Red Hood and the Outlaws #0
DC Comics
Reviewed by Albert Avilla
Writer: Scott Lobdell
Artists: Pasqual Ferry, Ig Guara, Brett Booth
The Joker's Robin? The origin of Jason Todd as Robin. Lobdell is one of the best storytellers in comics. Poor, old Jason is raised by a hoodlum dad and a drug addict mom. Dad dies in prison, and mom overdoses. Jason does what he has to in order to survive. Batman takes him in, and he becomes Robin. He is a tough, gritty, brutal Robin.
Finds his mother in the Middle East, but this is a set up by the Joker. Jason goes in half-cocked; gets himself killed. Jason is resurrected by Talia al Ghul. This is a better resurrection than the previous one. Good job New 52. Then we get the old satellite dropped on our heads; The Joker shows up at the end of the story to tell us that Jason's rise to become was orchestrated by him.
This shocker made me respect Scott Lobdell just a little more. Another way to intertwine the characters of the Red Hood and the Joker. Lobdell is a masterful storyteller and I have been enjoying his work. I look forward to what he'll be doing with these characters and their rich backgrounds. We'll keep our fingers crossed, and possibly the team will expand its membership.
The only thing that I need to say about the art is look at Starfire on the cover.
I rate Red Hood and the Outlaws #0 Buy Your Own Copy.
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Monday, October 15, 2012
Albert Avilla Reviews: Red Hood and the Outlaws #0
Labels:
Albert Avilla,
Brett Booth,
DC Comics,
Ig Guara,
Pasqual Ferry,
Review,
Scott Lobdell
Sunday, October 14, 2012
Albert Avilla Reviews: Avengers Vs. X-Men Round 12
Avengers Vs. X-Men Round 12
Marvel Comics
Reviewed by Albert Avilla
Story: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Matt Fraction, Jonathan Hickman
Script: Jason Aaron
Pencils: Adam Kubert
Inks: John Dell, Mark Morales, Adam Kubert
(Possible spoilers)
There is no title to this story; it's Round 12. This is the battle of the year. If you read one comic this year, then you need to get a better job, get better friends, or hang around the comic shop a little longer. This is definitely the best one that I've read this month. A great balance of action and drama; I'm more of an aficionado of the action. We get the good old fisticuffs that we enjoy along with the heroic saving of human lives. The heroes use every ounce of their intestinal fortitude to defeat a powerful enemy. Finally, the Scarlet Witch and Hope knock the Phoenix out of Cyclops.
Interspersed with this beautiful action, we get the drama. A warrior who has fought for the light since his days as an adolescent is seduced by the darkness into believing that destruction is the path to his most lofty goals. Fighting to stop him: the mutant messiah and the destroyer of the mutant race. We have the fall of a great hero and the rise of another. Hope Summers just wants what we all want – to be our best self. She takes the Phoenix force and saves the Earth and the mutant race. The road we have traveled; Cyclops is a prisoner and Wolverine is the headmaster of his own school. Cap decides to take up the mutant cause. This event will have repercussions that will be felt across the Marvel Universe. The House of Ideas is still alive and flexing its muscles.
The series has been a showcase for Marvel's artists, and this round continues to give us the best of Marvel. Kubert and the crew are fantastic. From the temples of K'un Lun to every corner of the globe we get a celebration for the eyes.
You guessed it I rate Round 12 Recommend It To A Friend.
Marvel Comics
Reviewed by Albert Avilla
Story: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Matt Fraction, Jonathan Hickman
Script: Jason Aaron
Pencils: Adam Kubert
Inks: John Dell, Mark Morales, Adam Kubert
(Possible spoilers)
There is no title to this story; it's Round 12. This is the battle of the year. If you read one comic this year, then you need to get a better job, get better friends, or hang around the comic shop a little longer. This is definitely the best one that I've read this month. A great balance of action and drama; I'm more of an aficionado of the action. We get the good old fisticuffs that we enjoy along with the heroic saving of human lives. The heroes use every ounce of their intestinal fortitude to defeat a powerful enemy. Finally, the Scarlet Witch and Hope knock the Phoenix out of Cyclops.
Interspersed with this beautiful action, we get the drama. A warrior who has fought for the light since his days as an adolescent is seduced by the darkness into believing that destruction is the path to his most lofty goals. Fighting to stop him: the mutant messiah and the destroyer of the mutant race. We have the fall of a great hero and the rise of another. Hope Summers just wants what we all want – to be our best self. She takes the Phoenix force and saves the Earth and the mutant race. The road we have traveled; Cyclops is a prisoner and Wolverine is the headmaster of his own school. Cap decides to take up the mutant cause. This event will have repercussions that will be felt across the Marvel Universe. The House of Ideas is still alive and flexing its muscles.
The series has been a showcase for Marvel's artists, and this round continues to give us the best of Marvel. Kubert and the crew are fantastic. From the temples of K'un Lun to every corner of the globe we get a celebration for the eyes.
You guessed it I rate Round 12 Recommend It To A Friend.
Labels:
Adam Kubert,
Albert Avilla,
Avengers,
Brian Michael Bendis,
Ed Brubaker,
Jason Aaron,
John Dell,
Jonathan Hickman,
Mark Morales,
Marvel,
Matt Fraction,
Review,
X-Men
Nura: Rise of the Yokai Clan - Kyoto in Darkness
I read Nura: Rise of the Yokai Clan, Vol. 11
I posted a review in ComicBookBin (which has free smart phone apps and comics).
I posted a review in ComicBookBin (which has free smart phone apps and comics).
Labels:
Comic Book Bin,
manga,
shonen,
Shonen Jump,
VIZ Media
Saturday, October 13, 2012
Book Review: Grant Morrison's SUPERGODS
SUPERGODS
SPIEGEL & GRAU
AUTHOR: Grant Morrison
ISBN: 978-0-8129-8138-4; paperback
E-BOOK ISBN: 978-0-679-60346-7
476pp, B&W, $16.00 U.S., $19.00 CAN
Born in 1960 in Glasgow, Scotland, Grant Morrison is one of the most popular and acclaimed contemporary comic book writers. He is known for such comics as Animal Man, All-Star Superman, Batman, Doom Patrol, and JLA, among others, for DC Comics and The New X-Men for Marvel Comics. He is also the author of one of my all-time favorite comic book series, The Invisibles. He was recently appointed Member of the Order of the British Empire (MBE), so he is now Grant Morrison, MBE.
What I did not know is that Morrison had written a non-fiction book that was an analysis of superheroes. It was published in hardcover in July 2011 by Random House imprint, Spiegel & Grau. Now, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach us About Being Human arrives in paperback. Morrison has also written a new afterword for the paperback to correct and clarify errors and omissions in the hardcover edition.
According to the press materials for the book, Morrison uses Supergods to explain why superheroes matter to us, why they will always be with us, and what they can tell us about ourselves – such as who we are. Morrison not only looks at superheroes, which he sees as powerful archetypes, but he also examines the writers and artists that created these characters. He explores the cultural, political, and social movements that he believes that led to the creation of specific superheroes at particular periods of time.
Morrison identifies four “ages” of the superhero. The Golden Age gave the world Superman and Batman and the characters they inspired or that were copies of them (to various degrees). The Silver Age saw the emergence of Marvel Comics, while the Dark Age was personified and defined by Alan Moore’s Watchmen. Morrison names the newest age the Renaissance because this is an era in which superheroes have exploded across the media landscape, in terms of mediums, formats, and platforms.
As a side story to this rumination on superheroes, Grant Morrison also talks about his own life. He tells how he first encountered superheroes and what they mean to his professional life.
Before beginning Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach us About Being Human, the readers may want to consider that this book is a subjective history specifically from the author, Grant Morrison’s point of view. Supergods is not an encyclopedia of superheroes. Rather, it gives a broad overview of superheroes in a manner similar to Larry Tye’s recent Superman: The High-Flying History of American’s Most Enduring Hero, which gives a broad overview of the history of Superman.
With that in mind, the reader can enjoy both Morrison’s wit and his personal and philosophical view of the history of comic books and superheroes. He mixes anecdotes with pointed commentary about superheroes and their creators and publishers. That doesn’t always work. Morrison’s section on Superman is boring, while his section on Wonder Woman and the eccentric love triangle behind her creation is a pleasure to read.
Readers familiar with Morrison know that his writing is not only imaginative and inventive, but that it also has flair. Readers who do not read comic books, but who are interested in superheroes will find Morrison’s humorous tone welcoming. They may be a bit put off by how Morrison plunges their brains into superheroes as if he were plunging them into cold water for a wake-up call. However, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach us About Being Human is an effective way for readers to learn about many superheroes, and having Morrison doing the teaching is a good thing.
Reviewed by Leroy Douresseaux
SPIEGEL & GRAU
AUTHOR: Grant Morrison
ISBN: 978-0-8129-8138-4; paperback
E-BOOK ISBN: 978-0-679-60346-7
476pp, B&W, $16.00 U.S., $19.00 CAN
Born in 1960 in Glasgow, Scotland, Grant Morrison is one of the most popular and acclaimed contemporary comic book writers. He is known for such comics as Animal Man, All-Star Superman, Batman, Doom Patrol, and JLA, among others, for DC Comics and The New X-Men for Marvel Comics. He is also the author of one of my all-time favorite comic book series, The Invisibles. He was recently appointed Member of the Order of the British Empire (MBE), so he is now Grant Morrison, MBE.
What I did not know is that Morrison had written a non-fiction book that was an analysis of superheroes. It was published in hardcover in July 2011 by Random House imprint, Spiegel & Grau. Now, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach us About Being Human arrives in paperback. Morrison has also written a new afterword for the paperback to correct and clarify errors and omissions in the hardcover edition.
According to the press materials for the book, Morrison uses Supergods to explain why superheroes matter to us, why they will always be with us, and what they can tell us about ourselves – such as who we are. Morrison not only looks at superheroes, which he sees as powerful archetypes, but he also examines the writers and artists that created these characters. He explores the cultural, political, and social movements that he believes that led to the creation of specific superheroes at particular periods of time.
Morrison identifies four “ages” of the superhero. The Golden Age gave the world Superman and Batman and the characters they inspired or that were copies of them (to various degrees). The Silver Age saw the emergence of Marvel Comics, while the Dark Age was personified and defined by Alan Moore’s Watchmen. Morrison names the newest age the Renaissance because this is an era in which superheroes have exploded across the media landscape, in terms of mediums, formats, and platforms.
As a side story to this rumination on superheroes, Grant Morrison also talks about his own life. He tells how he first encountered superheroes and what they mean to his professional life.
Before beginning Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach us About Being Human, the readers may want to consider that this book is a subjective history specifically from the author, Grant Morrison’s point of view. Supergods is not an encyclopedia of superheroes. Rather, it gives a broad overview of superheroes in a manner similar to Larry Tye’s recent Superman: The High-Flying History of American’s Most Enduring Hero, which gives a broad overview of the history of Superman.
With that in mind, the reader can enjoy both Morrison’s wit and his personal and philosophical view of the history of comic books and superheroes. He mixes anecdotes with pointed commentary about superheroes and their creators and publishers. That doesn’t always work. Morrison’s section on Superman is boring, while his section on Wonder Woman and the eccentric love triangle behind her creation is a pleasure to read.
Readers familiar with Morrison know that his writing is not only imaginative and inventive, but that it also has flair. Readers who do not read comic books, but who are interested in superheroes will find Morrison’s humorous tone welcoming. They may be a bit put off by how Morrison plunges their brains into superheroes as if he were plunging them into cold water for a wake-up call. However, Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach us About Being Human is an effective way for readers to learn about many superheroes, and having Morrison doing the teaching is a good thing.
Reviewed by Leroy Douresseaux
Friday, October 12, 2012
Bleach: God is Dead and The Lost Agent
I read Bleach, Vol. 48 and Bleach, Vol. 49: The Lost Agent
I posted reviews at the Comic Book Bin (which also has free comics) here and here.
I posted reviews at the Comic Book Bin (which also has free comics) here and here.
Labels:
Bleach,
Christine Dashiell,
Comic Book Bin,
Joe Yamazaki,
Lance Caselman,
manga,
shonen,
Shonen Jump,
Tite Kubo,
VIZ Media
Thursday, October 11, 2012
Review: Charles Burns' THE HIVE
THE HIVE
PANTHEON BOOKS – @PantheonBooks
CARTOONIST: Charles Burns
ISBN: 978-0-307-90788-2; hardcover (October 2012)
56pp, Color, $21.95 US, $25.95 CAN
Charles Burns is the Philadelphia-based comic book creator, cartoonist, and illustrator known for such works as Black Hole and Big Baby. Burns grew up in Seattle in the 1970s and rose to prominence in the mid-1980s when his comics began to appear in RAW, the avant-garde magazine founded by Art Spiegelman and Françoise Mouly.
Burns’ latest work is The Hive, the second volume of a graphic novel trilogy that began in 2010 with X’ed Out. Both volumes are published as 9x12 hardcover editions, similar to the oversized format Fantagraphics Books used for its “Charles Burns Library.” Apparently, Burns has drawn inspiration for X’ed Out and The Hive from legendary cartoonist Hergé (Tintin) and author William Burroughs (The Naked Lunch), although I think the films of David Lynch could also be an influence.
Like X’ed Out, The Hive is the story of Doug, a photographic artist who has a head injury of some kind. Following his cat, Inky, who is supposed to be dead, through a hole torn in a brick wall, Doug discovers a place called The Hive. As the second volume begins, Doug works in that nightmarish alternate world as a lowly employee who carts supplies around The Hive. He strikes up a friendship with a breeder named Suzy, and that new relationship is almost like another he had.
In fact, in the real world, Doug is talking about his past to an unidentified woman. He struggles to recall a mysterious incident with his now-absent girlfriend, Sarah (who is also a photographer), and her menacing boyfriend. Where are the answers?
I have to admit that by the time I finished reading the first half of The Hive, I was bored with it. Actually, I thought I was bored; I was simply lost in and confused by this narrative, which not only travels between two worlds, but also moves back and forth through time. The hero, Doug, is also unmoored in time. I think he’s an unreliable narrator, and I wouldn’t be surprised if he’s dead, in a coma, or intellectually disabled.
Once I got my bearings, I realized that Charles Burns had done it to me again. He’d drawn me into another one of his surreal landscapes – infused with a sense of creeping dread and filled with the dreadfully creepy. When he draws a figure, human or humanoid, Burns beats back the ordinary (except for a nude depiction of Doug, who is ordinary), choosing the extraordinary and the bizarre. As Chris Ware just showed with Building Stories, Burns reveals with The Hive that, as a comics creator, he is in a place where few other cartoonists are.
A-
Reviewed by Leroy Douresseaux
www.facebook.com/pantheonbooks
www.pantheoncomics.com
PANTHEON BOOKS – @PantheonBooks
CARTOONIST: Charles Burns
ISBN: 978-0-307-90788-2; hardcover (October 2012)
56pp, Color, $21.95 US, $25.95 CAN
Charles Burns is the Philadelphia-based comic book creator, cartoonist, and illustrator known for such works as Black Hole and Big Baby. Burns grew up in Seattle in the 1970s and rose to prominence in the mid-1980s when his comics began to appear in RAW, the avant-garde magazine founded by Art Spiegelman and Françoise Mouly.
Burns’ latest work is The Hive, the second volume of a graphic novel trilogy that began in 2010 with X’ed Out. Both volumes are published as 9x12 hardcover editions, similar to the oversized format Fantagraphics Books used for its “Charles Burns Library.” Apparently, Burns has drawn inspiration for X’ed Out and The Hive from legendary cartoonist Hergé (Tintin) and author William Burroughs (The Naked Lunch), although I think the films of David Lynch could also be an influence.
Like X’ed Out, The Hive is the story of Doug, a photographic artist who has a head injury of some kind. Following his cat, Inky, who is supposed to be dead, through a hole torn in a brick wall, Doug discovers a place called The Hive. As the second volume begins, Doug works in that nightmarish alternate world as a lowly employee who carts supplies around The Hive. He strikes up a friendship with a breeder named Suzy, and that new relationship is almost like another he had.
In fact, in the real world, Doug is talking about his past to an unidentified woman. He struggles to recall a mysterious incident with his now-absent girlfriend, Sarah (who is also a photographer), and her menacing boyfriend. Where are the answers?
I have to admit that by the time I finished reading the first half of The Hive, I was bored with it. Actually, I thought I was bored; I was simply lost in and confused by this narrative, which not only travels between two worlds, but also moves back and forth through time. The hero, Doug, is also unmoored in time. I think he’s an unreliable narrator, and I wouldn’t be surprised if he’s dead, in a coma, or intellectually disabled.
Once I got my bearings, I realized that Charles Burns had done it to me again. He’d drawn me into another one of his surreal landscapes – infused with a sense of creeping dread and filled with the dreadfully creepy. When he draws a figure, human or humanoid, Burns beats back the ordinary (except for a nude depiction of Doug, who is ordinary), choosing the extraordinary and the bizarre. As Chris Ware just showed with Building Stories, Burns reveals with The Hive that, as a comics creator, he is in a place where few other cartoonists are.
A-
Reviewed by Leroy Douresseaux
www.facebook.com/pantheonbooks
www.pantheoncomics.com
Labels:
alt-comix,
Charles Burns,
OGN,
Pantheon Books,
Review
Wednesday, October 10, 2012
Fantagraphics Bookstore Holds EC Comics Event, Oct. 13th
The Horror: Selections from the EC Comics Library Opens Oct. 13 at Fantagraphics Bookstore 1
THE HORROR: SELECTIONS FROM THE EC COMICS LIBRARY seduces Seattle at Fantagraphics Bookstore on October 13.
Fantagraphics Bookstore & Gallery celebrates the legacy of these American masters in “The Horror: Selections from the EC Comics Library” opening Saturday, October 13 from 6:00 to 9:00 PM. On display will be pages reproduced from the work of acclaimed EC editor (and creator of EC’s insurgent MAD magazine) Harvey Kurtzman, as well as Wallace Wood, among the world’s most admired cartoonists.
The exhibition celebrates the publication by Seattle-based Fantagraphics Books of the first two titles in the EC Comics Library series: Corpse on the Imjin! and Other Stories by Harvey Kurtzman and Came the Dawn and Other Stories by Wallace Wood. Visitors to the reception will be among the first in the country to receive complimentary copies of Fantagraphics’ Tales From the Crypt EC sampler featuring the work of incomparable cartoonist Jack Davis.
The lurid crime and horror comics of the fifties created nationwide hysteria. Unsubstantiated claims that comic books caused juvenile delinquency, circulated by psychiatrist Dr. Fredric Wertham in his book Seduction of the Innocent, led to sensational Senate hearings and the introduction of the Comics Code Authority – a self-censoring body that ended this age of classic American comics. At the peak of their popularity, crime and horror comics on the EC imprint sold millions of copies each issue despite being demonized by political opportunists. It was only later understood that these disposable publications were arguably the work of the greatest cartoonists of their generation.
Musical entertainment will be provided by Swedish-born, Berlin-based recording artist Molly Nilsson. Her haunting vocal delivery and lyrical approach perfectly complement the EC aesthetic. This event coincides with the colorful Georgetown Art Attack featuring visual and performing arts presentations throughout Seattle’s spookiest neighborhood. Celebrate the beginning of Halloween season in style on this extraordinary evening.
Listing information:
The Horror: Selections from the EC Comics Library
Opening reception Saturday, October 13, 6:00 to 9:00 PM
Performance by Berlin-based recording artist Molly Nilsson.
Exhibition continues through Halloween.
Fantagraphics Bookstore & Gallery
2101 S. Vale St. Seattle, WA 98108
206.658.0110 www.fantagraphics.com
Open daily 11:30 to 8:00 PM. Sunday to 5:00 PM
THE HORROR: SELECTIONS FROM THE EC COMICS LIBRARY seduces Seattle at Fantagraphics Bookstore on October 13.
Fantagraphics Bookstore & Gallery celebrates the legacy of these American masters in “The Horror: Selections from the EC Comics Library” opening Saturday, October 13 from 6:00 to 9:00 PM. On display will be pages reproduced from the work of acclaimed EC editor (and creator of EC’s insurgent MAD magazine) Harvey Kurtzman, as well as Wallace Wood, among the world’s most admired cartoonists.
The exhibition celebrates the publication by Seattle-based Fantagraphics Books of the first two titles in the EC Comics Library series: Corpse on the Imjin! and Other Stories by Harvey Kurtzman and Came the Dawn and Other Stories by Wallace Wood. Visitors to the reception will be among the first in the country to receive complimentary copies of Fantagraphics’ Tales From the Crypt EC sampler featuring the work of incomparable cartoonist Jack Davis.
The lurid crime and horror comics of the fifties created nationwide hysteria. Unsubstantiated claims that comic books caused juvenile delinquency, circulated by psychiatrist Dr. Fredric Wertham in his book Seduction of the Innocent, led to sensational Senate hearings and the introduction of the Comics Code Authority – a self-censoring body that ended this age of classic American comics. At the peak of their popularity, crime and horror comics on the EC imprint sold millions of copies each issue despite being demonized by political opportunists. It was only later understood that these disposable publications were arguably the work of the greatest cartoonists of their generation.
Musical entertainment will be provided by Swedish-born, Berlin-based recording artist Molly Nilsson. Her haunting vocal delivery and lyrical approach perfectly complement the EC aesthetic. This event coincides with the colorful Georgetown Art Attack featuring visual and performing arts presentations throughout Seattle’s spookiest neighborhood. Celebrate the beginning of Halloween season in style on this extraordinary evening.
Listing information:
The Horror: Selections from the EC Comics Library
Opening reception Saturday, October 13, 6:00 to 9:00 PM
Performance by Berlin-based recording artist Molly Nilsson.
Exhibition continues through Halloween.
Fantagraphics Bookstore & Gallery
2101 S. Vale St. Seattle, WA 98108
206.658.0110 www.fantagraphics.com
Open daily 11:30 to 8:00 PM. Sunday to 5:00 PM
Labels:
Book News,
comics news,
EC Comics,
event,
Fantagraphics Books,
Harvey Kurtzman,
Jack Davis,
Press Release,
Wally Wood
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