Showing posts with label Dale Keown. Show all posts
Showing posts with label Dale Keown. Show all posts

Wednesday, February 24, 2021

#IReadsYou Review: THE DARKNESS #1 25th Anniversary Commemorative Edition

THE DARKNESS #1 25TH ANNIVERSARY COMMEMORATIVE EDITION
IMAGE COMICS/Top Cow Productions, Inc.

[This review was originally posted on Patreon.]

STORY: Garth Ennis
PENCILS: Marc Silvestri
INKS: Batt (inking assistants: Joe Weems, Nathan Cabrera, Victor Llamas and various)
COLORS: Steve Firchow
LETTERS: Dennis Heisler
EDITOR: David Wohl
COVER: Marc Silvestri and Batt with Steve Firchow
36pp, Color, $4.99 U.S. (November 2020)

Rated M / Mature

The Darkness created by Marc Silvestri, Garth Ennis, and David Wohl

“Coming of Age”


The Darkness is a long-running comic book series created by artist Marc Silvestri, writer Garth Ennis, and editor David Wohl.  The Darkness focuses on Jackie Estacado, a mafia hit man who inherits “the curse of the Darkness.”  The character made his debut in Witchblade #10 (November 1996) before making his solo debut in his own series.

In celebration of the twenty-fifth anniversary of The Darkness #1 (December 1996), Image Comics and Top Cow Productions, Inc. are publishing The Darkness #1 25th Anniversary Commemorative Edition.  This one-shot comic book reprints the story contents from The Darkness #1 and also includes an interview, an essay, a five-page section reprinting select cover illustrations produced during the series first 16 years, and other material.

The Darkness #1 (“Coming of Age”) opens at night on the Lower East Side of New York City.  Tall, dark, and handsome mafia hit man, Jackie Estacado, has just executed his latest target in service of his boss, Don Franchetti.  This latest bloody move by the Franchetti mob starts a bloody skirmish with rival mobster, Don Tommy Marchianni.  Jackie, Don Franchetti's top enforcer, is caught in the middle.

But the young killer has bigger problems.  He is about to turn 21-years-old, and “The Darkness” is about to start calling for him.  And the “Angelus” is coming for him.

THE LOWDOWN:  I read the first 10 or 12 issues of the original run of The Darkness back in 1996-97, but I eventually grew bored with this comic book and stopped reading it.  I have to admit that I had high expectations for it.  After all, the writer was Garth Ennis, red-hot in the mid-1990s because of his DC Comics/Vertigo series, Preacher.  I was a huge fan of post-Marvel Comics Marc Silvestri.  I thought many the comic books that Silvestri drew for Marvel Comics looked awful because of his chicken-scratch drawing style.  But Image Comics-Marc Silvestri seemed like an entirely different artist, especially when Silvestri's pencils were inked by the great Scott Williams.

Yet every time I read The Darkness, I felt like Ennis and Silvestri were not really delivering on this concept's potential.  I understood that the universe of Silvestri's Top Cow Productions, Inc. was obsessed with some kind of angelic vs. demonic rivalry, similar to that of Jim Lee's Wildstorm Productions universe.  However, I didn't think that Ennis and Silvestri really understood where they could take The Darkness in terms of narrative.  In The Darkness, Ennis delivered a stillborn version of the usual outtakes from his ultra-violence wheelhouse.  Silvestri's art was an unimaginative spin on the grim-and-gritty riffs that everyone was stealing from Frank Miller's Batman comics.

I don't know if The Darkness every reached its potential.  Frankly, I didn't give a crap after I stopped reading the series, but on occasion, I would see an issue of The Darkness and wonder about it … I have to admit.

The Darkness #1 25th Anniversary Commemorative Edition commemorates an anniversary that is only important to Top Cow because … let's be frank … it does not have much to commemorate.  The original Image Comics creators, Marc Silvestri among them, turned their studios into vanity project factories that produced poorly written comic books that featured the kind of art that only the artists and their sycophantic fans thought was great.  This is something that can be said of many of the artists associated with Image Comics first decade, for instance Rob Liefeld and J. Scott Campbell.

It is only in the last 15 years or so that Image Comics has delivered on the promise that the birth of the publisher offered to both comic book creators and readers.  The Darkness represents a placeholder in the evolution of Image Comics.  After the fanfare for their first wave of comic book series faded, some of Image's founders moved on to offering exciting new concepts.  For Jim Lee, it was Divine Right, and for Silvestri, it was The Darkness.  At least, The Darkness ran much longer than Divine Right.

The Darkness #1 25th Anniversary Commemorative Edition, as a package, is nothing special, but – and there is a big but – reading it again did remind me that The Darkness still has great potential.  I enjoyed re-reading this reprint of the first issue, and I might reread a few more of the original issues.  I still think that The Darkness is an outside-the-box comic book concept that could be an exceptional dark fantasy comic book.  But will it ever be that?  Does it matter?

I READS YOU RECOMMENDS:  Fans of Top Cow Productions' comic books will want The Darkness #1 25th Anniversary Commemorative Edition.

6 out of 10

This issue contains the feature “Say Good Night to the 'Good Guy'” by Henry Barajas and Claire Napier.  This feature includes illustrations; an questions-and-answer session with Marc Silvestri and David Wohl; a bullet-point presentation about the publication, licensing, and merchandising success of The Darkness.

This issue also includes a gallery of cover art produced by the following artists and art teams for The Darkness:  Marc Silvestri, Joe Weems, and Peter Steigerwald; Joe Benitez, Joe Weems, and Dean White; Nathan Cabrera and Victor Llamas; Greg Hildebrandt and Tim Hildebrandt; Michael Turner, Joe Weems, and JD Smith; Joe Benitez, Joe Weems, and Richard Isanove; Clarence Lansang, Victor Llamas, and Matt Nelson; David Finch, Jason Gorder, and Matt Nelson; Brian Ching, Victor Llamas, and Matt Nelson; Mark Pajarillo, Danny Miki, and Matt Nelson; Dale Keown and Matt Milla; Lee Bermejo; Dale Keown; Rafael Albuquerque; Todd McFarlane; Jeremy Haun and John Rauch

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



www.topcow.com
https://twitter.com/ImageComics
https://imagecomics.com/


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Monday, May 25, 2020

Marvel Comics from Diamond Distributors for May 27, 2020

MARVEL COMICS

FEB200924    AMAZING SPIDER-MAN #43    $3.99
FEB200925    AMAZING SPIDER-MAN #43 KEOWN MARVEL ZOMBIES VAR    $3.99
FEB200982    AVENGERS #33    $3.99
FEB200984    AVENGERS #33 BENJAMIN MARVEL ZOMBIES VAR    $3.99
FEB200983    AVENGERS #33 PHAM SPIDER-WOMAN VAR    $3.99
FEB200894    MARAUDERS #10    $3.99
FEB201023    STAR WARS DOCTOR APHRA #1    $3.99
FEB201026    STAR WARS DOCTOR APHRA #1 REMENAR VAR    $3.99
FEB200939    VENOM #25    $5.99
FEB200942    VENOM #25 BAGLEY VAR    $5.99
FEB200947    VENOM #25 BLACK BLANK VAR    $5.99
FEB200945    VENOM #25 CHECCHETTO VAR    $5.99
FEB200944    VENOM #25 RAPOZA VAR    $5.99
FEB200941    VENOM #25 RON LIM VAR    $5.99

Wednesday, November 21, 2018

Review: IMMORTAL HULK #1

IMMORTAL HULK #1 (Legacy #718)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Al Ewing
PENCILS: Joe Bennett
INKS: Ruy José
COLORS: Paul Mounts
LETTERS: VC's Cory Petit
EDITOR: Tom Brevoort
COVER: Alex Ross
EDITOR-IN-CHIEF: Akira Yoshida
VARIANT COVERS: Clayton Crain; Kaare Andrews; Sal Buscema; Alfredo Alcala with Eber Evangelista; Dale Keown with Jason Keith
36pp, Color, $4.99 U.S. (August 2018)

Rated T+

Hulk created by Jack Kirby and Stan Lee

“Or is He Both”

The Hulk is a Marvel Comics superhero and monster character.  Created by artist Jack Kirby and writer Stan Lee, the Hulk first debuted in The Incredible Hulk #1 (cover dated: May 1962).  Hulk comic books have mostly covered two characters.  The first is Dr. Robert Bruce Banner (mostly referred to as “Bruce Banner”), a physically weak, socially withdrawn, and emotionally reserved, but brilliant physicist, who is exposed to gamma rays via the explosion of an experimental bomb.  This gamma ray exposure physically transforms Banner into the Hulk, a green-skinned (originally grey-skinned), hulking and muscular humanoid that possesses incredible super-strength.

Marvel Comics recently relaunched (again) its Hulk comic book franchise, and the result is the new series, Immortal Hulk.  It is written by Al Ewing; drawn by Joe Bennett (pencils) and Ruy José (inks); colored by Paul Mounts; and lettered by Cory Petit.

Immortal Hulk #1 (“Or is He Both”) opens somewhere in rural America (the desert southwest?).  Bruce Banner is caught up in a convenience story shooting and ends up dead along with two other people.  The man is dead, but is the monster?  Thomas Edward Hill is about to find out!

I had the pleasure of reading some early Hulk comics via a reprint collection.  I was struck by how much those first four years of Hulk comic books and appearances blended elements of science fiction, sci-fi B-movies, horror fiction, and monster stories.

Writer Al Ewing and artist Joe Bennett have come together to revive the darker elements of the Hulk IP and of the world of The Incredible Hulk.  Immortal Hulk #1 is a fantastic first issue, and it reminds me more of a horror comic book from an independent publisher (say Zenescope Entertainment) than it does a Marvel Comics title.  Bennett's compositions blend with Ruy Jose's intricate and bejeweled inking and  Paul Mounts perfectly-tuned colors to create a moody, brooding horror comic book that seethes and rages to release the power of the monster contained within its covers.

And when the story explodes, the pages can barely contain its star, the Hulk, even the double-page spreads.  I hope Al Ewing has not merely teased us with a debut issue that will ultimately not reflect the overall tone of Immortal Hulk.  I don't mind the Avengers appearing in this series, but I hope it stays dark fantasy/horror, the way Alan Moore's Swamp Thing did even when the Justice League of America appeared in The Saga of the Swamp Thing #24 (cover dated: May 1984).

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.



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Saturday, October 28, 2017

Review: GENERATIONS: The Unworthy Thor & The Mighty Thor #1

GENERATIONS: THE UNWORTHY THOR & THE MIGHTY THOR No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Jason Aaron
ARTIST: Mahmud Asrar
COLORS: Jordie Bellaire
LETTERS: VC's Joe Sabino
COVER: Mahmud Asrar with Jordie Bellaire
VARIANT COVERS: Olivier Coipel with Jason Keith; Das Pastoras; Alex Ross; Jack Kirby with Paul Mounts; Dale Keown with Jason Keith
36pp, Color, $4.99 U.S. (October 2017)

Rated T+

Thor created by Stan Lee, Larry Lieber, and Jack Kirby

“The Thunder”

Generations is Marvel Comics' current event miniseries.  It is a planned 10-issue anthology, published weekly.  Each issue is written and drawn by a different creative team, and each issue will feature a different team-up of a classic Marvel superhero with his or her modern-day counterpart.  The series is meant to unite the legacy of classic Marvel Comics characters with the next generation of heroes as both move into the future of Marvel Comics storytelling.

The fourth issue is Generations: The Unworthy Thor & The Mighty Thor, which brings together two versions of a classic Marvel Comics character, Thor.  The first is the classic Odinson, Thor, first introduced in Journey into Mystery #83 (cover date:  August 1962), and is now known as “The Unworthy Thor.”  The second is the new Thor, Jane Foster.  Once she was the love interest of Dr. Donald Blake (who was once Thor... so to speak).  Now, Foster is known as “The Mighty Thor.”  This issue of Generations is written by Jason Aaron; drawn by Mahmud Asrar; colored by Jordie Bellaire; and lettered by Joe Sabino.

Generations: The Unworthy Thor & The Mighty Thor #1 (“The Thunder”) opens “many years ago” in the “Weapons Hall” of Asgard, the home of the Norse god, Odin, and his subjects, the Asgardians.  Odin's son is trying to lift the enchanted hammer, “Mjolnir.”  Thor is rebuked by his father for his efforts, and is commanded to take on his princely duties.  The son of Odin, however, cannot resist the call/prayers of his followers on Midgard (Earth).  Before long he is leading them into battle against a familiar supervillain and is also facing a rival for Mjolnir.

The purpose of Generations: Banner Hulk & Totally Awesome Hulk #1 was for Bruce Banner to tell the Totally Awesome Hulk/Amadeus Cho that he would not be able to escape all the tragic aspects of the curse of the Hulk.  Generations: Phoenix & Jean Grey found two women reluctant and/or incapable of telling each other everything they knew about the curse of The Phoenix

Generations: Wolverine & All-New Wolverine #1 is mainly just a slice-and-dice Wolverine adventure featuring the classic Wolverine and the All-New Wolverine – a well-executed Wolverine slice-and-dice story.  Like the Wolverine tale, Generations: The Unworthy Thor & The Mighty Thor #1 is merely a Thor fight comic book featuring two Thors.  It is pointless.  If writer Jason Aaron wanted to emphasize that two beings want possession of Mjolnir and want to be THE Thor, well, he is already doing that in the current Thor comic book.

With Generations, Marvel Comics runs the risk of publishing several issues of an event comic book that read like nothing more than, at behest, mediocre, “Annuals,” published for the sake of being published, or, at worst, filler material.  Once upon a time, there were a lot of comic book writers who could pull off an exemplary stand-alone tale in 30 pages.  Alan Moore springs to mind, but many of the top comics scribes of the 1960s and 1970s could have delivered something better than what Aaron delivers in Generations: The Unworthy Thor & The Mighty Thor #1.

Now, I must say that the art here is beautiful.  It is the best work by Mahmud Asrar that I have ever seen.  He is a rapidly growing talent, and here, he gives the hackwork story TLC that it does not deserve.  Jordie Bellaire does a stellar coloring job on Asrar's compositions.  Leave it to Jordie; she'll color the shittiness right of a mediocre comic book, and she just about does that here.  Asrar and Bellaire are the reasons I am not giving Generations: The Unworthy Thor & The Mighty Thor #1 a really low grade.

B
6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Wednesday, October 25, 2017

Review: GENERATIONS: Banner Hulk & Totally Awesome Hulk #1

GENERATIONS: BANNER HULK & TOTALLY AWESOME HULK No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Greg Pak
ARTIST: Matteo Buffagni
COLORS: Dono Sanchez-Almara
LETTERS: VC's Cory Petit
COVER: Jorge Molina
VARIANT COVERS: Matteo Buffagni; John Cassaday with Paul Mounts; Greg Horn; Dale Keown with Jason Keith; Francesco Mattina; Alex Ross; Joe Vriens; Mike McKone with Andy Troy
36pp, Color, $4.99 U.S. (October 2017)

Rated T+

Hulk created by Jack Kirby and Stan Lee

“The Strongest”

Generations is a ten-issue anthology, weekly comic book series published by Marvel Comics.  Each issue is written and drawn by a different creative team, and each issue will feature a different team-up of a classic Marvel superhero with his or her modern-day counterpart.  The series is meant to unite the legacy of classic Marvel Comics characters with the next generation of heroes as both move into the future of Marvel Comics storytelling.

The first issue is Generations: Banner Hulk & Totally Awesome Hulk which brings together the classic Hulk who is Bruce Banner and the new Totally Awesome Hulk, who is the genius Amadeus Cho.  This comic book is written by Greg Pak; drawn by Matteo Buffagni; colored by Dono Sanchez-Almara; and lettered by Cory Petit.

Generations: Banner Hulk & Totally Awesome Hulk #1 (“The Strongest”) opens as Amadeus Cho, the Hulk, lands in Death Valley.  He was just in Washington D.C., so why is he here?  It must be to meet that other Hulk, not but several yards from him and fighting a pitched battle against a heavily-armed military unit.  These soldiers are throwing everything at this Hulk, who turns out to be Banner Hulk, but isn't Bruce Banner dead?!

Halfway through Generations: Banner Hulk & Totally Awesome Hulk #1, I thought, “What's the point of this?”  Most of this comic book is one huge battle that occasionally shifts settings or adds a new player.  At some point in the story, the point Greg Pak is trying to make becomes clear.  There may be a new Hulk, but he can't escape the legacy of the original Hulk.

Bruce Banner has a message for Amadeus Cho, something along the lines of “Young blood, you don't know me, and you know the Hulk even less.”  Maybe, Marvel Comics is sticking by its new Totally Awesome Hulk.  [Cue the diversity complaints!]  Still, the classic Hulk's conflicts, motivations, dilemmas, trials and tribulations remain.  Amadeus Cho Hulk has 99 problems and the Hulk is all of them, or, at least, time will tell.

So Generations: Banner Hulk & Totally Awesome Hulk #1 is not a pointless event comic book, cynically meant to separate gullible fans from their money.  The fan can be a reader this time.  This is not a great comic book by any means, but it bridges the past and the future in a way that genuinely speaks to what is unique about our favorite incredible, rampaging, rage monster, the Hulk.

B+
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Monday, July 31, 2017

Marvel Comics from Diamond Distributors for August 2, 2017

MARVEL COMICS

FEB170971    ALL NEW ALL DIFFERENT AVENGERS HC VOL 01 (RES)    $34.99
JUN170972    ALL NEW GUARDIANS OF GALAXY #7    $3.99
JUN170897    AVENGERS #10 SE    $3.99
JUN170943    BLACK BOLT #4    $3.99
FEB170976    BLACK PANTHER HC VOL 01 A NATION UNDER OUR FEET    $34.99
MAY170958    CAPTAIN AMERICA STEVE ROGERS TP VOL 03 EMPIRE BUILDING    $19.99
JUN170899    CHAMPIONS #11 SE    $3.99
APR171144    COLOR YOUR OWN MARVEL MASTERS TP    $9.99
JUN170852    GENERATIONS BANNER HULK & TOTALLY AWESOME HULK #1    $4.99
JUN170853    GENERATIONS BANNER HULK & TOTALLY AWESOME HULK #1 KEOWN VAR    $4.99
JUN170958    HAWKEYE #9    $3.99
JUN170951    IRON FIST #6    $3.99
JUN170954    JESSICA JONES #11    $3.99
JUN170955    JESSICA JONES #11 MR OZ VAR    $3.99
JUN170908    LOCKJAW DOG DAYS TP    $7.99
FEB170972    LOKI JOURNEY INTO MYSTERY BY KIERON GILLEN OMNIBUS HC    $100.00
JUN171025    MARVEL UNIVERSE AVENGERS ULTRON REVOLUTION #12    $2.99
FEB170973    MARVEL UNIVERSE BY CHRIS CLAREMONT HC    $125.00
JUN170919    MARVELS THOR RAGNAROK PRELUDE #3 (OF 4)    $3.99
FEB170974    MMW SAVAGE SHE-HULK HC VOL 01    $75.00
FEB170975    MMW SAVAGE SHE-HULK HC VOL 01 DM VAR ED 246    $75.00
FEB170967    MONSTERS HC VOL 02 MARVEL MONSTERBUS BY LEE LIEBER KIRBY    $100.00
JUN170962    NICK FURY #5    $3.99
JUN170935    SPIDER-MAN #19    $3.99
JUN170938    SPIDER-MAN DEADPOOL #20    $3.99
JUN171023    STAR WARS DARTH VADER #4    $3.99
JUN171014    STAR WARS ROGUE ONE ADAPTATION #5 (OF 6)    $3.99
MAY170983    THOR EPIC COLLECTION TP IN MORTAL FLESH    $39.99
JUN171028    TRUE BELIEVERS KIRBY 100TH BLACK PANTHER #1    $1.00
JUN171029    TRUE BELIEVERS KIRBY 100TH CAPTAIN AMERICA LIVES AGAIN #1    $1.00
JUN170961    UNSTOPPABLE WASP #8    $3.99
JUN170971    VISION DIRECTORS CUT #3 (OF 6)    $6.99
JUN170987    X-MEN GOLD #9    $3.99

Monday, April 10, 2017

Marvel Comics from Diamond Distributors for April 12, 2017

MARVEL COMICS

FEB171009    ALL NEW GUARDIANS OF GALAXY #1 POSTER    $8.99
FEB170848    AMAZING SPIDER-MAN #26    $3.99
JAN171098    AMAZING SPIDER-MAN HC CLONE CONSPIRACY    $60.00
FEB170850    AMAZING SPIDER-MAN RENEW YOUR VOWS #6    $3.99
JAN178777    AMERICA #1 2ND PTG MCKELVIE VAR    $3.99
JAN178779    AMERICA #1 2ND PTG QUINONES VAR    $3.99
JAN178778    AMERICA #1 2ND PTG VEREGGE HIP HOP VAR    $3.99
JAN171135    AVENGERS COMPLETE CELESTIAL MADONNA SAGA TP    $39.99
FEB170762    BLACK PANTHER CREW #1    $3.99
JAN171111    BLACK PANTHER TP BOOK 03 NATION UNDER OUR FEET    $16.99
FEB171008    CABLE #1 BY KEOWN POSTER    $8.99
FEB170828    CAPTAIN AMERICA SAM WILSON #21    $3.99
FEB170829    CAPTAIN AMERICA SAM WILSON #21 RB SILVA CONNECTING A VAR    $3.99
FEB171004    CAPTAIN AMERICA STEVE ROGERS #15 BY DELLOTTO POSTER    $8.99
JAN171120    CAPTAIN AMERICA STEVE ROGERS TP VOL 02 TRIAL OF MARIA HILL    $15.99
FEB170924    DEADPOOL AND MERCS FOR MONEY #10    $3.99
FEB170915    DEADPOOL VS PUNISHER #1 (OF 5)    $3.99
FEB170916    DEADPOOL VS PUNISHER #1 (OF 5) A VAR    $3.99
FEB171005    DEADPOOL VS PUNISHER #1 BY SHALVEY POSTER    $8.99
FEB170884    DOCTOR STRANGE SORCERERS SUPREME #7    $3.99
JAN171099    ENCHANTED TIKI ROOM HC    $24.99
FEB170903    GUARDIANS OF GALAXY #19    $4.99
FEB170907    GUARDIANS OF GALAXY #19 BURROWS BEST BENDIS MOMENTS VAR    $4.99
FEB170906    GUARDIANS OF GALAXY #19 SCHITI FINAL ISSUE VAR    $4.99
JAN171103    GUARDIANS OF GALAXY CLASSIC TP VOL 03 IN YEAR 3000    $34.99
FEB170890    GWENPOOL #14    $3.99
FEB170879    KINGPIN #3    $3.99
FEB170946    MARVEL UNIVERSE GUARDIANS OF GALAXY #18    $2.99
OCT161001    MMW CAPTAIN AMERICA HC VOL 09    $75.00
OCT161002    MMW CAPTAIN AMERICA HC VOL 09 DM VAR ED 243    $75.00
FEB171003    MONSTERS UNLEASHED #1 BY ADAMS POSTER    $8.99
FEB170861    MOSAIC #7    $3.99
FEB171002    NICK FURY #1 BY ACO POSTER    $8.99
FEB170929    OLD MAN LOGAN #21    $3.99
FEB170868    POWER MAN AND IRON FIST #15    $3.99
JAN171133    RUNAWAYS TP VOL 03 GOOD DIE YOUNG TP NEW PTG    $14.99
FEB171007    SECRET EMPIRE #1 POSTER    $8.99
JAN178782    SECRET WARRIORS #1 POSTCARDS (BUNDLE OF 100)    $5.00
OCT160943    SILVER SURFER #10    $3.99
FEB170858    SPIDER-MAN 2099 #22    $3.99
FEB170964    STAR WARS DOCTOR APHRA #6    $3.99
FEB170938    TRUE BELIEVERS CABLE AND NEW MUTANTS #1    $1.00
FEB170937    TRUE BELIEVERS NEW MUTANTS #1    $1.00
FEB170939    TRUE BELIEVERS X-FORCE #1    $1.00
FEB170888    UNBEATABLE SQUIRREL GIRL #19    $3.99
FEB170900    UNSTOPPABLE WASP #4    $3.99
FEB171006    VENOM #6 BY SANDOVAL POSTER    $8.99
FEB170790    WEAPON X #1    $3.99
FEB170767    X-MEN BLUE #1    $4.99

Thursday, April 1, 2010

Archaia Graphic Novels Now in Stores

THE KILLER VOL. 2 HARDCOVER
(W) Matz (A) Luc Jacamon

While trying to avoid the kinds of personal entanglements that make the life of a professional assassin all the more difficult, our Killer exacts what he hopes will be his revenge on those that have sent his life and career into its long and downward spiral back into humanity. Collects issues #5-10 of the acclaimed series The Killer.

Full Color $24.95 176 pages Mature Readers (series contains Nudity, Strong Sexual Content, Graphic Violence, and Adult Content)

ROBOTIKA VOL. 2: FOR A FEW RUBLES MORE HARDCOVER
(W) Alex Sheikman and David Moran (A) Alex Sheikman (COL) Joel Chua

Niko, the Steampunk Samurai in search of a soul, returns with Yuri Bronski and Cherokee Geisha. Join the Three Yojimbos on their latest adventure as they journey deeper into the Badlands of this bleakly dystopian future world, where sometimes the one and only currency that can satisfy a debt is blood. Welcome to the future… Collects the four-issue miniseries.

Full Color $19.95 144 pages Mature Readers (Series contains Graphic Violence and Adult Content)

GUNNERKRIGG COURT VOL. 2: RESEARCH
(W/A) Tom Siddell

Annie and Kat begin their second year at Gunnerkrigg Court! Parts of Annie's past are revealed, as well as mysteries that tie back to the origins of the Court itself. Finding a secret tomb of ancient robots beneath Kat's workshop leads the two friends to question how they are linked to the mysterious ghost that attacked Annie the year before. And as a new Medium In Training, Annie is able to visit the powerful trickster god Coyote in Gillitie Forest, a visit that reveals more than she ever imagined. The second collection of the award-winning Web series!

Full Color $26.95 296 pages All Ages

DAYS MISSING HARDCOVER(W) Phil Hester, David Hine, Ian Edginton, Matz (A) Frazer Irving, Chris Burnham, Hugo Petrus, Lee Moder (COV) Dale Keown

From Roddenberry Productions, the creators of Star Trek, comes a story about the hidden pages of human history. Since the dawn of time, a being has existed whose interaction and interference with mankind has shaped human development. His powers of time and intellect have allowed him to secretly remove certain critical days from the historical record. Their stories have never been told. Their details have never been documented. Their existence is not remembered. But the occurrences of these days have forever changed the course of humanity’s evolution. These are the Days Missing from our existence, and they are about to be revealed… Collects all five issues of the hit mini-series and includes a Foreword by Warren Ellis, cover gallery, design sketches and interviews with the creators.

Full Color $19.95 160 pages Teen +13 (Series contains material suitable for Teen Readers age 13 and above)

Sunday, January 24, 2010

Gene Roddenberry's Day Missing Goes Digital

Press release from Archaia Entertainment:

ARCHAIA TO DIGITALLY DISTRIBUTE RODDENBERRY'S 'DAYS MISSING' EXCLUSIVELY ON IVERSE COMICS


FANS CAN DOWNLOAD ‘DAYS MISSING’ #1 FOR FREE ON THE iPHONE OR iPOD TOUCH

Expanding their partnerships with proven digital comics distributors to meet the growing demand for more digital content, Archaia and Roddenberry Productions announced that the “digi-bution” of all five issues of last fall’s critically acclaimed, science fiction miniseries Days Missing is now exclusively on iVerse Comics’ free application. Issue #1, written by Phil Hester (Firebreather, The Darkness, Green Arrow) and drawn by Frazer Irving (Batman and Robin, Seven Soldiers of Victory), is currently available for free on the site and issues #2-5 will be available for $1.99 in the coming weeks.

Days Missing tells the stories of a mysterious being known as “The Steward.” His ability to literally “fold” days of time has allowed him to secretly remove critical days from our shared history that have forever changed the course of mankind…or so he thinks. In these missing days, The Steward battles Frankenstein, the Spanish conquistadors and artificial life forms, among other history-shaping forces.

Days Missing digital issues #2-5 will each be available for $1.99 and will roll out weekly starting Jan. 27. The schedule is as follows:

Days Missing #2 – Jan. 27
Days Missing #3 – Feb. 3
Days Missing #4 – Feb. 10
Days Missing #5 – Feb. 17

“Archaia is committed to reaching the mass audience with our sophisticated content in multiple formats,” said PJ Bickett, President of Archaia. “With digi-bution, we are able to reach an audience 10 times larger. Now throw in the fact that it is Days Missing, co-developed with Roddenberry Productions, and you have an instant winner!”

“Roddenberry has always been a name associated with technology and innovation. We are thrilled to continue this journey with Archaia and offer fans the opportunity to consume this extraordinary story on a unique digital platform,” said Roddenberry’s Head of Development and Days Missing Creator Trevor Roth.

“Archaia is the perfect kind of publishing partner for iVerse,” said iVerse Media CEO Michael Murphey. “Archaia has a rich and diverse catalog with some amazing properties like Days Missing…which we’re very excited to release on the iPhone.”

The digi-bution of Days Missing will ramp up to the debut of the Days Missing deluxe hardcover ($19.95, 160 pages, ISBN 1-932386-84-X), which will feature a host of extras and back-matter material, including a foreword by the legendary Warren Ellis. It is scheduled to be on sale in comic shops on Feb. 24 and in bookstores on March 2.

Archaia’s digital strategy will continue with the launch of an Archaia Store app at the end of February, powered by iVerse Media. The store will contain a complete list of Archaia’s archived products as well as exclusive digital content. More information to follow soon.

About ‘Days Missing’
Archaia and Roddenberry Productions brought together four all-star creative teams to each work on standalone, reader-friendly issues of Days Missing that tie into the overall mini-series story arc. The writer/artist teams include: Phil Hester (Firebreather, The Darkness, Green Arrow) and Frazer Irving (Batman and Robin, Seven Soldiers of Victory) for issues 1 and 5; David Hine (Batman: Battle for the Cowl) and Chris Burnham (X-Men: Divided We Stand) for issue 2; Ian Edginton (Stormwatch) and Lee Moder (Legion of Super-Heroes) for issue 3; and Matz (The Killer) and Hugo Petrus (Wolverine: First Class) for issue 4. The legendary Dale Keown (The Incredible Hulk, Pitt) provided the main covers to each issue. Blair Butler from G4’s “Fresh Ink Online” said Days Missing was “one of the best things that came out this year” and Aint It Cool News’ Ambush Bug said it “is sci fi at its best and well worth checking out.”

About Archaia Entertainment, LLC
Archaia has built an unparalleled reputation for producing meaningful content that perpetually transforms minds. With a slate including such popular Eisner-Award winning titles as Mouse Guard and The Killer, as well as Awakening, Gunnerkrigg Court, Robotika, Killing Pickman, Artesia and the Publisher’s latest additions of Titanium Rain, God Machine, Roddenberry Productions’ Days Missing, The Jim Henson Company library and Mr. Murder Is Dead and Lucid with Before the Door Pictures, Archaia has become synonymous with quality content.

For more information on Archaia or any Archaia titles please visit www.Archaia.com. Archaia can also be found on Facebook (facebook.com/archaiacomics), MySpace (myspace.com/archaiacomics) and Twitter (twitter.com/archaiacomics).

About Roddenberry Productions
Roddenberry Productions is a science-fiction leader with a tradition of groundbreaking entertainment and quality merchandise. Originally founded in 1967 by Gene Roddenberry, the company has since led a steady stable of science fiction successes including Gene Roddenberry’s Earth: Final Conflict, Gene Roddenberry’s Andromeda and, most notably, the Star Trek brand. Roddenberry Productions continues to produce entertainment for all audiences, employing a viewer-centric creative process and resulting in insightful visions of humanity. Its merchandising business is based on quality and authenticity providing memorabilia for fans in today’s new multimedia generation. Roddenberry Productions has set itself apart by creating content that surpasses mere entertainment; it acknowledges the intelligence of audiences by challenging them to think, question and explore the world, and those potentially beyond.

About iVerse Media, LLC
iVerse Media, LLC is a digital distributor of comic books for mobile platforms. Established in 2008, iVerse has quickly emerged as an innovator and leader in the mobile publishing field. Partnerships with high-profile brands like Archie Comics, and leading industry publishers like IDW Publishing (”Star Trek”), BOOM! Studios (”Farscape”), Ardden Entertainment (”Flash Gordon”), Red 5 Comics (”Atomic Robo”), Ape Entertainment (”Super Human Resources”), and many more have made it possible for iVerse to surpass one million downloads in under 9 months of releasing content into the iPhone App Store. iVerse is principally located in Waco, Texas. [END]

Thursday, December 17, 2009

Archaia Offers "Days Missing" for Pre-order

Press release from Archaia:

ARCHAIA AND RODDENBERRY ANNOUNCE DELUXE ‘DAYS MISSING’ HARDCOVER

GRAPHIC NOVEL COLLECTS ALL FIVE ISSUES PLUS A HOST OF NEVER-BEFORE-SEEN EXTRAS

Combining Archaia’s longstanding commitment to producing high-quality hardcover graphic novels and Roddenberry’s goal to produce sophisticated, intelligent and entertaining science fiction in the tradition of Star Trek, the companies announced today they will publish a deluxe Days Missing hardcover that collects all five issues of the critically acclaimed mini-series plus a host of extra features, available in February 2010.

The Days Missing hardcover is available for pre-order now through comic retailers (Diamond Item Number DEC09 0662) and online outlets like Amazon.com (ISBN 1-932386-84-X). (To find your nearest comic shop, visit www.comicshoplocator.com.)

Days Missing tells the stories of a mysterious being known as “The Steward.” His ability to literally “fold” days of time has allowed him to secretly remove critical days from our shared history that have forever changed the course of mankind…or so he thinks. In these missing days, The Steward battles Frankenstein, the Spanish conquistadors and artificial lifeforms, among other history-shaping forces.

Archaia and Roddenberry Productions brought together four all-star creative teams to each work on standalone, reader-friendly issues of Days Missing that tie into the overall mini-series story arc. The writer/artist teams include: Phil Hester (Firebreather, The Darkness, Green Arrow) and Frazer Irving (Batman and Robin, Seven Soldiers of Victory) for issues 1 and 5; David Hine (Batman: Battle for the Cowl) and Chris Burnham (X-Men: Divided We Stand) for issue 2; Ian Edginton (Stormwatch) and Lee Moder (Legion of Super-Heroes) for issue 3; and Matz (The Killer) and Hugo Petrus (Wolverine: First Class) for issue 4. The legendary Dale Keown (The Incredible Hulk, Pitt) provided the main covers to each issue.

The extra features in the Days Missing hardcover include:• A foreword written by the legendary Warren Ellis, award-winning creator of graphic novels such as Fell, Ministry of Space, Planetary and Transmetropolitan.
• A gallery featuring all 16 covers of the five issues.
• A collectible poster on the reverse side of the dust jacket, joining together all of Frazer Irving’s complete chase covers to Days Missing.
• Interviews with all of the writers and Roddenberry Productions’ Trevor Roth , creator of Days Missing.
• Revelation of the secret code contained in the Days Missing logo.
• A stat sheet of The Steward, plus a tour of his library.
• The evolution of a comic page, from script to pencils, inks and colors.

Here is what the critics are saying about Days Missing:
“One of the best things that came out this year.”
– Blair Butler, G4’s Fresh Ink Online
“Innovative and cool.”
– Brendan McGuirk, Newsarama.com
“A rare treat.”
– Christopher Baggett, TheHomeWorld.net
“Poetic…beautiful…impressive.”
– Sara Lima, ComicVine.com

About Archaia
Archaia has built an unparalleled reputation for producing meaningful content that perpetually transforms minds. With a slate including such popular Eisner-Award winning titles as Mouse Guard and The Killer, as well as Awakening, Gunnerkrigg Court, Robotika, Killing Pickman, Artesia and the Publisher’s latest additions of Titanium Rain, God Machine, Roddenberry Productions’ Days Missing, The Jim Henson Company library and Mr. Murder Is Dead and Lucid with Before the Door Pictures, Archaia has become synonymous with quality content.

For more information on Archaia or any Archaia titles please visit www.Archaia.com. Archaia can also be found on Facebook (facebook.com/archaiacomics), MySpace (myspace.com/archaiacomics) and Twitter (twitter.com/archaiacomics).

About Roddenberry Productions
Roddenberry Productions is a science-fiction leader with a tradition of groundbreaking entertainment and quality merchandise. Originally founded in 1967 by Gene Roddenberry, the company has since led a steady stable of science fiction successes including Gene Roddenberry’s Earth: Final Conflict, Gene Roddenberry’s Andromeda and, most notably, the Star Trek brand. Roddenberry Productions continues to produce entertainment for all audiences, employing a viewer-centric creative process and resulting in insightful visions of humanity. Its merchandising business is based on quality and authenticity providing memorabilia for fans in today’s new multimedia generation. Roddenberry Productions has set itself apart by creating content that surpasses mere entertainment; it acknowledges the intelligence of audiences by challenging them to think, question and explore the world, and those potentially beyond. [END]