#IReadsYou Review: SPACE GHOST #1

SPACE GHOST VOL. 1 #1

DYNAMITE ENTERTAINMENT

STORY: David Pepose

ART: Jonathan Lau

COLORS: Andrew Dalhouse

LETTERS: Taylor Esposito

EDITOR: Joseph Rybandt

COVER: Francesco Mattina

VARIANT COVER ARTISTS: Jae Lee with June Chung; Bjorn Barends; Michael Cho; Alex Toth; Francesco Mattina

32pp, Color, $4.99 U.S. (May 2024)

Rated “Teen”

Space Ghost is a superhero character created by the American animation studio and production company, Hanna-Barbera Productions.  The character first appeared in the Saturday morning cartoon series, “Space Ghost,” which was originally broadcast on CBS from September 1966 to September 1967 for 20 episodes.  Space Ghost shared his television series with a second feature, entitled “Dino Boy in the Lost Valley.”  Space Ghost was designed by cartoonist and comic book artist, Alex Toth (1928-2006), who created the character with Hanna-Barbera's founders, William Hanna (1910-2001) and Joseph Barbera (1911-2006).

In his original incarnation, Space Ghost was a superhero whose base of operations was a small world known as “Ghost Planet.”  He fought super-villains in outer space with his teen sidekicks, Jan and Jace, and their monkey, Blip.  His main weapons were power bands he wore around his wrists and lower arms; the bands fired off multiple energy beam-based attacks, including heat, cold, and force, to name a few.  Space Ghost could also fly, survive in space, and turn invisible (his “Inviso Power”).  He also had a space ship known as “the Phantom Cruiser.”

Space Ghost sporadically appeared in various comic book publications over a fifty year period.  Dynamite Entertainment has just launched a new Space Ghost comic book as part of its licensing agreement with Warner Bros.  Entitled Space Ghost Volume 1, it is written by David Pepose; drawn by Jonathan Lau; colored by Andrew Dalhouse; and lettered by Taylor Esposito.

Space Ghost Volume 1 #1 opens on Space Colony Omnicron.  It is the home of brilliant scientist, Doctor Jarrod Keplar, and his children – a pair of twins – Jan (a girl) and Jace (a boy).  Now, Omnicron is suffering a surprise attack at the hands of space pirates.  Dr. Keplar is planning to escape with his children and their pet monkey, Blip, who is more than he seems.

The colony's defenses are overwhelmed, however, and when tragedy strikes the Keplar family, all seems lost.  Yet these ruthless pirates did not count on a wild card – the cosmic vigilante known as “the Space Ghost.”  This almost folkloric figure metes out justice throughout the galaxy and brings vengeance to those who prey upon the defenseless.  But can even this phantom save this day?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  Space Ghost Volume 1 #1 is the latest, but it is not the first Space Ghost comic book that I have read.

As far as I'm concerned, there have never been enough Space Ghost comic book series.  His last comic book appearances before now were DC Comics' Future Quest maxi-series and Future Quest Presents #1 (DC Comics), I believe.  So I'm happy about this new series.  This first issue is about re-introductions of classic characters and introductions of their new versions.  This first chapter is a little chaotic and a little thin on plot.  Still, it's fun to see Space Ghost in action, and even more fun to see Jan and Jace take a more proactive part in the combat than they have in the past.

Jonathan Lau's illustrations and Andrew Dalhouse's colors make for a gritty narrative, which I'll accept.  I prefer that Space Ghost comics mimic the slick and technically proficient design style of the artist who first visualized the world of Space Ghost, the late Alex Toth.  Still, the darker and rougher graphical storytelling style here may indeed work in selling this newer vision of Space Ghost.

I highly recommend Space Ghost Volume 1 #1.  It is a first issue well worth many American dollars, dear readers.

I READS YOU RECOMMENDS:  Fans of Dynamite Entertainment's Warner Bros. comic book series will want to read Space Ghost Volume 1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #5

THE ARMY OF DARKNESS 1979 VOLUME 1 #5
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Edu Menna
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Francesco Mattina
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Ken Haeser; Francesco Mattina
32pp, Color, $3.99 U.S. (January 2022)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia and Edu Menna; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself in late 1970s New York City.  Not only is he fighting his usual adversaries, the Deadites and the Necronomicon, but he is also caught in a turf war between rival street gangs.

The Army of Darkness 1979 Volume 1 #5 opens with Ash reminiscing.  Of course, it ends badly.  Back to reality:  Ash is now the leader of “The Half Deads,” and he's leading them against “The Warlocks.”  The problem is that Bishop, leader of The Walocks, is in possession of the Necronomicon … and former leader of The Half Deads, Lilith, is now Bishop's arm candy.

So now, it will take a battle royale of all the gangs of New York to stop Bishop and The Warlocks.  Can Ash lead them against an invasion of Deadites?  Can Lilith stay true … to someone?

THE LOWDOWN:  In July 2021, Dynamite Entertainment's marketing department began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #5, which is the fifth Dynamite Entertainment Army of Darkness comic book I have read.

Writer Rodney Barnes brings The Army of Darkness 1979 to a rousing conclusion.  It's his best issue of the series; not only is the action good, but issue #5 is the funniest.  Edu Menna also turns in the series' best art, topped by Dinei Ribero's hot colors.  It's all under a … dynamite Francesco Mattina cover.

When I finished reading Army of Darkness 1979 Volume 1 #1, I didn't think I want more when I finished the final issue.  But Yes! to more Rodney Barnes Army of Darkness, I say.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #4

THE ARMY OF DARKNESS 1979 VOLUME 1 #4
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Tom Garcia (pp. 1-12); Edu Menna (pp. 13-22)
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Francesco Mattina
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Francesco Mattina; Jamie Biggs
32pp, Color, $3.99 U.S. (December 2021)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself in late 1970s New York City.  Not only is he fighting his usual adversaries, the Deadites and the Necronomicon, but he is also caught in a turf war between rival street gangs.

As The Army of Darkness 1979 Volume 1 #4 opens, Ash talks about the Necronomicon and his trials and tribulations with the book … to himself, but at least the members of “The Half Deads” street gang are listening.  Meanwhile, Lilith is trying to convince Bishop, leader of “The Warlocks,” that she has left The Half Deads and wants in on The Warlocks.  Bishop doesn't trust her.  Luckily (for him, not her), he now possesses the Necronomicon, which can judge if Lilith is being honest...

While waiting for Lilith, Ash and the gang happen upon the legendary club, “Studio 54.”  Suddenly, Ash has a case of “Saturday Night Fever,” but will his antics cause a “Disco Inferno?”

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #4, which is the fourth Dynamite Entertainment Army of Darkness comic book I have read.

With each issue of the series, writer Rodney Barnes digs deeper into late 1970s culture and pop culture and spins it into comedy gold.  Barnes is creating a comic book that is true to the spirit of the Evil Dead and Army of Darkness films.  It's not the scares that made this franchise; it's the snark and the fun.

The trademark Army of Darkness comic horror dialogue, ghoulish wit, and mockery lives well in Army of Darkness 1979 Volume 1.  If this is your thing, hop in a comic book portal and join the fun.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #3

THE ARMY OF DARKNESS 1979 VOLUME 1 #3
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Tom Garcia
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Francesco Mattina
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Francesco Mattina; Ken Haeser; Tony Fleecs and Trish Forstner
32pp, Color, $3.99 U.S. (November 2021)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself in late 1970s New York City.  Not only is he fighting his usual adversaries, the Deadites and the Necronomicon, but he is also caught in a turf war between rival street gangs.

As The Army of Darkness 1979 Volume 1 #3 opens, Ash and “The Half Deads” street gang are getting the worst of it from rival street gang, “The Panthers.”  Even if the tide turns, “The Mrs. Bradys” are waiting to deliver their special brand of motherly love.

Not far away, the leader of “The Warlocks” is still in possession of the Necronomicon, and he sees this as a chance for world domination.  However, the rest of his gang just wants to use the dark magic for some creature comforts.  How will their leader deal with this dissension?  Meanwhile, the streets of New York City are in a panic and awash in meat puddles and bloody mush!

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #3, which is the third Dynamite Entertainment Army of Darkness comic book I have read.

This third issue of the series may be the funniest yet.  Writer Rodney Barnes uses a two-page section that depicts a mayoral press conference and local TV reporter to deliver trademark Army of Darkness comic horror dialogue, ghoulish wit, and mockery.  Meanwhile, Tom Garcia draws his strongest art yet, so Army of Darkness 1979 Volume 1 is steadily pumping up the volume.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------

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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #2

THE ARMY OF DARKNESS 1979 VOLUME 1 #2
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Tom Garcia
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Francesco Mattina
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Francesco Mattina; Tony Fleecs and Trish Forstner
32pp, Color, $3.99 U.S. (October 2021)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself in late 1970s New York City.  Not only is he fighting his usual adversaries, the Deadites and the Necronomicon, but he is also caught in a turf war between rival street gangs.

The Army of Darkness 1979 Volume 1 #2 opens in Central Park.  Now, in possession of the Necronomicon, The Warlocks and their gang leader are feeling powerful and start the killing.  Meanwhile, over in the South Bronx, Ash has taken up with a local gang, “The Half Deads.”  The plan is for Ash to help them take on the Warlocks and for them to help him recover the Necronomicon.  However, some of the other gangs are suspicious of both The Warlocks and The Half Deads, and the latter will feel that envy and wrath first.

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #2, which is the second Army of Darkness comic book I have read since I read the Dark Horse series decades ago.

The Army of Darkness 1979 Volume 1 #1 intrigued me, but it is in this second issue that the story starts to really come together.  Writer Rodney Barnes has brought in a hook or perhaps, thrown a wrench into the storytelling, and it is that everyone is suspicious of everyone's motivations.  The cliffhanger at the end of issue #2 makes me think that series writer Rodney Barnes has more crazy surprises in store.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------

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#IReadsYou Review: NITA HAWES' Nightmare Blog #1

NITA HAWES' NIGHTMARE BLOG #1
IMAGE COMICS

STORY: Rodney Barnes
LAYOUTS: Jason Shawn Alexander
ART: Jason Shawn Alexander and Patric Reynolds
COLORS: Luis Nct with mar and Silvestre Galotto
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: well-BEE
VARIANT COVER ARTISTS: Jason Shawn Alexander; Francesco Mattina; Patric Reynolds with Luis Nct
28pp, Colors, 3.99 U.S. (October 2021)

Rated “M/ Mature”

Nita Hawes' Nightmare Blog created by Rodney Barnes and Jason Shawn Alexander

“The Fire Next Time” Part I: “Walking Into Shadows”

Nita Hawes' Nightmare Blog is a new comic book series created by Rodney Barnes and Jason Shawn Alexander.  It is a spin-off of their hit dark fantasy and vampire comic book series, Killadelphia (Image Comics).  Nita Hawes' Nightmare Blog is written by Barnes and drawn by Alexander and Patric Reynolds; colored by Luis Nct; and lettered by Marshall Dillon.  The series focuses on a woman who is on a quest to root out the evil in her city.

Nita Hawes' Nightmare Blog #1 (“Walking Into Shadows”) opens in Baltimore, Maryland.  Some call it “Bodymore, Murderland,” and it still is the home of Edgar Allan Poe and Freddie Gray.  We meet Dawnita “Nita” Hawes, the ex-lover of Jimmy Sangster, Jr., who has moved on from Baltimore to the vampire killing fields of Philadelphia a.k.a. “Killadelphia.”

But one does not need to leave Baltimore to find evil, which lurks the streets, adding more bodies to the name “Bodymore.”  For instance, Corson, a demon, has surfaced from the underworld and has possessed a once-wronged man.  Now, Corson's vengeance will come at the cost of humanity's despair.  Luckily for Baltimore, there is “Nita Hawes' Nightmare Blog” where citizens can contact Nita, who has begun a quest to root the evil out of her city – with the help of dead brother, Jason.

THE LOWDOWN:  Nita Hawes' Nightmare Blog may be Rodney Barnes and Jason Shawn Alexander's spin-off of their hit horror comic book, Killadelphia, but they quickly establish the new comic book as its own thing.  Sister is doing it for herself, indeed.

Although Killadelphia is steeped in vampires, the series' river of blood begins in the poison waters of a highly-dysfunctional father-son relationship.  The narrative and plot elements are edgy and hard.  For Nita Hawes' Nightmare Blog, writer Rodney Barnes offers Dawnita Hawes' wellspring of guilt and grief.  The narrative, at least this first chapter, is intimate – painfully so – and interior.  I think that by bringing in Nita's dead brother, Jason, a child killed by the “collateral damage” of American gun violence, as the voice in her head, Barnes forces readers to deal with Nita's existential crisis.  Next to that, we also get to enjoy some horror violence via Baltimore existential crisis – demons slicin', dicin', and choppin' up some human meat.

The art and graphical storytelling by Jason Shawn Alexander and Patric Reynolds bring that interplay of the intimate and the horror to life in the muted shades of Nita and in the hard-boiled gore of demonic homicide.  Alexander and Reynolds' art recalls the gloomy and imaginative art of the comic books that would give birth to DC Comics' Vertigo imprint:  Swamp Thing, Hellblazer, and The Sandman.

Luis Nct and his color team heighten the surreal and melodramatic moods of Nita Hawes' Nightmare Blog #1.  Also, I think that Marshall Dillon's lettering gives this first issue what it needs, the sense of a soundtrack full of spooky sounds.  And I love it.  I hadn't even realized that this was Barnes and Alexander's new Killadelphia-related title until a few days ago.  Now, I am happy to recommend it to you, dear readers.

I READS YOU RECOMMENDS:  Fans of Killadelphia will want Nita Hawes' Nightmare Blog.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/TheRodneyBarnes
https://twitter.com/jasonshawnalex
https://twitter.com/luisnct
https://twitter.com/MarshallDillon
https://twitter.com/ImageComics
https://imagecomics.com/
http://rodneybarnes.com/
https://www.instagram.com/imagecomics/
https://www.facebook.com/pages/Image-Comics-Inc/178643148813259
https://www.twitch.tv/imagecomics
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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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DC Comics from Diamond Distributors for September 9, 2020

DC COMICS

MAR200635    DC POSTER PORTFOLIO FRANCESCO MATTINA TP    $24.99

#IReadsYou Review: KILLADELPHIA #1

KILLADELPHIA No. 1
IMAGE COMICS – @ImageComics

[This review was originally posted on Patreon.]

STORY: Rodney Barnes
ART: Jason Shawn Alexander
COLORS: Luis Nct
LETTERS: Marshal1 Dillon
LOGO/GRAPHIC DESIGN: Brent Ashe
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander with Luis Nct
VARIANT COVER ARTISTS: Francesco Mattina; Jason Shawn Alexander
32pp, Colors, 3.99 U.S.(November 2019)

Rated “M/ Mature”

“Sins of the Father” Part 1: “A Call to Arms”

Killadelphia is a new comic book series from writer Rodney Barnes (Lando: Double or Nothing for Marvel Comics) and artist Jason Shawn Alexander (Spawn for Todd McFarlane/Image Comics).  The series focuses on a police officer who falls into a lurid mystery set in the corrupt and vampire-ridden historical city of Philadelphia.  Colorist Luis Nct and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia #1 (“A Call to Arms”) opens with James “Jim” Sangster, Jr. dealing with the death of his father, revered Philadelphia homicide detective, James Sangster, Sr.  Ten days earlier, Sangster, Sr. got a tip that took him to “Harvest Green Homes,” a low-income housing project that had its glory days in the 1970s.  Now, it's known as “Hell Hall,” and it is the place where Detective Sangster was murdered.

Jim hated his father, but he more or less stumbles into reading his father's journal.  What he finds makes him think that Sangster, Sr. was loosing his mind.  What Jim finds when he makes his own trip to Hell Hall will shake his beliefs to their core.

I once believed that if talented and accomplished African-American writers got the comic book writing opportunities that DC Comics' imprint, Vertigo Comics, gave to white writers, they would produce some incredible work.  Of course, I was right, and Image Comics is proving it by publishing Black writer-penned titles like Bingo Love, Bitter Root, Farmhand, and Jook Joint, to name a few.  Now comes Killadelphia from Rodney Barnes, who wrote the ambitious 2017-2018 Falcon comic book series for Marvel Comics.  [After an epidemic of white-devil fever swept through Marvel's management and editorial, Falcon was unceremoniously canceled.]

Killadelphia #1 is incredible.  What Barnes does with his first-issue script takes most other comic book writers five or six issues to do.  Barnes, who is also a television writer and producer, presents the personalities of both Sangster men, while detailing their contentious relationship and its history in startling detail.  Plus, he unveils quite a bit of Killadelphia's back story and mythology in a few pages.  Wait!  He also gives us some hot vampire action, y'all!  [I'd say that I got more than my money's worth, but Image Comics did send me a PDF review copy.]

Jason Shawn Alexander's graphical storytelling is long and strong.  Powerful graphics and page design strike out at the reader – the way they should in a vampire comic book.  Alexander creates a milieu that is perfect for both horror fiction and for a contemporary tale of public corruption in a rotten metropolis.

Luis Nct's coloring is fantastic; it seems that every page suggests a different mood, which plays up Killadelphia's devious atmosphere and gritty and surreal ambiance.  Marshall Dillon's lettering also changes, moving and shifting with the narrative, conveying the notion that this story wants to sink its... something into you.

Killadelphia #1 can't stop, won't stop.  It is proof that comic books can do what movies like Us and Queen & Slim are doing for film – showcase the creativity of potent new or different storytelling voices.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.


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Review: HEROES IN CRISIS #1

HEROES IN CRISIS No. 1 (OF 9)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Tom King
ART: Clay Mann
COLORS: Tomeu Morey
LETTERS: Clayton Cowles
EDITOR: Jamie S. Rich
COVER: Clay Mann with Tomeu Morey
VARIANT COVER ARTISTS: J.G. Jones with Paul Mounts; Francesco Mattina; Mark Brooks; Ryan Sook
32pp, Color, $3.99 U.S. (November 2018)

Rated “T+” for “Teen Plus”

Part 1: “I'm Just Warming Up”

Heroes in Crisis is a recently launched nine-issue event miniseries from DC Comics.  It is written by Tom King and drawn by Clay Mann, and finds the heroes of the DC Universe facing a crisis in the one place that they can find healing.  Colorist Tomeu Morey and letterer Clayton Cowles complete the Heroes in Crisis creative team.

Heroes in Crisis #1 (“I'm Just Warming Up”) opens at a small diner in rural Gordon, Nebraska.  Here, Booster Gold and Harley Quinn will engage in a bloody fight.  Meanwhile, the Trinity:  Superman, Batman, and Wonder Woman are racing to Sanctuary, an ultra-secret hospital for superheroes who have been traumatized by crime-fighting and cosmic combat.  Patients are winding up dead, and Gold and Quinn could be the reason.

Classic DC Comics prestige miniseries like Batman: The Dark Knight Returns and Watchmen had killer first issues that had most readers coming back for more, some of them even chomping at the bits for the second issue.  Heroes in Crisis #1 is not a killer first issue, but readers will come back for more because that is the thing to do.

Sometimes, it seems as if comic book readers must read event comic books simply because they will be something different, if not better, than the status quo of the monthly and regularly published comic book series.  After all this is an event miniseries, and that is what many comic book readers do – come back for the second issue of the event.  If Heroes in Crisis does not live up to the hype fewer readers will come back for each succeeding issue, but many will see the series through to the end.

I can say that the art team of illustrator Clay Mann and colorist Tomeu Morey are delivering some absolutely beautiful art.  It's like eye candy!  This may also be Clay Mann's best work to date; at least, I think so.

I will read the second issue, but if you choose to ignore Heroes in Crisis...  Well, it won't be like missing out on Batman: The Dark Knight Returns or Watchmen.

5.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

-----------------------

Review: STAR WARS: Thrawn #1

STAR WARS: THRAWN No. 1 (OF 6)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Jody Houser
ART: Luke Ross
COLORS: Nolan Woodard
LETTERS: VC's Clayton Cowles
COVER: Paul Renaud
VARIANT COVERS: Francesco Mattina; John Tyler Christopher
36pp, Color, $4.99 U.S. (April 2018)

Rated “T”

Based on the novel by Timothy Zahn

Grand Admiral Thrawn is a character in the Star Wars media franchise.  An Imperial military commander, Thrawn was introduced in the 1991 novel, Heir to the Empire, written by Timothy Zahn and also known as the first novel in the “Thrawn trilogy.”  Zahn also wrote a two-novel set known as the “Thrawn duology” that brought the character back, seemingly from the dead.

After the Walt Disney Company bought Lucasfilm, the owner of the Star Wars franchise, Thrawn became a “Star Wars Legends” character – meaning he was not part of Star Wars canon, also known as “official Star Wars lore.”  Thrawn became a cannon character when he appeared in the third season of the animated television series, “Star Wars Rebels” (Disney XD).

Now, Marvel Comics is adapting Timothy Zahn's 2017 novel, Star Wars: Thrawn, as a six-issue miniseries.  Like the novel, the comic book adaptation chronicles the origins of Grand Admiral Thrawn.  The comic book miniseries is written by Jody Houser; drawn by Luke Ross; colored by Nolan Woodard; and lettered by Clayton Cowles.

Star Wars: Thrawn #1 opens in that area of the galaxy that is beyond the “Outer Rim” and that is referred to as “Wild Space.”  Captain Parck of the Imperial Navy leads a squad of Myomar Imperial Academy cadets on a mission to an unnamed planet in Wild Space to search for a possible new alien species.  What they find is a highly-skilled non-human that calls itself “Thrawn.”  Being the only member of the mission who can speak to Thrawn, Cadet Vanto soon finds himself ensnared in Thrawn's surprising Imperial ambitions.

I am not familiar with the original novel of the same name upon which this comic book, Star Wars: Thrawn, is based.  I can say that writer Jody Houser has fashioned an excellent first issue in this adaptation of the novel.  The pacing is excellent, and the dialogue is evocative and detailed in conveying the machinations and personalities of the characters, especially Thrawn.  Houser creates a comic book that is a joy to read and also does not feel like another Star Wars retread.

As always, artist Luke Ross delivers strong compositions and page design.  Ross arranges the panels in a way that allows the story to flow while it presents the characters, plots, and settings in rich detail.  Nolan Woodard's vivid colors, especially the blue and green hues not only make the art sparkly, but also heighten the sense of mystery and danger about Thrawn.

Clayton Cowles' lettering make the story hum with energy and creates a sense that a surprise is coming around every corner on the way to the next panel.  All of this wonderful graphical storytelling simmers underneath another striking example of Paul Renaud's art – the cover illustration for this first issue.

I was merely interested in Star Wars: Thrawn; now I can't wait for the next issue.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: GENERATIONS: Banner Hulk & Totally Awesome Hulk #1

GENERATIONS: BANNER HULK & TOTALLY AWESOME HULK No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Greg Pak
ARTIST: Matteo Buffagni
COLORS: Dono Sanchez-Almara
LETTERS: VC's Cory Petit
COVER: Jorge Molina
VARIANT COVERS: Matteo Buffagni; John Cassaday with Paul Mounts; Greg Horn; Dale Keown with Jason Keith; Francesco Mattina; Alex Ross; Joe Vriens; Mike McKone with Andy Troy
36pp, Color, $4.99 U.S. (October 2017)

Rated T+

Hulk created by Jack Kirby and Stan Lee

“The Strongest”

Generations is a ten-issue anthology, weekly comic book series published by Marvel Comics.  Each issue is written and drawn by a different creative team, and each issue will feature a different team-up of a classic Marvel superhero with his or her modern-day counterpart.  The series is meant to unite the legacy of classic Marvel Comics characters with the next generation of heroes as both move into the future of Marvel Comics storytelling.

The first issue is Generations: Banner Hulk & Totally Awesome Hulk which brings together the classic Hulk who is Bruce Banner and the new Totally Awesome Hulk, who is the genius Amadeus Cho.  This comic book is written by Greg Pak; drawn by Matteo Buffagni; colored by Dono Sanchez-Almara; and lettered by Cory Petit.

Generations: Banner Hulk & Totally Awesome Hulk #1 (“The Strongest”) opens as Amadeus Cho, the Hulk, lands in Death Valley.  He was just in Washington D.C., so why is he here?  It must be to meet that other Hulk, not but several yards from him and fighting a pitched battle against a heavily-armed military unit.  These soldiers are throwing everything at this Hulk, who turns out to be Banner Hulk, but isn't Bruce Banner dead?!

Halfway through Generations: Banner Hulk & Totally Awesome Hulk #1, I thought, “What's the point of this?”  Most of this comic book is one huge battle that occasionally shifts settings or adds a new player.  At some point in the story, the point Greg Pak is trying to make becomes clear.  There may be a new Hulk, but he can't escape the legacy of the original Hulk.

Bruce Banner has a message for Amadeus Cho, something along the lines of “Young blood, you don't know me, and you know the Hulk even less.”  Maybe, Marvel Comics is sticking by its new Totally Awesome Hulk.  [Cue the diversity complaints!]  Still, the classic Hulk's conflicts, motivations, dilemmas, trials and tribulations remain.  Amadeus Cho Hulk has 99 problems and the Hulk is all of them, or, at least, time will tell.

So Generations: Banner Hulk & Totally Awesome Hulk #1 is not a pointless event comic book, cynically meant to separate gullible fans from their money.  The fan can be a reader this time.  This is not a great comic book by any means, but it bridges the past and the future in a way that genuinely speaks to what is unique about our favorite incredible, rampaging, rage monster, the Hulk.

B+
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Leroy Douresseaux on RYDER ON THE STORM #3

RYDER ON THE STORM #3

RADICAL PUBLISHING

 

WRITER: David Hine

ARTIST: Wayne Nichols and Hugo Petrus
COLORS: Feigan Chong and Sansan Saw of Sixth Creation
LETTERS: Richard Starkings and Comicraft’s Jimmy Betancourt
COVER: Francesco “Matt” Mattina
56pp, Color, $4.99 U.S.

Ryder on the Storm is a three-issue comic book miniseries from Radical Publishing. The concept rides several subgenres: supernatural-detective, horror fantasy, and action comic.

Written by David Hine and drawn by Wayne Nichols, the series focuses on Ryder, a private eye hired by a mysterious beauty to investigate the bizarre suicide of her lover. The crime is apparently tied to the Daemons, an ancient race that once ruled over the entire world, but now rules the city from behind the scenes and from beneath the streets.

As Ryder on the Storm #3 begins, the truth about the case that Ryder is investigating, the murder of Michael Hudson, is revealed. The number one suspect is Ryder’s client, Hudson’s lover, Katrina Petruska, and she has a gun pointed at Ryder. But the real action is yet to come. Ryder joins Charles Monk, the last Daemon hunter, in a final showdown with Rebecca Danton, the matriarch of the Dantons, a Daemon clan. Secrets, lies, and family ties are revealed.

Because of its smooth Film-Noir detective story and dark, urban fantasy vibe, Ryder on the Storm shocks with its sudden violent ending. As he did with FVZA: The Federal Vampire and Zombie Agency, writer David Hine delivers grit and edgy horror and slick action side by side. Hine can take a hokey concept and use his dark imagination to transform it into an inventive, engaging comic book.

However, in the praise department, I cannot short artist Wayne Nichols. Nichols is quickly becoming one of the best artists of horror comic books. Nichols visualizes all the aspects of Hine’s script through his art, while making Ryder on the Storm’s gross horror go down smoothly like an extra-creamy milkshake

A-

http://www.radicalpublishing.com/

Leroy Douresseaux on Ryder on the Storm #2

RYDER ON THE STORM #2

RADICAL PUBLISHING

 

WRITER: David Hine

ARTIST: Wayne Nichols
COLORS: Feigan Chong and Sansan Saw of Sixth Creation
LETTERS: Richard Starkings and Comicraft’s Jimmy Betancourt
COVER: Francesco “Matt” Mattina
56pp, Color, $4.99 U.S.

Before you read this review, let me offer this SPOILER ALERT: don’t read this if you have not read #1.

Ryder on the Storm is a supernatural-detective comic book from Radical Publishing. It blends elements and/or styles of Aliens, Blade Runner, Hellblazer, and Jim Butcher’s Harry Dresden.

Written by David Hine and drawn by Wayne Nichols, the series focuses on Ryder, a private eye hired by mysterious beauty Katrina Petruska to investigate the horrifically bizarre suicide of her lover, Michael Hudson. The crime is apparently tied to the Daemons, an ancient race that once ruled over the entire world.

As Ryder on the Storm #2 opens, Ryder is still dealing with the fact that he is a Daemon. The last Daemon hunter, Charles Monk tells him the history of the Daemon (the condensed version, of course). However, there are more secrets galore, as Ryder learns about the “Abaddon” and meets Rebecca Danton, who is not only the matriarch of the Daemon clan, the Dantons, but also so much more.

While I can describe Ryder on the Storm as many things, I can best describe it as good comics. Writer David Hine delivers something that is gritty and edge with gore, but is strangely smooth and silky. Hine weaves a good back story and lore for the narrative, but builds intensity and also anticipation for the horror that is coming.

Perhaps, artist Wayne Nichols is the one who provides the smooth. His clean drawing style and crystal clear storytelling reveals all the darkness Hine creates. The colors by Feigan Chong and Sansan Saw of Sixth Creation create the ambience of a storm quietly building – the calm before the sure-to-be-fun ending.

A-

http://www.radicalpublishing.com/

Leroy Douresseaux on After Dark #2

AFTER DARK #2

RADICAL PUBLISHING
CREATORS: Antoine Fuqua and Wesley Snipes
WRITER: Peter Milligan
ARTIST: Leonardo Manco
PAINTS: Kinsun Loh, Jerry Choo, Sansan Saw
LETTERS: Clayton Cowles
COVER: Francesco “Matt” Mattina
56pp, Color, $4.99

After Dark is a Radical Publishing comic book series created by director Antoine Fuqua (Training Day) and actor Wesley Snipes (Blade). This science fiction series is actually written by Peter Milligan (Hellblazer).

After Dark is set in the future on an Earth that exists in a state of near-perpetual darkness. Civilization is mostly confined to domed cities, with Solar City being the most populated. Some of the populace lives in a drug-addled stupor; others riot either because they have a cause or because they are bored. The rulers of Solar City decide that Angel, a messianic figure who hasn’t been seen in decades, can tame the populace. They enlist Omar, a Bedouin drifter, to guide a rag-tag team composed of specialists and known criminals into the wilds outside the city to find Angel.

After Dark #2 opens in the disastrous aftermath of Omar’s mission to save the ill Trooper Jones. Now, the Bedouin is left in the darkness with Ana, a femme fatale, and the gang brawler, “Monster” Monclare. The trio eventually rejoins the mission and the group resumes the trip to Angel’s last known location, Archipelago City, where they find more than they expected.

This second issue of After Dark is a much better read than the first. For one thing, Peter Milligan does something at which he is immensely good: write character drama for science fiction, fantasy, and horror, and After Dark is a blend of all three. Getting to know these characters makes the story a much better read, and, combined with the interesting plot twists and quirks, the characters make After Dark that much more attractive. As usual, anything drawn by Leonardo Manco is good graphical storytelling, and the paints by the team of Kinsun Loh, Jerry Choo, Sansan Saw bring out Manco’s best artistic traits.

Fans of post-apocalyptic science fiction comic books and Peter Milligan’s work will want to try After Dark.

B+