#IReadsYou Review: ELVIRA IN HORRORLAND #2

ELVIRA IN HORRORLAND VOLUME 1 #2
DYNAMITE ENTERTAINMENT

STORY: David Avallone
ART: Silvia Califano
COLORS: Walter Pereya
LETTERS: Taylor Esposito
EDITOR: Joseph Rybandt
COVER: Dave Acosta and Jason Moore
VARIANT COVER ARTISTS: Dave Acosta and Jason Moore; John Royle; Silvia Califano; photo cover
32pp, Color, $3.99 U.S. (June 2022)

Rated Teen+

Chapter Two: “She's a Kubrick... House”

In 1981, actress and model Cassandra Peterson created the “horror hostess character,” known as “Elvira.”  Elvira gradually grew in popularity and eventually became a brand name.  As Elvira, Peterson endorsed many products and became a pitch-woman, appearing in numerous television commercials throughout the 1980s.

Elvira also appeared in comic books, beginning in 1986 with the short-lived series from DC Comics, Elvira's House of Mystery.  In 2018, Elvira returned to comic books via Dynamite Entertainment.  Elvira's latest comic book series is Elvira in Horrorland Volume 1.  The series is written by David Avallone; drawn by Silvia Califano; colored by Walter Pereyra; and lettered by Taylor Esposito.  The series finds Elvira trapped in the Multiverse of Movies (a bunch of “pocket dimensions” created by the existence of movies) with only the illusive “Remote Control of Federico Fellini” capable of returning her home.

Elvira in Horrorland Volume 1 #2 (“She's a Kubrick... House”) opens in the aftermath of Elvira's (mis)adventures at “Bloch's Motel” and its crazy proprietor and his mother.  Now, it's on to “The Overcooked Hotel” and its temporary manager, Nick Torrents.  Elvira's journey is about to get quite a shining, and she still has to find that remote.

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Elvira in Horrorland Volume 1 #2, one of many Dynamite/David Avallone Elvira comic books that I have read and enjoyed.

This second issue is a spoof of director Stanley Kubrick's 1980 film, The Shining.  Writer David Avallone has quite a bit of fun with Kubrick much discussed film.  In fact, this may be the most fun Avallone has had with a revered director since he held Guillermo del Toro's head under water in Elvira: The Shape of Elvira.  In “She's a Kubrick... House,” Avallone finds endless delight in Kubrick's masterpiece, which I consider one of the darkest films I have ever seen.  But Avallone mines so much humor out of this movie that he has the momentum to potentially turn this issue into a graphic novel.

I think artist Silvia Califano is perfect as Avallone's collaborator here.  Califano's turns Avallone's script and comedy into comic book gold.  I've previously compared Califano art for Elvira in Horrorland to the 1980s work of Howard Chaykin.  Now, I'm approaching the point of bringing up the name of the humor comics maestro, Wallace Wood.

Once again I … redrum, redrum … recommend Elvira in Horrorland, dear readers.  My God!  It's full of humor, indeed.

I READS YOU RECOMMENDS:  Fans of Elvira and of David Avallone's Elvira comic books will want to read Elvira in Horrorland Volume 1.

[This comic book includes “Dynamite Dispatch” June 2022, which features an interview with writer Christopher Priest.]

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

This second issue is reprinted in the hardcover collection, "ELVIRA IN HORRORLAND," which is available at Amazon.

https://twitter.com/DAvallone
https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

#IReadsYou: Review: GEEK-GIRL #1

GEEK-GIRL No. 1 (OF 4)
MARKOSIA ENTERPRISES, LTD. – @Markosia

[This review was originally posted on Patreon.]

STORY: Sam Johnson – @daSamJohnson
ART: Carlos Granda – @ComicFAN
COLORS: Nahp
LETTERS: Paul McLaren
COVER: Carlos Granda with Chunlin Zhao
VARIANT COVER ARTISTS: Matt Olson; John Royle
28pp, Color, $3.99 U.S. (November 2016) - digital edition

Geek-Girl created by Sam Johnson

“Lightning Strikes”

Geek-Girl is a comic book character created by Sam Johnson (The Almighties; Cabra Cini: Voodoo Junkie Hitwoman).  It is the story a of college coed who inadvertently becomes a superhero.  The character is introduced in the 2016-17 digital comics miniseries, Geek-Girl, which is written by Sam Johnson; drawn by Carlos Granda; colored by Nahp; and lettered by Paul McLaren.

Geek-Girl #1 opens at night in the skies over Acorn Ridge, Maine.  Geek-Girl is flying around, talking on her phone to her BFF, Summer.  She may not look like a hero, with her booty-shorts and a crop top that can barely contain her ample bosoms, but Geek-Girl is a super-heroine.

Ruby Kaye was a ordinary student at Acorn Ridge College, but then, she hears fellow college student, Jeff, bragging about “super glasses” that give the wearer “super-powers.”  Ruby decides she has to try them on, and before you know it, she is a super-hero.  When she sees a costumed baddie brutally beat-up Maine's resident super-heroine, “Neon Girl,” Ruby finds herself suddenly thrust into being a real superhero, “Geek-Girl.”

Sam Johnson sent me a digital review copy of Geek-Girl #1 some time ago, and I was recently reminded of its existence because the latest Geek-Girl miniseries is set to debut as a digital comic book available through ComiXilogy.  I did peruse the PDF after I first downloaded it, and I was impressed by Carlos Granda, the artist on the series.

Granda's compositions are strong, and he is close to being ready to draw comic books for Marvel and DC Comics (if he has not already).  The lettering by Paul McLaren is professional level, and Nahp's coloring is a little to incandescent, but some of the color effects look good.

Sam Johnson's story is a bit odd.  Ruby Kaye wants to be just-another-girl and a superhero at the same time, but seems socially awkward.  The enjoyable part of the story is watching Ruby work around her conflicts and contradictions, and there is good dramatic potential in the fact that she is blissfully naive about the fact that she is over her head and out of her league.  In Geek-Girl #1, Johnson shows that he has the ability to deliver indie superhero comics that are not only good, but also have the possibility of getting better with each new episode.

7 out of 10

www.geekgirlcomics.com
https://www.comixology.com/

Geek-Girl #1's (2016) ComiXology page: https://www.comixology.com/Geek-Girl-1/digital-comic/434944?ref=c2VyaWVzL3ZpZXcvZGVza3RvcC9ncmlkTGlzdC9Jc3N1ZXM

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The first GEEK-GIRL trade paperback, "GEEK-GIRL: LIGHTNING STRIKES!, is available at Amazon.

The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).

I Reads You Review: DANGER GIRL: Mayday #2

DANGER GIRL: MAYDAY #2
IDW PUBLISHING – @IDWPublishing

WRITER:  Andy Hartnell
PENCILS: John Royle
INKS: Eeshwar
COLORS: Romulo Fajardo
LETTERS: Neil Uyetake
EDITOR: Scott Dunbier
COVER: John Royle and Eeshwar with Romulo Fajardo
VARIANT COVERS: John Royle and Eeshwar with Romulo Fajardo (subscription cover)
28pp, Color, $3.99 U.S. (May 2014)

I loudly declared my return to reading Danger Girl comics with my review of the first issue of Danger Girl: Mayday.  Written by Andy Hartnell and drawn by John Royle, it is the latest entry in the comic book series created by artist J. Scott Campbell and Hartnell back in the 1990s.

Mayday focuses on one of the original Danger Girl stars, Natalia Kassle, revealed to be a traitor in the Danger Girl organization.  In the first issue of Danger Girl: Mayday, a team of rogue brigands finds an unconscious Kassle during a battle on Hammer Island.

Danger Girl: Mayday #2 opens in the Kingdom of Bhutan in South Asia.  There, Kassle lives among a group of women, a sisterhood, as she gradually regains her physical fitness.  Recovering her memories remains a problem.  However, she has a new ally, April Mayday, who seems to know quite a bit about Natalie and is determined to make her the most dangerous woman in the world… again.

As soon as I saw Danger Girl: Mayday #2 on the new release shelf of my “local” comic book shop, I grabbed it.  I wanted to see if I would like it as much as I liked the first issue.  I do.  I’m intrigued and want to know what is the big mystery, hiding behind Natalie’s return and those who want to control her.

Yeah, thus far, this comic book is pretty inconsequential and lacking in substance.  Comics should be good, of course, but comics should also be fun, and Danger Girl: Mayday is more of the latter than it is of the former – but it is, in a way, both.  John Royle’s art is a joy to behold, and I found myself flipping through the book several times just to look at the art.  I plan on finding the third issue of Danger Girl: Mayday.

B+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: DANGER GIRL: Mayday #1

DANGER GIRL: MAYDAY #1
IDW PUBLISHING – @IDWPublishing

WRITER:  Andy Hartnell
PENCILS: John Royle
INKS: Jose Marzan, Jr.
COLORS: Romulo Fajardo
LETTERS: Neil Uyetake
EDITOR: Scott Dunbier
COVER: John Royle and Jose Marzan, Jr. with Romulo Fajardo
VARIANT COVERS: John Royle and Jose Marzan, Jr. with Romulo Fajardo (subscription cover); Jamie Tyndall with Ula Mos (Yesteryear Comics exclusive cover); Jamie Tyndall (Yesteryear Comics exclusive cover); “No art” (Yesteryear Comics exclusive cover)
28pp, Color, $3.99 U.S. (April 2014)

I was not a fan of fan-favorite comic book artist, J. Scott Campbell (who once went by the name Jeffrey Scott), early in his career.  I thought his art was a poor imitation of Art Adams’ style and an even worse impersonation of Jim Lee’s art.  However, I became a fan of Campbell’s work over the course of his run on Image and Wildstorm Production’s Gen13 comic book series.

So when it was first announced all those years ago, I was thrilled by the news of Campbell’s first creator-owned series, Danger Girl, as part of the launch of Cliffhanger, a sort of “young guns” imprint from Wildstorm.  After the release of a preview comic, Danger Girl #1 (March 1998) introduced a group of female secret agents whose adventures were a mixture of Indiana Jones and James Bond.  In fact, Danger Girl’s young female stars were like Bond Girls, except that the girls were the ones getting to be James Bond in action.

I liked Danger Girl.  It was a comic book version of a big-budget, Hollywood action comedy – Lethal Weapon meets Charlie’s Angels.  However, I grew frustrated that Campbell, along with writer Andy Hartnell and inker Alex Garner, only produced seven issues of Danger Girl over a four-year period.  [If you want to give them credit for 10 issues because two of the seven issues were double-sized and because of the preview comic book, you can certainly do that.].

Scott Dunbier, the Wildstorm editor of the original series, has guided Danger Girl back to life in recent years through a series of miniseries.  I was visiting a “local” comic book shop when I spotted the first issue of the latest mini, Danger Girl: Mayday.  I would have ignored it, as I have been ignoring Danger Girl comic books for a decade, but that spectacular first-issue cover by John Royle (pencils), Jose Marzan, Jr. (inks), and Romulo Fajardo (colors) caught my eye.

If there is such a thing as classic Danger Girl art, Danger Girl: Mayday #1 has it.  Royle and Marzan recall the original Danger Girl art team of J. Scott Campbell (pencils) and Alex Garner (inks).  In fact, I think Royle and Marzan are doing better J. Scott Campbell than Campbell himself.  Royle has certainly mastered the Campbell good-girl art thing:  curvy hips, shapely breateses; and booty that recalls Vivica Fox’s stripper pole ass in Independence Day.  Gimme more.  Royle and Marzan, however, are not merely copying; the drawing and storytelling is polished, professional, and some of the year’s best art.

Oh, the story, you ask.  It involves Danger Girl traitor-ho, Natalia Kassle, if I’m correct.  But I’ll figure that out later, maybe by the second issue.  For now, I want to enjoy the art of Danger Girl: Mayday.

A-

Reviewed by Leroy Douresseaux

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.