Showing posts with label Pasqual Ferry. Show all posts
Showing posts with label Pasqual Ferry. Show all posts

Tuesday, March 17, 2020

#IReadsYou Review: CHRONONAUTS: Futureshock #1

CHRONONAUTS: FUTURESHOCK No. 1 (OF 4)
IMAGE COMICS – @ImageComics

[This review was originally published on Patreon.]

WRITER: Mark Millar – @mrmarkmillar
ARTIST: Eric Canete
COLORS: Giovanna Niro
LETTERS: Peter Doherty with Melina Mikulic
EDITOR: Rachel Fulton
COVER: Pasqual Ferry with Dave McCaig
VARIANT COVERS: Travis Charest; Eric Canete with Giovanna Niro; Kevin Nowlan; Rey Macutay with Walter Pezzali
28pp, Color, $3.99 U.S. (October 2019)

Chrononauts created by Mark Millar and Sean Gordon Murphy

Rated M / Mature

Chrononauts: Futureshock is a four-issue, comic book miniseries written by Mark Millar (Kick-Ass) and drawn by Eric Canete.  All four issues were simultaneously published on October 30, 2019.  Colorist Giovanna Niro and letterers Peter Doherty and Melina Mikulic complete Futureshock's creative team.

Chrononauts: Futureshock is the sequel to the four-issue miniseries, Chrononauts, which was created by Millar and artist Sean Gordon Murphy.  Published in 2015, the first series focused on the world's first time travelers, Dr. Corbin Quinn and Dr. Danny Reilly, and the problems they encounter or create while time-traveling.

Chrononauts: Furtureshock #1 opens in the present day and finds Quinn and Reilly ready to take the next big step in the advancement of time-traveling.  They want to finally travel forward in the time-stream, after making six missions into the past.  The duo has a new vehicle, the “Time-Hawk,” which is built to resemble a giant electric guitar, and they also have special new “chrono-suits.”  There is, however, a specific reason why Quinn and Reilly have thus far failed to travel into the future.  Until one of them discovers that reason, they will always be going backwards.

Like much of Mark Millar's creator-owned comics outside of Marvel Comics, Chrononauts was the usual, glossy, high-concept piece featuring characters that know a lot, but don't realize how much they don't know.  An action-comedy, Chrononauts was a four-issue romp through time that was quite entertaining to read.  I recently read the entire series and found myself quickly reading through the entire thing in less than a day (in between work and assorted tasks).

Chrononauts: Furtureshock #1 suggests more fun in the same vein.  Nearly four and a half years after the release of the original, Millar's story for Chrononauts: Furtureshock seems to pick up right where the first left off.  Furtureshock's artist, Eric Canete, has a graphic style that is close to Sean Gordon Murphy's drawing style, so the change in artists is not jarring.  Canete is a little flashier and more dramatic both in his composition and in his graphic design of the page and within individual panels than Murphy.  It is now, however, a case of one artist being better than the other.  They are simply similar in some ways and different in others.

The coloring by Giovanna Niro is fiery and flashy and that makes the story edgy and gives it a jolt of energy that picks up the pace.  There are pages in which the coloring even mimics the camera flare effect.  The lettering by Peter Doherty, with an assist from Melina Mikulic, keeps punching the story into action every time it seems as if the narrative is going to be quiet.

I won't call Chrononauts: Furtureshock #1 a great comic book, but it is hugely entertaining.  Since I was too clueless to figure out that Image Comic released all four issues simultaneously, I don't have issues two, three, and four.  I will get them, though; the end of the first issue offers the kind of cliffhanger that makes readers want to come back for more.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.


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Friday, March 9, 2018

Review: ELEKTRA #1

ELEKTRA No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Matt Owens
ART: Juann Cabal
COLORS: Antonio Fabela and Marcio Menyz
LETTERS: VC's Cory Petit
COVER: Elizabeth Torque
VARIANT COVERS: Marco Checchetto; Pasqual Ferry with Chris Sotomayor; Bill Sienkiewicz; Skottie Young
28pp, Color, $3.99 U.S. (April 2017)

Rated T+

Elektra created by Frank Miller

“Always Bet on Red: Part 1”

Elektra (full name Elektra Natchios) is a Marvel Comics character.  Created by Frank Miller, Elektra first appeared in Daredevil #168 (cover dated:  January 1981).  She is a highly trained assassin and anti-hero who wields a pair of bladed sai, which are her trademark weapons.

The best Elektra stories are those written by Miller, which culminated in the death of Elektra in Daredevil #181 (cover dated:  April 1982).  Miller resurrected his most famous original character-creation in Daredevil #190 (cover dated:  January 1983) and also used the character in the long-in-gestation original graphic novel, Elektra Lives Again, which was finally published in 1990.

Frank Miller has long claimed that Marvel Comics promised not to use the character without his permission.  Beginning in 1994, however, Elektra began to make appearances in comic books not written by Miller, including starring in her own miniseries and ongoing series.  The latest is the ongoing comic book, Elektra.  It is written Matt Owens; drawn by Juann Cabal, colored by Antonio Febela and Marcio Menyz; and lettered by Cory Petit.

Elektra #1 finds the titular assassin in Las Vegas, staying at the Midway Casino.  This casino and hotel is secretly a place of debauchery and violence, if you can pay for it.  Elektra is ready to shed some blood of her own, but even she does not know the secret at the heart of this evil.

The art – compositions by Juann Cabal and colors by Antonio Fabela and Marcio Menyz – is quite pretty.  Cabal's precision pencil work – with its Frank Quitely quality – turns out to be perfect, at least for Matt Owen's take on Elektra.  Speaking of Owens, well, I can't hate on him.  I am actually intrigued by this first issue.  I hope the second issue hasn't sold out already.  I want to give this another try.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint or syndication rights and fees.

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Saturday, December 2, 2017

Review: MOSAIC #1

MOSAIC No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Geoffrey Thorne
ARTIST: Khary Randolph
COLORS: Emilio Lopez
LETTERS: VC's Joe Sabino
COVER: Stuart Immonen
VARIANT COVERS: John Tyler Christopher; Marco D'Alfonso; Mike Deodato with Frank Martin; Khary Randolph; Pasqual Ferry with Frank D'Armata
36pp, Color, $4.99 U.S. (December 2016)

Rated T+

Episode One: “Mood Indigo”

Out of Civil War II.  Part of Marvel Comics' initiative “NOW!”  Here, comes Marvel's newest Black superhero, Mosaic, and he is the star of his own comic book, entitled Mosaic, of course.  It is written by Geoffrey Thorne; drawn by Khary Randolph; colored by Emilio Lopez; and lettered by Joe Sabino.

Mosaic #1 (“Mood Indigo”) introduces Morris Sackett, maybe the best professional basketball player in the world.  He has led the New York Stride to five championships in five seasons.  As far as Morris is concerned, he is the sole reason that the Stride has won five titles.  However, exposure to Terrigen mists changes Morris in ways that are shocking.  One of the newest Inhumans is about to lose his physical form while inheriting many more.

According to what I have read, writer Geoffrey Thorne and artist Khary Randolph want to explode stereotypes for Black superheroes when it comes to Morris Sackett a.k.a. Mosaic.  I don't know what those stereotypes are.  Even with the relatively small number of Black superheroes in both the Marvel and DC Comics universes, characters are unique and mostly fully formed.  Black Panther is not like Storm is not like Luke Cage/Power Man, and I never thought that Cyborg was like Black Lightning.

The stereotype of Black superheroes is that they are stereotypical.  They are not all noble Negroes in the tradition of Civil Rights activists, nor are they sullen anti-heroes out to get the system.  Under the guiding hand of comics most skilled writers, there have been some really good Black Panther and Blade comic books – to name a few of a few.  The reality (not stereotype) is that many Black superheroes have been featured in comic books in which the writers have those assignments because they are someone's friend more so than because they are good storytellers.  Black superheroes have not been stereotypes; they simply have been in badly written (and sometimes poorly drawn) comic books.

Mosaic #1 suggests that Thorne is a good writer, although his “street lingo” leaves something to be desired.  I give most of the credit for the success of Mosaic #1 to artist Khary Randolph.  This first issue has a lively visual and graphical style that mimics the energy and movement of animated films.  Randolph's art is both stylish and earthy, giving Mosaic a vibe that is different from just about everything else Marvel is publishing.

I'm ready for more and recommend this title.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Tuesday, March 24, 2015

Marvel Comics from Diamond Distributors for March 25, 2015

MARVEL COMICS

JAN150852     ALL NEW GHOST RIDER #12     $3.99
DEC140986     ALL NEW X-FACTOR TP VOL 03 AXIS     $24.99
DEC140973     AMAZING SPIDER-MAN EPIC COLLECTION TP ROUND ROBIN     $34.99
JAN150875     AMAZING X-MEN #18     $3.99
JAN150766     BIG THUNDER MOUNTAIN RAILROAD #1     $3.99
JAN150767     BIG THUNDER MOUNTAIN RAILROAD #1 CROSBY CONNECTING A     $3.99
JAN150855     DAREDEVIL #14     $3.99
JAN150805     DARK TOWER DRAWING THREE HOUSE CARDS #1 (MR)     $3.99
JAN150740     DARTH VADER #3     $3.99
JAN150874     DEADPOOL #44     $3.99
JAN150841     DEATHLOK #6     $3.99
DEC148649     EDGE OF SPIDER-VERSE #2 5TH PTG RODRIGUEZ VAR     $3.99
DEC140920     ELEKTRA #11     $3.99
JAN150796     GUARDIANS 3000 #6     $3.99
DEC148650     GUARDIANS OF GALAXY #24 SCHITI 2ND PTG VAR BV     $3.99
JAN150752     GUARDIANS OF GALAXY #25 BV     $4.99
DEC140950     HAWKEYE TP AVENGING ARCHER     $34.99
DEC140978     HULK TP VOL 02 OMEGA HULK BOOK 01     $19.99
JAN150828     INHUMAN #13     $3.99
DEC140984     INHUMAN TP VOL 02 AXIS     $15.99
DEC140983     IRON FIST TP RETURN OF K UN LUN     $34.99
JAN150758     LEGENDARY STAR LORD #10 BV     $3.99
DEC148658     LEGENDARY STAR LORD #9 MEDINA 2ND PTG VAR     $3.99
JAN150793     MARVEL UNIVERSE ULT SPIDER-MAN WEB WARRIORS #5     $2.99
DEC140991     MU ULT SPIDER-MAN WEB WARRIORS DIGEST TP VOL 01     $9.99
JAN150814     NEW AVENGERS #32 TRO     $3.99
JAN150878     NIGHTCRAWLER #12     $3.99
JAN150756     NOVA #28 BV     $3.99
NOV140855     POWERS #2 (MR)     $3.99
DEC140990     RUNAWAYS COMPLETE COLLECTION TP VOL 03     $39.99
JAN150819     SECRET AVENGERS #14     $3.99
DEC140953     SECRET AVENGERS TP VOL 02 LABYRINTH     $12.99
DEC140985     SHE-HULK TP VOL 02 DISORDERLY CONDUCT     $15.99
DEC148640     SHIELD #2 TEDESCO 2ND PTG VAR     $3.99
DEC148651     SILK #1 JOHNSON 2ND PTG VAR     $3.99
DEC148641     SPIDER-WOMAN #2 LAND 3RD PTG VAR SV     $3.99
DEC148642     SPIDER-WOMAN #3 LAND 2ND PTG VAR SV     $3.99
JAN150807     THANOS VS HULK #4     $3.99
DEC140928     UNCANNY X-MEN #32     $3.99
DEC140961     UNCANNY X-MEN PREM HC VOL 05 OMEGA MUTANT     $24.99
DEC140989     WOLVERINE ORIGIN II TP     $19.99
JAN150869     WOLVERINES #12     $3.99

Wednesday, January 14, 2015

I Reads You Review: SPIDER-MAN & THE X-MEN #1

SPIDER-MAN & THE X-MEN #1
MARVEL COMICS – @Marvel

WRITER: Elliot Kalan
ART: Marco Failla
COLORS: Ian Herring
LETTERS: VC's Clayton Cowles
COVER: Nick Bradshaw with Ian Herring
VARIANT COVERS: Skottie Young; Pasqual Ferry
28pp, Color, $3.99 U.S. (February 2015)

Rated T+

Spider-Man created by Stan Lee and Steve Ditko; X-Men created by Stan Lee and Jack Kirby

The recent death of Wolverine/Logan meant an end to the comic book series, Wolverine and the X-Men.  In its place, Marvel Comics launched Spider-Man & the X-Men.  This new series is written by Elliot Kalan, drawn by Marco Failla, colored by Ian Herring, and lettered by Clayton Cowles.

Spider-Man & the X-Men #1 opens with Spider-Man's arrival at the X-Men's Jean Grey School as a “Special Class Guidance Counselor.”  He is not exactly welcomed by the X-Men, nor is he telling the truth about why he wants to be at the school.  Spider-Man is not at the school so much to teach, as he is there, at Wolverine's behest, to find a mole at the school.  Logan did not know the mole's identity, so he didn't know for whom that mole was working.  Spider-Man tries to be at least as good as a substitute teacher, but his role is tested on his class' first field trip.

Spider-Man & the X-Men reminds me of the old NBC Saturday morning animated series, “Spider-Man and His Amazing Friends” (1981 to 1983).  The difference is that this comic book has more amazing mutant friends, and they aren't so friendly to Spider-Man.  I don't know why “T+” is the rating for this comic book; unless there is something shocking coming in later issues.  Spider-Man & the X-Men #1 seems like a kid's comic book, even if it might not qualify for an “all-ages” rating.

Also, Nick Bradshaw (art) and Ian Herring's (colors) cover art for Spider-Man & the X-Men #1 is fabulous.  It is a great first issue cover and perfectly suggests both the tone and story of this particular first issue.  However, the cover art made me think that Bradshaw's art would be the graphic style for the interior art, and it was not.  Series artist Marco Failla is competent, but his mange-influenced style seems like it would have been a better fit a decade ago, when Marvel was trying to do the manga thing.

Remember that short-lived New Mutants series that was launched as part of Marvel's Tsunami initiative?  Spider-Man & the X-Men is that comic book reborn – a Tsunami reboot of Wolverine and the X-Men.

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Wednesday, October 1, 2014

I Reads You Review: DEATH OF WOLVERINE #1

DEATH OF WOLVERINE #1 (OF 4)
MARVEL COMICS – @Marvel

WRITER:  Charles Soule
PENCILS:  Steve McNiven
INKS:  Jay Leisten
COLORS:  Justin Ponsor
LETTERS: Chris Eliopoulos
COVER:  Steve McNiven and Jay Leisten with Justin Ponsor
56pp, Color, $4.99 U.S. (November 2014)

Rated T+

Part One: “The End”

Marvel Comics is killing Wolverine.  How long will he remain dead?  I guess that is not really the point.  I'm just supposed to enjoy the event miniseries in which Wolverine dies.  Entitled Death of Wolverine, it is written by Charles Soule, pencilled by Steve McNiven, inked by Jay Leisten, colored by Justin Ponsor, and lettered by Chris Eliopoulos.

Death of Wolverine #1 (“The End”) opens in the backwoods of British Columbia; the time is now.  Logan/Wolverine is dying because he has lost his healing factor.  Now, he cannot heal supernaturally fast after being injured in his frequent battles, fights, duels, etc., so it has taken a toll on his body.  Mr. Fantastic (Reed Richards of the Fantastic Four, of course) has told Logan that he can find a way to reactivate his healing factor, but it will take time.

Logan does not have that time.  People are coming after Wolverine to kill him.  In fact, here come some guys now.

I wanted to be cynical.  Killing Wolverine?  Ha!  He'll be back real soon.  Still, one look at that card stock cover for Death of Wolverine #1, with its snazzy graphic design and beautiful (of course) Steve McNiven art, and I was sold on this miniseries.  The story, by the impressive Charles Soule, is downbeat and downright depressing.  The wonderfully detailed line work and texture by McNiven, the precise and artful inking by Leisten, and the glorious hues of colorist Justice Ponsor make the story even more heartbreaking.  There is a real sense of finality to this tale... thus far.

Hey, the extras are cool!  I love the generous helping of McNiven sketchbook material.  Len Wein uses his interview to give props to the late Dave Cockrum.  Gotta love that.  Yeah... I didn't think that I would end up looking forward to the Death of Wolverine miniseries, but I am, even as I (surprisingly) dread the death of Wolverine.

A-

Death of Wolverine includes bonus material:
  • sketches and other preliminary art for the series by Steve McNiven
  • commentary by McNiven
  • an interview with Wolverine co-creator Len Wein that includes art from The Incredible Hulk #181 (Wolverine's first full appearance)
  • Death of Wolverine #1 – Director's Cut, which includes pages from the script for issue #1 with pencil, ink, and color versions of art from the first issue
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Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Monday, October 15, 2012

Albert Avilla Reviews: Red Hood and the Outlaws #0

Red Hood and the Outlaws #0
DC Comics

Reviewed by Albert Avilla

Writer: Scott Lobdell
Artists: Pasqual Ferry, Ig Guara, Brett Booth

The Joker's Robin? The origin of Jason Todd as Robin. Lobdell is one of the best storytellers in comics. Poor, old Jason is raised by a hoodlum dad and a drug addict mom. Dad dies in prison, and mom overdoses. Jason does what he has to in order to survive. Batman takes him in, and he becomes Robin. He is a tough, gritty, brutal Robin.

Finds his mother in the Middle East, but this is a set up by the Joker. Jason goes in half-cocked; gets himself killed. Jason is resurrected by Talia al Ghul. This is a better resurrection than the previous one. Good job New 52. Then we get the old satellite dropped on our heads; The Joker shows up at the end of the story to tell us that Jason's rise to become was orchestrated by him.

This shocker made me respect Scott Lobdell just a little more. Another way to intertwine the characters of the Red Hood and the Joker. Lobdell is a masterful storyteller and I have been enjoying his work. I look forward to what he'll be doing with these characters and their rich backgrounds. We'll keep our fingers crossed, and possibly the team will expand its membership.

The only thing that I need to say about the art is look at Starfire on the cover.

I rate Red Hood and the Outlaws #0 Buy Your Own Copy.

Monday, August 6, 2012

I Reads You Review: HAWKEYE #1

"Hawkeye: Year One?"
HAWKEYE #1
MARVEL COMICS

WRITER: Matt Fraction
ARTIST: David Aja
COLORS: Matt Hollingsworth
LETTERS: Chris Eliopoulos
COVER: David Aja with Matt Hollingsworth; variant cover by Adi Granov; Pasqual Ferry with Matt Hollingsworth
28pp, Color, $2.99 U.S.

Hawkeye is a Marvel Comics superhero character and the Marvel Universe’s most prominent archer, marksman, and sharpshooter. Created by Stan Lee and Don Heck, Hawkeye, whose civilian identity is Clint Barton, first appeared in Tales of Suspense #57 (September 1964 cover date). He first appeared as a member of the Avengers in Avengers #16 (May 1965 issue).

Marvel’s The Avengers movie is a shocking worldwide box office success. With the appearance in the film of a spiffy-looking Hawkeye, it was a no-brainer that Marvel Comics would try out the character in his own new comic book series. Hawkeye (2012) is written by Matt Fraction, drawn by David Aja, and colored by Matt Hollingsworth.

Hawkeye #1 opens in New York City and finds Hawkeye/Clint Barton having some serious health issues. After healing, Clint returns to his apartment in Bedford-Stuyvesant (Bed-Stuy), where he finds the real trouble. His Russian landlord is bringing pressure on Clint and the other tenants. When Clint tries to save the day and to make a deal with these Russian heavies, things get bad – for our Avenger and a cute dog.

If Hawkeye #1 seems familiar, it’s the highly-stylized riff on Frank Miller and David Mazzuchelli’s Batman: Year One that plucked your memory. Hawkeye even comes across as being similar to Bullseye from Miller’s famous run on Marvel’s Daredevil comic book series in the early 1980s. That aside, this first issue of Hawkeye is more a Clint Barton story than a Hawkeye comic book, and that’s fine. I like how Fraction depicts Barton as a sort of laconic everyman who only turns on the extra-powers when he has to do so. Here, he does it just to balance the scales for the little guys and gals. Notice, I said, extra-powers, in this story, Clint doesn’t come across as a superhero.

As for Aja’s art, which is a scratchy imitation of Mazzuchelli on Batman: Year One, it’s nice, but not great. The storytelling is good; by drawing so many small panels, Aja creates a pace and rhythm that serves this story quite well. The only problem is that Fraction’s script is non-linear, jumping back and forth as if Fraction were trying to write a Quentin Tarantino movie. Thus, just as Aja’s graphical storytelling is moving briskly on a particular sequence, it moves to another set piece, which is jarring, especially when the previous sequence was going so well.

Still, I like this enough to read future issues. It’s both different and entertaining enough to warrant more attention.

B+