two-volume manga series, comes to an end with the recent release of the second volume. Hopefully, the series will eventually see life in a second run.

Barrage is a sci-fi adventure set on the planet Industria, where peace has been disrupted by an influx of alien races. The alien activity causes planetary instability and begins the Warring Planets Period. Astro is a 15-year-old slum kid living in the capitol city, also called Industria. He struggles with low-paying jobs to support his surrogate family of six younger stray children.

Fate brings Astro into contact with Prince Barrage, the son of the King of Industria. Barrage looks exactly like Astro, so the prince, who wants to be free of royal responsibility, demands that Astro take his place. Astro becomes Prince Barrage and is given Orgue, the all-powerful magical spear that can help him restore peace to Industria.

As Barrage, Vol. 2 (entitled Astro of the Warring Planets; Chapters 8 to The Final Chapter) opens, Astro and tutor/mentor, Lord Tiamat, continue their adventure (journey) of freeing Industria from alien invaders. They enter the walled city of Maseille, which has been overrun by aliens and traitorous members of the Planetary Military Forces.

Astro and Tiamat meet Tiko, a belligerent girl who carries out an underground war against the forces that oppress Maseille. Her war becomes theirs, but a seemingly omnipotent power known as Dark Energy complicates matters. As Astro and Tiamat battle, they discover that Maseille’s problems are tied to Astro’s murky past.

After reading the first volume of the Barrage manga, I was delightfully surprised. This shonen manga (comics for teen boys) had a mix of science fiction, fantasy, and action that reminded me of the kind of Saturday morning cartoons that dominated television in the 1970s and 1980s. It’s like Shonen Jump meets Hanna-Barbera.

I still think that Barrage is like some of the OEL manga/graphic novels that American manga publisher, TOKYOPOP, produced before it expired (or whatever). It also makes me think of Dark Horse Comics’ short-lived Rocket Comics imprint.

After finding the first volume so appealing, I wondered what I would think of Barrage Volume 2. I think I like Vol. 2 more than I did Vol. 1. This is a fun, fantasy series with copious amount of sci-fi action and plenty of humor. What I like the most about Barrage is creator Kouhei Horikoshi’s graphic style. In terms of composition and page design, Barrage looks like other shonen manga.

In terms of graphic style, Barrage could easily find a place in European comics. The graphical storytelling speaks a universal comic book language that is not necessarily manga or much like American superhero fantasy. It is genre entertainment that could have international appeal, like Tintin or The Smurfs. Barrage Volume 2 is the last of a two-volume series. Hopefully, Barrage will return.

A

Reviewed by Leroy Douresseaux

Review: ABE SAPIEN: Dark and Terrible #1

ABE SAPIEN: DARK AND TERRIBLE #1 OF 3 (Series #11)
DARK HORSE COMICS – @DarkHorseComics

STORY: Mike Mignola and Scott Allie
ART: Sebastián Fiumara
COLORS: Dave Stewart
LETTERS: Clem Robins
COVER: Sebastián Fiumara
VARIANT COVER: Max Fiumara
EDITOR: Scott Allie
28pp, Color, $3.50 U.S.

Dark and Terrible, Part 1 (of 3)

Abraham “Abe” Sapien is a character in the Hellboy line of comic books, also known as the “Mignolaverse.” Created by Mike Mignola, Abe Sapien first appeared in Hellboy: Seed of Destruction and is a member of the B.P.R.D., the Bureau of Paranormal Research and Development. Abe is sometimes referred to as a “fishman” or “merman.”

Abe has made regular appearances in Hellboy and B.P.R.D. comics, and he has starred in his own one-shot comic book (Abe Sapien: Drums of the Dead) and a miniseries (Abe Sapien: The Drowning by Mike Mignola).

Starting this week is a new-ongoing Abe Sapien comic book series, the launch of which has started a renumbering of Abe Sapien comic books. Abe Sapien: Dark and Terrible #1 (of 3) is the 11th issue of the Ape Sabien series. Abe Sapien: Dark and Terrible is written by Mike Mignola and Scott Allie, drawn by Sebastián Fiumara, colored by Dave Stewart, and lettered by Clem Robins.

Abe Sapien: Dark and Terrible Part 1 opens in Palisade, Colorado where a fierce demonic summoning is reaching fever pitch. Meanwhile, at B.P.R.D. headquarters, Agent Devon earns the ire of Director Corrigan, who is feeling the strain of the worldwide monster invasion. Meanwhile, three chatty hobos make a surprising discovery aboard the boxcar they share. Where is Abe Sapien? B.P.R.D. agents are getting closer…

Considering that Abe Sapien is mostly missing from Abe Sapien: Dark and Terrible, the story manages to be interesting, if not a bit too chatty. There are four different groups of individuals taking part in the story, and their activities are more teasing than interesting.

Sebastián Fiumara and Dave Stewart are the main attractions here. Sebastián Fiumara’s art is beautifully textured, with the inking seeming to be a mix of brushwork and a scratching technique. The art also reminds me of Richard Corben. That art looks even better with Dave Stewart’s rich coloring, a mix of earth tones and darkish colors, over it. This comic book is worth having just for the art. Still, I want more Abe Sapien in my Abe Sapien.

B+

Reviewed by Leroy Douresseaux