#IReadsYou Review: SINS OF THE SALTON SEA #1

SINS OF THE SALTON SEA #1 (OF 5)

AWA STUDIOS

STORY: Ed Brisson

ART: C.P. Smith

COLORS: C.P. Smith

LETTERS: Hassan Otsmane-Elhaou

COVER: Tim Bradstreet

VARIANT COVER ARTISTS: Mike Deodato, Jr. with Lee Loughridge; Chris Ferguson; Mike Deodato, Jr.

32pp, Color, $3.99 U.S. (June 2023)

Rated: “Mature”

Sins of the Salton Sea is a new five-issue comic book miniseries from writer Ed Brisson and artist C.P. Smith.  Published by AWA Studios, the series focuses on a professional thief who finds himself with lives on his hand rather than the money promised in his hand.  Letterer Steve Wands completes the series creative team.

Sins of the Salton Sea #1 opens somewhere out in the American West.  It introduces Wyatt, a professional thief living off the grid.  What he doesn't know is that his brother, Jasper, has been keeping tabs on him, and now, he has come asking for help.  Jasper has allegedly scored information on one of those proverbial “last big scores.”  If Jasper and his team can pull this off, everyone will be set for a long time, maybe even life.

Problem is that Jasper needs a fifth member of his team, and that would be Wyatt, an explosives expert.  Wyatt reluctantly agrees, and he is right to be cautious.  This heist is not anything like what Jasper and his team expects.

THE LOWDOWN:  AWA Studios marketing recently began providing me with PDF review copies of their comic book publications.  Sins of the Salton Sea #1 is the latest.

I don't have a lot to say about Sins of the Salton Sea #1, but it is a damn good read.  Writer Ed Brisson offers a tale that when it blows up in the reader's face – and it does – it leaves everything changed and the direction of the story totally different from what the reader expected.

Meanwhile, artist-colorist, C.P. Smith, depicts the West in true grand fashion with a clean compositional style and panels that feel wide and cinematic.  Smith's colors, however, give the story a deeply intimate feel.  Not only the drama, but also the action scenes bring the readers up close and personal.  I felt like I was there and in trouble with everyone else.

I highly recommend Sins of the Salton Sea #1.  It promises a lot for the rest of this series.

I READS YOU RECOMMENDS:  Fans of action thrillers and conspiracies will want to try Sins of the Salton Sea.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can buy the SINS OF THE SALTON SEA trade paperback at Amazon.

AWA Website: https://awastudios.net/

AWA Instagram: https://www.instagram.com/awastudiosofficial/

AWA Twitter: https://twitter.com/AWA_Studios

AWA Facebook: https://www.facebook.com/awastudiosofficial

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: LUKE CAGE #1

LUKE CAGE No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: David Walker
ARTIST: Nelson Blake II
COLORS: Marcio Menyz
LETTERS: VC's Joe Sabino
COVER: Rahzzah
VARIANT COVERS: Mike Deodato, Jr. with Frank Martin; Andre Leroy Davis; Tim Bradstreet; Neal Adams with Dave McCaig
28pp, Color, $3.99 U.S. (July 2017)

Rated T+

Luck Cage created by Archie Goodwin and John Romita, Sr.

Luke Cage, also known as “Power Man,” is a Marvel Comics superhero.  Cage was created by writer Archie Goodwin and artist John Romita, Sr., and first appeared in Luke Cage, Hero for Hire #1 (cover dated: June 1972).  Cage was imprisoned for a crime he did not commit, but he eventually gained superpowers in the form of durability, unbreakable skin, and superhuman strength.

As Power Man, Cage has been most associated with another superhero, his partner, Iron Fist (Daniel “Danny” Rand), and the duo was featured in the long-running Power Man & Iron Fist comic book series in the 1980s (with a new version being launched last year).  Cage is now also featured in a new solo comic book, Luke Cage.  It is written by David Walker; drawn by Nelson Blake II; colored by Marcio Menyz; and lettered by Joe Sabino.

Luke Cage #1 opens with our titular hero rescuing a very stupid young woman from a really gullible criminal.  Then, Luke gets some awful news.  Dr. Noah Burnstein, the man responsible for giving Luke his powers, has committed suicide, so he travels to New Orleans for Burnstein's funeral.  There, he meets Burnstein's colleague, the sexy Dr. Lenore Mornay, who tells Luke that there is more to Burnstein's death and to his scientific experiments than he may realize.

After the fun of Genndy Tartakovsky's recent four-issue miniseries, Cage!, the darker Luke Cage is a nice follow-up.  The mood is sinister in this comic book, and the threats of adversaries seem to surround the narrative.  Once again, David Walker shows his chops when it comes to writing dark, moody, but intense comic books featuring African-American characters.

Artist Nelson Blake II and colorist Marcio Menyz produced art that is too clean and brightly colored for what promises to be an edgy series.  This is not low quality storytelling by any means, but it does not work for David Walker's storytelling.  We'll see what the second issue looks like.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: ROCKET #1

ROCKET No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Al Ewing
ARTIST: Adam Gorham
COLORS: Michael Garland
LETTERS: Jeff Eckleberry
COVER: Mike Mayhew
VARIANT COVERS: Tim Bradstreet; Joe Jusko; David Mack
28pp, Color, $3.99 (July 2017)

Rocket Raccoon created by Bill Mantlo and Keith Giffen

Rated T+

“The Blue River Score” Part 1: “The Damsel”

Rocket Raccoon is a Marvel Comics space-based character created by writer Bill Mantlo and artist Keith Giffen.  The character first appeared in Marvel Preview #7 (cover dated:  Summer 1976), and received a snazzy makeover in 2008, courtesy of writers Dan Abnett and Andy Lanning.  Rocket Raccoon, or simply “Rocket” is verbose, proactive, and doesn't mind zapping a ray blast in sentient ass.

Rocket Raccoon is the star of his third comic book series, entitled Rocket.  It is written by Al Ewing; drawn by Adam Gorham; colored by Michael Garland; and lettered by Jeff Eckleberry.

Rocket #1 (“The Damsel”) finds Rocket drowning his sorrows at a bar on Digriz.  Suddenly, in walks Otta Spice, the former female-in-his-life.  She left him, but now, she is back because she needs him.  He does not want to help her, but he will – even if it is mission impossible.

Back in 2014, when I read Rocket Raccoon #1 by Skottie Young, I did not like the first 11 pages.  However, the second half of that comic book was a blast.  I was hoping for something like that with Rocket #1, but it didn't happen.  Rocket #1 is a poor comic book.

Marvel Comics currently has a #1 issue problem, and has for the last few years.  There are too many of them, especially when it comes to Guardians of the Galaxy.  I know that Marvel is merely trying to tap into the sales potential of a hot media property, following the success of the 2014 film, Guardians of the Galaxy, but the number of new titles related to this property seems like early 1990s Marvel overkill.  Rocket #1 is an example of a comic book that is either not ready for release or simply should not be published.  Rocket #1 is only a little better than recent Marvel #1 issues for Kingpin and Bullseye, which were crummy comics.

I like Mike Mayhew's cover art, and Adam Gorham's interior art is just right... for a better humor comic book than Rocket.

C-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

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Review: BULLSEYE #1

BULLSEYE No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITERS: Ed Brisson; Marv Wolfman
ART: Guillermo Sanna; Alec Morgan
COLORS: Miroslav Mrva; Frank Martin
LETTERS: VC's Clayton Cowles
COVER: Dave Johnson
VARIANT COVERS: Tim Bradstreet; Marco Checchetto; John Tyler Christopher; Bill Sienkiewicz; Chris Stevens; Skottie Young
36pp, Color, $4.99 U.S. (April 2017)

Parental Advisory

“The Colombian Connection” Part 1

Bullseye is a Marvel Comics supervillain.  The character was created by writer Marv Wolfman and artist John Romita, Sr. and first appeared in Daredevil #131 (cover dated: March 1976).  Bullseye is an assassin and he is best known for his personal vendetta against the superhero Daredevil.  Bullseye does not have super-powers but he can turn almost any object into a lethal weapon.

Bullseye is the new comic book miniseries starring this popular villain.  It is written by Ed Brisson; drawn by Guillermo Sanna; colored by Miroslav Mrva; and lettered by Clayton Cowles.

Bullseye #1 opens to find the titular villain/anti-hero active again after being alive, dead, and imprisoned again and again.  Now, he is at the Houghton Residence in Long Island, New York fulfilling an assassination contract.  But, man!  Bullseye is hoping that his next assignment yields both a high body count and buckets of blood.  Desperate gangster Raph Losani may offer that, but a desperate widow just wants to count one body.

Recently, I reviewed the first issue of Kingpin, another comic book seemingly spun out of the world of Marvel Comics' Daredevil.  I was harsh in my review, but not because I thought the writer (Matthew Rosenberg) and the artist (Ben Torres) lacked talent (Rosenberg) or potential (Torres).  The problem is the fact that these two delivered substandard work and the fact that Marvel Comics would consider such unprofessional material worth publishing and charging readers $3.99 to read.

Bullseye #1 suffers from the same problem of a lack of professionalism.  The story and script that Ed Brisson offers is just lazy hackwork that mimics better storytelling.  The casual depiction of Bullseye's murderous rampages is not imaginative or smart, but it is unimaginative and stupid.  Frank Miller did not create Bullseye, but during his 1980s run on Daredevil, he certainly defined the character, making him the kind of dangerous and alluring villain that becomes timeless.  Here, Bullseye's violence seems as if Brisson took the clever violence of Mark Millar's comic books and turned that into filler material because Brisson could not think of anything else to do with it.

I think artist Guillerma Sanna has a lot of potential, but in Bullseye #1 he draws as if he should still be toiling in the world of micro press black and white comic books.  Everything here looks as if Sanna is simply mimicking (badly) other artists' (good) work; Chris Samnee and Eduardo Risso, come to mind.

There is a backup story by writer Marv Wolfman and artist Alec Morgan, “If I Tell You...” that takes some of the sour out of the main story.  It makes me wonder why Wolfman isn't writing this miniseries.  Is it because he is “too old” and “passè?”  I don't doubt that he would not write as bad a script as Ed Brisson wrote, even if he kept the overall plot.  I also like Alec Morgan's Eduardo Risso-like art.  Why isn't he drawing the main story!?

I am not recommending this, nor do I intend to read another issue.  But I might change my mind...

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

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Review: THE PUNISHER #1

THE PUNISHER (2016) No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Becky Cloonan
ART: Steve Dillon
COLORS: Frank Martin
LETTERS: VC's Cory Petit
COVER: Declan Shalvey with Jordie Bellaire
VARIANT COVERS: Alex Maleev; Tim Bradstreet; John Cassaday; John Tyler Christopher; Francesco Mattina; Todd Nauck with Rachelle Rosenberg; Phil Noto; Chris Samnee with Matthew Wilson; Christopher Stevens with Frank Martin; Skottie Young
28pp, Color, $3.99 U.S. (July 2016)

Parental Advisory – Not for Kids

The Punisher is a Marvel Comics vigilante and antihero.  The Punisher was created by writer Gerry Conway and artist John Romita, Sr. and made his first appearance in The Amazing Spider-Man #129 (cover-dated: February 1974).  The Punisher is Frank Castle, a man whose wife and children were killed during a mob shootout in New York City's Central Park.  That tragedy was the impetus for Castle's one-man war on crime, especially against organized criminals like the mob, street gangs, drug dealers, etc.

Over the last 30 years, Marvel has published numerous ongoing comic book series and miniseries starring The Punisher and even a few variations on the character.  Now, there is the launch of a new ongoing comic book series.  The Punisher is written by Becky Cloonan; drawn by Steve Dillon; colored by Frank Martin; and lettered by Cory Petit.

The Punisher #1 opens in the Brooklyn warehouse district.  There, the organization, Condor, prepares a major push for its news narcotic product, “EMC.”  However, in a nearby warehouse, the D.E.A. (Drug Enforcement Agency) watches and prepares for an early morning take down of Condor's operations.  Meanwhile, The Punisher plans to strike first.

After John Romita, who designed the character, of course, I consider Mike Zeck and Steve Dillon to be the iconic Punisher comic book artists.  I am reading this new Punisher comic book because Steve Dillon is drawing it.  His interpretation of The Punisher always came across to me as a rock-solid, relentless, machine-monster with some hellbent programming that directs him to kill mobsters and criminal scum wherever they are.

However, there is something else about this new series that intrigues me.  Becky Cloonan is writing The Punisher, and she may be the first woman to write an ongoing Punisher comic book.  I am curious to see where Cloonan takes this series, especially as she offers at least three supporting characters with the potential to capture her readers' imaginations.

So I'm down to give this fresh start of The Punisher a chance.  It could be the best Punisher in a long time.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint or syndication rights and fees.

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IDW Publishing from Diamond Distributors for January 15 2014

Digital Comics: Digital new releases available from your local comic book shop are marked below. [DIG] = Digital version available. [DIG/P+] = Print-Plus digital/print combo pack available. For more information, go to www.digitalcomicsreader.com.

IDW PUBLISHING

NOV130350 BEN 10 #3 [DIG/P+] $3.99
JUL130311 BLACK DYNAMITE #1 [DIG/P+] $3.99
NOV130390 GATE WAY #1 (FORMERLY PURGATORY) $3.99
NOV130356 GI JOE A REAL AMERICAN HERO #198 [DIG/P+] $3.99
NOV130363 GI JOE SPECIAL MISSIONS #11 [DIG/P+] $3.99
NOV130359 GI JOE SPECIAL MISSIONS TP VOL 02 $19.99
NOV130388 ILLEGITIMATES #2 [DIG/P+] $3.99
NOV130391 INDESTRUCTIBLE #2 [DIG/P+] $3.99
NOV130395 KISS KIDS TP $17.99
OCT130422 MAGIC THE GATHERING THEROS #3 [DIG/P+] $4.99
NOV130329 MAXX MAXXIMIZED #3 [DIG/P+] $3.99
NOV130337 MY LITTLE PONY FRIENDSHIP IS MAGIC #15 [DIG/P+] $3.99
NOV130396 POPEYE CLASSICS ONGOING #18 [DIG/P+] $3.99
NOV130348 POWERPUFF GIRLS #5 [DIG/P+] $3.99
NOV130405 RIO COMPLETE COLLECTION TP $29.99
SEP130462 TIM BRADSTREET SKETCHBOOK TP VOL 01 $9.99
OCT130409 TMNT ANNUAL DLX HC $39.99
NOV130311 TMNT NEW ANIMATED ADVENTURES #7 $3.99
NOV130406 TORPEDO TP VOL 05 [DIG] $17.99
NOV130365 TRANSFORMERS MORE THAN MEETS EYE #25 DARK CYBERTRON PART 6 [DIG/P+] $3.99
NOV130384 TRIPLE HELIX #4 [DIG/P+] $3.99
NOV130331 WRAITH WELCOME TO CHRISTMASLAND #3 [DIG/P+] $3.99
NOV130294 X-FILES CONSPIRACY #1 [DIG/P+] $3.99
NOV130303 X-FILES SEASON 10 #1 DIRECTORS CUT $4.99

Review: STAN LEE'S How to Draw Superheroes

STAN LEE’S HOW TO DRAW SUPERHEROES
WATSON-GUPTILL PUBLICATIONS/Dynamite Entertainment – @CrownPublishing and @dynamitecomics

WRITERS: Stan Lee with Danny Fingeroth, Keith Dallas, and Robert Sodaro
COVER:  Ardian Syaf; back cover by Alex Ross
ISBN: 978-0-8230-9845-3; paperback (July 9, 2013)
224pp, Color, $24.99 U.S., $28.99 CAN

Excelsior!  Stan Lee’s back!  And he is here to teach us about comic books – this time focusing on superheroes.  That is the case in the recently released Stan Lee’s How to Draw Superheroes.

This paperback book is the third in a series “how-to” books published under Stan Lee’s name by Watson-Guptill Publications (a division of the Crown Publishing Group).  Under a cover by Ardian Syaf, this 2013 book is co-written by Danny Fingeroth, Keith Dallas, and Robert Sodaro.  Stan Lee’s How to Draw Superheroes is a follow-up to Stan Lee’s How to Draw Comics and Stan Lee’s How to Write Comics.

The stated purpose of Stan Lee’s How to Draw Superheroes is to give aspiring superhero creators information on just about everything related to the comic book superhero genre: from sidekicks and secret hideouts to super-villains and monsters.  The book also has 24 step-by-step exercises designed to help readers learn how to draw a variety of superhero types – from poses and powers to secret identities and secret bases.

I did not have to peruse through too many chapters of Stan Lee’s How to Draw Superheroes before I began to think that the book was about superheroes as much as it was a “how-to” art book, if not more so.  There are 13 chapters in this book, and all of them are basically written surveys of superheroes, costumed heroes, and super-powered humans and heroes, from Gilgamesh all the way to the new superheroes being introduced by Dynamite Entertainment.

With chapters devoted to “Sidekicks and Teen Heroes” and “Robots, Androids, and Cyborgs,” Stan Lee’s How to Draw Superheroes is a broad overview of the elements that make up and the ideas that shape and structure superhero comic books.  This book can either be a refresher course for those familiar with superheroes or a guide for those unfamiliar who want to enter the unique world of reading that is American superhero comic books.

As a book about superheroes, Stan Lee’s How to Draw Superheroes is good.  As a how-to art book:  well, there are better, and that includes Lee’s own How to Draw Comics the Marvel Way (1978), produced with the late John Buscema.  In fact, the earlier Watson-Guptill book, Stan Lee’s How to Draw Comics, offers more about drawing theory and procedure than Stan Lee’s How to Draw Superheroes.  So buy this book for what it is (about superheroes) and not for what it is advertised as (a how to draw book).

B

www.crownpublishing.com
www.watsonguptill.com


Contributing artists:  Vinicius Andrande, Javier Aranda, Mark Bagley, Ed Benes, John Byrne, Tim Bradstreet, John Buscema, J. Scott Campbell, Jim Cheung, Chris Caniano, Will Eisner, David Enebral, Francesco Francavilla, Ale Garza, Phil Hester, Joe Jusco, Jack Kirby, Jim Lee, Adriano Lucas, Steve McNiven, Frank Miller, Ivan Nunes, Lucio Parillo, Paul Renaud, John Romita, Jr., Alex Ross, Tim Seeley, Joe Shuster

I Reads You Review: GAMBIT #1 (1999 series)

GAMBIT (1999) #1
MARVEL COMICS

WRITER: Fabian Nicieza
PENCILS: Steve Skroce
INKS: Rob Hunter
COLORS: Shannon Blanchard
LETTERS: Richard Starkings & Comicraft’s Emerson Miranda
COVERS: Steve Skroce and Rob Hunter with Liquid Graphics; Carlos Pacheco and Mezino with Richard Isanove; Adam Pollina; Brandon Peterson and Tim Townsend with Liquid Graphics; Tim Bradstreet; and Steve Skroce and Rob Hunter with DV
48pp, Color, $2.99 U.S.

Gambit is a Marvel Comics superhero character best known for his association with the X-Men. His civilian identity is Remy LeBeau. Gambit was created by writer Chris Claremont and artist Jim Lee and made a brief first appearance in Uncanny X-Men Annual #14 (1990), before making a fuller appearance in Uncanny X-Men #266 (August 1990).

A mutant, Gambit possesses the ability to mentally create, control and manipulate pure kinetic energy; this is best exemplified when he “biokinetically” charges objects (such as cards) and turns them into small explosives. In addition to playing cards, his other signatures are his Bō staff, Louisiana heritage, and thick Cajun accent.

Gambit received his first ongoing comic book series in 1999. Gambit #1, cover dated February 1999, was written by Fabian Nicieza and drawn by Steve Skroce (pencils). Entitled “The Man of Steal,” this first issue finds Gambit trying to pay off some kind of debt he owes to New Son. At this point, Gambit’s payment plan to New Son pits him against Elysian Enterprises, a military research firm headed by Anwar Anubar.

Anubar is seeking the treasures of Garbha-Hsein, an ancient Chinese warlord who legends say ruled for a thousand years. The legends also say that Garbha had an extraterrestrial vessel, which he took apart and buried in his 12 tombs. After Gambit successfully obtains one of the pieces, Anubar brings in The X-Cutioner, killer of bad mutants, to deal with Gambit. Also, we see into Gambit’s past and the X-Men (including Wolverine, Storm, Nightcrawler, Kitty Pryde, and Rogue) guest star.

With a cover date of February 1999, Gambit #1 probably arrived in comic book stores in December 1998 (or a little earlier). That was just about four months before the film, The Matrix, debuted in theatres. I imagine that not many people who picked up Gambit #1 when it was first released knew that series artist, Steve Skroce, had drawn the storyboards for The Matrix. Apparently, it was Skroce’s storyboards that helped executives at Warner Bros. understand the screenplay for The Matrix, written by directors Andy and Larry Wachowski and thus, approve its production.

Here, the art team of Skroce and inker Rob Hunter does not work. Skroce’s busy and crowded compositions turn into a murky mess under Hunter’s inks, and the clumsy coloring and color separations don’t help. This is not the polished post-Matrix Skroce that would emerge in a short run on Wolverine and at the Wachowski comic book company, Burlyman. As for the story, Fabian Nicieza wrote an action movie screenplay, with a wooden plot and a cast of wooden characters (plus a pointless origin sequence).

I remember reading this Gambit series for at least a year. [Gambit would get a second series in 2004 and another, which just launched as of this writing]. I was not a fan of Nicieza, at the time. Perhaps, I bought this comic book because of Skroce; for most of the 1990s, I only bought comics drawn by artists I liked. Whatever the reason, I wish I could get back the money I paid for these Gambit comic books.

C-